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Click here to subscribeCHU TEH-CHUN (1920-2014)Sans titre, circa 1980 Eau forte et aquatinte en couleurs sur papier Signée et numérotée 26/5065,5 x 50 cmColour etching and aquatint on paper, signed and numbered 26/50This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Minotaure et Femme Derrière un Rideau, 1933 (Bloch, 199, Baer, 367)Issue de La Suite Vollard, 1933 Eau forte sur vélin de Montval (Filigranné Picasso)Signée au crayonEdition à 260 exemplairesImprimée par Lacourière, Paris Editée par Ambroise Vollard, Paris Dimensions de la feuille: 33,7 x 44 cmDimensions de la plaque: 19,4 x 26,7 cmEtching on Montval laid paper (watermarked Picasso), signed in pencil, from the edition of 260This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PIERRE ALECHINSKY (NE EN 1927)Arbre de vie, 1973 Eau forte et aquatinte en couleursSignée et numérotée 31/90Editée par 2RC Edizioni d'Arte, Rome (avec le timbre sec)95 x 95 cmEtching and aquatint in colours, signed and numbered 31/90This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ZAO WOU KI (1920-2013)Dans les provinces du Nord, 1990 (Agerup, 345)Ouvrage comprenant une eau-forte et aquatinte en noir sur vélinOuvrage numéroté 61/80, signée par l'auteur et l'artiste sur le justificatif de tirageLacourière, imprimeur, ParisZoé Christiani, éditeur, Paris25 x 20,8 cmBook comprising an etching and aquatint in black on vellum, numbered 61/80, signed by the author and the artist on the justification pageThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Au bain, 1er octobre 1930 (Bloch, 136 ; Baer, 201 B d.)Planche 3 de la suite VollardEau-forte en noir sur vergé de Montval filigrané «Vollard »Tirage à 260 épreuves à petites marges Porte le timbre sec : H. M. Petiet (Lugt 5462)44,5 x 35 cmEtching in black on Montval laid paper with the 'Vollard' watermark, edition of 260 with small margins Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
1820 A.D. Phillipeaux - Thebes - Medynet-Abou. Combat Naval sculpte sur la face exterieure du palais exposee au nord - Proof etching on laid paper of plate 10 from La Description de l’Egypte: Antiquites, Volume II: Commission des sciences et arts d’Egypte with later backing sheet. 375 grams, 130.5 x 67 cm (51 1/4 x 26 1/2 in.).From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Egypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armee française, publie par les ordres de Sa Majeste l’Empereur Napoleon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopaedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The frieze is from the palace wall of Meninet - Abou. For this specific lot, 5% import VAT is applicable on the hammer price
1809 A.D. Charlin - El Kab (Elethyia) - Bas-relief sculpté sur l'une des faces de la grotte principale - Proof etching on laid paper of plate 68 from La Description de l’Égypte (first volume) with later backing sheet. 360 grams, 130.5 x 87 cm (51 1/4 x 26 1/2 in.).From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopaedia devoted exclusively to the remains of ancient Egypt. The image depicts wall-carvings from the main chamber. For this specific lot, 5% import VAT is applicable on the hammer price
1817 A.D. Charles-Louis Balzac & Berthault - Alexandrie. Vue de l'esplanade ou grande place du Port Neuf, et de l'enceinte des arabes, première partie - Proof etching on laid paper of plate 97 from Description de l'Égypte: ou, Recueil des Observations et des Recherches qui ont été Faites en Égypte Pendant l'Expédition de l'Armée Française with later backing sheet. Cf. similar print in the New York Public Library collection - IMAGE ID 1268810. 220 grams, 110.5 x 66.5 cm (sheet) (43 1/2 x 26 1/4 in.).From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. For this specific lot, 5% import VAT is applicable on the hammer price
Olive B Stephens - An original miniature etching designed for her Majesty The Queen's doll house. Accompanied by a letter from the Prime Minister 1925.Of local interest inspected at Frost & Reed Ltd, fine art publishers 10 Clare Street, Bristol. Limited edition of 120. With paper work and original envelopes. Art measures 3.1cm x 3.8cm.
