Honourable Artillery Company Napoleonic War Period 1796 Light Cavalry Sword. A rare example. The single edged, 29 inch curved blade with etched decoration of a crowned GR cypher, the crest of the HAC and a Stand of Arms. The hilt of regulation pattern with gilt single bar guard and leather covered grip. Complete with original black leather and gilt mounted scabbard. The etching to the blade is clear, but the blade with areas of deep pitting. Gilt worn to base metal. Blade fully fits into the scabbard. PAYMENT BY BANK TRANSFER ONLY
We found 71082 price guide item(s) matching your search
There are 71082 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71082 item(s)/page
Napoleonic War Period 1796 Infantry Pattern Sword. scarce and good quality example by Osborne 1798. Straight 32 inch blade with etched decoration depicting crowned GR cypher, panel of a crown above BA, initial E.J, Britannia etc. The hilt of regulation pattern with gilt single bar, urn pommel and wire grip. Complete with steel scabbard. The sword has been professionally restored, with some pitting to the blade, etching clear. PAYMENT BY BANK TRANSFER ONLY
Victorian 1887 Heavy Cavalry Officer?s Sword. slightly curved, single edged, 35 inch blade with etched decoration of a crowned VR cypher and retailer's details of Hamburger Rogers & Co. The hilt of regulation pattern, the guard enclosing a shagreen grip with twist wire binding. Housed in steel scabbard with two loose rings. Etching to blade clear. PAYMENT BY BANK TRANSFER ONLY
Honourable Artillery Company Victorian Artillery Section Officer?s Sword. example of the 1821 pattern sword. Single edged, slightly curved blade with etched decoration of a crowned VR cypher, Artillery field gun with HAC above. The forte with the retailer's details of SEWELL AND CROM. Three bar open guard with shagreen grip with twist wire binding. Complete with steel scabbard with two loose rings. Etching to blade clear, overall age wear. PAYMENT BY BANK TRANSFER ONLY
Honourable Artillery Company Light Cavalry Officer?s Sword. rare regimental example of the 1821 Light Cavalry Pattern sword. The blade etched with a crowned VR cypher, HAC entwined initials, Light Cavalry scroll and the original owner's name of E. Duckworth. The forte with the retailer's details of Kirby of London. The hilt with three bar open guard and shagreen grip. Complete with scabbard. Some overall age wear, etching clear. PAYMENT BY BANK TRANSFER ONLY
Nevinson, C. R. W. Modern War Paintings With an Essay by P. G. Konody. London: Grant Richards Limited, 1917. First edition, 4to, original green quarter cloth, green paper boards, printed labels to spine and front cover, dust jacket, colour lithographic frontispiece ('The Column on the March') signed by Nevinson in pencil and with captioned tissue-guard, 24 monochrome plates, peripheral toning to boards, corners bumped, dust jacket with toned spine, chipping to head and foot of spine and joints, short closed tear to head of front panel, a few small marks; Bone, Muirhead. Glasgow. Fifty Drawings. Glasgow: James Maclehose, 1911. 'Special edition', number 2 of 110 copies (of which 10 were for presentation) with a signed original etching, comprising text volume (folio, original wrappers, partly unopened), signed etching (in window-mount), and 53 unbound plates (each on separate card mount and including duplicates of plates 3, 11 and 36), all in portfolio as issued; Binyon, Laurence. The Art of Botticelli. An Essay in Pictorial Criticism. London: Macmillan and Co., 1913. First edition, one of 275 copies, folio, original quarter vellum, etched frontispiece by Muirhead Bone (signed by the artist), 23 tipped-in colour plates, tissue-guards browned; Burns, Robert (1869-1941). Scots Ballads. London: Seeley Service & Co Limited, [1939]. First edition, one of 320 copies only, folio, original quarter cloth, printed on japon, wood-engraved illustrations throughout; [Chromolithography]. Poem by Lord Byron. Illuminated by W & G Hudsley, Architects. London: Day & Son, 1865. 4to, original decorative cloth, 20 chromolithographic leaves, gutta percha perished and contents loose; Stevenson, Robert Louis. Familiar Studies of Men and Books, New Arabian Nights. A New Edition; Ballads. London: Chatto and Windus, 1888-89-90. 3 works, large-paper editions, each one of 100 copies only, 4to, original cream cloth, slightly marked, tips bumped (8)
