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Lot 1301

Juliet de Gaye"West Riding Pastoral",signed, inscribed and dated '77 in pencil,etching with aquatint printed in colours,numbered 21/50,49 x 60cms; 19 1/4 x 23 1/2in.Artist's Resale Rights may apply, please refer to our Terms & Conditions.

Lot 1276

Karolina Larusdottir"Guests",signed and inscribed in pencil,etching with aquatint printed in colours,numbered 23/75,12.6 x 19.6cms; 5 x 7 3/4in., unframed.Artist's Resale Rights may apply, please refer to our Terms & Conditions.

Lot 568

European School early 20th Century-Head of a child:-etching, artist's proofindistinctly signed in pencilsight size 38 x 28cm.

Lot 520

* Charles William Cain [1893-1962]- A Persian Bazaar:- signed in ink and numbered 10 of 90 etching, image 24.5 x 36.5cm.

Lot 516

Sir David Young Cameron [1865-1945]-Sound of Kilbrannan and entrance to Loch Fyne:-etching, signed in pencil in the margin13.5 x 21cm

Lot 567

* Ernst Hansen [1882-1968, Danish]- A Young Woman, a stylised head profile:- signed in pencil bottom right and dated 1918 etching, image 27.5 x 21cm.

Lot 522

Mortimer Luddington Menpes [1855-1938]-Cathedral entrance:-signed in pencil in the margin etchingimage size 34.5 x 27cmtogether with a street scene with figures, etching by the same. [2], (see website for illustration).

Lot 515

Francis Seymour Haden [1818-1910]-A sunset in Ireland:-drypoint etching, circa 1863signed in pencil in the marginimage size 14 x 21cm.

Lot 426

Piers Brown (20th century British school), 'The London eye under construction 1999', etching, signed, titled and no 3/25 lower margin,

Lot 427

A limited edition etching depicting nudes reaching for gentleman on cloud, no 9/40, indistinctly signed in pencil lower right, 38x31cm, together with a watercolour on paper, painted with seated lady, indistinctly signed lower right, 24x19cm

Lot 101

Trevor Allen (1939-2008), 'Balancing Act', etching, titled and initialed in pencil lower margin, 31.5 x 28cm

Lot 500

M W, initialled and dated '53 in pencil to margin, black and white etching, "Chipmunk", together with a further etching of a harvest mouse, initialled JC (2)

Lot 187

A signed landscape etching; together with a further print

Lot 118

London.- Banks (J.H.) A Cosmoramic View of London, a bird's-eye panorama, looking north from above Elephant and Castle, from Vauxhall Bridge to St Katherine's Dock, etching and aquatint, with early hand-colouring, 470 x 1065 mm. (18 1/2 x 41 7/8 in), dissected and mounted on linen, varnished with discolouration, minor surface dirt, handling creases with occasional minor surface wear, folding with brown cloth endpapers, without slipcase, E. Wallis and J.H. Banks, 1843. ⁂ This is the first edition of this view, re-issued slightly later in 1845 as 'A Panoramic View'. The composition is similar to that found in cosmorama rooms as public attractions, but this version has been adapted for a smaller scale environment, such as libraries and coffee houses.

Lot 421

Junior Etching Club. Passages from Modern English Poets, 47 etchings on 45 sheets by Whistler (2), Millais, Tenniel and others, light spotting, ink inscription on front free endpaper, original cloth, rubbed, spine faded, large 8vo, Day & Son, [1862].

Lot 363

Film Poster.- 'Jane Eyre by Charlotte Brontë', directed by Robert Stevenson, starring Orson Welles, and Joan Fontaine, colour lithograph, 920 x 350 mm. (36 1/4 x 13 3/4 in), central horizontal folds, nicks and tears, some restoration visible, surface dirt, Twentieth Century Fox, [1944]; together with an opera poster of Wuthering Heights composed by Bernard Hermann, signed by the artist Carey Wong, offset-lithograph, 600 x 440 mm. (23 3/4 x 17 1/4 in), and with the original artwork for the poster, acrylic on canvas board, 980 x 680 mm. (38 1/2 x 26 3/4 in) § Whitman (Rosalind, 20th century) Lockewood's Dream, etching and aquatint, signed and dated lower right, a proof impression, 340 x 250 mm. (13 1/2 x 9 3/4 in), 1997, (4).

