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Lot 887

Leslie Duxbury (1921-2001)/New England Barn/signed and inscribed; artist's proof/etching, plate size 15cm square/and three other etchings of American scenery: Backwater Canal, Lowell, Mass.; Barn in Massachussetts; Freshwater Ponds, Plum Island, Massachussetts/unframed (4) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 890

Leslie Duxbury (1921-2001)/Mumbles (Swansea)/etching, plate size 7.5cm x 22cm/and three other etchings of Welsh views: Three Cliffs Bay, 9.5cm x 21cm; View over Caegwynion, 12cm x 16cm; Two Gates, 12cm x 15cm/unframed (4) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 891

Leslie Duxbury (1921-2001)/Stretching Nude/etching, plate 19cm x 23.5cm/and three other nude studies, various sizes, unframed (4) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 906

Philip Reeves (1931-2017)/Towards Malvern/signed and inscribed, numbered 8/10/etching, plate size 43cm x 69cm/Note: Philip Reeves founded the Glasgow Print Studio CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 934

Arthur Grunenberg (1880/86-1952)/Vaslav Nijinsky as Tanzender Mohr in Scheherazade/etching, 24cm x 18cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 940

Chris Orr (born 1943)/Artist Entering his Studio at Night/limited edition numbered 3/50/signed and dated 1971/etching, 17cm x 13.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 943

Angela Harding (Contemporary)/Sea Bird/limited edition etching, 2/25, 24cm x 12.5cm/Bird/etching signed and dated '81, 20cm x 31.5cm/and another print signed J L Williams (3) CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 143

A framed monochrome etching, Lloyd's Bank District Office Newcastle upon Tyne, signed Harding.

Lot 506

Mary Cassatt (American, 1844-1926),Denise holding her childetching, second Delatre printingplate 20.5 x 14.5cm Provenance: William Weston Gallery, London.Condition report: There is a light wave to the paper. The paper has yellowed and there are signs of discolouration from the mount. A few very light spots of staining above the heads of the sitters. A couple of very light half moon creases just visible. Not seen outside of glazed frame.

Lot 1593

Leslie Moffat Ward (1888-1978) signed etching - Near Bradle, Dorset, dated 1931, inscribed Trial Proof, in glazed frame, 24cm x 22cmProvenance: The Robert Barley Collection

Lot 1596

Murray Robertson (1961) signed limited edition etching - Navigator's Dream, 6/20, in glazed frame, 71cm x 96cm NB: Robertson is a member of the Glasgow Print StudioProvenance: The Robert Barley Collection

Lot 1597

Murray Robertson (1961) signed limited edition etching - Errors in the Age of Discovery: Flat Earth Theory No. 1, 17/20, in glazed frame, 71cm x 101cm NB: Robertson is a member of the Glasgow Print StudioProvenance: The Robert Barley Collection

Lot 1598

Murray Robertson (1961) signed limited edition etching - Flat Earth Theory No. 2: Natural Resources, 6/20, in glazed frame, 71cm x 101cm NB: Robertson is a member of the Glasgow Print StudioProvenance: The Robert Barley Collection

Lot 1837

Salvador Dali (1904-1989) signed limited edition etching - Frolicking Figures, 224/250, signed and numbered in pencil, 29cm x 22cmProvenance: The Robert Barley Collection

Lot 1024

Peter Partington, contemporary, signed artists proof hand-coloured etching - Shelduck Family, in glazed frame, 28cm x 22cm

Lot 1068

Harry Becker (1865-1928) etching harvest scene with horsemen, unsigned, 9cm x 12.5cm, in glazed gilt frameProvenance: The Lorna and Gordon Turner Collection

Lot 1071

Harry Becker (1865-1928) etching - Milking, 28cm x 19.5cm, in glazed frameProvenance: The Lorna and Gordon Turner Collection. Kenneth Green Collection. Simon Carter Gallery

Lot 1074

*Leonard Russell Squirrell (1893-1979) signed etching - The Abandoned Mill, Marlsford, 15.5cm x 20cm, signed mezzotint entitled 'Wind in the Willows', 12cm x 16cm and an etching of Blythburgh, 17cm x 25cm, each framed and glazed (3)Provenance: The Lorna and Gordon Turner Collection

Lot 1093

*Charles Bartlett (1921-2014) signed limited edition etching - The Mirage, 17/60, in glazed frame, 25cm x 34cm

