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Lot 357

Graham Everndon (British 20th-21st Century), Hayfield, Etching, signed bottom right, framed, measurements 29 x 23 cm (PL) PLEASE NOTE VAT AT 20% IS PAYABLE ON THE HAMMER PRICE ON EACH LOT IN THIS AUCTION

Lot 377

Francis St Clair Miller (British 20th-21st Century), Evening Garden, etching, signed bottom right, framed. Plus a further etching, Summer Evening at Carcacon, by the same artist (2) PLEASE NOTE VAT AT 20% IS PAYABLE ON THE HAMMER PRICE ON EACH LOT IN THIS AUCTION (Qty: 2)

Lot 360

Graham Everdon (British Contemporary), 'Wayside', Etching, signed bottom right, framed, measurements 29 x 39 cm (PL), plus two further etchings including Martin Taylor 'Headland' etching and Francis St Clair Miller 'Autumn Path' (3) PLEASE NOTE VAT AT 20% IS PAYABLE ON THE HAMMER PRICE ON EACH LOT IN THIS AUCTION (Qty: 3)

Lot 1110

ANDERS ZORN. (1860-1920) AN INTERIOR SCENE, PENCIL SIGNED ETCHING WITH GALLERY LABEL VERSO. 11.5 x 22.5cms.

Lot 284

CHRIS ORR limited edition (36/75) coloured etching - entitled 'The Angels of Boulogne', signed and dated 1972, 34 x 46cms

Lot 306

J LEWIS STANT coloured etching of Pembroke Castle, 24.5 x 35cms, framed and glazed

Lot 111

Pen and ink drawing of a townscape, signed Medman and an etching of a graveyard by Stanley G. Bent

Lot 83

NO RESERVE Bartolozzi (Francesco, 1727-1815) Miss Farren, after Thomas Lawrence, possibly early state [?], plate apparently not trimmed but lacking lettered section, stipple engraving and etching printed in colours, on laid paper without watermark, sheet 485 x 320 mm. (19 x 12 1/2 in), marginal nicks, some browning and surface dirt, unframed, Bull & Jeffryes, 1792.Literature:Calabi & De Vesme 1075

Lot 134

NO RESERVE Steinlen (Théophile Alexandre, 1859-1923) Untitled [Elderly man in bed, with lady at his bedside], lithograph on Whatman wove paper watermarked with date '1897', sheet 500 x 615 mm. (19 3/4 x 24 1/4 in), some scattered spotting and browning, unframed, circa 1897; together with four other 20th century prints, including a woodcut signed by Pillwein, a drypoint by Oswald Roux, an etching by Lilly Steiner, and a lithograph by Prof. Jungnickel, various sizes, all unframed, 20th century (5)

Lot 109

Paradise Lost.- Martin (John) Satan tempting Eve; Approach of the Archangel Michael, two plates from the first edition of Martin's illustrations for Milton's Paradise Lost, mezzotints with etching on wove paper, each platemark approx. 250 x 335 mm. (9 3/4 x 13 1/4 in), under glass, spotting and some surface dirt, uniformly framed, Samuel Prowett, 1826-1827 (2)Provenance:Christopher Mendez, London;From whom purchased by the present vendor

Lot 12

NO RESERVE Spain.- Troil (Laurent de, b. 1953) Estacion de Córdoba, etching with drypoint, signed in pencil in the lower right, numbered from an edition of 80, platemark 700 x 490 mm. (27 1/2 x 19 1/4 in), good margins, under glass, framed, 20th century.

Lot 133

NO RESERVE Strang (William) The Street Sellers, etching with drypoint on laid paper, signed in pencil, inscribed 'first state' and dated '24th May 1900', platemark 280 x 302 mm. (11 x 12 in), sheet 340 x 360 mm. (13 1/2 x 14 1/4 in), some toning to sheet, handling creases, unframed, 1900; together with a miscellaneous group of prints and posters, including William Nicholson's 'Krishna Mulvaney', 12 socialist prints of designs by Walter Crane, and others, all unframed, late 19th and early 20th century (25)

Lot 129

Darwin, Charles.- Rajon (Paul-Adolphe) Portrait of Charles Darwin, after William Ouless, etching and drypoint with scratch-letter names below, Darwin's etched facsimile signature in lower margin, on Whatman wove paper with indistinct watermark date, platemark 555 x 410 mm. (21 3/4 x 16 1/4 in), sheet 620 x 505 mm. (24 1/2 x 19 3/4 in), some toning to sheet, exposure lines from previous mount, minor surface dirt, minor marginal nicks, unframed, [circa 1874-76].

