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Lot 394
A British 1912 pattern Officers Cavalry sword, which by repute once belonged to a Canadian Victoria Cross winner. Nickel plated guard with foliate engraving, cast nickel pommel, and a fish skin grip with wire binding. Straight single edged blade with fuller, and etching to both sides. Maker marked for Hill of Norfolk Street, Sheffield at the ricasso. Complete with leather covered field scabbard with nickel throat, leather sword knot, and an associated soft leather cover. The scabbard has a leather tab onto which there is a gilt embossed name of ‘J.MacGregor CMR CEF’. This would relate to Captain (later Lt Col) John MacGregor VC MC & Bar DCM ED (1889-1952). MacGregor was originally born in Scotland, but moved to Canada in 1909. He served in the Canadian army as part of the Canadian Mounted Rifles, Canadian Expeditionary Force from 1915-1919. His Victoria Cross action took place in France in September 1918. Notes: it’s unclear if the aforementioned named leather tab has been added at a later date simply to identify who’s sword it was. There is a difference in colour and patina to leather between the tab and the leather on the scabbard. Length in scabbard approximately 110cm - blade length 89cm. Condition: generally good, with normal service wear. Some dulling to the nickel areas, and some darkening to the steel parts, plus a little dark spotting and tiny areas of corrosion to the blade. The fish skin grip has a visible seam running 2/3 of the way down from the pommel. The leather scabbard is good, with some darkened areas of patina. The sword cover is complete, and has darkened areas of patina and soiling from service wear.
Lot 15
Graham Clarke (b.1941). Hovis, artist signed and titled coloured etching, 290/300, 22cm x 32cm plus 15 others, Nice Stuff, Reg's Vegs, OXODXO, T4-2, Beside the Seaside, Plat du Jour, Bon Apetit, A la Carte, Careful Perusal, Viola, The Very Plaice, Special Delivery, Dog eared, Lost Sole, proper Job (16).
Lot 141
THE FALL/ JULIAN COPE - LP PACK. A selection of 6 LPs and 1 CD by The Fall, Julian Cope and related. Artists/ titles include The Fall inc Live At The Witch Trials (SPLP1, Tone/ T That's Plenty matrix etching. Record VG+/ sleeve VG+), Grotesque (LETV486LP, Ex/ Ex), Bend Sinister (BEGA 75, Ex/ Ex, record would benefit from a professional clean), The Wonderful And Frightening World Of The Fall (BBL 58, VG+/ Ex) and Hip Priest And Kamerads (SITU 13, printed inner. VG/ Ex). Julian Cope inc The Teardrop Explodes: Cope Notes #1 (HHPRESS4, CD & booklet set. CD appears to be in Excellent condition) and Julian Cope Presents 20 Mothers (ECHLP5, purple vinyl. Record sides VG+/ Ex. Sleeve Ex. Record 2 has a small chip in the edge of the record, doesn't affect the playing surface).
Lot 10
JOY DIVISION/ NEW ORDER - LP PACK. A smashing pack of 2 LPs by Manchester punk/ alt legends. Artists/ titles include Joy Division - Unknown Pleasures (FACT 10, 1979 UK pressing on Factory Records. A PORKY PRIME CUT STEP/ A PORKY PRIME CUT THIS IS THE WAY etching. Square cornered inner sleeve has some light edge wear/ handling marks. Black vinyl record is strong VG+ condition, each side displays a couple of hairline/ light paper marks. Textured sleeve is VG+. has some light edge storage wear and a couple of light creases) & New Order - Power, Corruption & Lies (FACT 75, A2 THE ROBOT STRAWBERRY GG6 & B2 GG6 THE ROBOT STRAWBERRY WHERES MURDER matrix/ etching. Black glossy inner. Record Ex/ die-cut sleeve Ex).
