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A circa 1800 French sword, the 81cm triangular blade with remains of gilt etching and marked to the forte IGB for Johann Clemens Boegel, having a boat shaped guard with embossed D-shaped knuckle guard and grip, housed in a leather scabbard, 96cm.

Two framed and glazed watercolours, an etching of Framlingham College and a framed and glazed embroidery on silk of Roman temples (Damaged) (4)

Ade Adesina (Nigerian, b.1980). '9 of Spades / Another Life', limited edition lino cut print. Signed and numbered 6/30. 101.3cm x 41.5cm. Ade Adesina, born in Nigeria 1980, is currently a full time Artist based in Aberdeen, Scotland. Studied printmaking at Grays School of Art, Aberdeen. Royal Scottish Academician, member of the Royal Glasgow Institute of The Fine Art, The London Group and Associate Member Royal Society of Painter-printmakers. Past Artist in Residence at Eton College & Glasgow Print Studio. My work is a visual commentary around the ideas of ecology and our ever-changing world. I am fascinated by how the human footprint is affecting our planet. Our world is full of wonderful landscapes and I wish to highlight the continual damage caused through things such as deforestation, the politics of energy consumption, and endangered wild species. I am a traditional printmaker, painter and sculptor with modern twist; I work with mostly woodcarving, linocut, etching, and oil. I combine my African cultural roots with the British culture, producing work that makes people reflect on the past, present and the future. My practice is influenced by my experiences of travel and the imagery that I encounter. Recently I spent time in Italy, Nigeria, Scottish Islands and Germany, immersing myself in different cultures and collecting a variety of imagery to use in my next body of work. I enjoy researching and visualising the differences between countries both historically and culturally. My ideas come from the new places Ive visited and I source information from documentaries and current affairs. www.adeadesina.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

AN OIL ON CANVAS OF AN AUTUMN SCENE SIGNED I CAPIRI AND AN ETCHING OF STRASBOURG

Kollwitz Käthe Die Pflüger, 1921 Aquatintaradierung Signiert rechts unten, datiert in der Platte Plattengröße: 31 x 45,2 cm Leihrahmen: € 90,-- Klipstein 94 / Zustand VII Provenienz: Dorotheum Wien - Privatbesitz Wien Kollwitz Käthe The Tiller, 1921 Aquatint etching Signed lower right, dated on plate Plate Size: 12,2 x 17,8 in lent frame: € 90,-- Klipstein 94 / edition VII Provenance: Dorotheum Vienna - private collection Vienna

Cézanne Paul Portrait du peintre Armand Guillaumin au pendu, 1873 Kaltnadelradierung auf geripptem Büttenpapier Blattgröße: 25,1 x 16,3 cm / Plattengröße: 15,5 x 11,8 cm Cézanne hat in seinem Lebenswerk nur 5 Radierungen geschaffen, die alle im Juli 1873 entstanden, als Cézanne mit Camille Pissarro und seinem Freund dem Maler und Poeten Armand Guillaumin in Auvers-sur-Oise in dieser Technik experimentierte. Alle drei haben dabei ein Symbol als Signatur verwendet, Cézanne das Zeichen des Gehängten. In „Guillaumin au pendu“ wird eben dieser Maler von Cézanne portraitiert. Die genaue Auflage der Arbeit ist unbekannt, dürfte bei ca. 1000 Stück liegen. Cézanne hat die Radierungen im Atelier von Dr. Gachet gedruckt, der über eine Radierpresse verfügte. Im Jahr darauf malt Cézanne sein berühmtes Werk „La Maison du Pendu“ (das Haus des Gehängten). Die Idee dazu kündigt sich erstmals in dieser Radierung an. Die Spontanität der Arbeit lässt darauf schließen, dass Cézanne direkt auf der Platte arbeitete. Im Unterrand sowie Verso mit Bleistift-Annotation. Im weißen Rand schwach gebräunt. Sonst guter Gesamteindruck. Cézanne Paul Portrait du peintre Armand Guillaumin au pendu, 1873 Dry point etching on ripped handmade paper Sheet Size: 9,9 x 6,4 in / Plate Size: 6,1 x 4,6 in In his life's work, Cézanne only created 5 etchings, all of which were created in July 1873 when Cézanne experimented with this technique with Camille Pissarro and his friend the painter and poet Armand Guillaumin in Auvers-sur-Oise. All three used a symbol as a signature, Cézanne the sign of the hanged man. In “Guillaumin au pendu” this painter is portrayed by Cézanne. The exact edition of the work is unknown, it should be around 1000 pieces. Cézanne printed the etchings in Dr. Gachet's studio, who had an etching press. The following year, Cézanne painted his famous work “La Maison du Pendu” (the house of the hanged man). The idea for this is announced for the first time in this etching. The spontaneity of the work suggests that Cézanne was working directly on the plate. With pencil annotation in the lower margin and verso. Slightly browned in the white margin. Otherwise good overall impression.