Lot 81

Carracci (Annibale, 1560-1609), After. Susanna and the elders, red chalk on laid paper mounted onto paper support, ruled red chalk border, sheet 330 x 255 mm. (13 x 10 in), numerous handling creases, splits and small tears, loss repaired in the lower right corner, other small areas of loss repaired, unframed.⁂ Study after the etching by Annibale Carracci executed circa 1588-1597 [see Bartsch 180]

Lot 683

"An Illustrated catalogue of his Etchings & Dry-points 1887 - 1932." notes by Frank Rinder 50limited edition of 200 (without the additional signed etching, cont 1/4 mor uncut, 4to, 1932.

Lot 361

Alice G. C. BARNWELL (British, 20th Century) Terrrier Coloured etching Signed in pencil 27.5 x 20cmCondition report: 34

Lot 605

Bernard DUNSTAN (1920-2017) Female Nude Resting on a Green Bed by a Window Coloured etching Signed and numbered 74/195 21.5 x 22.5 (paper size)

Lot 362

Morgan DENNIS (1892-1960) School's Out Etching Signed in pencil 12 x 9cm

Lot 365

David Young CAMERON (1865-1945) The Chimera of Amiens , 1900 ( Rinder 415) Etching and drypoint Signed in pencil 24.4 x 18.4cm (oval)

Lot 337

After REMBRANDT VAN RIJN (1606-1669) Self Portrait Etching Inscribed Rembrandt, 1643 in the plate 7 x 6.2cm

Lot 363

Morgan DENNIS (1892-1960) Scram Etching Signed in the plate and further signed pencil lower right and inscribed as titled lower left 14 x 10cm (sight size)

Lot 349

Herbert Thomas DICKSEE (1862-1942) British 'Footsteps' (1925), An Interior with Terriers Etching, published by Frost & Reed Ltd. in the United States Signed in pencil and further signed with initials and dated 1920 in the plate 38 x 56cm (sight size)

Lot 218

English School, early 20th Century Old Courtyard in the Close, Exeter Etching Inscribed as titled 13.5 x 9.5cm

Lot 346

John Lewis STANT (1905-1964) Middle Steps, St Mawes, 1954 Etching Signed in pencil and inscribed as titled 36.5 x 25.5cm Provenance: Private Collection Exhibited: Penlee House and Museum, Penzance, ' Magic of a Line', 20 September – 22 December 2008

Lot 570

Sheila OLINER (British, 20th Century) Nude by Window Etching in colour Signed in pencil and numbered 36/75 52 x 38cm (sheet size)

Lot 20

A limited Edition etching print.Signed DMA. 10cm x 15cm, Framed - 28cm x 34cm

Lot 3

Edward W Sharland (1884-1967) 'Wine Street, Bristol'Original etching, limited to 50 artist proofsSigned in pencil lower right, and titled lower left35 x 22cm Together with further prints by Sharland, including depictions of Salisbury and Canterbury, each signed (5)

Lot 1568

A quantity of framed decorative pictures and prints including a gilt framed signed etching, depicting a sailing vessel with horse and rider on a beach, signed monochrome print with heavy horses and log wagon, three framed L. Boilly character prints, etc.

Lot 641

An 1845 pattern British Infantry officer's sword with remains of shagreen grip and blade etching, in steel scabbard

Lot 574

A flat iron and stand, a spelter figure of an eagle and an etching

Lot 321

After James Gillray (British 1756-1815) A Calm; A Squall Hand coloured etching Published 16 May 1810 by H. Humphrey, 27 St. James's Street, London Each plate 27 x 37.5cm (10½ x 14¾ in.) (2) Provenance: The O'Shea Gallery, London

Lot 36

Mixed pictures to include a Leonard McComb etching, a Douglas Phillips signed print, a John Hall watercolour, a Morgan Academy limited edition print, and four watercolours

Lot 258

Gaston Hoffman (French, 1883 - 1960), by, Feu d'artifice [Fireworks at the Dentist], signed and numbered in pencil 02/10 by the artist, titled within the platemark, etching with some colouring, 32cm x 45cm

Lot 394

A collection of late 18th century and later engravings and prints, including William Davison (1781-1858), by, Hop and Stage Doctor, Printed and Published by W. Davison Alnwick [n.d. 1812-1817], etching, 16.5cm x 23.5cm; 19th century restrikes of Hogarth engravings, various; two copies, The Illustrated London News: No. 1027, Vol. XXXVI, April 21, 1860 & No. 2712, Vol. XCVIII, April 11, 1891, (2); medical and anatomical chromolithographic book illustrations and diagrams, various; 18th century and 19th century engravings after Old Masters; 18th and early 19th century antiquarian and architectural engravings, various; early 19th century steel engravings of earlier British portraits of statesman and illustrious figures; defences, copperplate engravings, Engraved for Ancell's Monthly Military Companion, various, 1801-1802, (5); architecture; coaching print; steam locomotive diagrams; further railway interest; various subjects, media and sizes; (qty)