Sale Item: 5 MODERN MASTERS OF ETCHING BOOKS (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
HENRI MATISSE (French, 1869-1954) 'Femme et Satyr', 1932, etching, a very rare proof from the edition of 30, issued for the series 'Poesies, etchings inspired by the poetry of Mallarmé', printed at the Studio of Lacoutiere, published Lausanne, with William Weston label to verso, 27.7cm x 35.5cm, framed. (Subject to ARR - see Buyers Conditions)
BSA, BIRMINGHAM A SCARCE .177 UNDER-LEVER AIR-RIFLE, MODEL 'CLUB', serial no. EC2033, for between March and May 1956, with blued 18in. barrel, ramp fore-sight fitted with a period Parker Hale tunnel sight with interchangeable elements, elevating notch rear-sight, automatic loading tap at breech, plain 9 1/2in. air-chamber, the top of cylinder etched 'THE BIRMINGHAM SMALL ARMS CO LTD' over THE CLUB .177 AIR RIFLE' over 'MADE IN ENGLAND' (all etching bright and clear), the wording partially obscured by applied period Parker Hale telescopic sight mounting dove-tailed blocks, black stove enamelled trigger unit fitted with a dedicated folding Parker Hale aperture sight, plain three-piece constructed walnut half-stock with ribbed heel and broad finger-grooves to fore-end, the underside of butt fitted with a fore-sight element holder (with elements), bakelite stock-bolt cover, concealed under-lever and fitted with sling swivels, the whole appearing very little used
BSA, BIRMINGHAM A SCARCE .177 UNDER-LEVER AIR-RIFLE, MODEL ''A' PREFIX STANDARD', serial no. A1789. for 1936, with blued 17in. barrel, dove-tailed fore-sight, elevating notch rear-sight, tap-loading breech, plain air-chamber etched 'THE BSA STANDARD AIR RIFLE .177 BORE (No.1)' bisected by the 'Piled Arms' trademark above 'THE BIRMINGHAM SMALL ARMS CO LTD ENGLAND, PATENTED, SOLE MAKERS' over three lines of various countries patents (etching faded but quite legible), single hole trigger unit with weight of pull adjuster to front of guard, walnut saw-handled butt-stock with pressed chequered panels incorporating the letters 'BSA', ribbed end to butt, no provision for fore-end and push-button under-lever, the whole retaining much original finish Pre-1939
WEBLEY & SCOTT, BIRMINGHAM A RARE .177 BARREL-COCKING AIR-RIFLE, MODEL 'MKI', serial no. 464, circa 1927, with blued 19in. barrel, dove-tailed blade fore-sight, elevating notch rear-sight, plain barrel release block with sliding locking catch, plain blued air chamber, left hand side of breech housing etched with 'REGISTERED' and the 'winged bullet' trademark, right side of air-chamber etched with 'PATENTS GRANTED' above ten countries patents in five lines, the left side etched 'WEBLEY AIR RIFLE MKI, the trigger housing stamped 'MANUFACTURED BY WEBLEY & SCOTT LTD, BIRMINGHAM & LONDON' and fitted with a rotating safety catch, the underside of block with trigger adjustment screw marked 'ADJUST PULL', the right hand side with serial number to rear, walnut saw-handled pistol-grip half-stock (cracked and repaired at wrist), plain iron heel-plate, the whole retaining much original finish but etching faded and barely legible in places Pre-1939
* Georges Braque (French, 1882-1963)'Parole Peintes'etching and aquatint in colours, 1962, signed 'G Braque' in pencil l.r., artist's proof37.5 x 27cmProvenance: With the Redfern Gallery, 4 May 1967 (incorrectly titled).The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition Report55.5x45
* Pablo Picasso (Spanish, 1881-1973)Head of a woman in half-profile, from the suite 'Vingt Poèmes Luis de Góngora y Argote' etching, 1948, from an edition of 23537 x 26.5cmProvenance: With Goldmark Gallery.Condition ReportFramed size: 59 x 47.5cm.Not viewed out of glazed frame, appears to be in good condition. Well-presented.
* Roland J Green (1890-1972)'Montagues Harrier';Hen Harriertwo, both signed 'Roland Green', watercolour31.5 x 46.5cm and 24.5 x 17.5cm;together with an etching of snipe by the artist17.5 x 27.5cm (3) Condition Report Largest framed size: 53 x 68.5cm Not viewed out of glazed frames, both watercolours with a bit of mount staining, please see images, otherwise generally appear to be good condition. Some light time staining and mount staining to the etching, some rippling to the sheet.