John Smith (c.1652-c.1742) after Sir Godfrey Kneller (1646-1723) - Edward Montagu, Viscount Hinchingbrooke, [London]: Sold by J. Smith at ye Lyon & Crown in Russell Street, Covent Garden, n.d. [1700], mezzotint, 35 x 25cm, John Faber Jr (1684-1756) after Thomas Hudson (1701 - 1779), The Honourable William Fortescue, Justice of the Common Pleas, [London], 1741, mezzotint, 35 x 25cm, Richard Houston (1721-1775) after Sir Joshua Reynolds PRA (1723-1792), The Honourable Mrs. Barrington (née Elizabeth Vassall), [London, c. 1758], mezzotint, contemporary hand-colouring, 35.5 x 25.5cm, & Lady Diana Beauclerk (née Spencer, 1734-1808), Portrait of Georgiana, Duchess of Devonshire, oval, unlettered ?proof, [London: probably Published by Thomas Macklin, n.d., c. 1782], coloured stipple engraving and etching, 19cm x 16cm, (4) Condition evidenced by images. The frames in country house condition, with typical wear and losses.
JACKSON, John - A Treatise on Wood Engraving, Historical and Practical, upwards of three hundred Illustrations engraved on wood, half morocco, re-backed, stout 4to, Charles Knight. 1839, With - Hamerton, Philip Gilbert - The Unknown River, 37 etched plates, org. decorative cloth, 4to, Seeley, Jackson, and Halliday.1871, With - Haden, Seymour, About Etching, many plates inc. original etching, org. morocco backed cloth, sl. rubbed, 4to, Fine Art Society, 1879, With - Hubbard, E, Hesketh, On Making & Collecting Etchings, illust. org. buckram backed boards, 8vo, 1920, With one other (5).
SALMON, William, Polygraphice: or, the Arts of Drawing, Engraving, Etching, Limning, Painting, Vernishing, Japaning, Gilding, & etc, 2 volumes bound in 1, engraved portrait frontispiece, 8vo, one plate, amateur rebind in natural coloured calf, 1701, with one other. *Sold with all faults not subject to return
After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'Linda Maestra!' (Pretty Teacher!). Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'Alla va esco'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
('The Holy Pigs of Amsterdam'). From the series '33 Etchings inspired by medieval arbitrariness, court decisions and other historical documents', no. 15 in the series. Etching and aquatint, signed in pencil bottom left below the image, ca. 1970. Image 41 x 32.5 cm, framed under glass. Excellent condition, not inspected outside frame.
Col. etching, 79 x 56 cm, titled, signed, dated ('85) and numb. (4/20) below image. (2) "Baudelaire". Col. etching, 78 x 53 cm, titled, signed, dated (1980) and numb. (3/12) below image. (3) "Italiaanse notitie". Etching, printed in brown, 78 x 53 cm, titled, signed, dated (1980) and numb. (II/III) below image. -and 5 other prints, all signed, dated and numb. -and 3 other items by Tolman. All in excellent condition. (total 11)
Gebrandschilderd glas, glas in lood. Ontwerpen en uitvoeringen van gebrandschilderde ramen en lampen, glasmozaïken [sic], lichtreclame. Bifolium advertorial card printed in orange, 8.5 x 13.5 cm (folded), ca. 1915, woodcut front and typography des. by Schrier. Advertising his own company (w. his partner, H. de Ru, 1902-90). (2) Centraal Instituut voor Christelijken Socialen Arbeid (CICSA). Prospectus. Amst., CICSA, n.d. (ca. 1925), (12) p., orig. stapled woodcut wr. by Schrier (monogrammed N.S.), sm. 8vo. (3) Gezin en School. Maandblad voor Leeraren en Ouders. Ed. Mevr. Dr. J. v.d. Bergh van Eysinga-Elias a.o. Year 1, no. 4. Aerdenhout, "De Bunte", April 1926, 63-82 p., some advertisement, orig. woodcut wr. by Schrier. -and 7 others w. designs by Schrier, incl. an etching w. 1920 New Year's greeting, a woodcut ordering card for the periodical Boekennieuws issued by Wereldbibliotheek/ Maatschappij voor Goede en Schoone Lectuur, Amst. (2 copies) and 4 programs w. lithogr. wr. for the Stadsschouwburg Haarlem (1925-28 and 1 undated). Added: Huib de Ru. Teekenaar, sierkunst (unused leaf of writing paper, w. splendid woodcut letterhead) and Het Jan de Bakker gedenkraam in de Jacobskerk, Den Haag (commemorative booklet, 1930, window des. by M. Nauta and executed by firm Schrier en De Ru). (total 13)
'Gezigt van een Gedeelte de Stad Amsterdam: Naar het schildery van W. van de Velde Ao. 1686, Berustende in de Schryers Tooren (...).' Willem Writs, naar Willem van de Velde, naar Izaak Jansz. de Wit, 1771. Etching, 27.6 x 41.2 cm. In passe-partout, under glass. Good condition, not inspected outside frame.
