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δ Anthony Gross (1905-1984)Landscape with Juniper (Herman 5801, Reynolds 189)Etching, 1958, signed, titled, and numbered from the edition of 50 in pencil, on wove paper, with full margins, image 415 x 595mm (16 3/8 x 23 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Eduardo Paolozzi (1924-2005)Cloud Atomic Laboratory. Television Series 'Lost in Space': Robot as in 'Forbidden Planet'; Soviet Dog and Man Exit Space ChamberPhoto-etching, 1971, signed, dated and inscribed Artist's Proof in pencil, one of 10 a/ps aside from the edition of 75, printed and published by Editions Alecto, London, commissioned by British Olivetti, on J. Barcham Green Crisbrook wove paper, with full margins, sheet 220 x 465mm (8 5/8 x 18 3/8in) ProvenanceA gift from the artist to his student and studio colleague Helmut SalbornPrivate Collection UK aquired from the above.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Anthony Gross (1905-1984)Fishermen's Café (Herdman 3303, Reynolds 94)Etching, 1933, signed, titled, dated, and numbered from the edition of 50 in pencil, on laid paper, with full margins, image 168 x 249mm (6 5/8 x 9 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Bill Jacklin (b.1943)Coney Island Incident, from Coney Island SuiteEtching, 1992, signed in pencil, numbered from the edition of 30, published by Marlborough Graphics, London, on wove paper, with full margins, 240 x 315mm (9 ½ x 12 3/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Julian Trevelyan (1910-1988)St. James' Park, from London Park Suite (Turner 234)Etching with aquatint printed in colours, 1969-70, signed, titled, and numbered from the edition of 75 in pencil, printed by Studio Prints, London, published by Printspost, on TH Saunders wove paper, with full margins, image 350 x 480mm (13 3/4 x 18 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Eduardo Paolozzi (1924-2005)Cloud Atomic Laboratory. Chimpanzee in a Test Box Designed for Space Flight; Mobot Mark IPhoto-etching, 1971, signed, dated and inscribed Artist's Proof in pencil, one of 10 a/ps aside from the edition of 75, printed and published by Editions Alecto, London, commissioned by British Olivetti, on J. Barcham Green Crisbrook wove paper, with full margins, sheet 220 x 465mm (8 5/8 x 18 3/8in) ProvenanceA gift from the artist to his student and studio colleague Helmut SalbornPrivate Collection UK aquired from the above.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Stephen Buckley (b. 1944)ShapesEtching printed in colours, 1979, signed, dated, and numbered from the edition of 30 in pencil, on Arches paper, with full margins, image 480 x 652mm (18 7/8 x 25 5/8in)Provenance:John Kasmin, London. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Christopher Richard Wynne Nevinson (1889-1946)Statue at Versailles (Black 88)Etching, 1922, on laid paper, with full margins, image 175 x 139mm (6 7/8 x 5 1/2in)

δ David Hockney (b. 1937)Postcard of Richard Wagner with a Glass of Water (Scottish Arts Council 154)Etching printed in black and red, 1973, signed, dated, and inscribed 'Artists proof' in pencil (one of 21 artist's proofs, the edition was 100), published by Bernard Jacobson, London, with the artist's copyright stamp, on wove paper, with full margins, image 168 x 125mm (6 5/8 x 5in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

† James Gillray (British1756-1815)The Union Club (BM 9699)Hand coloured etching, published by H. Humphrey, London, 1801 29.6 x 43.8cm (11½ x 17 in.)UnframedCondition Report: Unframed and cut down with unevenly cut edges. A number of tears and repairs to the edges of the sheet. Light handling creases to the margin. Very light undulation to the sheet. Light ink staining and scattered foxing throughout the margin. However, the image is in overall good condition. Condition Report Disclaimer

† James Gillray (British1756-1815)Lady Godina's Rout; -or- Peeping-Tom spying out Pope-Joan (BM 8899)Hand coloured etching, published by H. Humphrey, London, 1796.26 x 36cm (10 x 14 in.)Together with two later impressions after James Gillray; Uncorking Old Sherry; and Frying Sprats and Toasting Muffins. Unframed. (3)

