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London.- Banks (J.H.) A Cosmoramic View of London, a bird's-eye panorama, looking north from above Elephant and Castle, from Vauxhall Bridge to St Katherine's Dock, etching and aquatint, with early hand-colouring, 470 x 1065 mm. (18 1/2 x 41 7/8 in), dissected and mounted on linen, varnished with discolouration, minor surface dirt, handling creases with occasional minor surface wear, folding with brown cloth endpapers, without slipcase, E. Wallis and J.H. Banks, 1843. ⁂ This is the first edition of this view, re-issued slightly later in 1845 as 'A Panoramic View'. The composition is similar to that found in cosmorama rooms as public attractions, but this version has been adapted for a smaller scale environment, such as libraries and coffee houses.
Film Poster.- 'Jane Eyre by Charlotte Brontë', directed by Robert Stevenson, starring Orson Welles, and Joan Fontaine, colour lithograph, 920 x 350 mm. (36 1/4 x 13 3/4 in), central horizontal folds, nicks and tears, some restoration visible, surface dirt, Twentieth Century Fox, [1944]; together with an opera poster of Wuthering Heights composed by Bernard Hermann, signed by the artist Carey Wong, offset-lithograph, 600 x 440 mm. (23 3/4 x 17 1/4 in), and with the original artwork for the poster, acrylic on canvas board, 980 x 680 mm. (38 1/2 x 26 3/4 in) § Whitman (Rosalind, 20th century) Lockewood's Dream, etching and aquatint, signed and dated lower right, a proof impression, 340 x 250 mm. (13 1/2 x 9 3/4 in), 1997, (4).
Austen (Jane).- Thomson (Hugh, 1860-1920) Fanny was obliged to introduce him to Mr. Crawford, original drawing for 'Mansfield Park', pen and black ink with watercolour over graphite, on wove paper, signed and dated lower left, c.295 x 190mm., framed and glazed, old manuscript label to verso, 1897. ⁂ For Macmillan's edition of Mansfield Park published in 1897 but with the artist's later addition of watercolour, as in a similar drawing for the work which is in Jane Austen's house at Chawton (see Gilson E88). The original illustrations were reproduced in the book (much smaller) as black and white line drawings but the artist then added watercolour to sell the designs separately. Gilson notes that the illustration offered here was reproduced by the Birmingham Mint in 1975 as an etching on a mounted and framed silver plaque, one of a set of six produced to mark the bicentenary of Austen's birth. It was recaptioned 'Fanny introduces Henry Crawford to her father'.
20TH CENTURY RUSSIAN SCHOOL "Workers 1941", study of a working party with women in the foreground, black and white etching, titled bottom left, indistinctly signed bottom right, image size 60 cm x 56 cm CONDITION REPORTS Rips down the right hand side in various locations. Some affecting the image. General signs of wear and tear throughout.
** δ David Hockney (b.1937) Made in April (M.C.A. Tokyo 188) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
** δ David Hockney (b.1937) Serenade (M.C.A. Tokyo 196) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ David Hockney (b.1937) Marguerites (Scottish Arts Council 157) Etching with aquatint printed in colours, 1973, signed, dated and inscribed in pencil, an Artist's proof aside from the edition of 100, on Arches wove paper, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with margins, 235 x 178 mm (9 1/4 x 7in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miro (1893-1983) Sablier Couche (Cramer books 5; D.20) Etching printed in red, 1938, signed and numbered from the edition of 75 in pencil, on cut yellow paper mounted to a folded sheet of Arches laid paper, published by Editions Sagesse, Paris, sheet 207 x 164mm (8 1/8 x 6 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Victor Pasmore (1908-1988) Senza Titolo 2 (Lynton G.53) Etching with aquatint printed in colours, 1988, signed and numbered from the edition of 90 in pencil, on Fabriano paper, printed by Vigna Antoniniana Stamperia d'arte, Rome, published by Marlborough Graphics, Ltd, London/ 2RD Edizioni d'arte, Rome, sheet 975 x 1000mm (38 3/8 x 39 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Jasper Johns (b.1930) Small Flashlight (ULAE 58) Etching with aquatint, 1967-1969, signed, dated and numbered from the edition of 40 in pencil, on Auvergne paper, from 1st Etchings, 2nd State, printed and published by Universal Limited Art Editions, New York, with full margins, sheet 656 x 500 mm (25 7/8 x 19 3/4 in)
δ Henry Moore (1896-1986) Mother and Child XXVIII (Cramer 698) Etching with aquatint and roulette printed in colours, 1983, signed, titled and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 355 x 275mm (14 x 10 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ David Hockney (b.1937) On it May Stay His Eye (M.C.A. Tokyo 194) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ Victor Pasmore (1908-1988) Senza Titolo 4 (Lynton G.57) Etching with aquatint printed in colours, 1989, signed, dated and numbered 64/90 in pencil, on wove paper, published by Marlborough Graphics Ltd, London, and 2RC Edizioni d'arte, Rome, with their blindstamp, with full margins, plate 500 x 995mm (19 1/2 x 37 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Victor Pasmore (1908-1988) Senza Titolo 3 (Lynton G.56) Etching with aquatint printed in colours, 1989, signed, dated and numbered from the edition of 90 in pencil, printed by Vigna Antoniniana Stamperia d'arte, Rome, published by Marlborough Graphics Ltd, London, with full margins, 770 x 1200mm (30 1/4 x 47 1/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ Henry Moore (1896-1986) Mother and Child VII (Cramer 677) Etching with aquatint printed in colours, 1983, signed, titled and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 250 x 300mm (9 3/4 x 11 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ David Hockney (b.1937) In a Chiaroscuro (M.C.A. Tokyo 186) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ Peter Doig (b.1959) Lapeyrouse Wall Etching with aquatint printed in red, 2005, signed, dated and numbered from the edition of 35 in pencil, on wove paper, published by Maximilian Verlag Editions, Munich, with full margins, image 296 x 394mm (11 5/8 x 15 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Barry Flanagan (1941-2009) Milieu; and Explic A Me One aquatint printed in colours and one etching will collage, 1994, each signed in pencil, both from editions of 40, on wove paper, with full margins, 630 x 690mm (24 3/4 x 27 1/4in) and 450 x 370mm (17 1/2 x 14 1/2in) (2) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937) Figures with Still Life (S.A.C 187) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ David Hockney (b.1937) (after) Jungle Boy (M.C.A Tokyo 33) Etching with aquatint, 1964, an impression from the cancelled plate, on wove paper, published by Associated American Artists, New York, with margins, sheet 520 x 605mm (20 1/2 x 23 7/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
** Jim Dine (b.1935) L.A. Eye Works (Feinberg 116) Four part etching, aquatint and carborundum printed in colours, 1982, signed, dated and numbered from the edition of 70 in pencil, each on Arches paper, printed by Kelpra Studios, London, published by Pace Gallery, New York, each sheet 635 x 546mm (25 x 21 1/2in) (4) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
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71174 item(s)/page