Cover and label designed by Jean Michel Basquiat. Vinyl record, with offset litho printed record sleeve and label, printed white on black both sides, 31.5 x 31.5 cm. On the label 45 RPM is mentioned, but it spins on 33 RPM. Matrix etching side 1: TT001 A-E-1, side 2: TT 001 B-E-1. Cover and label in very good state, the record itself looks unused.
Published by Peninsula, Eindhoven, in conjunction with the annual meeting of the Internationales Künstler Gremium and the 10th anniversary of the Apollohuis, Eindhoven. Comprises a large cardboard box, 80 x 100 x 4.5 cm, containing 15 prints by members of the IKG produced in various techniques (photography, silkscreen, etching, computer print, monotype). Printed in an edition of 40 copies, all prints numbered and signed. This is copy X/XV. Artists include: Marina Abramovic (Dragon Head, colour photograph, 50 x 66 cm), Claudia Costa, Gunter Demnig, Andrzej Dluznieuwski, Hetum Gruber, Franziska Megert, Maurizio Nannucci (The possible Plan, silkscreen), Boris Nieslony, Ann Noël (Bo Peep-Caution Explosive, silkscreen), Jürgen O. Olbrich/Wolfgang Hainke, Paul Panhuysen, Sef Peeters, Maria Anna Potocka, Eva-Maria Schön and Nicholaus Urban. Large box in fine state, prints are very good. The international artists' committee (IKG), was founded in Cologne in 1976 by renowned artists such as Joseph Beuys, Jochen Gerz, Klaus Staeck et al, committed to freedom of art, information and press.
Etching and aquatint printed in sanguine, 13 x 18 cm, signed and dated 7-4-1922 in the plate, signed in pencil, under passepartout, the passepartout w. annotation "Proefdruk Joh. D. Scherft" in pencil. Folds/ creased and a bit stained in wide blank margins. Von Essen learned the etching techniques in the printing office of Johan Scherft (1891-1969). This early etching and the other 3 in this lot were apparently made during that learning process, but in 1922 he had already had an exposition of his etchings in the Lakenhal in Leyden. (2) 'Two figures with cliffs in the background'. Etching, 17.3 x 12 cm, signed and dated 30-3-1922 in the plate, signed and "proefdruk Joh. D. Scherft" in pencil, under passepartout. -and 2 other early etchings under 1 passepartout w. the annotation "Proefdrukken Joh. D. Scherft". (total 4)
(Défilé langs den duivel). Etching, 17.5 x 30 cm, signed, titled and numb. "No. 4" in pencil, signed and dated 1927 in the plate, under passepartout. (2) Diplomaten. Etching, 9.3 x 15.5 cm, signed, titled and numb. "No. 1" in pencil, under passepartout. W. unidentified coll. mark verso. -and 1 other by the same (De noodlottige maskers, signed, titled and "No. 1" in pencil). (total 3)
NEVIN HOLMES (TURKISH) AN 18CT GOLD RING INSET WITH A PEARL, Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul. Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes.Weight: 32.81gmThe gold tested 18ct. 28mm x 25cm
NEVIN HOLMES (TURKISH) AN 18CT GOLD ABSTRACT ANKLET OR LEG BROOCH, Signed ‘Nevin’. Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul. Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes.Weight: 82gmsThe gold tested 18ct 12cm x 11cm x 6cm excluding chain.
NEVIN HOLMES (TURKISH) A GOLD BROOCH INSET WITH QUARTZ, Signed ‘Nevin’. Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul. Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes.Weight: 40.9gmsThe gold 14ct or better 7.3cm x 3.6cm
NEVIN HOLMES (TURKISH) AN ABSTRACT PAIR OF RAW RUBY EARRINGS,6.5cm x 4cm each Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul.Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes 52.7gms 6.5cm x 4cm each including drop.