† James Gillray (British 1756-1815)A Phantasmagoria; -Scene- Conjuring-Up an Armed Skeleton (BM 9962)Etching and aquatint with hand-colouring, published by J. Gillray, London, 180335.5 x 25.5cm (13¾ x 10 in.)Together with two other prints by James Gillray; St. George and the Dragon (BM 10424), etching and aquatint with hand-colouring, published by H. Humphrey, London, 1805; and The King of Brobdingnag, etching and aquatint with hand-colouring, 1803, published by J Gillray, Dublin, 1803. Unframed (3)Condition Report: Phantasmagoria - Image is good. Surface dirt to the sheet throughout. Staining particularly noticeable to the lower left edge. Light scattered foxing. A diagonal brown blemish a 1/3 of the way down the left edge. Losses and rubbing to the corners.  George and dragon - a number of repairs to the edges visible both recto and verso. Light handling creases throughout. Old tears especially to the right edge. Image is good.  Gulliver- repairs to upper edge. Staining throughout especially to the lower right quadrant. Light discolouration to the image. Condition Report Disclaimer

† James Gillray (British 1756-1815)The Spanish Bullfight or the Corsican Matador in Danger (BM 10997)hand coloured etching, published by H. Humphrey, London, 180825 x 35.5 cm (9¾ x 13¾ in.)Together with other prints by James Gillray: The Loyal Address, or, The procession of the Hampshire Hogs from Botley to St. James's, hand coloured etching, published by H. Humphrey, London, 1808; and Preliminaries of Peace!, or, John Bull and his little friends marching to Paris, hand coloured etching, published by H. Humphrey, London, 1801. Unframed (3)

† James Gillray (British 1756-1815)Sketches of the interior of St. Stephens as it now standsHand coloured etching, published by H. Humphrey, London, 180236 x 26cm (14 x 10 in.)Togther with two other prints by James Gillray: Bat-catching, hand coloured etching, published by J. Gillray, London, 1803; and Confederated Coalition, or, The Giants Storming Heaven, the Gods Alarmed for their Everlasting-Abodes (BM 10240) hand coloured etching, thought to be published by H. Humphrey, London 1804. Unframed. (3)

† James Gillray (British 1756-1815)The Cow-Pock -or- the Wonderful Effects of the New Inoculation! (BM 9924)Hand coloured etching, published by H. Humphrey, London, 180224.5 x 35cm (9½ x 13¾ in.)UnframedCondition Report: Unframed. The work has been cut down and the edges are uneven. Very light undulation to the sheet. A couple of handling creases to the upper right quadrant. Ink stains to the margins. Image is generally in good condition. Condition Report Disclaimer

Various artists, 19th/20th CenturyA group of four pictures to include a pen and ink drawing of Don Quixote, a watercolour of a hut interior, a watercolour of an interior with a marble sculpture, and an etching of a Middle Eastern Fortvariously signed and inscribed 40.5 x 27.5cm (15 15/16 x 10 13/16in) and smaller. (4)one unframedFor further information on this lot please visit Bonhams.com

Part X - The final sale of original etchings by Herbert Thomas Dicksee RE (1862-1942) from the Bryan Steele Collection. Sold without reserve Herbert Thomas Dicksee RE (1862-1942)A Christmas card design of three kittens, a sprig of mistletoe top rightoriginal etching on paper, inscribed 'Christmas Greetings from Herbert Dic...’ in pencil (i.e. etching created prior to his marriage to Ella in 1896)image 10.2 x 10.2cm Provenance: From the artist’s grandson;The Bryan Steele Collection.

Herbert Thomas Dicksee RE (1862-1942), after Frank Dicksee RA ‘Memories’, a music soirée around a piano with a recumbent Irish Wolfhound in the foregroundoriginal etching, 1892, signed in pencil by both artists, artist's proof, with remarque two lines of music and lyric 'O for the touch of a vanished hand, and the sound of a voice that is still', published by C E Clifford & Co., London, edition limited to 400, on vellum, as exhibited at the Royal Academy 1892, number 1505, exhibited at The World’s Columbian Commission International Exhibition, Chicago, 1893image 46.4 x 60.1cm Provenance: The Bryan Steele Collection.Condition report: The vellum is lightly cockled and very slightly yellowed. There are some light smudges of dirt to the margins. A few faint cloudy white spots to the printed area. Some light surface dust and dirt, and the occasional tiny flecks of white possibly where the ink has not fully covered the surface. Not seen outside of glazed frame.