Lot 20
OASIS - (WHAT'S THE STORY) MORNING GLORY LP (UK ORIGINAL - MPO PRESSING - CRE LP 189). A fantastic original UK LP pressing of Oasis' second studio album (What's The Story) Morning Glory (CRE LP 189, 1995 UK pressing on Creation. MPO crossed out matrix etching. Black, glossy inner sleeves. Records are both sharp Ex condition, display a couple of hairline/ wispy paper marks. The tri-fold sleeve is also in wonderful Ex condition).
Lot 313
After Edmund Blampied RBA, RE (1886-1966) Drypoint etching 'Seaweed Gathering', signed in pencil lower right, framed and glazed, image size 34cm x 25cm Condition Report This is catalogued as 'After' Edmund Blampied as it is an etching rather than an original work of art by the artist himself.
Lot 324
After Fra Bartolomeo (1472-1517) Engraved by Angelo Campanella (1748-1811)Engraving "Presentation of Christ in the Temple" circa 1771, Hogarth framed and glazed, image size 28cm x 27cm, together with an etching of a woman in a nightgown holding a candle, framed and glazed, image size 16.5cm x 11cm, and a print on glass (3) Condition Report Fra. Bartolomeo engraving - uninspected out of frame, some typical minor discolouration overall, a short crease to one border, some chipping and losses to frame.
Lot 371
Harriet Brigdale (20th century) Etching and aquatint "The Bird Shop", signed, titled and numbered 14/75 within margin, framed and glazed, image size 28.5cm x 23.5cm, together with Jane Strother colour print "Free Eggs", signed, titled numbered 27/28 and dated '84 within margin, framed and glazed, 36cm x 44cm, and a Ian Weatherhead limited edition colour print of the interior of Cirencester church, signed and numbered 75/300 in pencil (3)
Lot 316
After Sir Francis Seymour Haden (1818-1910) Drypoint etching "Hic Terminus Haeret", view of Amsterdam overlooking the Amstel river, inscribed "Amstelodamum" within plate lower right, circa 1863, etching printed in black and red, framed and glazed, image size 11cm x 13cm, together with another etching by the same hand "The Fisherman", framed and glazed, image size 14.5 x 22.5cm (2)
Lot 46
Rembrandt Harmensz. van Rijn, Dutch 1606-1669- Christ crucified between Two Thieves: Oval Plate; etching on paper, oval, likely the second state of two, indistinctly numbered in pencil verso, 13.5 x 9.8 cm. (unframed). Provenance: Private Collection, UK. Literature: Bartsch-Hollstein 79; H. 173.
Lot 142
John Keyse Sherwin, British 1751-1790- Smithfield Sharpers or the Countrymen Defrauded, after Thomas Rowlandson; etching with engraving, 34.2 x 43 cm. Provenance: Private Collection, UK. Note: The print depicts a naive young player to the right of the composition, partaking in a game of poker with a group of shifty-looking companions, whilst a woman chalks a score to the back of the scene. Dorothy M. George notes in her 'Catalogue of Political and Personal Satires in the British Museum' (VII, 1942) that 'the original was exhibited at the R.A. in 1787, under the title of 'Countryman and Sharpers' (R.A. Catalogue). The card-playing sharper is a portrait of Rowlandson, the country lad is reputed to be J. K. Sherwin; though this seems unlikely, since Sherwin was then thirty-six, the identification is supported by the self-portrait of the engraver.'
Lot 141
George Cruikshank, British 1792-1878- Monstrosities of 1825 & 6; hand-coloured etching, signed 'Geo. Cruikshank fect' (within the plate, lower left), published by Thomas McLean, 26 Haymarket, August 14 1835, 25 x 38.9 cm. Provenance: Private Collection. Note: Cruikshank's 'Monstrosities' were published every year from 1816 to 1828, satirising the styles of clothing which were in vogue, and which were illustrated in prints depicting the latest fashions from Europe. Cruikshank was a prominent and prolific illustrator and caricaturist, and was particularly well-known for his illustrations of a number of novels by Charles Dickens' (1812-1870), including Oliver Twist.