A TIBALDI FOR BENTLEY SPECIAL EDITION SILVER FOUNTAIN PEN AND LEATHER DRIVING GLOVES, made to celebrate 60 years of production in Crewe for Bentley Motors, the pen case has an engine turned finish which echoes the Bentley dashboard texture and knurling etching which is found on functional Bentley fixtures and fittings, silver hallmark for Sheffield, with Bentley motif, nib stamped 18k, together with a wooden case, using the marquetry seen in some Bentley interiors, together with a pair of soft tan and black leather driving gloves, in Bentley box (condition report: in new condition)
A QUANTITY OF ASSORTED PICTURES AND PRINTS ETC, to include to unsigned 19th century landscape studies in charcoal - poor condition, Francis Antoine Bossuet pencil sketch of a Cathedral in Normandie, approximate size of paper 50cm x 35cm - dirty marks to the paper, etching with colours and verse 'Will Watch, The Smuggler Bold' published 1825, printed broadside with hand coloured etching 'Rules and Instructions for playing Skittles' published by G. Kearsley 1786, reprint of 'The Laws of the noble game of Cricket', etchings after Robert Hills comprising studies of horses published 1801 and studies of horses published 1817 together with studies of pigs probably by the same hand, ten engravings from the Frescoes in the Piccolomini library in Siena published 1881 - poor condition, assorted other prints including religious themed prints, some in very poor condition, a framed print of Arnold Fellows after a painting by John Haggis, distressed folio holders etc (Provenance: The Arnold Fellows Collection)
EIGHT QUEEN ELIZABETH I AND QUEEN MARY ENGRAVINGS AND PRINTS, comprising the following Queen Elizabeth: an etching by Charles David after Isaac Oliver, approximate size 22cm x 16cm, print after Isaac Oliver originally published in Heroologia Anglica 1620, an etching by Peter Vanderbank after Edward Lutterell, an etching after William Faithorne circa 1640-1645 with various historic handwriting over the paper, etching after Thomas Coxon, published by Henry Balam, an unidentified print depicting an aging Elizabeth holding a skull instead of the Orb and a further unidentified etching of Elizabeth with text below reading Elizabeth Queene of England, France and Ireland, together with a framed etching of Queen Mary I, engraved by Peter Vanderbank after Edward Lutterall (Provenance: The Arnold Fellows Collection)
Extremely Rare Persian shashka with gold inlay, Qajar period, late 19th century. Steel blade with three fullers on each side, decorated with etching in the form of imitation patterns of Damascus steel. On one side at the base of the blade there is an inscription in Arabic "__ ____ ________" (O Sustainer of the worlds). The bone handle has iron fittings, decorated with gold kofgari, that cover the back of the handle. The wooden scabbard is covered with black leather, with iron fittings made in the form of the coat of arms of the Qajar dynasty, the fittings are in the shape of the Shah's crown with an image of a lion and a crown made of gold kofgari. A magnificent item, possibly belonging to a member of the Qajar dynasty during the reign of Mozafereddin Shah Qajar.Height: 95 cm;
Very beautiful North Italian morion helmet. Decorated with etching. Second half of the 16th century. Provenance: Giulia Morosini, sold by the American Art Association, New York, 10th-15th October 1932, lot 328 JWHA Inv. No. 1822 Exhibited Beaumont Art Museum, Texas, 5 December 1977-23 January 1978 Monmouth Museum, New Jersey, 27 February-6 May 1978 Schenectady Museum, New York, 13 September 1979 Lowe Museum, Miami, Florida, 1 December 1979-13 January 1980
MIRÒ, JOAN (1893-1983) "Feuilles éparses" 1965 Farbradierung, Bleistift signiert und mit dem Vermerk "2/10", HxB: 21/17 cm. Leicht vergilt. rahmen, HxB: 45/40 cm. | MIRÒ, JOAN (1893-1983) "Feuilles éparses" 1965Colour etching, signed in pencil and marked "2/10", HxW: 21/17 cm. Lightly yellowed. frame, HxW: 45/40 cm.
A large selection of antique frames and artwork; Saint Gregory the Great, Etchings by S. Watts after Antonio C Wellcome and Pier Leone Ghezzi Standing before his easel on which is placed an image of the Virgin Mary, and pointing out of the window towards a procession of priests. etching by W.W. Ryland, 1762, after P.L. Ghezzi.
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