Hutter Wolfgang Weiblicher Akt und Paradiesvogel, 1989 Handkolorierte Radierung Signiert und datiert rechts unten, nummeriert links unten: IX/XX Plattengröße: 22,5 x 36 cm gerahmt Provenienz: Aus dem Atelier des Künstlers - Privatsammlung Wien Hutter Wolfgang Female Nude and Bird of Paradise, 1989 Hand colored etching Signed and dated lower right, numbered lower left: IX/XX Plate Size: 8,9 x 14,2 in framed

Kollwitz Käthe Aus vielen Wunden blutest du, oh Volk, 1896 Aquatintaradierung Blattgröße: 31,1 x 43 cm Klipstein 29 / Zustand IV Provenienz: Dorotheum Wien - Privatbesitz Wien Kollwitz Käthe You bleed from many Wounds, oh People, 1896 Aquatint etching Sheet Size: 12,2 x 16,9 in Klipstein 29 / edition IV Provenance: Dorotheum Vienna - private collection Vienna

Giovanni Piranasi framed and glazed monochromatic etching of classical ruins, 12.5 x 18cm

A Victorian framed and glazed hand coloured etching titled The Bridesmaid, 37 x 26cm

Collection of books, comprising: The Cook's Oracle, by William Kitchiner, London: Robert Cadell, 1831, detached boards, bearing gift inscription from Robert Quarme to R. L. West [Raphael Lamar West], 5 July 1832; Harunobu, by Yone Noguchi, London: Elkin Matthews, 1927, one of 500 copies, stitched paper covers housed within cloth wrap-around folder; John Cassell's Illustrated History of England, London: Cassell, 1860, detached boards; Book of Common Prayer, London: Eyre & Spottiswoode, 1844, detached boards; The Pilot, [James Fenimore Cooper], second edition in three volumes, London: John Miller, 1824, detached/lacking boards; The Court Companion, London: C. Whittingham, no date, lacking board; Scraps and Sketches, illustrated by George Cruikshank, cover detached, no title (two loosely inserted hand-coloured lithographs of coaching scenes, unrelated, damaged); Modern Masters of Etching: Whistler, London: The Studio, 1932, contents loose; Fruits and Flowers, London: The Ariel Press, 1955, with glassine wrappers; Dabbitse, by Chiang Yee, third edition, London: Transatlantic Arts Ltd., 1946, yellow cloth covers. As found (12)Provenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)

Sir Hubert von Herkomer (1849-1914), two ladies, etching with drypoint, signed and dated in the plate, 'H.H. '79', 25.5cm by 18.5cm, framed & glazed

Epponina, stipple engraving with etching, by Charles Wilkin after Benjamin West, published 1 May 1794. Epponina is depicted with her children visiting Julius Sabinus in the caverns. 51cm by 39cm (plate-mark). Framed & glazedProvenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)

Dieter Roth (1930-1998) - Limited edition etching - 'Daler Islands', No.60/100, signed in pencil and dated '73, 10.25cm x 10.75cm - Artist Resale Rights May Apply Condition: **General condition consistent with age

