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Lot 1

PRESTON CRIBB, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Beurno Monument', 5" x 9"; WILLIAM MONK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Buckingham Palace, 7" x 9" and two further signed etchings, (4)

Lot 1

FRANK PATON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Royal and Ancient (St Andrews 1798)', 4" x 5"

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LEONARD SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, inscribed to image 'Road on Iken Heath', 6" x 8", mounted but unframed

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JEAN-FRANCOIS MILLET, (SIGNED TO IMAGE), ETCHING, PRINTED IN BROWN, 'Le Depart Pour Le Travail' (see attached information), mounted but unframed, 14" x 12"

Lot 1

JO KISEH, THREE MISCELLANEOUS BLACK AND WHITE ETCHINGS including 'Revelation'; HESKETH HUBBARD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'New Forest Gypsies' and three other prints, (7)

Lot 1

ALAN-GWYNNE-JONES, SIGNED AND DATED 1927 TO MARGIN, BLACK AND WHITE ETCHING, 'Lambs on the Hillside', 8" x 11", mounted but unframed

Lot 1

DONALD MAXWELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Wind and Tide' and ROBERT SPENCER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'I Slept Away and Went by My Eye ÑÑ-', 7" x 5", mounted but unframed, (2)

Lot 1

G VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ETCHING (65/75), Finches on a Branch, 9" x 12", mounted but unframed

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AFTER REMBRANDT, BLACK AND WHITE ETCHING, 'The Good Samaritan', 9" x 8", trimmed, laid down

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WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Pheasant and chicks, 6" x 10"

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WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Ducks and Bluetit in winter, 6" x 10"

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WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A family of ducks and chicks by riverside, 6" x 10"

Lot 1

WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A snipe by waterside, 5" x 7" and WINIFRED AUSTEN, MONOTONE WATERCOLOUR, a seagull diving, 10" x 14", (2)

Lot 1

WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Hares in a Cornfield in Spring, 7" x 10"

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WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, a Goose and chicks by a stream, 7" x 10"

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SAMUEL DAVID COLKETT, BLACK AND WHITE ETCHING, 'Norfolk Gypsy Encampment', 5" x 7"

Lot 1

William Lionel Wyllie (1851-1931) Shipping on the Thames Etching Signed in pencil within the margin lower left P. 16cm x 38cm

Lot 1

Kenneth Scott Edinburgh Etching Signed lower right P. 36.5cm x 25.5cm and H. S. 'On April morning in Avington Park' 'Alresford Pond' Each etching Each signed with initials and inscribed within the plate Each p. 24cm x 18.5cm

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William Lionel Wyllie (1851-1931) The Clyde at Govan Etching Signed in pencil within the margin lower left P. 20cm x 49.5cm Unframed

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Charles Henry Baskett (1872-1953) 'Shoreham' Etching Signed in pencil within the margin lower right Inscribed with title within the margin lower left P. 12.5cm x 18cm Unframed Arthur James Turrell (d. 1871) 'The Mangia Tower' Etching Signed in pencil within the margin lower right P. 36.5cm x 21.5cm Unframed and two other etchings, both unframed Henry Percy Huggill 'Newark Castle' 'Market Place, Nottingham' 'Nottingham Castle' 'Trent Bridge, Nottingham' Each etching Each signed in pencil within the margin lower right Each stamped 'artist's proof' within the margin lower left Each p. 20cm x 25cm

Lot 1

Paivi Mutikainen 'Fox Cubs' 'Don't Look Back in Anger' Each etching The first p. 5cm x 5cm The second p. 6cm x 3cm and Brian Crook 'The Finnish Girl' 'The Finnish girl reading' Each etching The first p. 15cm x 11cm The second p. 6cm x 5cm

Lot 1

Peter Goodhall The Duchess of Devon Limited edition etching Signed in pencil within the margin lower right Inscribed 2/100 lower left S. 54.5cm x 79.5cm

