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Lot 432
* Salvador Dali, Spanish 1904-1989- "The Blood of the Yin and Yang" from Conquest of the Cosmos, 1974; etching with aquatint and embossing printed in colours, signed, inscribed `EA` in pencil, mounted in an parcel gilt ebonised glazed cassetta frame, 75x55.5cm (may be subject to Droit de Suite). VAT charged on the hammer price.
Lot 433
* Salvador Dali, Spanish 1904-1989- "The Last Corner from the Last Planet", from La Conquete de Cosmos II, 1974; etching printed in colours with embossing, signed and inscribed `EA` in pencil, in a parcel gilt Bolognese style carved giltwood frame, 75x58cm (may be subject to Droit de Suite). VAT charged on the hammer price.
Lot 434
* Salvador Dali, Spanish 1904-1989- "The Caduceus of Mars fed by the Fireball of Jupiter", from `La Conquete du Cosmos II`, 1974; etching with embossing and drypoint, printed in colours, signed and inscribed `EA` in pencil, in a parcel gilt and ebonised glazed cassetta frame, 75x55cm (may be subject to Droit de Suite). VAT charged on the hammer price.
Lot 479
Hilscher, act. mid 19th century- "Die Königl. Grossbrittanische Armé Revue. 1te Abth.", (The Review of the British Military by Queen Victoria and Prince Albert), after George Emanuel Opitz, publ. Louis de Kleist, 1841; etching with extensive hand-colouring, 62.5x78.5cm Note: Opitz has shown the Queen and her consort reviewing the military against a sweeping panorama of London. The towers of Greenwich can be made out in the middle distance and beyond the river, the City and St. Pauls.
Lot 497
AMENDMENT: The title of this lot is "Harbour" not "Mudbanks" as previously stated - Julian Otto Trevelyan RA, British 1910-1988- "Mudbanks"; soft ground etching with aquatint, titled and numbered 45/50 in pencil, with printed signature and monogram beneath the plate, 34.5x47cm, (may be subject to Droit de Suite)
Lot 635
Vernon Gibberd RIBA, British, mid-late 20th century- Untitled coastal landscape; watercolour, 6.5x12.5cm: together with three other watercolours of landscape and coastal subjects by the same hand, one signed and dated 80, one signed with monogram, 55x73cm, 12x16cm, 5x9.5cm, and a drypoint etching titled "Dejeuner sur l`Herbe", signed, titled and numbered 11/25 in pencil 13.5x17cm, (5) (may be subject to Droit de Suite)
Lot 785
Anders Leonard Zorn, Swedish 1860-1920- "Dagmar", 1912; etching, signed and dated 1912 within the plate, signed in pencil, bears label for W B Simpson, 84 St Vincent Street, Glasgow attached to the reverse of the frame, 24.5x17.3cm: Anders Leonard Zorn, Swedish 1860-1920- "Mona", 1911; etching, signed and dated 1911 within the plate, signed in pencil, bears label for W B Simpson, 84 St Vincent Street, Glasgow attached to the reverse of the frame, 24.5x17cm., (2)
Lot 786
Anders Leonard Zorn, Swedish 1860-1920- "Ols Marie", 1919; etching, signed and dated 1919 within the plate, signed in pencil, bears label for W B Simpson, 84 St Vincent Street, Glasgow attached to the reverse of the frame, 19.5x29cm: Anders Leonard Zorn, Swedish 1860-1920- "Vicke", 1918; etching, signed and dated 1918 within the plate, signed in pencil, bears label for W B Simpson, 84 St Vincent Street, Glasgow attached to the reverse of the frame, 19.5x28.5cm: Anders Leonard Zorn, Swedish 1860-1920- "Seaward Skerries", 1913; etching, signed and dated 1913 within the plate, signed in pencil, bears label for W B Simpson, 84 St Vincent Street, Glasgow attached to the reverse of the frame, 17.3x25cm., (3)
Lot 787
