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Lot 219
A George V 1897 Pattern Indian Army Officer's Sword, the 82cm fullered steel blade etched with the royal coat of arms and GRI cypher, with proved poincon and maker's name Henry Wilkinson, Pall Mall, London, stamped with a broad arrow over I/1916 at the ricasso, the back edge stamped 52986 and etched London Made, the nickel plated steel hilt pierced and engraved with crowned GRI cypher, the guard stamped R.P. 3.18, with wire bound fishskin grip and leather service scabbard, 99cm; a Victorian 1897 Pattern Infantry Officers Sword, with deeply pitted steel blade and hilt, lacks scabbard. (2)Condition report: . 1 - Minor black patching to tip of blade, crisp etching. Hilt with pitting and some loss of plating, scuffing to the leather scabbard.2 - Badly pitted, loss of areas of fishskin to the grip and lacking its wire binding.
Lot 2176
§ Marc Chagall (Russian-French, 1887-1985), 'Tchitchikov at the Customs' (1926). Etching. Part of a larger series of illustrations for Gogol's 'Dead Souls'. Framed and glazed. Image size 21 x 27.5cm.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information. Condition Report: § Good condition overall, with some fading to edges of paper that are consistent with age.
Lot 2209
John Hamilton Mortimer (1740-1779). Portrait of Ophelia theres fennel for you and Columbines. Etching, plate size 40 x 33cm. Also, three etchings from a series dedicated to Sir Joshua Reynolds. The Frontispiece, with a dedicate to Reynolds, a portrait Salvator Rosa and Banditti on the Lookout. All published 1778 by Mortimer. Plate size 30 x 20cm. (4).
Lot 8
SARAH BALL (B. 1965)Untitled 2018 signed and numbered 18/25polymer etching43.5 by 34 cm.17 1/8 by 13 3/8 in.This work was executed in 2018 is number 18 from an edition of 25.Footnotes:ProvenanceCourtesy of the artist; Stephen Friedman Gallery, London and Paupers Press, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 7
SARAH BALL (B. 1965)Untitled 2018 signed and numbered 18/25polymer etching43.5 by 34 cm.17 1/8 by 13 3/8 in.This work was executed in 2018 is number 18 from an edition of 25.Footnotes:ProvenanceCourtesy of the artist; Stephen Friedman Gallery, London and Paupers Press, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1105
•LEONARD ROBERT BRIGHTWELL FZS (BRITISH 1889-1962) TEA ON THE TERRACE; THE BABES IN THE WOOD Drypoint etching, signed and inscribed with title, 25 x 20cm (9 3/4 x 8"), 30.5 x 22.5cm (12 x 9") (2) Condition Report: On inspecting 'Tea on the Terrace' there is a light yellow/brown discolouration ring-stain on the paper located in the lower left quarter section and on close inspection there is very light discolouration at the edges of the mounts where they meet the margins on both etchings.
Lot 1119
WILLIAM LIONEL WYLLIE RA, RI, RE (BRITISH 1872-1945) THE FORTH RAILWAY BRIDGE AND SHIPPING Drypoint etching, signed, 16.5 x 38cm (6 1/2 x 15") JAMES MCBEY (SCOTTISH 1883-1959) BUCHAN Drypoint etching, signed, inscribed JMB, D, and signed, inscribed Buchan (and on label verso) and dated 1914 in plate, 13 x 30cm (5 x 11 3/4") (2) Condition Report: WILLIAM LIONEL WYLLIE:. On close inspection there is mild light brownish discolouration in the paper noticeable over areas of the sky. . JAMES MCBEY:. Sizeable foxing spot located in plate top edge right middle and another located top margin left. Light discolouration lower edge left in plate, light foxing spot right of centre in plate. Fine debris on surface of image left hand section from the 5 wormholes visible in the mount above, and to a lesser degree light debris right hand section on surface of plate. Two very light crease lines located top of plate image on left. Paper very slightly wavy.
Lot 136
DICKENS (CHARLES)Mr. Nightingale's Diary: a Farce. In One Act, first American edition, advertisements on endpapers, publisher's red cloth decorated in black and lettered in gilt [Eckel p.164; Gimbel B215], 16mo, James R. Osgood and Company, 1877--[Reading Editions:] A Christmas Carol, Bradbury & Evans, 1860; The Chimes, Chaman & Hall, n.d.; The Story of Little Dombey, Bradbury & Evans, 1858; idem, another edition, 2 copies, Chapman & Hall, n.d.; The Poor Traveller: Boots at the Holly-Tree Inn: and Mrs. Gamp, 2 copies, [Dickens & Evans for] Chapman & Hall, n.d., together 7 vol., publisher's printed wrappers, 2 of the Dombeys soiled and with spines chipped, 12mo; David Copperfield. A Reading, in Five Chapters, reprint of 1866 edition, portrait, publisher's half calf with gilt panelled spine, Henry Sotheran, 1921--On the Origin of Sam Weller and the Real Cause of the Success of the Posthumous Papers of the Pickwick Club... with a facsimile reprint of the Beauties of Pickwick... Embellished with a choice etching of Mr. Samuel Weller composing his love letter, by F. W. Pailthorpe, etched frontispiece, title printed in red and black, publisher's printed wrappers, J.W. Jarvis, 1883--OSBORNE (E. ALLEN) The Facts About a Christmas Carol, publisher's red cloth, Bradley Press, 1937, 8vo (11)Footnotes:A group of theatrical, reading and bibliographical editions including Mr. Nightingale's Diary, a farce first performed in 1851 and privately printed for Dickens. It is known in only a few copies worldwide, making this the first obtainable edition.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 442
A black and white etching titled 'The Inauguration of Robert Burns, as Poet Laureate of the Lodge Canongate Kilwinning Edinburgh, 1st March 1787', presented by James Burns to the Grand Lodge of Scotland 1862, the etching after the original painting by Stuart Watson, 38 x 49cm, framed and glazed, frame size 75 x 87cm.
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