* Julian Trevelyan (1910-1988)'Stone Cuttings', 1970etching and aquatint in colours, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered 46/5057.5 x 75cmCondition ReportFramed size: 60 x 78cm. Not viewed out of glazed frame, a few imperfections to the white areas of the print, some darker lines, although these are not distracting, some time staining, some specks of foxing emerging and a tear top right margin, some rippling to sheet.
* John Piper CH (1903-1992)'Little Cressingham, Norfolk', Levinson 365etching and aquatint in colours, signed 'John Piper' in pencil l.r. and numbered 'X/X', one of 10 artist's proofs, aside from the edition of 100, printed by Kelpra Studio 1983, on Vélin Arches 300gsm50 x 65cmThe residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportFramed size: 74 x 88cm. Not viewed out of glazed frame, appears to be in good condition.
* Mark Harris (contemporary)'Double Bill'etching in colours, signed and dated 'Mh 99' in pencil l.r., inscribed with title and numbered 1/15plate 49 x 74cmProvenance: With Jill George Gallery.Condition ReportFramed size: 65 x 85cm.Unexamined out of the glazed frame. Loosely mounted to backboard, seems to have slipped slightly to the left inside the frame, otherwise appears to be in good condition.
Sir William Orpen (Irish, 1878-1931)'George Russell 'AE''etching, proof, inscribed in pencilplate 11.5 x 8cmCondition ReportFramed size: 34 x 27.5cmUnexamined out of glazed frame, not mounted, a slight wave to the sheet, some staining along top edge, otherwise generally appears to be in good condition.
* Elyse Ashe Lord (1900-1971)Still life of flowers in a vasetwo, etching and aquatint in colours, both signed 'Elyse Ashe Lord' in pencil, one inscribed 'K o ssu' the other numbered 53/75 plate mark 37 x 29cm and 36 x 25cm, framed as a pair (2)Condition ReportNot viewed out of glazed frames.Yellow vase - overall discolourd paper, a few light spots of staining.Black vase - staining seen in print and also margin.
* John Piper CH (1903-1992)'Hales Norfolk' (Levinson 412)etching and aquatint in colours, signed 'John Piper' in pencil l.r. and inscribed 'AP', one of 15 artist's proofs aside from the edition of 70, printed by Kelpra Studio, 1989, on Vélin Arches 300gsm43 x 61.5cmThe residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportFramed size: 67 x 84.5cm. Not viewed out of glazed frame, appears to be in good condition.
* John Brunsdon (1933-2014)'West Bay'etching in colours, signed 'John Brunsdon', inscribed with title and numbered 4/10063 x 47cmThe residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportFramed size: 86 x 67.5cm. Not seen out of glazed frame, a scratch to surface of print please see illustration, some mount staining, generally a bold and striking image.
* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941),THE DEPARTUREcoloured etching on paper, titled label versoimage size 49cm x 62cm, overall size 55cm x 69cm Mounted, framed and under glass. Handwritten label verso.Note: Will Maclean RSA, Professor of Painting in the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea. These things make it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and in its concerns.
* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941),ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' image size 75cm x 53cm, overall size 90cm x 68cm Mounted, framed and under glass.Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.Note: Will Maclean RSA, Professor of Painting in the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea. These things make it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and in its concerns.
* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013),THE QUEEN OF THE NIGHTthree plate etching in colours on paper, signed, titled and numbered 66/200image size 74cm x 60cm, sheet size 101cm x 85cm, overall size 113cm x 97cm Famed and under glass. Note: This exceptional etching was commissioned as one of six by the Royal Academy of Arts (London) and Merivale Editions to celebrate the bi-centenary of the death of Wolfgang Amadeus Mozart (1991). The six invited prominent Academicians responded very differently to the commission and produced a limited edition of 200 signed prints of their image. John Bellany and Eduardo Paolozzi both produced images relating to Queen of the Night from Mozart's opera The Magic Flute. Tom Phillips and Elizabeth Blackadder created images reflecting personal responses to the life and music of the composer. Peter Blake was inspired by the picture of Mozart as child genius and combined the portrait with extracts from manuscripts, documents and other images. David Tindle created an empty, cold music room with a ghostly mirror conceived as a monument to Mozart. "The Queen of the Night" is one of the largest of Bellany's signed limited editions and is marginally larger than the "Bellany Sextet" etchings, one of which currently holds the auction record for a single Bellany print of £1500 (hammer).
PHIL GREENWOOD (ENGLISH, B.1943) - LILLIES Etching with aquatint Signed and numbered 214/250 lower right 41cm x 47cm; with frame 71cm x 76cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
![Loading...](/content/bs/images/ajax-loader.gif)
-
71082 item(s)/page