Anders Leonard Zorn, Swedish 1860-1920- "Valkulla", 1912; etching, signed and dated 1912 within the plate, signed in pencil, bears label for W B Simpson, 84 St Vincent Street, Glasgow attached to the reverse of the frame, 29.5x19.5cm: Anders Leonard Zorn, Swedish 1860-1920- "Self Portrait", 1916; etching, signed and dated 1916 within the plate, signed in pencil, bears label for W B Simpson, 84 St Vincent Street, Glasgow attached to the reverse of the frame, 17.5x12cm., (2)
Lot 788
Bartolomeo Pinelli, Italian 1781-1835- Riders in a landscape during a storm, after G Poussin; etching, 37x44.5cm: Varin Freres, French 18th century- "Vue du Palais Royal des Galeries et du Jardin", after le Cher de Lespinass, publ a Paris chez l`Auteur Quay de l`Horloge du Palais no 37; engraving, 35.5x48cm., (2)
Lot 801
John Guille Millais, British 1865-1931- "Burdett`s Zebras leaving a Pan after drinking"; scraperboard, brush and black ink, pencil, original artwork for illustration, signed and inscribed with title in pencil, 26.5x44.7cm: After Rembrandt van Rijn, Dutch 1606-1669- "The Flight into Egypt: Crossing a Brook"; etching, restrike after the original, signed and dated 1654 within the plate 9x14cm: W H Emett, British, mid-late 19th century- "The Queen and Princess Beatrice with their faithful friends Waldman, Fern, Sharp and Noble, 1876"; lithograph, 56.2x63.5cm: Achille Jacques-Jean-Marie Devéria, French 1800-1857- Portrait of the poet Alfred de Vigny, publ Paris rue St Honoré no 290 London publ by Chas Motte 23 Leicester Square 15th May 1831; lithograph, 35x27cm: Paul Gavarni, French 1804-1866- Portrait of the poet Alfred de Musset, publ by Lemercier & Cie, Paris; lithograph, dated 1824-4 within the plate, 37x25cm: Paul Gavarni, French 1804-1866- Portrait of the artist Eugène Isabey, publ by Lemercier & Cie, Paris; lithograph, arched mount, 36.5x23cm: After Charles Burton Barber, British 1845-1894- "Yorkshire Terrier Dog, Italian Greyhound Pug", publ by Vincent Brooks Day & Son; chromolithograph, 21x26.5cm., (7)
Lot 802
Victor Pasmore, British 1908-1998- "Print H", 1991; etching with aquatint printed in colours, signed with monogram, numbered 21/50 and dated 92 in pencil, 30x30cm (may be subject to Droit de Suite) Provenance: with Long & Ryle Art International, London, according to label attached to the reverse of the frame
Lot 804
Sir Terry Frost RA, British 1915-2003- "Untitled (Celebration)", DK118; screenprint in colours, signed, numbered 17/25 and dated 90 in pencil, 28.2x16.5cm: Hubert Andrew Freeth, British 1912-1986- "Ozymandias"; etching with aquatint, signed, titled and numbered 14/20 in pencil, 53x60cm., (2) (may be subject to Droit de Suite)
Lot 815
Barbara Rae RA, Scottish b.1943- "Winter Plateau"; etching with aquatint printed in colours, signed, titled, dated `88 and numbered 30/30 in pencil, 48.5x65.5cm: together with another etching with aquatint printed in colours by the same artist entitled, "Winter Hillside, Kylesku", signed, titled, dated `88 and numbered 28/30 in pencil, 48.5x65.5cm, (2), (may be subject to Droit de Suite)
![AFTER SALVADOR DALI [SPANISH 1904-1989], COLOR LITHOGRAPH WITH ETCHING, 22" X 16", "LE PECHEUR": #248/350](http://lot-images.atgmedia.com/SR/33875/2869883/2278-20121119145114_468x382.jpg)
![ALBERTO GIACOMETTI [SWISS, 1901-1966], ETCHING, 10" X 7 3/4" [PLATE], `THE SEARCH`: Under glass and framed. Include](http://lot-images.atgmedia.com/SR/33875/2869883/2279-20121119145117_468x382.jpg)
Lot 98