Lot 464

Mona Alizon Edmonds (exh. 1934), by, The Children of Spinalunga: Then the throng of singing children and shining spirits lead by Brother Agnolo moved from Spinangula together down the rough slope towards the besieging Free Lances of Pisa, possibly inspired or designed to illustrate an edition of William Caton's children's book 'A Child's Book of Saints', signed and dated 1935 by the artist in pencil, titled within the platemark, etching, 32cm x 22cm, ink MS labels to versoMiss Mona Alizon Edmonds exhibited one work at The Royal Academy in 1934, an etching entitled 'That Half-holiday', catalogue no. 1279

Lot 882

Gaston Hoffman (French, 1883 - 1960), by, L'intrus, signed in pencil by the artist, titled within the platemark, etching with some colouring, 32cm x 45cm

Lot 48

[Rowlandson, Thomas, illustrator]. Naples and the Campagna Felice. In a Series of Letters addressed to a Friend in England, in 1802, 1st edition in book-form, London: R. Ackermann, 1815, 16 plates including frontispiece and additional vignette title, all hand-coloured aquatints (except plate 4, hand-coloured etching), 2 hand-coloured maps (1 folding), list of plates, occasional finger-soiling and staining, damp-staining in gutter towards front and rear, ink-stamp to title, repair in text-leaf R2 obscuring text verso, contemporary mottled calf, rebacked, 8vo (24 x 14.2 cm), together with: Warden (William), Letters written on board His Majesty's Ship the Northumberland, and at Saint Helena; in which the Conduct and Conversations of Napoleon Buonaparte ... are faithfully described, 3rd edition, London: R. Ackermann, 1816, frontispiece, 2 plates, half-title discarded, spotting to plates, bookplate of Michael Jaffé, contemporary half calf, morocco label with gilt armorial of John Bligh, 4th Earl of Darnley (1767-1831), 8vo (21 x 12.7 cm), Maundrell (Henry), A Journey from Aleppo to Jerusalem; at Easter, A.D. 1697. The Seventh Edition; To which is now added an Account of the Author's Journey to the Banks of Euphrates at Beer, and to the Country of Mesopotamia, Oxford: printed at the Theatre for W. Meadows, 1749, 14 engraved plates (of 15), one repaired, another partially split along fold, toning, title marked, bookplate of Patricia Milne Henderson, contemporary calf, rebacked and restored, 8vo (19.6 x 12.8 cm), and 7 others, 19th-century English accounts of European travel, leather-bound, of which 2 ex libris the dukes of Buccleuch, including Gell, The Itinerary of Greece, new edition, 1827 (Qty: 12)NOTESAbbey Travel 166 (Rowlandson); ESTC T100591 (Maundrell); Tooley 419 (Rowlandson).

Lot 182

* Aldin (Cecil, 1870 - 1935), 'For what we are about to receive', uncoloured dry-point etching, signed by artist in pencil to lower right, pencil limited edition of 18/100 to lower left, 250 x 170 mm, mounted, framed and glazed, Deighton's Strand Gallery label on verso with contemporary manuscript title (Qty: 1)

Lot 168

Leor Moran Etching - Woman in a Kimono, approx 27.5 h x 20 w cms, framed and glazed together with Herman Herkomer print approx 28.5 x 21 cms, framed and glazed, as published in the Art Journal. (2)

Lot 467

PETER FORD "The Pinewood" limited edition etching numbered 12 from 100, numbered, titled and signed in pencil in the margin, together with further etchings and prints, to include "Gerald M Brown "Smacks Leaving Harbour" etching (10)

Lot 515

AFTER ARCHIBALD THORBURN "Grouse Shooting" black and white etching by Frank Paton, signed by the artist and engraver

Lot 486

AFTER COLIN PAYNTON "Saddleback Boar", limited edition wood engraving No'd 29 from 50 titled, numbered and signed in margin together with AFTER RICHARD WADE "Walking the Dog", limited edition coloured etching depicting a winter scene of sheep in a field No'd 18 from 150 signed, numbered and titled in margin and AFTER CYRIL L. SKINNER "Tim", black and white etching of a cat signed in pencil lower right, bears Bristol Savages Annual Exhibition label verso