Herbert Thomas Dicksee RE (1862-1942)‘The Young Nobleman’, an early self-portrait of the artist dressed in medieval clothesoriginal mezzotint etching on paper, 1884, signed in pencilimage 21 x 16.4cmProvenance: The Bryan Steele Collection.Condition report: The paper is a very light brown. A light crease across top right corner. A light brown stain across the left border, and there appears to be a light bump in the paper there also. There is light surface dirt in the margins. Three very small scratches in lower left corner. The printed area is slightly brown but otherwise appears in good condition, and the image is crisp and strong. Not seen outside of glazed frame.

Herbert Thomas Dicksee RE (1862-1942) ‘My Lady Sleeps’, the artist’s daughter Dorothy (born 1901) asleep alongside a recumbent mastifforiginal etching, 1905, signed in pencil, artist’s proof, published by Frost & Reed, with blind stamp, edition limited to 300, no other state, plate destroyed, on vellumimage 24.5 x 49.6cmProvenance: The Bryan Steele Collection.Condition report: The vellum has discoloured very slightly, a pale margin is visible along the bottom edge by the mount. A couple of faint pale spots above the dogs back in upper right quarter. A couple of very tiny flecks of missing ink above the girls head. A couple of smudges of dirt in the margins. Otherwise in good condition. Not seen outside of glazed frame.

Johann Wilhelm Weinmann (German, 1683-1741)'Tulipa lutea Sanguineis' from 'Phytanthoza Iconographia'and four others, similar, of tulips from the same albumetching with hand colouringplatemark 33 x 21cm, one in a slightly smaller frame (5)Condition report: All with occasional very soft creases and very light discolouration as one would expect with the age. One with a hard crease in the right margin, and one that has a slight yellow stain throughout. A couple have some light pale brown foxing stains. A couple with some small light indents to the paper. The colours overall are good, a couple are slightly faded and one has a slight smudge of purple underneath the left tulip. The ink of the text has smudged on one. One has a light shimmer to the surface of the paper as if some sort of powder has been spilt on it. None seen outside of the glazed frames. Please see additional photos for details. Phytanthoza Iconographia was published 1737-1745, however we believe these to be later impressions and are more likely 19th century. 

Herbert Thomas Dicksee RE (1862-1942)‘On Velvet’, a puppy asleeporiginal etching, 1922, signed in pencil, artist’s proof, with blind stamp, edition limited to 325, published by Frost & Reed, on vellumimage 23.2 x 37.9cmProvenance: The Bryan Steele Collection.

Herbert Thomas Dicksee RE (1862-1942) ‘A Sealyham Pup’original etching on paper, 1923, signed in pencil, artist’s proof, with blind stamps, published by Frost & Reed, impressions limited to 325, one state only, plate destroyedimage 27.6 x 20cmProvenance: The Bryan Steele Collection.

Herbert Thomas Dicksee RE (1862-1942)‘The Dying Lion’, a recumbent lion, by the side of a lake, looking towards the heavensoriginal etching, 1887, signed in pencil, artist's proof, as exhibited at the Royal Academy, 1887, number 1444, after the artist's oil paintingimage 25.4 x 46.8cm;a first state proof of the same etching, unframed;a third state proof of the same etching, unframed (3)Provenance: From the artist’s daughter; The Bryan Steele Collection.Condition report: Framed print: A couple of smudges to the margins. Very slightly yellowed. No other obvious flaws. Not seen outside of glazed frame. Unframed third state: Some creases to the margins and tears at the left and lower edge. Large pale stains throughout the margins, along with light surface dirt and light speckles of foxing. A spot of damage to the mane that looks to have been restored. A few tiny white specks to the printed area which seem to be lack of ink. Unframed first state: The paper has yellowed to a light brown. There are light creases to the margins. Some discolouration stains in places. A few spots of foxing. Surface dirt throughout. There are some pale smudges around the vultures, and there is a white spot of damage top right just outside of the platemark.