Lot 199
James McBey, Scottish 1883-1959- Ebbsfleet near Sandwich, Kent; etching on wove, signed in pen 'James McBey' (in the margin, lower right), numbered in pen 'XXI' (in the margin, lower left), signed, titled, and dated 'James McBey Sandwich 8 April 1912' (within the plate, lower left), bears blindstamp (lower left), 18 x 30.2 cm. (ARR). Provenance: Private Collection, UK. Note: McBey was a largely self-taught artist who went on to become an important figure in the latter part of the etching revival of the early 20th century. He travelled widely, through Europe, America, and North Africa, working as an official war artist in the Middle East during the First World War, and living in Tangier, Morocco, towards the end of his life. The present print, however, depicts a typically British landscape, with fields occupied by a flock of grazing sheep.
Lot 140
James Gillray, British 1756-1815- 'Making Decent' - i.e. - Broad-bottomites getting into the Grand Costume; hand-coloured etching, signed 'JGillray Inv' (within the plate, lower left), 18.2 x 25 cm. Provenance: Private Collection, UK. Note: The British Museum's entry describes how 'Members of the new Ministry in a handsome room prepare themselves for office, each intent on his toilet. Both Fox and Grey look into a large pier-glass on the extreme left, whose frame is surmounted by the Royal Arms and Prince's feathers, indicating Carlton House and the Prince's 'ostentatious patronage' of the new Ministry.' Dorothy M. George states that 'All are self-absorbed and isolated, except for Vansittart, Sidmouth's henchman, and Tierney, who was spoken of for the office of Chancellor of the Exchequer for Ireland.'
Lot 513
Venetian wall mirror, scrolled pediment, rectangular glass, engraved side panels, 190x99cm.Condition report:Yes it certainly has age - late 19th/ very early 20th century. Good quality cutting and etching throughout. The pediment is presently detached and the lower right hand scroll is loose from the main pediment. On the main mirror, one75cm length of border is loose and broken in two main parts but each of those lengths are further fracture. Other leaf-shaped mounts are loose from the corners, with subsequent damages to the loose aspects. The ebonised frame could be improved aesethically. Some speckling and blistering to the mirrored plates. The measurements are accurate - it is a large mirror. 190cm high includes the pediment if attached, the main rectangular aspect measures 154xm x 99cm.
Lot 655
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include two unframed early 20th century oils on board signed A. Mearns, an unframed oil on board depicting a Jubilee class steam locomotive 'Kolhapur', early 20th century portrait photographs, a black and white print after James Gutherie 'The Velvet Cloak', Mabel Oliver Rae etching 'The Bridge of Sighs, Cambridge', etc
Lot 145
Assorted pictures, including a French etching of a man holding a basket with doves; Another print after D.M.Rouche; a print of the Three Kings, bearing gifts; a small watercolour of birch trees; a decorative print of a girl, after Millais; and a study of Tummel-Garry generating station, etc (a lot)
Lot 1814
LIEBERMANN, MAX (1847-1935), "Markt", mit zahlreichen Personen an den Marktständen, Radierung/Papier, u.li. mit Bleistift von Hand signiert, HxB: Platte ca. 14,5x19,5 cm, Passepartoutausschnitt ca. 17x21 cm, Außenmaße Rahmen ca. 27x31 cm. Gebräunt, part. leicht fleckig. Im Passepartout hinter Glas gerahmt (Passepartout gebräunt und fleckig). | LIEBERMANN, MAX (1847-1935), "Markt", with numerous people at the market stalls, etching/paper, signed by hand in pencil lower left, HxW: plate approx. 14.5x19.5 cm, mat opening approx. 17x21 cm, outer frame dimensions approx. 27x31 cm. Browned, partially slightly stained. Framed behind glass in passepartout (passepartout browned and stained).
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