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Richard Banks Harraden (1778-1862) A South West View of St Neots and Eynesbury Churches, Huntingdonshire, watercolour, 31 x 40cm. Provenance: Commissioned by the Reverend Mr George Cornelius Gorham in 1790, and featured as prints in his History of St Neots, thence to His Grace the Duke of Buckingham, 1826, and by descent. Sale, Brighton, 1911. Sale, W H Peacock, Bedford, 6 June 1986 (lot 74) From the collection of David Broad Esq., author of The History of Little Paxton, 1989. Engraved: L Archer, 1820 and Richard Bankes Harraden (1778-1862) St Neots Church, Huntingdonshire; The Great Bridge, St Neots, Huntingdonshire; and South West View of St Neots and Eynesbury, Huntingdonshire, published by the Proprietors, May 1, 1818, by W Clarke, New Bond Street, etchings, three in one frame (3) each 9.5 x 11cm The last view in the frame is the etching that relates to the above painting, South West View of St Neots.
Russell Sidney Reeve, 1895-1970, Pigeon loft, Trafaria, Portugal, signed, titled and numbered 1/50 in pencil; signed and inscribed on label attached to backboard, aquatint with etching, plate 25.5x37cm.; 10x14 1/2in. (27). To be sold together with 26 other prints by the same hand, all unframed. Euro 600-900.
Young (John). A Catalogue of the Collection of Pictures, of the Most Noble the Marquess of Stafford, at Cleveland House, London, Containing an Etching of Every Picture, and Accompanied with Historical and Biographical Notices, 2 vols., 1825, mezzotint port. frontis. to vol. 1, 102 eng. plts., a.e.g., contemp. gilt dec. calf, rubbed to joints., 4to, together Smith (John), A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish, and French Painters..., 9 vols. (inc. Supplement vol.), b & w plts., orig. cloth, spines faded, 8vo, plus Christ (Johann Friedrich), Dictionnaire des Monogrammes, Chiffres, Lettres Initiales, logogryphes, Rebus &c. Sous Lesquels les plus Celebres Peintres, Graveurs & Dessinateurs ont Dessine leurs Noms. Traduit de l'allemand... par M**. de l'Acad. Imp. & de la Soc. Roy. de Londres, Paris, 1750,numerous woodcut monograms to fore-edge margins, contemp. mottled sheep, gilt dec. spine, slightly rubbed to joints and extrems., 8vo (12)
Michael Crawley. Study of a pointer in a hilly landscape, signed lower right, 13.5cm x 22cm, 5 1/4 inches x 8 3/4 inches, together with another similar smaller of a red setter and a monochrome etching of two black labradors swimming indistinctly signed in pencil, 15cm x 20cm, 6 inches x 8 inches. (3).
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71174 item(s)/page