Herbert Thomas Dicksee RE (1862-1942)‘Onward’, a study of a lion walking left to rightoriginal etching, 1918, signed in pencil, artist’s proof, small limited edition (number not established), published by Frost & Reed, no other state, as exhibited at the Royal Academy 1918, number 1203image 26.3 x 50.8cmProvenance: The Bryan Steele Collection.Condition report: Lightly yellowed. A large but faint crease across the top right corner. A couple of smudges of dirt in the margins. A small patch of abrasion top right. Otherwise a good clear crisp image. Not seen outside of glazed frame.

Herbert Thomas Dicksee RE (1862-1942)A King Charles Spaniel, head and shouldersetching, original printer’s proof, signed and inscribed 'to F Goulding' the printer in pencil, on laid paperimage 24.8 x 19.6cmProvenance: The Bryan Steele Collection.After refinement to the lower body, the etching ‘Bonnie Prince Charlie’ was published as a small limited edition by the Fine Art Society, London, in 1902.Condition report: A light wave to the paper down the righthand side. A few very light smudges and specks of dirt to the margins. A few very tiny flecks of dirt to the background of the printed area. A few very tiny and faint dots of foxing. Not seen outside of glazed frame.

An antique etching depicting a church, signed H S Bynon, framed, 21 cm x 28 cm.

Henry Wilkinson,Irish red setters,coloured drypoint etching, signed in pencil,27x36cm,another black labrador and pheasant and another black labrador and duck.

John Landseer (1769-1852) after William Marshall Craig (1765-1827) - Manchester from Mount Pleasant, etching and engraving published 1802, mounted to platemark, 36.5 x 48cm In good condition, cleaned and laid down in the present mount and Hogarth frame

Mathieu Liart (1736-1782) after Andrea Sacchi [or Carlo Marrati] - Sacrifice of Noah, engraving with etching published by J Boydell 1767, from Boydell's Collection of Prints engraved after the Most Capital Paintings in England, a good impression issued prior to publication 'No 36' in pencil, closed tears, creased and soiled, mounted to within image, 46.5 x 48cm, W B Cooke after J M W Turner - Pevensey Bay from Crowhurst Park, 1819, proof engraving for the series of Views of Sussex and Samuel Dunkinfield Swarbreck - Jail Governor's House from College Church Edinburgh 1837, lithograph, plate VIII from Sketches in Scotland (1839) (3) Provenance: (Swarbreck) Mr and Mrs Abel Smith, Daylesford (inscribed) Mounted and framed to Mrs Abel Smith's specification Swarbreck - lifted slightly in mount and a little foxed. Pevensey Bay - creased upper left when laid down and slightly foxed

Joseph Constantine Sadler (1780-1822) and * Hubert after Vice Admiral Sir Jahleel Brenton, 1st Baronet (1770-1844) - Algeciras Campaign Fourth Plate, '.... the British Squadron, consisting of five two deck'd ship, on the afternoon of the 12th of July 180-1...', hand coloured aquatint with etching and engraving on wove, trimmed to platemark, two repaired tears either side of arms and minor creases, small treated stain in sky between the two most prominent flags, published by E Harding, May 19th 1802, 50.5 x 64cm, unframed In the window mount and with hardboard framed backing as supplied to the former owner by Bainton-Williams, London

Percy Kelly (1918-1993) - Hump Back Bridge Cumberland, etching, signed by the artist in pencil, dated 1968 and numbered 1/75, 31.5 x 37.5cm, unframed Good condition

Hendrick Goltzius (1558-1617)-attributed, The Venetian wedding or the wedding of Antenor, oil on canvas, 98x185 cm. Lit.: etching by Johann Theodor de Bry (1561-1623) at the Herzog Anton Ulrich Museum Braunschweig. Exp; The interesting and charming Scene may symbolise a Parentato ,the relationship between The King of France and Poland Henri III (1551-1589) and the Serenissimas Doge Alvise Mocenigo ( ruled Venice between 1570-1577) of Venice. At King Henris celebrated visit in Venice in the year 1574.

