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ENGRAVING AFTER FILIPPO MORGHEN - 'ALL' ECCELLENTISS. COLLEGIO REALE DI MEDICINA DI EDINBURGH', together with a soft etching of a woodland scene by Jos. Farington 1790 and an engraving by J. Mason after T. Smith - 'A View in Newstead Park belonging to the Rt. Hon. The Lord Byron', laid down (3)
AFTER LIEUT. JOSEPH MOORE (Fl.c.1820-1830) THE PRINCIPAL APPROACH TO THE GREAT DAGON PAGODA AT RANGOON (PL. 3 FROM `RANGOON VIEWS AND COMBINED OPERATIONS IN THE BIRMAN EMPIRE`) Etching with aquatint, finished by hand, by T. Fielding, published by Kingsbury & Co, 1825 25.5 x 36.5cm.; with a coloured lithograph of Singapore by Madeley after C.H.S., published 1840, 21.5 x 25.5cm. (2) ++ Moore with some pale staining; the other with some soiling and time toning
GIOVANNI BATTISTA PIRANESI (1720-1788) TEATRO DI MARCELLO (Hind 33) Etching with engraving, on wove, c.1757, with margins 40 x 54.5cm.; with `Sepolcro della famiglia Tossia..`, etching with engraving by Luigi Rossini, 46 x 57cm (2) ++ Piranesi generally good; Rossini with worm holes, water stains etc
GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DEL TEMPIO DETTO DELLA CONCORDIA Etching with engraving, from a later edition (paginated 764/ 12 upper right, blindstamp lower right) 45.5 x 69.5cm.; with a trimmed and stuck down print of `Knight, Death and the Devil` after Durer (2) ++ (Piranesi) foxing and damp stains; (`Durer`) with pale staining
HERBERT DICKSEE (1862-1942) LIONESS ON A ROCK Etching, signed in pencil, unframed 15 x 25cm.; with seven further unframed etchings by or after A. Lepere, E. Edwards, G. Gascoyne, W. Rawson and C. Jacque; and two more by W. Rawson, these framed, six signed. (10 items in total, 2 framed) ++ Generally satisfactory-good
•BLAIR HUGHES-STANTON (1902-1981) THE WAR IN HEAVEN (ILLUSTRATION FROM `THE REVELATION OF ST. JOHN THE DIVINE`) Wood engraving, artist's proof, 1932, signed, dated, titled and inscribed AP3 (the edition was 250 plus proofs) 21 x 12.5cm.; with `The Cellar Boy`, etching by Gerald Maurice Burn, 1931, signed, dated and titled, 37.5 x 27cm. (2) ++ Each light stained; Burn with tears within margins and image
•STANLEY WILLIAM HAYTER, CBE (1901-1988) COMBAT (Black & Moorehead 210) Colour etching with aquatint, signed and dated 53, numbered 149/200, published by La Guide Internationale de la Gravure, Geneva and printed by the artist, unframed 29.5 x 19.7cm.; with `Portrait de Femme`, offset lithograph after a watercolour by after Henri Manguin, published by Marees-Gesellschaft, Munich, 1923, 47 x 37cm approx, unframed (2) ++ Hayter with slight light staining; Manguin satisfactory
Four prints and a drawing. A portrait of Thomas Hardy by William Strang, etching, 15 x 10cm; Robin Guthrie, portrait of Edward Thomas, lithograph, 64 x 21cm; a small etching by Estella Solomons, another by Edward Synge; and an ink drawing by C. Graham (American) of Hogarth's House, Chiswick, for Harper's Magazine 1888, 32x 26cm (5)
Giovanni Battista Piranesi. Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres, etching, 46 x 68cm (framed to image)Stuck down to board. Trimmed to lower margin with loss of some text. Edition unknown. Small tear just into left side. Lower left corner chipped and glued. Probably an early 19th century impression. See images
Sir Frank Brangwyn, RA, Rustic figure with pigs amongst trees, etching, signed, 31.5 x 40cm; John Sell Cotman, Postwick Grove Norfolk, soft ground etching, pl. 7 from Liber Studiorum, H. Bohn 1838, 16 x 24cm; A. Watson Turnbull, Strand at Night, etching, signed, 16 x 25cm; and a map of Cambridgeshire by Saxton and Kip c.1610, 30 x 34cm (4)
TEGETMEIER (Denis) The Seven Deadly Virtues, no date [London 1934], 4to, one of 250 copies signed by Eric Gill and the author, original cloth; RUSKIN (J) Lectures on Landscape, 1897, folio, plates, cloth in slip case; and various later works on etching and illustration, including Bewick (10)
Frederick Marriott R.E. (British, 1860-1941), "Venice", signed and titled in pencil in the margin, published 1921, etching with aquatint, plate size 20 x 24.5cm, 7.75 x 9.75in.Condition report: The etching is in good, original condition with strong colours. There is one very small spot of foxing in the centre of the bottom margin towards the mount board. The etching is framed and glazed.