Lot 19

δ Salvador Dali (1904-1989)L'Adoration (from Femmes et Chevaux) (Field 73-4C; M&L 585)Etching with engraving printed in colours, 1973, signed, and inscribed 'E.A' in pencil, an artist's proof aside of the edition of 175, on BFK Rives paper, printed by Ateliers Rigal, Paris, with full margins, sheet 447 x 310mm (17 5/8 x 12 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 21

δ Salvador Dali (1904-1989)Narcisse (from Fifteen Etchings) (Field 68-4B; M&L 28-e)Etching with engraving, 1968, a proof aside from the edition, with the signature embossed in the plate, on BFK Rives paper, printed by Ateliers Rigal, Paris, with full margins, sheet 375 x 278mm (17 3/4 x 14 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 22

δ Salvador Dali (1904-1989)Hippofemme (from Femmes et Chevaux) (Field 73-4B; M&L 586-a)Etching with engraving printed in colours, 1973, signed, and inscribed 'E.A' in pencil, an artist's proof aside of the edition of 175, on BFK Rives paper, printed by Ateliers Rigal, Paris, with full margins, sheet 447 x 310mm (17 5/8 x 12 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 3

δ Julian Trevelyan (1910-1988)Mont Ventoux (Turner 314)Etching with aquatint printed in colours, 1975, signed and titled in pencil, a proof aside from the edition of 51, on T H Saunders wove paper, printed by Studio Prints, Ltd, published by Leslie Waddington Graphics, London, with full margins, sheet 771 x 610mm (30 1/2 x 24in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 737

JOHN BRUNSDON (1933-2014): 'Minsmere Beach', signed, titled and no 24/125, limited edition etching and aquatint

Lot 729

JOHN BRUNSDON: 'Gower Seascape', no 63/150, etching

Lot 3005

Valerie Thornton (1931 - 1991), by and after, Cain and Abel, St Giles, signed in pencil, dated '80, etching, 13/60, 28cm x 38cm; another, On The Sea of Galilee, Spoleto, signed in pencil, dated '85, etching, 22/75, 22.5cm x 24.5cm

Lot 556

*Patrick Procktor (1936-2003) 'OSSIE, GERVASE AND ERIC' from 'Invitation to a Voyage', Etching and aquatint, printer's proof, signed in pencil Plate mark 27.5 x 88cm *Artist's Resale Right may apply to this lot.

Lot 663

John Fullwood, RBA (British 1854-1931) Rydal Water and Loch Venachar, signed black and white etching (pair), 32.5 x 24 cm approx visible sheet size, framed (2)

Lot 677

George Wain (20th century British) - Pals, oil on board, signed and dated 1968, 122 x 66 cm, together with an oil painting on canvas of a man and a black dog in a bath tub, 62 x 90 cm approx, a set of three mixed media studies of a cockerel, an ostrich and a jackal, signed Nicole Cronje, dated 2009, 34 x 24 cm and an early 20 th century signed limited edition continental etching of a town scene, 33 x 28 cm approx, all framed (6)

Lot 716

Richard Beer (1928-2017) - Trinity, signed limited edition coloured etching, edition number 56/100, 64 x 43cm, framed

Lot 301B

Henr. Wilkinson (Henry Wilkinson)Colour etching Black spaniel retrieving a pheasant, signed in pencil in the margin and no. 22/45, 23cm x 29cm 

Lot 337A

Two Gill Adams limited edition prints of West Highland TerriersSigned coloured etching 'Bayreuth, Festspielhaus', signed indistinctly  and another Wagner's house (4)

Lot 343

Black and white etching"A Representation of the Procession at Wootton Bassett on Wednesday Feb 3rd 1808, Morning After the Election on which occasion nearly the whole of the electors attended their member, Mr Walsh from Wootton Bassett to Swindon on his return home ..."Condition ReportThe dimensions including the frame are 135 cm X 52 cm, just the etching 123 cm X 40.5 cm. 

Lot 765

PICTURES, PRINTS AND MIRRORS, to include Still Life on canvas of wine and cheese, signed Illingworth?, unsigned oil on canvas of a hunting scene, Rex Preston print, Pheasant shooting etching by T Sutherland, together with three mirrors, largest size approximately 87cm x 61cm (7)

Lot 226

Mike Tingle, 'Hill Figure in Golden Cap', etching, signed in pencil, numbered 18/75, framed and glazed, 16 x 23cm

Lot 198

After Vilhelm Theodor-Fischer (Danish 1857-1928), Four Birds, etching, signed to block, framed and glazed, 20 x 28cm

Lot 231

Andrew Fergusson-Cuninghame, 'Holland House, Holland Park, Kensington', etching, signed and dated '91 in pencil to lower right, 19 x 27.5cm

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