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Click here to subscribeROWLAND LANGMAID (BRITISH, 1897-1956) (2)Running Up Channel signed in pencil 'Rowland Langmaid' (in lower margin) etching 19.5 x 34.5cm together with another etching by the same hand, 'Hove to for the Pilot, signed in pencil, 21.5 x 32.5cm ARR Provenance W. R Deighton & Sons, Charing Cross, London; Private collection, UK (2)
* William Ashton [1881-1965]-'The Gateway to the East',:-etching, signed in pencil lower right, with typed inscription ' To the Captain and Officers of HMS Vanguard from the British Community on the occasion of their visit to Port -Said in June 1949', framed and glazed, subject size 14 x 29.5cm*Notes- Formerly from the anteroom on HMS Vanguard.
Dickens, Charles, A Christmas Carol in prose being a ghost story of Christmas, Bernh. Tauchnitz Jun. Leipzig, 1843, with a single coloured etching of Marley's Ghost,Condition report:Cloth binding, generally good, the corners of the boards slightly bent. Discoloured boards and spine, traces of gilt to title on spine. Internally, no immediate issues, certainly in a presentable state.
A folio of Old Master and later prints, 16th c and later, approx. 40, loose or pasted-in, including Marcantonio (c. 1470/82 - c. 1534) after Baccio Bandinelli (1493 - 1560), The Martyrdom of St Lawrence, second state, with the standing executioner's second stick partially-erased, n.d. [1520-30], mounted, creased, former repairs and losses, 42 x 55.5cm, by and after Thomas Frye (1710-1762), portrait of a man, from the 'Life-sized Heads series', [London, 1760], mezzotint, trimmed with loss of all lettering, further defects and losses, mounted and tipped-in, 44.5 x 33cm, by and after John Miller (1715-1790), A View of the Ruins of the City of Pæstum, s.l., n.d., engraving, trimmed and tipped-in, 33 x 43cm, Jan Sadeler I (1550-1600) after Hans Bol (1534-1593), landscape, n.d. [c. 1700], etching and engraving, mounted with some losses, 19.5 x 27cm, further engravings after Carracci, Rubens, Bartolozzi, Wilkie, etc., mounted named-views of Oxford, others, 19th calf over marbled boards, rubbed and scuffed losses Mixed condition: each sheet affected by a degree of wear, damage, loss &/or repair. Sold not subject to return.
Etching w. a few handcol. details, 12 x 10 cm, w. 8-line letterpress verse below, sheet size 30 x 21 cm, ca. 1785. Foxed and w. some folds/ creases. Rare and nice print depicting Kaat Mossel, whose real name was Catharina (Caetje) Mulder (1723-98), known as the "Helleveeg van Rotterdam". She was a fierce Orangist and opponent of the patriots. (2) "'T Oranjegraeuw schiet hier den prinsevlieger op, beplakt met juk en hoed (...)". Etching, 15.7 x 19 cm, w. "Verklaring der bovenstaende prent" in 2 columns below, sheet size 30 x 22.5 cm, (1784). Waterst., fold on lower plate-edge. Muller, Hist. prints 4579. -and 1 other similar ("Den door list en geweld aangevallen leeuw"), dated 1780. (total 3)
Iron engr./ etching, 31 x 45 cm, monogrammed in the plate, ca. 1525. Manuscript text of former owner, Adolph Theodor Gerstäcker, verso (d. 1857). Formerly mounted at upper corners and left margin, sm. piece of the upper right corner detached, but attached to the mount, left upper corner w. piece of tape verso, visible recto, left margin w. 2 attached pieces of tape verso and a sm. tear, smoothed-out central vertical fold, occas. foxing. Still a very good impression on fine laid paper w. unidentified watermark and narrow margins. The mount indicates that this is the 2nd state ("1" in lower margin). Hollstein 20 and Bartsch 15 (the state before the "1" added in lower margin).