Ladies of Llangollen.- Jukes (Francis, printmaker and publisher) To the Right Hon. Lady Eleanor Butler and Miss Ponsonby - This View in the Vale of Llangollen, North Wales, etching and aquatint after Thomas Walmsley, with extensive hand-colouring, sheet 525 x 605 mm. (20 3/4 x 23 3/4 in), trimmed within the platemark, laid onto support, some surface dirt and minor damp-stains, framed, 1800.⁂ Apparently published aside from the 1794 book of 'Views in North Wales' by Jukes and Walmsley. Not recorded in Abbey.
Julian Trevelyan, R.A.. (British, 1910-1988):Washington, etching & aquatint, hand-signed in pencil, titled & numbered 4/50 to margin, impression size H 35 x W 48 cm. Provenance: Business Art Galleries label verso. Note: The present work is a rare signed example from the edition of 50 of which only the first 9 examples were hand-signed. Please note that Artist's Resale Rights may apply to this lot.
Victor Pasmore, R.A. (British, 1908-1998):'Two Images', etching & aquatint, hand-signed in pencil, dated '76 & numbered 82/90, impression size H 45 x W 45 cm, sheet size H 87 x W 66 cm. Please note that Artist's Resale Rights may apply to this lot. CONDITION REPORT: In excellent condition. A clean, crisp impression, colours vibrant.
Brenda Hartill (British, b. 1943):Four etching & aquatints, Shadows II, hand-signed in pencil, dated '89, titled & numbered 90/200, impression size H 50 x W 40 cm, Shadows IV with Orange Tree, hand-signed, titled, numbered 33/200 & dated 1990 in pencil, impression size H 49 x W 38 cm, Theo's Shed, hand-signed, titled, numbered 26/100 & dated 1984 in pencil, impression size H 44 x W 59 cm, & The Park II, hand-signed, titled, numbered 31/50 & dated 1982 in pencil, impression size H 50 x W 34 cm. Provenance: The New Academy Gallery labels verso (4)
Five Still Life Pictures to include Chloe Cheese (British, b. 1952):Yellow & Green, screenprint, artist's proof, hand-signed in pencil, titled & numbered 8/10, H 50 x W 38 cm; together with Michael Felmingham (b. 1935): Cyclamens, watercolour, H 27 x W 36 cm, two colour etching & aquatints of floral still life studies by Winifred Pickard (1908-1996), & Vanessa Bell colour poster, Interior with a Table, 1921 (5)
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'Self-Scrutiny', self portrait study, etching, signed & dated 1914 within the plate, numbered 21/25 in pencil to margin, impression size H 15 x W 8.5 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
A small early 20th century chromolithograph after Sir Edward Burne Jones depicting King Cophetua and beggar maid, a Harrington Bird drypoint etching of a horse race dated '97 within the print and signed in pencil to the border, a drypoint etching by Edna Arthur of the Bridge in Totnes, signed and titled to the border, also dated 1950 and a 19th century engraving after Overbeck of Madonna and Child with young John the Baptist and Agnus Dei, 58 x 42cm, framed and glazed (4).