Arthur Briscoe (1873-1943) - Etching - Signed trial proof depicting a lady pushing a pram in front of a demonstration, signed in pencil lower right, the mount marked Laver Supplement No.163 Trial Proof, 15cm x 22cm, framed and glazed Condition: Some minor foxing and the paper appears to have stress lines caused by the plate impression along the top and bottom edge, see images. **General condition consistent with age

Alice Barnwell, 'Snow blossom', coloured etching, titled and signed with studio blind stamp, 23x30

An etching of a robin, signed Kupercus, 14x10cm; together with a frame print of a climbing bear, 'Determination', after Ralph Thompson, 19x15cm

An etching of Staple Inn, London, indistinctly signed and titled in pencil, together with one other, each 20x14cm

Valerie Thornton (British, 1931-1991), ‘Flatford Mill’. limited edition etching and aquatint in colours, signed, dated '71 and numbered 35/70 in pencil to lower margin, 40 x 62cm

Pat Schaverien (20th century British school), '2 Llamas', etching, artists proof, signed, titled and dated 1994 in pencil to lower margin, unframed, 12 x 16cm, together with an unframed etching by Joan Dannatt, 'Eggs', signed, titled and numbered 18/20 in pencil to lower margin, 11.3 x 12.7cm (2)

§ After Picasso, ‘The Frugal Repast’ (Le Repas Frugal). Lithograpic reproduction of the 1904 etching from the Saltimbanque series. Printed on Van Gelder paper in an edition of 250, this information printed verso and repeated on a label from the Herman Shikmann Gallery of New York.

Axel Herman Haig (1835-1921). First Communion in Amiens Cathedral (1891) Etching, monogrammed and dated in the plate, hand signed lower right. From an edition of 450. Presented in a substantial mahogany frame with applied and engraved ecclesiastically themed decoration. Note this is one of Haig’s earliest engravings, in later years he wrote ‘the interior of this Cathedral still is to me all that is most pure and beautiful in Gothic form’.

Valerie Thornton (British, 1931-1991), ‘Mosque Cordova’, limited edition etching, signed, titled and numbered 11/50 in pencil to lower margin, unframed, 40 x 53cm

§ Louis Icart (French 1880-1950) Parasol, signed drypoint etching, embossed blindstamp, le Graveur Modernes Paris. 28.5 x 42cm. Framed and glazed. Please note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information.

§ John Piper (British, 1903-1993). Notre Dame de l'Épine, near Rheims, limited edition etching, signed and numbered 22/50 in pencil. Plate size: 68.5 x 53.5cm. Framed, size of frame 100 x 81.5cm. There is an example of this print in the Tate (reference P02278). Please note that artist resale right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% on top of the hammer price. Please visit www.dacs.org for more information.

William Lionel Wyllie (British, 1851-1931), 'HMS Victory', etching, signed in pencil to lower left margin, 18 x 25cm Undulations in paper. Light discolouration.

Heckel, ErichHeckel, Erich (1883 Döbelin - Radolfzell 1970). Clown und Knabe. Kaltnade Heckel, Erich Heckel, Erich (1883 Döbelin - Radolfzell 1970). Clown und Knabe. Kaltnadelradierung 1924. Plgr. 24,6 x 16 cm. Unt. re. sign. u. dat. Unter Passep. u. Glas gerahmt (nicht ausgerahmt). Dube KN 150 II: 'Die Wange des Knaben mit Binnenzeichnung versehen, seine li. Körperkontur durch Schraffur verstärkt. Der Hintergrund li. vom Clown mit senkrechten Linien belebt. Der Frack des Clowns dunkler, sein li. Hosenbein mit Kreuzschraffuren gezeichnet u.a. mehr'. Eines von 30 Ex. - Clown and boy. Drypoint etching, bottom right signed and dated. Framed under passepartout and glass. One of 30 copies.

DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Portrait de Marguerite. Untertitel: Aus: Faust (La Nuit de Walpurgis). Datierung: 1968/69. Technik: Radierung, blau aquarelliert mit Goldauflage auf Japon nacré mit dem Prägestempel "Dali". Montierung: Auf Passepartout aufgezogen. Darstellungsmaß: 32 x 23,5cm. Blattmaß: 37 x 28cm. Bezeichnung: Bezeichnet und nummeriert. Herausgeber: Graphik Europa Anstalt Robbe (Hrsg.). Exemplar: 75/145. Rahmen: Rahmen. Zustand: Umlaufend minimaler Lichtrand. Blatt fest im Passepartout aufgezogen. Ansonsten in sehr gutem Zustand. WVZ. Michler/Löpsinger, Nr. 298. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Porträt Papierarbeit Radierung DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Portrait de Marguerite. Subtitle: From: Faust (La Nuit de Walpurgis). Date: 1968/69. Techinque: Etching, blue watercolour with gold plating on Japon nacré with the blind stamp "Dali". Mounting: Matted. Depiction Size: 32 x 23,5cm. Sheet Size: 37 x 28cm. Notation: Inscribed and numbered. Publisher: Graphik Europa Anstalt Robbe (publisher). Number: 75/145. Frame: Framed. Condition: Circumferential minimal light-edge. Sheet permanently matted. Otherwise in very good condition. Cat. rais. Michler/Löpsinger, no. 298. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Prints 1960s Portrait Works on paper Etching

RAINER, ARNULF RAINER, ARNULF 1929 Baden bei Wien Titel: Ohne Titel. Technik: Farbradierung. VelinMaße: 32 x 43,5 x 53 x 69,5 x Bezeichnung: Signiert und nummeriertExemplar: 29/60. Sockel/Rahmen: Rahmen. Zustand: Leichte Bestoßungen und Knickspuren in den Randbereichen. Vereinzelte kleine Stockflecken und Verschmutzungen. Erläuterungen zum Katalog Arnulf Rainer Österreich Surrealismus Tachismus Informel Nachkriegskunst Grafik Druckgrafik Farbradierung RAINER, ARNULF RAINER, ARNULF 1929 Baden by Vienna Title: Untitled. Technique: Colour etching. vellumMeasurement: 32 x 43,5 x 53 x 69,5 x Notation: Signed and numberedNumber: 29/60. Frame/Pedestal: Framed. Slight bumpings and creases in the margins. Occasional small foxmarks and stainings. Explanations to the Catalogue Arnulf Rainer Surrealism Tachism Informel Post-War Art Prints Print Colour etching

FÖRG, GÜNTHER FÖRG, GÜNTHER 1952 Füssen - 2013 Freiburg i. Brsg Titel: Baum. Datierung: 2003. Technik: Aquarell über Radierung auf Velin. Maße: 100 x 74,5cm. Bezeichnung: Signiert und datiert unterhalb der Radierung rechts: Förg 03. Thomapyrin® Kunstedition (Hrsg.). Rahmen/Sockel: Passepartout. Außerhalb der Auflage von 100 signierten und nummerierten Exemplaren. Durch die individuelle Bearbeitung hat jedes Unikatcharakter. Aus der 2004 erschienenen, 13-teiligen Mappe (verschiedene Künstler) "Schmerztransformation" zugunsten von Unicef.. Erläuterungen zum Katalog Günther Förg Deutschland Abstraktion Nachkriegskunst Unikate 2000er Pflanzen Papierarbeit Mischtechnik FÖRG, GÜNTHER FÖRG, GÜNTHER 1952 Füssen - 2013 Freiburg i. Brsg Title: Baum. Date: 2003. Technique: Watercolour over etching on vellum. Measurement: 100 x 74,5cm. Notation: Signed and dated below the etching right: Förg 03. Thomapyrin® Kunstedition (publisher). Frame/Pedestal: Mat. Outside of the edition of 100 signed and numbered copies. Through the individual editing it has unique character. From a 2004 publication, 13-part portfolio (various artists) "Schmerztransformation" for the benifit of Unicef. Explanations to the Catalogue Günther Förg Germany Abstraction Post-War Art Post War 2000s Plants Works on paper Mixed media