Lot 1094

*Richard Bawden (b.1936) etching - Cardew Bowl, signed and numbered 70/85, 55cm x 75cm, in glazed frame

Lot 1095

*Richard Bawden (b.1936) signed limited etching - 'Irises', 8/75, in glazed frame, 55cm x 42cm

Lot 1098

*Richard Bawden (b.1936) signed limited edition etching and aquatint - Spider Plant, 32/75, in glazed frame, 50cm x 66cm

Lot 1116

Group of East Anglian engravings to include West Views of Orford and Framingham Castles, published by Buck, a similar later copy of the South-West Prospect of Ipswich, together with an etching of Sproughton Church, each framed and glazed (4)

Lot 1120

*Charles Bartlett (1921-2004) signed limited edition etching - Iron Bridge, 48/200, in glazed frame, 58cm x 63cm

Lot 1166

Collection of Valerie Thornton (1931-1991) works from the Michael Chase family collection to include five original drawings from the prints depicting Florence Cathedral and St Botolphs Church, West Sussex, together with a Valerie Thornton signed artists proof etching, 'Fidenza Horseman', also five life drawings, unframed (11 items)

Lot 1204

Christopher Richard Wynne Nevinson (1889-1946) signed etching - Rue De Rivoli, 1921, 29cm x 18.5cm, in glazed frameProvenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, Dorking

Lot 1305

Alfred East (1849-1913) signed etching - Gateway, together with three further etchings, 19th century watercolour of Canterbury, map, watercolour portrait by W. Cubit Cooke and a photographic printProvenance: collection of the artist William Edward Riley (1852-1937) thence by family descent

Lot 1308

William Walcot (1874-1943) signed etching London panorama, together with another and a third depicting figures before a temple, each unframedProvenance: collection of the artist William Edward Riley (1852-1937) thence by family descent

Lot 266

After Cecil Cutler - A portrait of Edward VII, colour photolithograph, published by Fores, London, 1908, 50 x 34cms, in gilt frame; a Victorian chromolithographic portrait of the Queen and family; and 'Going to Whites', hand-coloured etching, published by Fores, London, 1823, 31 x 18.5cms, in gilt frame. (3)

Lot 268

J* C* Stadler after J* Farington - "Junction of the Thames & Canal Nr. Lechlade", etching with hand-colouring, 21 x 31.5cms, in softwood frame.

Lot 1504

These are three framed pictures. Two by the same artist signed 'Reece George-Saulier', both original and dating 1901 and Both measuring 39.5cm x 31cm. The third is a framed etching of a view in London, quite clearly showing St Paul's Cathedral and people working on the Thames.

Lot 731

PAINTINGS AND PRINTS etc to include Vic Bowcott Waterfall landscape, watercolour on paper, approximate size 12cm x 10cm, Alan Walford watercolour of Lichfield Cathedral, Venetian charcoal sketch indistinctly signed, Venetian etching signed Luca Tollo, David Binns print, large limited edition print of a landscape, indistinctly signed, size 69cm x 108cm including frame, framed tiles etc

Lot 749

PAINTING AND PRINTS, comprising a Henry Wilkinson drypoint etching with colours depicting hounds and birds, 50/100, signed to lower margin size approximately 22cm x 32cm, landscape with windmill oil on board, signed K.J. Course, Edwin T Chicken signed print of a robin and a print of a bird on a branch (4)

Lot 1578

Gillian Whaite (1934-), etching and watercolour, Cat among autumn leaves, signed, 11/75, 40 x 50cm

Lot 1582

An early 20th century etching of the Rialto Bridge, Venice, indistinctly signed, 22 x 30cm and a coloured engraving of St Paul's Cathedral, 1835, 19 x 14cm

Lot 505

*David Tindle RA (b.1932) Sandals and a jacket on a chair etching with wash, signed and inscribed '1st state proof with wash' in pencil pl. 25 x 20cm, unframed; Primulas on a table etching, signed and inscribed '1st state' in pencil pl. 25 x 20cm, unframed; and one further sheet with an impression of each of the above on each side, unframed (3) *Artist's Resale Right may apply to this lot.Condition report: Each sheet is lightly cockled. Some of the corners are a little soft. Some small stains on some of the edges and corners. One sheet bears an impression on each side; therefore the plate marks punch through into the print on the other side.

