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Lot 616
A collection of pictures and prints including an 18th century black and white engraving after Sir Joshua Reynolds of the Duke of Gloucester as a boy, a gouache of a Brittany street scene by Ken Kernick, an oil on canvas of a bull fighting scene, a coloured etching of Mullion Cove signed Francis Wells, a poster from the Museum of the City of New York exhibition of the works of George and Ira Gershwin, 1968 and a folder of various screen prints, watercolours, etc (8)
Lot 624
D C Sturgess (20th century British) - Study of an elderly woman, black and white etching, signed in pencil, 20.5 x 25cm, together with two late 19th century reverse paintings on glass both showing landscape subjects with figures, ruins, etc, 40 x 60cm, one in burrwood frame, further burrwood framed 19th century engravings and prints including Shakespearean subjects, The Marine Palace at Brighton with Queen Victoria, etc, together with a pair of relief moulded panels showing a Cornish fisherman and a Cornish fishwife, various sizes all framed (19)
Lot 647
Tim Buhner (20th/21st century) - Cartoon on a yacht racing theme, watercolour on paper, signed, 17.5 x 13.5cm, a signed coloured limited edition etching of a cricketing caricature by the same artist, a signed black and white caricature print of - Retirement Age Protest by Matt, 25 x 17.5cm, a coloured print after an 18th century engraving of the Venetian lagoon, etc, all framed (6)
Lot 704
* CARLO ROSSI RSW RGI (SCOTTISH 1921 - 2010), STILL LIFE monotype, signed and dated '89 43cm x 53cm Mounted, framed and under glass. Label verso: Compass Gallery, 178 West Regent Street, Glasgow. Note: Monotyping produces a unique print, or monotype, made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a sheet of paper by pressing the two together, usually using a printing-press. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil based or water based. With oil based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Carlo Rossi created an exceptional body of work using the monotype process and was an enthusiastic exponent of the medium.
Lot 146
Herbert Thomas Dicksee RE (1862-1942) "A Place in the Sun" Artist Proof Etching, signed in pencil to lower left, initialled HD and dated 1924 to lower right, 33.5cm x 55cm, having label to verso, framedCondition reportThe etching is beneath glass, visible staining to card backing. Pencil signature clear on the main subject, so are the initials and date. Through the glass looks in good condition. Has artist plaque to front of frame, the plaque is faded. Minor issues to the frame.
Lot 153
F.Robson "Wells Cathedral" "The Town Hall Abingdon" "Penniless Porch, Wells" "Truro Cathedral" "College Oxford" Five Etchings, all signed in pencil, approximately 22cm x 14cm, also with a George Goodway etching of "Mermaid Inn, Rye" and with an etching by Haig of a "Cathedral Interior", blind stamp to lower left, (7)
Lot 2022
A collection of assorted etchings, mostly 19th Century, comprising 'Royal Institution of Athenaeum, Manchester', 'The Devonshire Hospital, Buxton', 'St Peters, Manchester', 'All Saints, Manchester', 'Town Hall, Manchester', 'St Andrews Place, Regents Park', 'The Infirmary Dispensary and Lunatic Asylum, Manchester', plus a further coloured etching of Manchester and a Sarah Cheshire 'Eton' print (9)
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