MAPPENWERKTitel: La double vue. MAPPENWERKTitel: La double vue. Datierung: 1964. Buch mit einem Multiple von Marcel Duchamp sowie Texten von Robert Lebel. Buch: Lose Textseiten auf BFK Rives (Wasserzeichen), mittig gefalzt. 28,5 x 22cm. Im Impressum signiert (Autor) und nummeriert. Multiple: La pendule de profil. Collage und Lithografie auf Velin. 28,3 x 22cm. Signiert, datiert und nummeriert. In originalem Einband und Schuber (29,5 x 24,5 x 4cm). Le Soleil Noir, Éditions (Hrsg.). Ex. 14/111. - Multiple leicht unregelmäßig gebräunt mit Knickspur und Stockfleck. Textseiten partiell leicht gebräunt. Umschlag, Einband und Schuber mit leichten bis deutlichen Gebrauchsspuren.. Es fehlt die 2-teilige Radierung von Alberto Giacometti. Multiple: WVZ. Schwarz, Nr. 373. Erläuterungen zum Katalog Mappenwerk Grafik 1960er Abstrakt Druckgrafik Lithografie Schrift MAPPENWERKTitel: La double vue. PORTFOLIOTitle: La double vue. Date: 1964. Book with a multiple by Marcel Duchamp as well as text from Robert Lebel. Book: Loose pages on BFK Rives (watermark), folded in the middle. 28,5 x 22cm. In imprint signed (author) and numbered. Multiple: La pendule de profil. Collage and Lithograph on vellum. 28,3 x 22cm. Signed, dated and numbered. In original cover and slipcase (29,5 x 24,5 x 4cm). Le Soleil Noir, Éditions (publisher). Number 14/111. - Multiple slightly irregularly discoloured with crease and foxing. Pages partially slightly discoloured. Case, cover and slipcase with slight to distinct traces of use.. The 2-part etching from Alberto Giacometti is missing. Multiple: Cat. rais. Schwarz, no. 373. Explanations to the Catalogue Portfolio Prints 1960s Abstract Print Lithograph Writing

CHAGALL, MARC CHAGALL, MARC 1887 Witebsk - 1985 St. Paul de Vence Titel: Le retour de l'enfant prodigue. Untertitel: Aus: Songes. Datierung: 1981. Technik: Farbradierung auf Velin. Maße: 30,5 x 23,7 x 50,4 x 37,7cm. Bezeichnung: Signiert und nummeriertRahmen/Sockel: Modellrahmen. Zustand: Blatt in den Randbereichen leicht gebräunt. Stockfleck im rechten Randbereich mittig. Verso leicht gebräunt. Reste alter Montierung in den oberen Ecken. Stockfleck in der linken oberen Ecke. WVZ. Cramer, Nr. 122. Erläuterungen zum Katalog Marc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1980er Mutter und Kind Druckgrafik Farbradierung CHAGALL, MARC CHAGALL, MARC 1887 Vitebsk - 1985 St. Paul de Vence Title: Le retour de l'enfant prodigue. Subtitle: From: Songes. Date: 1981. Technique: Colour etching on vellum. Measurement : 30,5 x 23,7 x 50,4 x 37,7cm. Notation: Signed and numberedFrame/Pedestal: Craftman's frame. Condition: Sheet in the margins slightly discoloured. Foxing in right margin middle. Verso slightly discoloured. Remains of an old mounting in the upper corners. Foxing in the upper left corner. Cat. rais. Cramer, no. 122. Explanations to the Catalogue Marc Chagall Surrealism Modern Art Prints 1980s Mother and child Print Colour etching