Lot 710

*Sylvia Gosse (1881-1968) Nude in a doorway etching, signed in pencil 12.5 x 8.5cm Provenance: The Germaine Greer collection; Exhibited: Michael Parkin Gallery, The Sickert Women and the Sickert Girls, March 1974. *Artist's Resale Right may apply to this lot.Condition report: The paper is a little discoloured and there is a light shadow around the print, visible most clearly at the top, as if from a previous frame, very faint. Thunderbugs under the glass. A very light wave to the paper. Not seen outside of glazed frame.

Lot 727

Robert Charles Goff (1837-1922) Hotel Metropole, Brighton etching, signed and dated 1893 in pencil image 13.8 x 21.5cmCondition report: There is some cocklig and stime staining to the paper.

Lot 729

*Leon Underwood (1890-1975) 'The Tulip Girl' etching, signed and dated 1921 l.r. plate 17.2 x 12.4cm Together with a second version of the etching, unsigned, which includes details of flowers (2) *Artist's Resale Right may apply to this lot.Condition report: Some slight time staining to the paper, otherwise in generally good order, unexamined out of frames.

Lot 730

*Felix Bracquemond (French, 1833-1914) 'Le Terrasse de La Villa Brancas' etching, 1876, signed and dated in the plate, from the eighth and final state, published by 'L'Art', on laid paper plate 25.2 x 35.5cm *Artist's Resale Right may apply to this lot.Condition report: A good clear dark impression. The paper is lightly cockled upper left quarter. Two large pale brown spots of discolouration upper left. Not seen outside of glazed frame.

Lot 731

*Winston Megoran (1913-1971) 'Running Free' etching and aquatint in colours, Warwick Galleries artists proof blindstamp, signed and inscribed with title in pencil plate 25 x 35cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. A couple of tiny spots of foxing. Paper is a little yellowed. Generally in good condition.

Lot 732

William Strang RA (1859-1921) ‘The Tower’ 1890 drypoint on Zinc, one of 20 proofs. David Strang states that this is the first state of three (Reference: OC 161; DS 195) plate 26.5 x 31.5cm; together with ‘The Cottages ‘ 1894 signed in pencil ‘Wm Strang fec DS’ l.r., and ‘David Strang imp’ l.l., plate 12.6 x 25cm and an additional etching, indistinclty inscribed, all unframed (3)Condition report: apparently in good order.

Lot 735

Robert Charles Goff (1837-1922) Charing Cross Railway etching, signed in pencil plate 26 x 18cmCondition report: In generally good condition, unexamined out of frame. Ready to hang.

Lot 738

*Peter Laszlo Peri (Hungarian, 1899-1967) 'Western culture' etching plate 20 x 27.5cm; 'Fighting for his family II' etching and aquatint, 1943, signed and dated in pencil plate 20 x 30cm; 'Let me stay with him' etching and aquatint, 1943, signed, dated and numbered 3/100 in pencil plate 15 x 19.5cm; 'VE Day' etching, signed in pencil plate 20 x 15cm *Artist's Resale Right may apply to this lot.Condition report: Western culture: no obvious flaws. Fighting for his family II: paper a little yellowed. A light diagonal crease running through the left area. A couple of creases elsewhere including a light crease along top edge. A couple of specks of brown and white stains on top edge. Let me stay with him: a little cockling along top edge. A crease in top left margin outside printed area. Possibly a light stain in lower centre of margin. A white curved line in printed area on right side, possibly from the printing process VE day: A few light creases including a prominent crease top right. A spot of brown foxing in the centre. Paper a little yellowed. None seen outside of glazed frames

Lot 740

*Celia Paul (b.1959) Mother and Paul etching, signed in pencil and numbered 4/25 20 x 14.5cm *Artist's Resale Right may apply to this lot.Condition report: In generally good order, unexamined out of frame.

Lot 752

Roberto Matta (Chilean, 1911-2002) Untitled etching with aquatint for ‘Paroles Peintes’, 1959, from a limited edition of 56 copies, signed in pencil on blue paper below sheet size 32 x 27cm, unframed Literature: Georges Visat catalogue raisonne “L’Oeuvre Grave de Matta'', no. 36 & 37.Condition report: Paper stuck down, vertical light creases.

