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Lot 103
ROBERT ARNESON (American 1930-1992) A PRINT, "Brick," 1979, etching and aquatint in colors on paper, signed and dated in pencil L/R, numbered L/L 5/20. 10 1/2" x 14" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Slight crease in U/L corner, torn backing paper, overall good to excellent condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 164
ED PASCHKE (American 1939–2004) A PRINT, "Pump," 1989, etching on Arches paper, signed and dated in margin in pencil L/R, numbered 49/50 L/L, and titled bottom center. Published by Landfall Press. 23" x 17 3/4" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good to very good condition, some discoloration, commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 24
HEIDI KOENIG (German b. 1964) A PRINT, "Hana," aquatint etching with colors on paper, signed in pencil L/R in margin, "Heidi Koenig," titled center and L/L, marked artist proof and special edition number, "AP II/X." 21" x 20 1/2" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 256
JANNIS KOUNELLIS (Greek/Italian 1936-2017) A PRINT, "Untitled (Image D)," FROM THE SERIES, "Frammenti di Danza," 1982, photo-etching with drypoint in black and blue on wove paper, signed in pencil in margin L/R, numbered 22/75, published by Edition Schellmann and Klser, verso paper tags. 29" x 36" Provenance: Christie's New York, East, Sale 8269, 20th Century Prints, Photographs & Fine Arts - Intl. Corp., lot 287, May 19, 1999, sold; Viart Corporation: Art Management, New York, New York; Jerry Solomon Enterprises, Los Angeles, California. Estate of David E. Brauer, Houston, Texas. Condition: Some smudges in the lower right margin corner, and minor handling and surface wear, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 263
ÉDOUARD MANET (French 1832-1883) A PRINT, "Baudelaire en Face," 1868, etching on wove paper, signed in plate, text "l'eint et Grave par Manet 1865. Imp a Salmon." 3 1/2" x 3" Note: After an 1862 photograph by Félix Nadar. Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
![MORTIMER L. MENPES (Australian 1855-1938) A PRINT, "Portrait Studies [From Whistler As I Knew Him, by Mortimer Menpes]" CIRCA](https://cdn.globalauctionplatform.com/8eb25fc0-b153-4d1d-8d3f-acb6012015bc/15979a50-cb4d-46bb-a8b4-acb7013168c4/468x382.jpg)
Lot 309
MORTIMER L. MENPES (Australian 1855-1938) A PRINT, "Portrait Studies [From Whistler As I Knew Him, by Mortimer Menpes]" CIRCA 1880, etching & drypoint on paper, signed in pencil L/R. 7 1/4" x 5 3/8" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 377
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Wind + Lightning," 1978, etching on paper, signed and dated L/R in margin in pencil, "Rosenquist," titled and numbered 63/78 2nd state L/L. 17 3/4" x 38" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 378
JAMES ROSENQUIST (American 1933-2017) A PRINT, "For Gene Swenson," 1978, etching and aquatint on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 77/78 State II. Published by M. Goodman, New York. 17 3/4" x 36" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 480
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Saint Fred," 1978, etching and aquatint on Pescia Italia paper, signed and dated L/R in margin in pencil, numbered 30/78 2nd State L/L. 17 3/4" x 38" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 482
JAMES ROSENQUIST (American 1933-2017) A PRINT, "Hot Lake," 1978, etching and aquatint on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 29/78 State II. 18" x 36" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 505
SALVADOR DALÃ (Spanish 1904-1989) A PRINT, "Don Quixote Man of La Mancha, Le Legacy," 1980, etching and aquatint on Japon Paper, signed in pencil L/R, marked A/P and numbered 35/50. 30" x 22" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Overall very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 555
MARC CHAGALL (French/Russian 1887-1985) A PRINT, "Vision d'Apocalypse," 1967, etching and aquatint on paper, signed in margin in pencil L/R, numbered L/L 28/35. 14 1/2" x 13 1/4" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 579
SONIA DELAUNAY (Ukrainian 1885-1979) A PRINT, "Le Rythm IV," 20TH CENTURY, etching in colors on paper, signed in margin in pencil and signed in monogram in plate special edition number 70/100, and verso a paper gallery label. 25" x 17 3/4" Provenance: Harris Gallery, Houston, Texas; Estate of David E. Brauer, Houston, Texas. Condition: Mild expected surface wear, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 46
*Michael Oelman (b.1941) 'The Great Flood IV' etching and aquatint in colours, signed, inscribed and numbered 59/100 in pencil 36.5 x 43.5cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of frame. Perspex on frame is scratched and is dusty, mount appears to be acidic. Area of print visible under mount does not appear to have any condition problems.
Lot 47
*Lucy Willis (b.1954) Juhu Beach etching and aquatint in colours, 1991, signed, dated, inscribed with title and numbered 150/175 in pencil, on wove paper plate 49 x 73cm *Artist's Resale Right may apply to this lot.Condition report: A light vertical bend down the centre of the work. A few very light smudges of dirt in lower margin. No other obvious flaws. Not seen outside of glazed frame.