RAINER, ARNULF RAINER, ARNULF 1929 Baden bei Wien Titel: Ohne Titel. Technik: Kaltnadelradierung über Heliogravure auf BFK RIVES FRANCE (Wasserzeichen). Darstellungsmaß: 21,7 x 16cm Blattmaß: 30 x 21cm. Bezeichnung: Signiert und nummeriert. Exemplar: 12/50. Rahmen: Rahmen. Zustand: Blattrand minimal vergilbt. Leichte Knickstellen entlang des oberen Blattbereichs. Vereinzelte Stockflecken im linken unteren Bereich. Verso montiert. Erläuterungen zum Katalog Arnulf Rainer Österreich Surrealismus Tachismus Informel Nachkriegskunst Grafik Figur / Figuren Druckgrafik Kaltnadelradierung auf Heliogravure RAINER, ARNULF RAINER, ARNULF 1929 Baden by Vienna Title: Untitled. Techinque: Drypoint etching over photogravure on BFK RIVES FRANCE (watermark). Depiction Size: 21,7 x 16cm. Sheet Size: 30 x 21cm. Notation: Signed and numbered. Number: 12/50. Frame: Framed. Condition: Sheet edge minimally yellowed. Slight creases along the upper sheet area. Occasional foxmarks in the lower left area. Verso mounted. Explanations to the Catalogue Arnulf Rainer Surrealism Tachism Informel Post-War Art Prints Figure / Figures Print

KOLLWITZ, KÄTHE KOLLWITZ, KÄTHE 1867 Königsberg - 1945 Moritzburg Titel: Selbstbildnis. Datierung: 1912. Technik: Radierung, Kaltnadel und Vernis mou. KupferdruckkartonMaße: 14 x 10 x 32,5 x 24 x Bezeichnung: SigniertSockel/Rahmen: Rahmen. Zustand: Knickspuren in den Randbereichen. Blatt im Passepartoutausschnitt leicht gebräunt. Vereinzelte Stockflecken. Verso bräunliche Flecken und Reste alter Montierung. WVZ. von dem Knesebeck, Nr. 126/VII/c. Aus einer Auflage von 30 Exemplaren, die bei Emil Richter, Dresden, erschien. Erläuterungen zum Katalog Käthe Kollwitz Deutschland Expressionismus Berliner Sezession Moderne Kunst Grafik 1910er Selbstporträt Druckgrafik Radierung Frau KOLLWITZ, KÄTHE KOLLWITZ, KÄTHE 1867 Königsberg - 1945 Moritzburg Title: Selbstbildnis. Date: 1912. Technique: Etching, drypoint and vernis mou. copperprint cardMeasurement: 14 x 10 x 32,5 x 24 x Notation: SignedFrame/Pedestal: Framed. Creases in the margin. Sheet in mat window slightly discoloured. Occasional foxing. Verso brown spots and remains of an old mounting. Cat. rais. from the Knesebeck, no. 126/VII/c. From an edition of 30 copies, which were published by Emil Richter, Dresden. Explanations to the Catalogue Käthe Kollwitz Germany Berlin Secession Modern Art Prints 1910s Self-portrait Print Etching Woman

Dürer, Albrecht Nürnberg 1471 - 1528 21,7 x 31,8 cm Landschaft mit Kanone (Die große Kanone; Die Kanone). Eisenradierung, 1518. Provenienz: Aus einer württembergischen Privatsammlung. B. 99; Meder 96, wohl d; Schoch/Mende/Scherbaum 85. Wz. Doppeladler. Von 1515 bis 1518 experimentierte Dürer mit der Technik der Eisenradierung. Für seinen fünften und letzten Versuch wählte er ein großes Querformat. Die weite Landschaft ist mit perspektivischer Klarheit bis in die Tiefe detailliert durchgestaltet und ist vor allem eine eindrucksvolle Landschaftsdarstellung. Das fränkische Dorf im Tal, auf das der Blick von einer Anhöhe hinüber fällt, wurde neuerdings vom Leiter der Wiener Albertina, Christof Metzger, als Eschenau (heute ein Ortsteil von Eckental) identifiziert. DÜRER, ALBRECHT (1471-1528). Landschaft mit Kanone (Die große Kanone; Die Kanone). Iron etching, 1518. B. 99; Meder 96, probably d; Schoch/Mende/Scherbaum 85. Watermark Double Eagle.