16th-19th cent., var. techniques and sizes. Incl. both portraits and historical prints. Incl. a.o.: a woodcut portrait in fine decorative borders after Tobias Stimmer (1539-84), publ. ca. 1575; an etching and an engr. by Theodor de Bry (1528-98), the etching dep. the arrival of Columbus in America; 6 portraits of Amerigo Vespucci; and 3 prints on Ferdinand Magellan. (total 30)
Col. gouache, sheet size 29.5 x 23 cm. Manuscript caption in Latin below, 2nd half 19th cent., under passepartout. (2) "Il pellicano d'America". Etching, 25 x 18 cm, signed "V. Vanni sc." in the plate, publ. in 1763. (3-11) François Nicolas Martinet (1730-ca. 1790). 9 lvs. w. handcol. etched birds. From Buffon, Histoire naturelle des oiseaux and Les planches enluminées, London, 1786. Sheet sizes 31 x 23.5 cm, lvs. 125, 206, 398, 487, 558, 599, 730, 738 (2x). 6x signed "Martinet" in the plate. Frayed in blank left margins. -and 14 others. (total 25)
Etching and engr., 21.5 x 17.5 cm, w. letterpress caption at the top and columns of text on the left and right, from Het groote tafereel der dwaasheid, ca. 1721. Vertical fold, sm. tear in left margin. (2) "Junggeselle willst du in die Welt hinein? Die Welt ist ja schon voller Schneiderlein." Handcol. lithogr., 31 x 36 cm incl. text in verse below. Present in 2 differently col. copies, 1 of them numb. 575 in the stone. Marginal tears, sl. frayed. (3) "Alter Käss und ranzige Butter". Lithogr., 29 x 37 cm incl. caption and text in 4 columns below, numb. 616 in the stone. Present in 2 copies, both w. marginal defects/ imperfections, 1 sl. creased, the other one waterst. -and 16 others, incl. 1 other from Het groote tafereel der dwaasheid and a nice aquatint depicting a disorderly classroom. (total 19)
in G: Brittanien. Door S.K.H. Met wegvluchten van het Hof ende familie van de k: Iacob de II en koningin van Engeland. etc." Large etching consisting of 11 separate images in front of a background image, 48 x 55 cm, w. address of I. Tangena, (1688). Fold., a few central foxed spots, some sm. holes, sl. creased and some other defects/ imperfections. Landwehr, Romeyn de Hooghe the Etcher p.152, first state (of 2), before "R. de Hooge fec" in lower right corner; F.M. 2751a. Fine, large print on occasion of the Glorious Revolution in England, in 1688, during which King James II was deposed and fled to France.
Handcol. mezzotint w. etching by Richard Purcell after Petrus Staverenus and publ. by Robert Sayer. Ca. 1746-66. Approx. 37 x 26.5 cm. Under glass, in (broken) frame. Lettered below the image w. the title and "Cha.s Corbet fecit. / London, Printed for Rob.t Sayer, No. 53 Fleet Street." Print of a young man (perhaps a sailor) w. a pile of gold coins in his hands stands grinning towards the viewer. To the left, a woman stands at a counter, stirring a bowl of punch. Not inspected outside frame. Rare, only 1 copy at the British Museum traced.
17th-19th cent., var. techniques and sizes, some handcol. A diverse collection, incl. a.o.: (1) "Vaisseaux et jachts de plaisir chez les Chinois etc. Scheepen en speeljachten." Etching, 21 x 29 cm (incl. extensive legend in French and Dutch in top margin). Leyden, P. van der Aa, ca. 1700. Under passepartout (central fold as publ.). (2) "Zee slach voor Duynkercken door Marten H. Tromp anno 1638". Engr., 27.5 x 35 cm, from Commelin, Frederick Hendrick van Nassauw Prince van Orangien: zyn leven en bedryf (Amst., Janssonius, 1651). Under passepartout. Central fold as publ., narrow margins, sm. portion of lower blank right corner torn off. Muller, Historical prints, 1796-a; Atlas van Stolk 1933-25. (3) "Het op stapel staande oorlog-ship de Hercules, gebouwd door den scheeps timmerman I. Spaan op de nieuwe werf buiten Dordrecht MDCCLXXXII". Handcol. engr. by J. Schoenmakers, 21 x 29 cm, publ. by H. de Haas, (1782). Muller, Historical prints 4479-1; Atlas van Stolk 4422. -and 32 others, incl. a fine etched sea battle w. the city of Allegona on Gran Canaria in the background. Sold as a collection of prints, not subject to return. (total 35)