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Sir Frank Short (1857-1945) 'Bromborouch' 'Ebb-Tide, Putney Bridge' The first etching The second mezzotint The first titled and dated 1890 within the plate lower right, signed in pencil within the margin lower left The second signed in pencil within the plate mark lower right The first p. 8.5cm x 20cm The second p. 13.5cm x 19cm

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Thomas Sutherland after Dean Wolstenholme Shooting; four plates Each etching and aquatint Each p. 31.5cm x 38cm

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Winifred Marie Louise Austen (1876-1964) Mallards overflying a lake Etching Signed in pencil within the margin lower right P. 22.5cm x 28cm

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Herbert Dicksee 'Oh, for the touch of a vanished hand' Etching Signed with initials within the plate lower left S. 36cm x 66.5cm

Lot 1

Reginald Green (1884-1971) 'Friars Crag, Derwent Waters'; Lake District river landscape Each etching Each signed in pencil within the margin lower right The first inscribed with title lower left Each p. 16.5cm x 26.5cm

Lot 1

Follower of John Varley- Cottage by a stream with woodland and mountains; watercolour, 22.5x34.2cm: together with one other watercolour of a mountain landscape and three prints, one an etching of a battle scene by Francois Flameng, signed in pencil, (5)

Lot 1

Emil Orlik- Four elegant ladies promenading; lithograph in colours, signed within the plate, and signed and dated '98 in pencil, 15.4x12.8cm: Russell- View of St. Paul's Cathedral from the Strand; etching, signed in pencil, 26.4x20.5cm., (2)

Lot 1

After Richard Deighton- "A Heavy Fall of Snow", from "A Nuisance, Ple. 2nd", originally publ. by T. McLean; hand-coloured etching, 26x21.5cm

Lot 1

Claude Rowbotham (exh1900-1912): 'In the harbour Whitby', coloured etching, signed 11cm x 15cm

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Claude Rowbotham (exh1900-1912): 'Cottages at Sandsend', coloured etching signed 14cm x 12cm

Lot 1

William Lionel Wyllie (1851-1931): "Barge race - Rounding the buoy", signed artist's etching,21cms x 27cms

Lot 1

William Lionel Wyllie (1851-1931): "Barge race", signed artist's etching, 27cms x 40cms

Lot 1

Frank Henry Mason (1876-1965): South Bay Scarborough, signed etching, 24cm x 19cm

Lot 1

A late 19th Century Stourbridge drinking glass, the bowl decorated with cairngorm drops and acid etching; a cranberry bowl wine glass; a citron flute with cairngorm drops; an 18th Century style glass with tear drop stem; a decanter base wit engraved decoration in the manner of Keller, cut down, 5.5" high.(5)

Lot 1

Etching, "In the Paddy Fields", titled in pencil and indistinctly signed, 6.5" x 9.5", framed

Lot 1

FRANCIS J WALKER. Etching, an avenue of trees along a stream with distant stone bridge, signed in pencil, 10.5" x 15.75", framed

Lot 1

A etching of Thames Barges by W L Willie RA 4 1/2" x 3 1/2"

Lot 1

Charles W Cain (1893-1962), Kifl Etching Signed in pencil P. 38cm x 56cm

Lot 1

Sir David Muirhead Bone (1876-1953), Shrimp boats, Great Yarmouth Drypoint etching Signed in pencil 18cm x 30cm

Lot 1

S. M. Litten (1887-1934). 'Puerta del Vino'. Granada Etching. Signed in pencil 38cm x 28cm and two others, 'Street of the Aqueduct' by Lionel Lindsay and 'Behind the Capitol' by Kenneth Holmes. (3)

Lot 1

WINIFRED AUSTEN (1876-1964), 'Mallard in flight', etching, pencil signed in the margin by the artist, 8 1/2" x 11 1/2".

Lot 1

RICHARD BEER (b.1928), 'Magdalen', etching with aquatint, pencil signed and numbered 64/100, 19 1/2" x 23 1/2".

Lot 1

An etching, depicting Marble Arch, by Graham Culverd, signed in pencil, on selvage by the artist, 23.5cm x 17.5cm.