Marieschi, Michele Venedig 1710 - 1743 31,2x47,1cm,o.R. Campo San Rocco. Radierung, 1741. Succi A 17, 4 (von V). MARIESCHI, MICHELE (1710-1743). Campo San Rocco. Etching, 1741. Succi A 17, 4th state (of V).

Marieschi, Michele Venedig 1710 - 1743 31,2x46,5cm,o.R. Regata auf dem Canal Grande bei den Palazzi Balbi und Foscari (Regata in Volta di Canal). Radierung, 1741. Succi A 24, 1 (von IV). MARIESCHI, MICHELE (1710-1743). Regata on the Grand Canal between Palazzi Balbi and Foscari (Regata in Volta di Canal). Etching, 1741. Succi A 24, 1st state (of IV).

Dali, SalvadorDali, Salvador (1893 Figueres 1989). The Return of Ulysses (Angelic Choir Dali, Salvador Dali, Salvador (1893 Figueres 1989). The Return of Ulysses (Angelic Choir dancing a Sardana). Kaltnadelradierung und Farblithographie auf Papier. Sign., num. 26/125, nicht dat. (1978). 76 x 55 cm. - Unter Glas (nicht geöffnet, winzige Abplatzungen). - Michler/Löpsinger 934. - Minimal gebräunt. - Drypoint etching and colour lithography on paper. Signed and numbered (26/125). Under glass. Tiny flakings, slightly browned.

Giacomo Manzù 1908 - 1991 Etching and acquatint on paper H50 x L64 cm (H19.69 x L25.20 in ), 1970 Signature lower right. Edition lower left Ex. 91/125. The work is part of the folder “Touchstone Suite”, 15 titles, edited in 1970 in New York in 125 examples Provenance Private Collection, Milan

Paul Cézanne 1839 - 1906 Etching H32.5 x L25.5 cm (H12.80 x L10.04 in ) Plate dimensions 15,6 x 11,5 cm Provenance Private Collection, Milan Literature P. Gachet, "Cézanne à auvers, Cézanne graveur", Les Beaux Arts, édition d'etudes et de documents, Paris

Harland Miller (British 1964-), 'Tonight We Make History', 2018, etching with silver chine colle on wove paper, signed in pencil front, numbered from an edition of 50 in pencil verso, published by Manifold Editions; sheet: 104 x 73cm (Framed) ARR

Pablo Picasso (Spanish 1881-1973), 'Le Peintre et son Modele', 1963, etching on cream Richard de Bas paper, signed and numbered from an edition of 150 in pencil, published by Cercle d'Art, Paris; 40.5 x 50cm inc frame ARR