10th (Prince of Wales’s Own) Hussars Officer’s sword. A good scarce pre Crimea War 1821 Light Cavalry example of regimental pattern by Wilkinson of London. The blade is etched with a Crowned VR Cypher over a Roman numeral X within a title “Royal Hussars”. The reverse is etched with the regimental device and “Peninsula” and “Waterloo” honours; it also bears the family crest of the Earl of Kintore Lord Keith and Falconer. Three bar open guard, the grip with twist wire binding. Housed in original polished steel scabbard with two loose rings. Blade in clean condition, etching clear. Minor wear to guard and scabbard. GC. The sword is attributed to Major the Hon Charles James Keith-Falconer , Cornet with the regiment 15th February 1850. He fought in the Crimea and after his military career he held the office of Commissioner of Inland Revenue between 1874 and 1889.
14th (King’s) Hussars Victorian Officer’s Mameluke hilted sword. A rare Levee pattern sword. Curved unfullered blade with etched decoration depicting a regimental device surmounted by a crown. Above, this scrolling floral decoration, below the Regimental title. To the obverse a crowned entwined VR Cypher and further scrolling floral etching. Fine gilt cross guard bearing embossed decoration of regimental pattern. Two piece ivorine grip, with a pair of gilt pateri to each side. The sword is housed in its original polished steel scabbard fitted with two gilt loose rings. The sword has been completely professionally restored to exhibition / parade standard. Etching to the blade clear.
British 1821 Light Cavalry Pattern Patent Hilt Sword by Wilkinson of London Circa 1853. A good and early example of the Wilkinson Patent Hilt sword, this example has no order number to the back edge of the blade, which would indicate pre 1854 manufacture. The straight 36 inch blade, with etched decoration of a Crowned VR Cypher and the original owners initials “RB” to an etched panel. The forte with the cutler’s details of “Henry Wilkinson Pall Mall London”. The regulation hilt with three bar open guard and solid chequered grip with twist wire binding. Housed in with steel scabbard. The overall condition good etching clear.
Victorian Welsh 6th Denbighshire Rifle Volunteers Officer’s Sword. A good and rare example of the Light Infantry regulation pattern. The slightly curved single edged blade is etched with a crowned VR cypher and title “6th Denbigh Rifle Vols”. Also etched wit the original owners name of “ARTHUR W ADAMS” To the forte the retailer’s details of Hobson of London. The hilt with shagreen grip and open guard with Light Infantry bugle. Housed in metal scabbard fitted with two loose rings. Etching to the blade clear.
Highland Regiment Officer’s Broadsword by Wilkinson. A good Elizabeth II period example of the Scottish Highland 1831 pattern sword. The straight doubled edged blade with central fuller is etched with panels of thistles. To the forte the Wilkinson’s logo and crest and the blade is numbered “96647”. Full nickel plated basket guard with pierced heart panel design enclosing a shagreen grip with twist wire binding. Retaining full buff leather and scarlet faced lining, also crimson tassels. Housed in metal scabbard. The blade remains in very good condition, etching clear, but PLEASE NOTE the very tip of blade is absent. The basket and scabbard plating dulled.
Edwardian Gordon Highlanders Attributed Officer’s Broadsword by Wilkinson. A scarce regimental example of the Scottish Highland 1831 pattern sword. The straight doubled edged blade with central fuller is etched with Crowned EVIIR cypher, Regimental device and title. Also panels of thistles and original owners initials “R.O.B.C”. To the forte the Wilkinson’s logo and crest and the blade is numbered “41617” (1907). Full nickel plated basket guard with pierced heart panel design enclosing a shagreen grip with twist wire binding. Retaining full buff leather and scarlet faced lining, also crimson tassels. Housed in metal scabbard. The blade remains in good condition, etching clear, but PLEASE NOTE the pommel is absent and the basket and grip are loose. The basket and scabbard plating dulled.Attributed to Ronald Ogilvy Blair-Cunynghame who was commissioned into the 2nd Bn 11th December 1907. He landed in France with his Regiment with the rank of Captain and Died of Wounds on the 5th May 1915.
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71174 item(s)/page