Lot 306

Austen (Jane).- Thomson (Hugh, 1860-1920) Fanny was obliged to introduce him to Mr. Crawford, original drawing for 'Mansfield Park', pen and black ink with watercolour over graphite, on wove paper, signed and dated lower left, c.295 x 190mm., framed and glazed, old manuscript label to verso, 1897. ⁂ For Macmillan's edition of Mansfield Park published in 1897 but with the artist's later addition of watercolour, as in a similar drawing for the work which is in Jane Austen's house at Chawton (see Gilson E88). The original illustrations were reproduced in the book (much smaller) as black and white line drawings but the artist then added watercolour to sell the designs separately. Gilson notes that the illustration offered here was reproduced by the Birmingham Mint in 1975 as an etching on a mounted and framed silver plaque, one of a set of six produced to mark the bicentenary of Austen's birth. It was recaptioned 'Fanny introduces Henry Crawford to her father'.

Lot 382

Graham Clarke (b. 1941), a signed limited edition etching, 'Johnny Garlic Sausage', 313/400 (1989), Whitgift Galleries label verso, 34 x 56cm

Lot 357

William Lionel Wyllie, drypoint etching, 'Up on The Last Trickle of Flood', signed in pencil 26 x 38cm

Lot 434

Charles Cain, etching, Buddhist monk, 12 x 9in.

Lot 300

Four dukes hunting scenes in colour etching

Lot 6465

JULIAN TREVELYAN (1910-1988) (ARR) An artists proof framed and glazed aquatint etching entitled 'Etruria', signed and titled in pencil. 35cm x 47cm (paper waved)

Lot 6433

MICHAEL OELMAN (b.1941): Carmargue Landscape, etching, artists proof 2/6 signed, titled and embossed Gorner and Millard, inscribed verso with dedication, 30.5cm x 29cm

Lot 24

A signed M. Oliver Rae etching, Kings College, Cambridge

Lot 35

A pair of Japanese watercolours on silk and an R.A. Riseley etching, Morton Old Hall, Nr Macclesfield

Lot 123

Whistler As I Knew Him, by Mortimer Menpes, Edition De Luxe, signed and numbered 270 out of 500, published Adam and Charles Black 1904, with original etching by James McNeill Whistler of "The Menpes Children"

Lot 263

JAMES THOMSON, TOWER AND TERRACE etching, signed in pencil Mounted, framed and under glass

Lot 1162

James P Power, Bruges, etching; and John Chamlmers Park, Notre Dame Paris, etching (2)

Lot 301

W.L.Wylie, etching of a port scene of Gravesend, signed in pencil, 8" x 20"

Lot 380

A pair of country scene oils on canvas, an etching plus various prints

Lot 57

A Victorian print of a mourning mother and child plus four various watercolours, print and etching

Lot 139

20TH CENTURY RUSSIAN SCHOOL "Summer 1943", sailors' farewell, monochrome etching, indistinctly signed, 42 cm x 64 cm, together with four various unframed monochrome print studies (5)

Lot 149

20TH CENTURY RUSSIAN SCHOOL "Tree with hands held aloft to the skies", black and white etching, signed and inscribed indistinctly, together with various other print studies, various subject matters and artists (17 total)

Lot 85

20TH CENTURY RUSSIAN SCHOOL "Workers 1941", study of a working party with women in the foreground, black and white etching, titled bottom left, indistinctly signed bottom right, image size 60 cm x 56 cm CONDITION REPORTS Rips down the right hand side in various locations. Some affecting the image. General signs of wear and tear throughout.

Lot 658

* Stanley Hayter (British, 1901-1988), Sea Serpent, etching, signed, inscribed, dated '76 and numbered 51/75, 41.5cm x 53.5cm. Vat on the hammer DDS H120- 201

Lot 656

* Patrick Procktor RA (British, 1936-2003), Woman Reading, etching and aquatint, signed and numbered 30/35, 37cm x 49.5cm. Vat on the hammer DDS P911- 341

Lot 695

* Michael Rothenstein RA (British 1908-1993), Catherine Wheel, 1952, etching, signed, 29.5cm x 42cm. Vat on the hammer DDS R429- 368

Lot 613

Richard Bawden NEAC (1936 -), Christmas Eve, coloured etching, signed, inscribed and numbered 70/100, 40cm x 30.5cm. DDS

Lot 704

* Stanley Hayter (British, 1901-1988), Ceiling, etching, signed, dated '80, inscribed and numbered 32/175, 48cm x 59.5cm. Vat on the hammer DDS H123- 203

Lot 662

* Stanley Hayter (British, 1901-1988), Ariadne, etching, signed, dated '83, inscribed and numbered 2/50, 29.5cm x 29.5cm. Vat on the hammer DDS H124-204

Lot 612

Richard Bawden NEAC (1936 -), The White Jug, etching and aquatint, signed, inscribed and numbered 49/80, 52.5cm x 43cm. DDS

Lot 667

* Keiki Minami (Japanese 1911-2004)), Bird in Flight, coloured etching, signed, numbered 22/100 and with studio blind stamp, 36cm x 28cm. Vat on the hammer M400- 284