Eduardo Chillida (Spanish, 1924-2002)Barrenean (Koelen 73019) Etching and aquatint, 1973, on wove, signed and numbered 41/50 in pencil, printed by Atelier Morsang, Paris, published by Maeght Éditeur, Paris, with full margins, 450 x 355mm (17 3/4 x 14in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eduardo Chillida (Spanish, 1924-2002)Bikaina VIII (Koelen 87005) Etching and aquatint, 1987, on wove, signed and numbered 25/50 in pencil, printed by Taller Hatz, San Sebastián, published by Polígrafa S.A., Barcelona, with full margins, 650 x 500mm (25 5/8 x 19 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Graham Sutherland O.M. (British, 1903-1980)Form in a Desert (Tassi 144) Etching and aquatint printed in colours, 1974, on wove, signed and numbered 30/90 in pencil, printed and published by 2RC Edizioni d'Arte, Rome, with their blindstamp, the full sheet, 940 x 950mm (37 x 37 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Doric Grey Etching and aquatint printed in colours, 2010, on wove, signed, titled, dated and numbered 32/50 in pencil, printed by Burnet Editions, New York, with full margins, 203 x 286mm (8 x 11 1/4in)(SH); together with the accompanying exhibition catalogue housed within the original grey cloth-covered solander box, overall 323 x 238 x 35mm (12 3/4 x 9 3/8 x 1 3/8in)(Folio)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Doric Light Etching and aquatint printed in colours, 2010, on wove, signed, titled, dated and numbered 5/50 in pencil, printed by Burnet Editions, New York, with their blindstamp, with full margins, 406 x 381mm (16 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Prunella Clough (British, 1919-1999)Mirror and Plant; Paper Flowers Etching and aquatint, 1996, on wove, signed and inscribed 'a/p' in pencil, an artist's proof aside from the numbered edition of 25, printed by Hope (Sufferance) Press, London, with margins, 290 x 250mm (11 3/8 x 9 7/8in)(PL); together with 'Paper Flowers', etching, 1996, on wove, signed and numbered 12/25 in pencil, printed by Hope (Sufferance) Press, London, with full margins, 355 x 380mm (14 x 15in)(SH)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Prunella Clough (British, 1919-1999)Untitled (Cables) Etching and aquatint with collage elements, circa 1958, on wove, signed in pencil, the full sheet printed to the edges, 210 x 210mm (8 1/4 x 8 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Michael Craig-Martin R.A. (Irish, born 1941)Sofa, from 'The Catalan Suite II' Etching with embossing, 2013, on wove, signed, dated and numbered 13/20 in pencil, printed and published by Polígrafa Obra Gráfica, Barcelona, with full margins, 450 x 450mm (17 3/4 x 17 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)Kate Moss 2000 Polymer gravure etching, 2006, on wove, signed, titled, dated and numbered 22/250 in pencil, published by White Cube, London, the full sheet, 410 x 585mm (16 1/8 x 23in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)No Time Softground-etching, 2010, on Somerset, signed, titled, dated and numbered 20/100 in pencil, printed by Paupers Press, London, published by Counter Editions, London, with wide margins, 145 x 210mm (5 3/4 x 8 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Ancient Music (BM 7163) Etching with hand-colouring, 1787, on wove, published by S. W. Fores, London, with margins, 405 x 542mm (16 x 21 3/8in)(I)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Monstrous Craws at a New Coalition Feast (BM 7166) Etching and aquatint with hand-colouring, 1787, on wove, published by S. W. Fores, London, with margins, 375 x 469mm (14 3/4 x 18 1/2in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Weird Sisters – Ministers of Darkness: Minions of the Moon (BM 7937) Etching and aquatint with hand-colouring, 1791, on wove, published by H. Humphrey, London, with margins, 250 x 348mm (9 7/8 x 13 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Balance of Power. -or- 'The Posterity of the Immortal Chatham, turn'd Posture Master' (BM 7846) Etching with hand-colouring, 1791, on wove, published by H. Humphrey, London, with narrow margins, 347 x 245mm (13 1/2 x 9 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)French Democrats Surprising the Royal Runaways (BM 7882) Etching with hand-colouring, 1791, on wove, published by H. Humphrey, London, with full margins, 251 x 351mm (9 7/8 x 13 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Frying Sprats, Vide. Royal Supper (BM 7922) Etching and aquatint with hand-colouring, 1791, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 222 x 143mm (8 3/4 x 5 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Alecto and her Train, at the Gate of Pandaemonium:-or-The Recruiting Sarjeant Enlisting John-Bull, into the Revolution Service (BM 7989) Etching with hand-colouring, 1791, on laid, published by S. W. Fores, London, with narrow margins, 393 x 435mm (15 1/2 x 17 1/2in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)A Duet; A Decent Story (BM 8161; BM 8753) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with trimmed margins, 328 x 244mm (12 7/8 x 9 5/8in)(SH)(unframed); together with 'A Decent Story' (BM 8753), etching with hand-colouring, 1795, on wove, published by H. Humphrey, London, with full margins, 245 x 345mm (9 1/2 x 13 5/8in)(PL)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com