Persian dagger, pesh-kabz, bowed damascene blade, metal hand grip with silver etching, in shape of a horse head, leather shaft; 19th Century. 42Cm

Emperror of Franz Joseph I (1830-1916), Silhouette of the young Emperor in Infantry uniform, hand coloured etching on blue paper with gilded decorations, framed, under glass. 55X45 cm

Eddy Varekamp, a limited edition signed etching, street scene and a print of Rome across rooftops, signed Leo. H.47 W.33cm (tallest) (2)

A collection of unframed prints, drawings and etchings, mostly on an erotic theme, including etching - Chums, signed Michael Vaughan, coloured print of three female figures after Dyf, etc, max sheet size 36 x 25 cm approx (10)

A black and white etching - Head of a man, inscribed verso Etching By AE Lawrance, dated 1886, after Van Dyke 19.5 x 14cm approx sheet size, a small black and white engraving of a group of three men at a table in a 17th century Dutch manner, indistinctly inscribed A Oustde, 10.25 x 9cm approx, a further print of a black and white etching - Expulsion from Paradise, attributed to Hans Sebeld Beham (1502-1540) 8 x 6cm approx, also together with one other mounted print of a black and white etching of a seated woman, all unframed (4)

A cased brass carriage clock, platform escapement, with acanthus and floral etching to surround the dial 11cm H x 8cm W x 6cm D (key)

Stemmed cut wine glasses, sherry glasses and a set of 6 vintage stemmed glasses with floral etching

A collection of prints- a pair of ltd edition and an owl etching

SMALL ETCHING 'OFF GRAVESEND', TOGETHER WITH A SMALL WATERCOLOUR STUDY OF A RURAL LANDSCAPE WITH WINDMILL, BOTH F/G (2)

Sidney Tushingham, A.R.E., (1884-1968), etching, Italian street scene, signed, 30 x 29cm

Kurt Meyer-Eberhardt (1895-1977), coloured etching, Cat and kitten, signed in pencil, overall 40 x 31cm

After S. Howitt (c.1765-1822) - coloured etching depicting beagles, signed to the bottom left corner, housed in a glazed ebonised frame, the etching 28cm x 19cm 

German Etching Assortment (10) items including (7) original depicting portraits, a harbor scene, landscapes and woods having hand notations from collector; (2) from the series 'The Children's Concert' and (1) named the 'Harvest Dance'; all mounted on acid free matting and stored flat in an acid free storage box Height: 16 inches, Width: 20 inches (all) Condition: Very Good, light wear; no damage to etchings noted; box having tears at (2) corners Category: Decorative Arts > Etchings and Prints Estimated Sale Time: 11:43 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10Photograph #11Photograph #12Photograph #13Photograph #14Photograph #15Photograph #16Photograph #17Photograph #18Photograph #19Photograph #20Photograph #21

Kathe Kollwitz (German, 1867-1945) 'Symbolic Plate' Etching Undated, unsigned, depicting mourners surrounding a reclining corpse, 'Muenchen-22' blind stamp lower right, matted and framed; together with Ronau William Woiceske (American, 1887-1953) 'Ashokan' etching, depicting a body of water in a landscape, undated, signed and titled lower margin, matted and framed under glass Property from: a Flossmoor, Illinois collector Height: 9 1/4 inches, Width: 24 1/2 inches (Kollwitz plate mark)Frame Size: 18 1/2 inches by 33 inches Condition: Very Good, toning to each overall Disclaimers: not examined out of the frames Category: Decorative Arts > Etchings and Prints Estimated Sale Time: 11:45 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Charles Bragg (American, 1931-2017) Etching and Offset Lithograph c.1980, pencil signed lower right, etching #52/90 'The Flagellant' and pencil signed lower right, offset lithograph #97/200 depiction of a bacchante and satyr; matted and framed behind glass Property from: a Chicago, Illinois (Lincoln Park) estate Height: 6 inches, Width: 5 inches (sight, etching)Frame Size: 14 inches by 12 1/2 inches Condition: Very Good, no damage to artwork noted; light wear to frames Disclaimers: not examined out of frame Category: Fine Art > Prints Estimated Sale Time: 1:32 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Curt Frankenstein (American, 1920-2009) 'VIPs' Etching Undated, signed, titled and #14/50 lower margin, depicting human faces on bird figures; together with Louise Yochim (Ukranian / American, 1909-2003) 'No Escape' lithograph, 1952, signed, dated and titled lower margin, #2/12, depicting a seated bearded figure in a desolate landscape; both matted and framed under glass Property from: a Carol Stream, Illinois collector Height: 13 3/4 inches, Width: 21 3/4 inches (Frankenstein plate mark)Frame Size: 22 1/2 inches by 30 inches Condition: Very Good, toning to Yochim; no other condition issues noted Disclaimers: not examined out of the frames Category: Fine Art > Prints Estimated Sale Time: 1:33 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6