Lot 726

* Stanley Hayter (British 1901-1988), Pendu, engraving and soft ground etching, signed, dated '83, inscribed and numbered 3/50, 57cm x 52cm. Vat on the hammer DDS H122- 202

Lot 105

** δ David Hockney (b.1937) Made in April (M.C.A. Tokyo 188) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 106

** δ David Hockney (b.1937) Serenade (M.C.A. Tokyo 196) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 111

δ David Hockney (b.1937) Marguerites (Scottish Arts Council 157) Etching with aquatint printed in colours, 1973, signed, dated and inscribed in pencil, an Artist's proof aside from the edition of 100, on Arches wove paper, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with margins, 235 x 178 mm (9 1/4 x 7in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 51

δ Joan Miro (1893-1983) Sablier Couche (Cramer books 5; D.20) Etching printed in red, 1938, signed and numbered from the edition of 75 in pencil, on cut yellow paper mounted to a folded sheet of Arches laid paper, published by Editions Sagesse, Paris, sheet 207 x 164mm (8 1/8 x 6 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 24

** δ Victor Pasmore (1908-1988) Senza Titolo 2 (Lynton G.53) Etching with aquatint printed in colours, 1988, signed and numbered from the edition of 90 in pencil, on Fabriano paper, printed by Vigna Antoniniana Stamperia d'arte, Rome, published by Marlborough Graphics, Ltd, London/ 2RD Edizioni d'arte, Rome, sheet 975 x 1000mm (38 3/8 x 39 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 171

Jasper Johns (b.1930) Small Flashlight (ULAE 58) Etching with aquatint, 1967-1969, signed, dated and numbered from the edition of 40 in pencil, on Auvergne paper, from 1st Etchings, 2nd State, printed and published by Universal Limited Art Editions, New York, with full margins, sheet 656 x 500 mm (25 7/8 x 19 3/4 in)

Lot 19

δ Henry Moore (1896-1986) Mother and Child XXVIII (Cramer 698) Etching with aquatint and roulette printed in colours, 1983, signed, titled and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 355 x 275mm (14 x 10 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 110

** δ David Hockney (b.1937) On it May Stay His Eye (M.C.A. Tokyo 194) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 23

δ Victor Pasmore (1908-1988) Senza Titolo 4 (Lynton G.57) Etching with aquatint printed in colours, 1989, signed, dated and numbered 64/90 in pencil, on wove paper, published by Marlborough Graphics Ltd, London, and 2RC Edizioni d'arte, Rome, with their blindstamp, with full margins, plate 500 x 995mm (19 1/2 x 37 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 22

** δ Victor Pasmore (1908-1988) Senza Titolo 3 (Lynton G.56) Etching with aquatint printed in colours, 1989, signed, dated and numbered from the edition of 90 in pencil, printed by Vigna Antoniniana Stamperia d'arte, Rome, published by Marlborough Graphics Ltd, London, with full margins, 770 x 1200mm (30 1/4 x 47 1/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 18

δ Henry Moore (1896-1986) Mother and Child VII (Cramer 677) Etching with aquatint printed in colours, 1983, signed, titled and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 250 x 300mm (9 3/4 x 11 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 100

** δ David Hockney (b.1937) In a Chiaroscuro (M.C.A. Tokyo 186) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 211

δ Peter Doig (b.1959) Lapeyrouse Wall Etching with aquatint printed in red, 2005, signed, dated and numbered from the edition of 35 in pencil, on wove paper, published by Maximilian Verlag Editions, Munich, with full margins, image 296 x 394mm (11 5/8 x 15 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 5

δ Barry Flanagan (1941-2009) Milieu; and Explic A Me One aquatint printed in colours and one etching will collage, 1994, each signed in pencil, both from editions of 40, on wove paper, with full margins, 630 x 690mm (24 3/4 x 27 1/4in) and 450 x 370mm (17 1/2 x 14 1/2in) (2) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 102

δ David Hockney (b.1937) Figures with Still Life (S.A.C 187) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 112

** δ David Hockney (b.1937) (after) Jungle Boy (M.C.A Tokyo 33) Etching with aquatint, 1964, an impression from the cancelled plate, on wove paper, published by Associated American Artists, New York, with margins, sheet 520 x 605mm (20 1/2 x 23 7/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 144

** Jim Dine (b.1935) L.A. Eye Works (Feinberg 116) Four part etching, aquatint and carborundum printed in colours, 1982, signed, dated and numbered from the edition of 70 in pencil, each on Arches paper, printed by Kelpra Studios, London, published by Pace Gallery, New York, each sheet 635 x 546mm (25 x 21 1/2in) (4) (unframed) ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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