Ring binder w. title on spine. Contains 54 plastic folders w. miscell. items collected by Herman Hannink, officer of the Zwolle Branch of the Dickens Fellowship. Incl. a.o. (aside from the aforementioned subjects): newspaper clippings on collecting autographs and letters; documentation accompanying the orig. manuscripts and photogr. of (mostly Dutch) literary figures. A varied collection. Some of the most important items: (1) Etching w. 4 portraits of Simon Carmiggelt on 1 plate by Peter van Straaten, signed and dated '79 in pencil. (2) Photographic portrait of Carmiggelt in Café Hoppe, Spui Amsterdam, 25.4 x 17 cm, by Eddy Posthuma de Boer, w. his stamp verso. (3) Manuscript note signed by Antoon van Duinkerken dated 1940 accompanied by a photographic picture postcard portrait of the author. (4) Typescript letter signed "Hella S. Haasse" in pen w. stamped addressed envelope (1982). (5-6) Signature in pen "Felix Timmermans" on title-p. of De pastoor uit den bloeyenden Wijngaerdt and photographic picture postcard portrait of Timmermans at home, signed "Felix Timmermans Lier 20 juli 1931". (7) Annotation in pen by Hendrik Marsman, monogrammed "H", on both sides of a sm. slip of paper about the creation of the poem "Heerscher". (8) Postcard w. short signed letter by Simon Vestdijk to Ida Gerhardt, dated 26-3-1947. (9) Typescript invitation for a meeting of the Dickens Fellowship, w. extensive corrections in pen by Godfried Bomans, in stamped addressed envelope (1959). (10) Photogr. portrait of Marga Minco by Ewoud de Kat. (11) Photogr. portrait of Heinrich Böll, 23.7 x 7.7 cm, by Klaus Eschen, 1954, w. his stamp verso. (12) Photogr. portrait of Gerrit Komrij and Jan Cremer, signed Herman Vrijhoff (?) and dated '98. (13-14) 2 signatures in pen of Gertrud von le Fort on a short letter and a printed card. (15-16) Letter in pen signed by Jan Greshoff (1955), and a large photogr. portrait of the author. (17) Sm. card w. annotation in pen "Met oprechten dank van (signed) Theun de Vries. Najaar 1941". (18-20) Offset photogr. portrait of Antoon Coolen w. signed dedication in pen to Hans Roest, and 2 letters signed by Antoon Coolen on his personal stationary (dated 1936 and 1942). (21) Photogr. portrait of "Fritzi" (Harmsen van Beek) by Eddy Posthuma de Boer, w. his stamp verso. (22) Large anonymous photogr. portrait of Midas Dekkers, signed by him in pen. (23) Large, anonymous photogr. portrait of Jean Cocteau, Romy Schneider and her mother. (24) Photogr. of a drawn portrait of Gerard Walschap by his son. W. manuscript annotation verso. (25) Manuscript vellum bifolium, dated "12 janvier" 1744.
Félicien ROPS (1833-1898)Coloured etching on filigree paper 'Satan semant l'ivrae', monogrammed G. Pellet, numbered in ink and initialed Gustave Pellet in ink.Gekleurde ets op gefiligraneerd papier 'Satan semant l'ivrae', monogram G. Pellet, genummerd in inkt en paraaf Gustave Pellet in inkt.25.5 x 18 cm
Roger RAVEEL (1921-2013)Colour Etching The nothingness, the light and things, 1991, numbered 9/40 and signed.Kleurets Het niets, het licht en de dingen, genummerd 9/40 en getekend.19 x 14.5 cm The graphic oeuvre of Roger Raveel by octave Scheire page 164 n° 199.6Etching from bibliophile edition with 8 poems by Roland Jooris and 9 etchings by Roger Raveel, 1991.Het grafisch oeuvre van Roger Raveel door octaaf Scheire pag 164 n° 199.6Ets uit bibliofiele uitgave met 8 gedichten van Roland Jooris en 9 etsen van Roger Raveel, 1991.
Roger RAVEEL (1921-2013)Colour etching Het lam treurt geduldig naar zijn ultiem geluk op de slachtbank 1988, numbered 19/40, signed and dated 1988.Kleurets Het lam treurt geduldig naar zijn ultiem geluk op de slachtbank 1988, genummerd 19/40, getekend en gedateerd 1988.24.5 x 49 cm Oeuvre catalogus n° 167 pag 139
A German Third Reich K98 dress bayonet, the 20cm nickel plated single edged fullered blade etched to one side "Fur Erinnerung an meine Dienstseit" (In memory of my service time) and a Stuka within a scrolling border, marked to the ricasso Robert Klaas with double crane mark, having chequered celluloid two piece grips and plated birds head pommel, housed in a black painted steel scabbard with brown leather frog and green/silver portepee, bayonet length 32cm.PLEASE NOTE THAT IT HAS BEEN SUGGESTED THAT THE ETCHING TO THE BLADE IS POSSIBLY LATER, SEE TERMS AND CONDITIONS REGARDING IMPERIAL GERMAN / THIRD REICH ITEMS.
A 19th century percussion duelling pistol, having an unmarked 13cm octagonal sighted barrel (lacking ram-rod), the foliate engraved saw handle marked to the top edge Smith, 25.5cm.Very faintly etched ‘Smith’ on top of barrel.Action holds on full and half cock.Slight gap from top of tang to saw grip.Some wear to etching and light pitting to barrel.Overall good condition.
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