*Biblical. Joseph telleth his Dreams to his Bretheren, late 18th c., folding paper fan, the leaf a hand-coloured etching illustrating the story of Joseph and his brothers, sl. dusty and toned, one section a little frayed to lower edge, mounted on wooden sticks, guardsticks with painted floral sprays, 29cm (11.5ins). Not in the Schreiber Collection. (1)
Lot 99
*Biblical. Moses striking the Rock, publish`d by M. Gamble, according to the late Act, 1740, folding paper fan, the leaf a hand-coloured etching showing Moses in the centre standing by a rock from which a stream of water issues, while various figures and animals drink or draw water from it, mounted on pierced ivory sticks (one with v. sl. damage), with carved guardsticks, 27.5cm (10.5ins), contained in 18th c. embossed paper-covered cardboard fan box with pull-off lid. Schreiber Collection 20, p.6. (1)
Lot 105
*Cartography. The Ladies Travelling Fann, of England and Wales; Exhibiting all the Principal Roads, Rivers, Market & Post Towns; with their distances from London, Pubd Sepr. 13; 1788, by T. Balster, folding paper fan, the obverse with hand-coloured etching of the southern part of England, the verso with hand-coloured etching of `North Part of England and Wales. Continued from the other Side`, both sides with title cartouche and winged figures, and with References to the Counties, one or two small expert repairs, mounted on alternating pairs of pierced ivory and wooden sticks, ivory guardsticks with pierced and carved floral decoration, 24cm (9.5ins), mounted in perspex display case. Schreiber Collection, 193 & 194, p.96 (two fan leaves, unmounted). A rare example of cartographic ephemera, and a form of travelling map, unusually, intended for ladies rather than gentlemen, presumably to facilitate conversation about places visited or to be visited. (1)
Lot 140
*Peninsular War. Dia Dos de Mayo de 1808, en Madrid. Asesinan los franceses a los Patriotas en el Prado, [London, Behrmann & Collmann, 1808], folding paper fan, the leaf with a hand-coloured etching on the obverse depicting the massacre of the Spanish by the French in Madrid on 2nd May 1808, verso ornamented with cartouches, birds, and foliate sprays in gilt and colours, mounted on pierced ivory sticks, 25.5cm (10ins). Schreiber Collection 41, p.72 (unmounted). Printed in England for the Spanish market as anti-French propaganda. Examples are held in The Fitzwilliam Museum, Cambridge, and The Fan Museum, Greenwich. (1)
Lot 350
*Farre (Henri, 1871-1934). Portrait of French WWI ace Georges Guinemer (1858-1917), 20 February 1917, half-length, in profile, etching in red ink with blue highlights, vignette of biplane and burning plane, Musee de Armee stamp lower right, signed presentation inscription from the artist in pencil for Mdlle. G. Fischer to lower margin, numbered 9/70, a little spotting, plate impression 34.5 x 23.5cm, framed and glazed. Georges Guinemer shot down fifty-three German airplanes during the three years he was engaged in action. He is memorialised in the Pantheon in Paris. French-born painter Henri Farre resided in Chicago and was appointed by the French government to paint and draw airplane fighting scenes. (1)
Lot 523
Menpes (Mortimer). Whistler As I Knew Him, A & C Black, 1904, 125 colour and b & w plates, a few spots and marginal toning, library stamp to title verso, presentation inscription, t.e.g., modern vellum-backed boards, 4to. Edition de Luxe, 332/500 signed by the artist, with an original etching of the Menpes children. -1
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71174 item(s)/page