Lot 757

August Renoir (1841-1919) Baigneuse debout à mi-jambes etching on laid plate 16 x 11cmCondition report: discolouration to the paper. Unexamined out of frame.

Lot 773

*Michael Ayrton (1921-1975) 'Femmes/Hombres' etching, numbered 18/XX in pencil sheet 29.5 x 39.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few tiny brown spots on paper, but generally in good condition.

Lot 794

*Bryan Ingham (1936-1997) 'Spotted Jug I (Kynance)', 1982 soft and hard ground etching finished with hand colouring, signed, titled, dated 1980 and inscribed `TP' in pencil, aside from the edition plate 7.5 x 10.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: original condition.

Lot 796

Raymond Ray-Jones RE ARCA (1886-1942) A lady seated wearing a hat etching, signed in pencil plate 20 x 18cmCondition report: In generally good condition unexamined out of frame.

Lot 804

*Mick Rooney RA (b.1944) 'The Dream Arcade', 1996 etching, a two-plate copper etching in colours with collograph on Somerset TP 300gsm paper; signed, titled and numbered 10/40 in pencil from the edition of 40 (plus 4 artist's proofs & 2 printer's proofs); printed at the studios of Pratt Contemporary Art by Martin Saull sheet 43 x 48cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in good condition.

Lot 805

*Mick Rooney RA (b.1944) 'The Magic Moth', 1996 Etching 10 / 40, atwo-plate copper etching in colours with collograph on Somerset TP 300 gsm paper, signed, inscribed and numbered10/40 in pencil from the edition of 40 (plus 4 artist's proofs & 2 printer's proofs); printed at the studios of Pratt Contemporary Art by Martin Saull sheet 43 x 48cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in good condition.

Lot 808

*Bryan Ingham (1936-1997) 'Souvenir of Falmouth V', 1982 etching, signed, titled, dated and numbered 8/125 in pencil sheet 18.5 x 28.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in original condition.

Lot 815

*Paul Drury (1903-1987) Portrait of Carel Weight (Garton 38) etching, 1939, numbered 'A 16/25' in pencil l.l., from the The Paul Drury Memorial Portfolio 1994, with their blindstamp sheet 30 x 24.5cm, mounted *Artist's Resale Right may apply to this lot.Condition report: Attached to backboard by two pieces of tape at top edge. Paper lightly cockled at left edge. Light dirt along top edge. A little light paper discolouration verso. Overall good condition.

Lot 822

*Paul Drury (1903-1987) Head of a young woman etching, 1930, signed in pencil, inscribed with initials and date within the plate plate 14.5 x 12cm *Artist's Resale Right may apply to this lot.Condition report: The paper is lightly yellowed. A few light spots of foxing. There is a stamp verso that is visible in the lower left margin. Otherwise good condition and ready to hang. Not seen outside of glazed frame.

Lot 839

*William Crozier (1930-2011) Verona Garden etching and aquatint on wove, signed and dated 2007 l.r., titled l.c. and numbered 76/ l.l., printed by Berardinelli, Verona sheet 69.5 x 90cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In generally good condition.

Lot 840

*William Crozier (1930-2011) 'Labyrinth' etching and aquatint on wove, signed and dated 2007 l.r., titled l.c., numbered 59/80 l.l., printed by Berardinelli, Verona sheet 69 x 90cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In generally good condition.

Lot 841

*John Duffin (b.1965) 'Battersea Sky' etching, 1987, signed, dated, inscribed with title and numbered 8/25 in pencil plate 32.5 x 23cm *Artist's Resale Right may apply to this lot.Condition report: Some light speckles of brown foxing visible in the margins. No other obvious flaws, otherwise in good condition and ready to hang. Not seen outside of glazed frame.

Lot 865

*Douglas Portway (1922-1993) Untitled etching and aquatint printed in colours, signed and numbered 12/20 in roman numerals in pencil sheet 69 x 56cm, mounted *Artist's Resale Right may apply to this lot.Condition report: Some light half-moon handling creases throughout, although only visible from certain angles. A little light dirt in places. The area visible through the mount is in good condition. Attached to the mount with strips of tape at the top and sides.

Lot 117

William Lionel Wylie RA RBA RE RI NEAC (British, 1851 - 1931) dry point etching, 'The Clyde at Govan' published W B Howell & Co, London, signed in pencil lower left, 20cm X 49.5cm, framed and glazed

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