Lot 48
*Patrick Procktor RA (1936-2003) 'Marcus and a Pink' etching and aquatint, signed and numbered 450/500 in pencil sheet 79 x 59cm *Artist's Resale Right may apply to this lot.Condition report: Faded and browned throuhout image. In a simple aluminium frame. Tape shadow visible to the paper. No glass.
Lot 6
*Julian Trevelyan RA (1910-1988) 'Before the race' etching and aquatint, signed, titled and numbered 1/50 in pencil image 38 x 50cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. 5 cm dent visible from lower right margin into print. 1cm dent to centre right edge of margin. Indentations in lower right of print. A spot of foxing to right of title in margin.
Lot 74
*Marc Chagall (French/Russian, 1887-1985) 'Fables', from Jean de la Fontaine (Cramer 22) etching with aquatint, signed in pencil l.r. and numbered 77 l.l. plate 29.5 x 23.75cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed of glazed frame. Margins shows lights foxing and some light staining from edges of mount.
Lot 86
*Percy Wyndham Lewis (1882-1957) Self Portrait photolithograph 30 x 23cm; *Michael Ayrton (1921-1975) Portrait of Percy Wyndham Lewis etching, signed and numbered 72/100 in pencil image 17 x 12cm (2) *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frames. No obvious condition issues.
Lot 88
William Walcot RBA RE (1874-1943) Changing London Euston Road at St Pancras etching and aquatint plate 16.5 x 25cm; together with two others by the same hand Marsham Street, Westminster etching and aquatint plate 17.5 x 25cm; corner of Berkeley Square, etching and aquatint, signed in the margin in pencilplate 13.5 x 21.5cm (3)Condition report: All with discoloured paper and the occasional small spot of foxing. None seen outside of glazed frames.
Lot 90
*Graham Clarke (b.1941) 'Gdowya'; 'Howdy'; 'Tapas'; 'Saluto'; 'Weinbund', and 'Tinto Blanco' six hand-coloured etching with shaped tops framed as one, each signed 'Graham Clarke' and numbered 101/500 in pencil 13 x 14.5cm each, framed together, 29.5 x 144cm overall *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. All appear to be in good condition.
Lot 91
*Graham Clarke (b.1941) 'Visage de Cabillaud' hand-coloured etching with shaped top, signed 'Graham Clarke' and numbered 124/400 in pencil image 31 x 38cm *Artist's Resale Right may apply to this lot.Condition report: No glass in frame, work loose in mount so requires reframing. No obvious condition issues to print.
Lot 92
*Graham Clarke (b.1941) 'Fireworks', from the History of Britain series hand-coloured etching with shaped top, signed 'Graham Clarke' and numbered 21/200 in pencil, with History of Britain blind stamp image 49 x 38cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, appears to be in good condition.
Lot 1
*Karólína Lárusdóttir RWS (Icelandic, 1944-2019) 'Changing Sides' etching with aquatint printed in colours, signed, inscribed with title and numbered 50/75 in pencil, on wove paper, with margins image 24.8 x 49.2cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some light creasing especially to margins.
Lot 200
*After Pablo Picasso 'Fumeur de pipe et femme retroussant son jupon' (Pipe-Smoker and woman rolling up her petticoats) etching and aquatint, with stamped signature l.r., numbered 33/50 pl. 22 x 31.5cm, sheet 37 x 47cm with Nathan Daniel Isen, Philadelphia certificate of authenticity *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper looks to be attached to background, but not fully stuck down. Appears to be in good condition.
Lot 223
*Bill Jacklin RA (b.1943) Woman in a chair etching and aquatint, 1987, signed, inscribed with title and numbered 3/48 in pencil, on wove paper plate 17 x 13.5cm *Artist's Resale Right may apply to this lot.Condition report: A couple of tiny flecks of dirt in margins. Not seen outside of glazed frame.
Lot 91
Original vintage music advertising poster for a concert by Quicksilver Messenger Service at the Avalon Ballroom in 1967. Supporting acts featured The Other Half and Melvin Q. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Quicksilver Messenger Service (sometimes credited as simply Quicksilver) is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite an almost complete lack of success with their singles (apart from "Fresh Air", which reached number 49 in 1970). Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most the style, attitude and sound of that era." Member Dino Valenti drew heavily on musical influences he picked up during the folk revival of his formative musical years. The style he developed from these sources is evident in Quicksilver Messenger Service's swing rhythms and twanging guitar sounds. After many years, the band has attempted to reform despite the deaths of several members. In 2009, original members Gary Duncan and David Freiberg toured as the Quicksilver Messenger Service, using various backing musicians. Psychedelic artwork of an etching with blue human figures and trees. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Jack Hatfield, size (cm): 51x35.5, year of printing: 1967
Lot 94
Original vintage advertising poster for a concert titled South Side Sound System, also the Phoenix and Freedom Highway, at the Avalon Ballroom, with a psychedelic cult etching artwork featuring spiritual healer figures, expelling yellow smoke and releasing the distorted lettering above in red. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Greg Irons, size (cm): 52x36, year of printing: 1967
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71174 item(s)/page