Joan Miro (Spanish, 1893-1983) 'Trace sur l'Eau' Complete Suite of Lithographs 1963; (12) items including the unsigned lithograph wrapper, a two-page etching and aquatint signed lower right margin and #88/100 lower left margin and set of (10) lithographs on onionskin paper, depicting abstract compositions, pulled from the suite published by Maeght Editeur, Paris, each framed under acrylic Property from: a Kalamazoo, Michigan estate Height: 8 1/2 inches, Width: 23 inches (signed print plate mark)Frame Size: 22 1/4 inches by 36 inches Condition: Very Good, wrapper slipped from mounting in frame; original condition creases to wrapper and etching from binding; waviness to each lithograph sheet; tape residue to surface of acrylic only; lacking box Disclaimers: not examined out of the frames Category: Fine Art > Prints Estimated Sale Time: 1:35 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10Photograph #11Photograph #12Photograph #13Photograph #14Photograph #15

Print Assortment c.1965, (4) items matted and framed behind glass including a lithograph by L. Platkin signed lower right AP 'Forest'; an etching by Chris Williams signed lower right AP 'Just Friends' depicting birds; a 1962 woodcut by David W. Stearns signed lower right #3/14 'Boardwalk'; and a 1964 lithograph by Oppenheim signed lower right, depicting Adam and Eve with a serpent Property from: a Chicago, Illinois (Lincoln Park) estate Height: 19 inches, Width: 14 inches (sight largest frame)Frame Size: 27 inches by 22 inches Condition: Very Good, no damage to artwork noted; light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Prints Estimated Sale Time: 1:40 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Dry point etching from copper plateTaken from "Diverse figure". Monogrammed on the left and numbered on the right 47 (1656/58). 140x90 mm, with frame 265x180 mm Rosa, Salvator

ONEMIZER (Né en 1987)Color your loveSérigraphie en couleur sur papier Hahnemuhle Museum Etching, signée et numérotée à 100 exemplaires70 x 70 cm

Roberto Gonzalez Fernandez (Spanish, b. 1948), "Dilemma II", photo polymer etching, signed, titled and dated 1999 in pencil, label verso, framed. Plate mark 28.5cm by 17.75cm

•Peter Howson O.B.E. (Scottish, b. 1958), "Gaylord", etching, artist's proof, signed and titled in pencil, framed. 32.5cm by 24.5cm. May be subject to ARR

William Walcott R.E. (Scottish, 1874-1943), Arc San Carlo, Naples, etching with drypoint, signed in pencil, plate 17.75cm by 16.75cm, framed.

WILLIAM HAY (1886-1964) A HAMPSHIRE FARM. PENCIL SIGNED ETCHING. GALLERY LABEL VERSO. 19 x 31cms

KATHLEEN CADDIC (1937 - ) ARR. PARK GATE , PENCIL SIGNED LIMITED EDITION ETCHING , 30 x 38 cms

LUIGI KASIMIR (1881 - 1962) A GOTHIC CONTINENTAL CLOISTER. PENCIL SIGNED COLOUR ETCHING. 34 x 30cm

JULIAN TREVELYAN (1910-1988), "LK927", coloured etching and aquatint, signed, titled and numbered 21/150 in pencil, blindstamp, framed. Plate 35cm by 47.5cm