Lot 1

An etching, depicting a church, by James A. Dron, signed by the artist to selvage in pencil, 29cm x 20cm.

Lot 1

An etching, entitled "Chelsea", on selvage under etching "Drawn and etched by J.A. McNiell Whistler", 13cm x 19.5cm.

Lot 1

WILLIAM LIONEL WYLLIE (1851-1931): Barges on the Thames, etching, signed in pencil on the mount, 12.5 x 33.5cm (5 x 13.25in)

Lot 1

WILLIAM LIONEL WYLLIE (1851-1931): Antwerp, etching,signed in pencil, 14 x 30cm (5.5 x 12in)

Lot 1

WILLIAM LIONEL WYLLIE (1851-1931): How the Fleet came to anchor, etching, signed in pencil on the mount, 12 x 22cm (4.75 x 8.75in)

Lot 1

WILLIAM LIONEL WYLLIE (1851-1931): Last Trickle of Flood - Thames, etching, signed in pencil on the mount, 23 x 35.5cm (9 x 14in)

Lot 1

HERBERT DICKSEE (1862-1942): A lion couchant, etching, signed in pencil on the mount, 21.5 x 50cm (8.5 x 19.75in)

Lot 1

FRANK BRANGWYN (1867-1956): Venetian scene, etching, signed in pencil on the mount, 18.5 x 23.5cm (17.25 x 9.25in)

Lot 1

CHARLES FREDERICK TUNNICLIFFE (1901-1979): The Constitutional, etching, signed and numbered (58/75) by the artist, 17.5 x 22.5cm (7 x 8.75in)

Lot 1

CHARLES FREDERICK TUNNICLIFFE (1901-1979): The Pig Dealer, etching, signed and numbered (37/75) by the artist, 21 x 28cm (8.25 x 11in)

Lot 1

WILFRED HUGGINS (exh.1912-1938): A gargoyle, etching, signed in pencil on the mount, 26.5 x 33cm (10.5 x 13in) and another similar (2)

Lot 1

Sussex and Hampshire. "Chailey, Sussex", n.d., c. 1830s, uncol. soft ground etching by W. Scott, image size approx. 24 x 32 cm., somewhat spotted, together with a small group of maps and engs. of Sussex and Hampshire, mostly 19th c., incl. a silhouette of J. Gapp, the Brighton Profilist, with his printed label to reverse, somewhat dust soiled and upper corner broken, approx. 29 x 17 cm. (-)

Lot 1

Cawse (J.). Introduction to the Art of Painting in Oil Colours, 2nd ed., Ackermann, 1829, 22 pp., seven hand-col. "palette" plates, single ad. leaf at rear, orig. leather-backed marbled boards with printed paper label to upper cover, together with The Artist's Assistant in Drawing, Perspective, Etching, Engraving, Metzo-Tinto-Scraping, Painting on Glass, in Crayons, in Water-colours and on Silks and Satins .., 7th ed., improved, pub. Laurie & Whittle, 1801, medallion portrait frontis. of William Hogarth, four eng. diags. at rear (incl. three folding), orig. marbled wrappers with printed paper label to upper cover, plus Mansion (L.), Letters Upon The Art of Miniature Painting, pub. Ackermann, c. 1820s, half-title present, uncol. litho. frontis., folding hand-col. plt. of colours, orig. pink boards, rubbed and some wear to extrems., all slim 8vo (3)

Lot 1

Bunbury (Henry William, 1750-1811). 'Billiards', late 18th century sepia etching of a player chalking his cue, close-trimmed on all sides, approx. 270 x 350 mm, mounted (1)

Lot 1

Prints. Barraud (F.P.), 'Radley-"The Exterior"', pub. Dickinson & Foster, March 2nd, 1891, etching by F.Hunter after Barraud of boys practicing in the nets with Radley beyond, approx. 330 x 490 mm, signed in pencil by the artist and engraver to lower margin, laid onto card, mounted, together with a mid 19th century uncoloured litho. entitled 'International Cricket Match, at Kensington Oval', approx. 195 x 230 (2)

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