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Click here to subscribeδ Salvador Dali (1904-1989)Apocalyptische Reiter (Field 74-18; M&L 722c)Etching in sepia, 1974, signed and inscribed 'P.A.', a proof aside from the edition of 50, on Japon paper, published by Arztesammlerkreis/Graphos Verlag, with full margins, image 490 x 640mm (19 1/4 x 25 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, an excellent dark and richly inked impression of New Hollstein's first state (of three) before any rework with the delicate landscape details printing clearly, on laid paper without watermark, platemark 155 x 132 mm. (6 1/8 x 5 1/4 in), sheet 169 x 145 mm. (6 5/8 x 5 3/4 in), faint vertical crease running down the left side, handling creases, minor spotting (unframed)Provenance:Paul Davidsohn, Berlin (1839-1924) [Lugt 654]Literature:Hind 147; NH 159 i/iii
Rembrandt van Rijn (1606-1669)Naked woman on a moundEtching with engraving, circa 1631, a very good detailed impression of New Hollstein's second (final) state, on laid paper without watermark, 180 x 164 mm. (7 x 6 1/2 in), trimmed to or just within the platemark (unframed)Literature:Hind 43; New Hollstein 88 ii/ii
δ Pablo Picasso (1881-1973)Neuf Têtes (Bloch 285)Etching with drypoint, 1934, a fine proof impression with delicately wiped plate tone, signed, dated Paris 26 Novembre XXXIV and inscribed Pour mon ami Benno, Paris, one of only two known proofs, aside from the edition printed in 1961, sheet 450 x 315mm (17 3/4 x 12 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Le Jugement de Paris (from Mythologie) (Field 71-8-F)Etching with pochoir in colours, 1971, signed and numbered from the edition of 50 in pencil in roman numerals, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)From the CavePhotogravure etching, 2010, signed, titled, dated and numbered from the edition of 50 in pencil, on Fabriano paper, with full margins, 254 x 339mm (10 x 13 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, New Hollstein's fourth state (of four) on wove paper, platemark 115 x 87 mm. (4 1/2 x 3 1/2 in), sheet 131 x 102 mm. (5 1/4 x 4 in), import duty 'Seine Colportage' blue ink stamp verso, marginal printers' crease to centre left, light toning (unframed)Literature:Hind 148; New Hollstein 165 iv/iv
Rembrandt van Rijn (1606-1669)A Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, an excellent well inked impression of New Hollstein's second state (of two) with delicate plate tone, without any re-working but with the two dots in the upper right corner, on laid paper without watermark, platemark 83 x 46 mm. (3 1/4 x 1 3/4 in), sheet 91 x 54 mm. (3 5/8 x 2 1/8 in), good margins with minor damp-stain to centre left (unframed)Literature:Hind 164; New Hollstein 178 ii/ii
δ David Hockney (b.1937)The Poet (S.A.C 190)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 456 x 525mm (18 x 20 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Abraham and IsaacEtching and drypoint, 1645, a detailed impression of New Hollstein's first state (of two) with contrast and depth, on laid paper with armorial watermark [See Hinterding ???], sheet 157 x 130 mm. (6 1/4 x 5 1/8 in), trimmed to or just within the platemark, two small areas of discolouration in the upper two corners, small spot in the lower right quadrant (unframed)Literature:Hind 34; New Hollstein 224 i/ii"And He said, Take now thy son, thine only son Isaac, whom thou lovest, and get thee into the land of Moriah; and offer him there for a burnt offering upon one of the mountains which I will tell thee of." [Genesis 22:2 KJV]"Faith begins precisely where thinking leaves off." Søren Kierkegaard, Fear and Trembling, 1843
δ Joan Miró (1893-1983)A Poem for Joan Miró (See Duthuit Vol. 1 p.17)The rare soft-ground etching with engraving, 1947, a fine proof impression aside from those within the Ruthven Todd Album, signed, dated and inscribed épreuve d'essai pour Todd, printed by the artist and Stanley William Hayter at Atelier 17, New York, on sturdy wove paper, with full margins, sheet 330 x 255mm (13 x 10in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Le Portique (Field 73-1-G; M&L 519a)Etching with aquatint printed in colours, 1973, signed and numbered from the edition of 250 in pencil, on Richard de Bas paper, with full margins, sheet 575 x 777mm (22 5/8 x 30 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Cheval Royal (M&L 429b)Etching with aquatint and extensive hand-colouring in blue and yellow, 1970, signed and numbered from the edition of 100 in pencil, on Arches wove paper, printed by Visat, with full margins, 315 x 245mm (12 3/8 x 9 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Erik Desmazières (b. 1948) Intérieur à PressyEtching, aquatint and roulette, 1991, signed and dated in pencil, from an edition of 90, on cream wove paper, platemark 623 x 1050 mm (24 1/2 x 41 1/4 in) (framed)Literature:Fitch-Febvrel 125δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face darkEtching, 1633, a good but slightly later impression of New Hollstein's fourth state (of five), platemark 133 x 105 mm. (5 1/4 x 4 1/8 in), sheet 148 x 119 mm. (5 3/4 x 4 5/8 in), even toning (unframed)Literature:Hind 108; New Hollstein 120 iv/v
δ Salvador Dali (1904-1989)Venus, Mars et Cupidon (from Mythologie Nouvelle) (Field 71-8-H; M&L 487a)Etching with pochoir in colours, 1971, signed and numbered from the edition of 150 in pencil, on BFK Rives watermarked wove paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 760 x 560mm (30 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, an even impression of New Hollstein's third state (of six) on laid paper with watermark of a crown, sheet 264 x 225 mm. (10 3/8 x 8 7/8 in), small margins, several minor marginal repairs, faint central horizontal fold and light crease in upper quadrant, other handling creases, minor browning and surface dirt in the lower left half (unframed)Provenance:Unidentified collector's initials in ink verso 'BvR' [Not in Lugt]Literature:Hind 120; New Hollstein 125 iii/vi
Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, 1652, a slightly later impression of New Hollstein's fifth state (of seven), a good impression on laid paper without watermark, with light re-working in burin in places and with the two dots in the lower right corner, faint touches of brush and blackish-grey ink, sheet 213 x 162 mm. (8 3/8 x 6 3/8 in), thread margins, small repaired tear in the centre left, one or two spots (unframed)Provenance:August Artaria (1807-1893), Vienna [Lugt 33]Literature:Hind 260; New Hollstein 270 v/vii
δ Salvador Dali (1904-1989)Sorcière au Balai (Field 69-1C; M&L 300g)Etching with hand colouring in gold, 1968/1969, signed and inscribed 'EA', one of very small number printed in black on tinted Arches paper, together with a second etching on silk, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with full margins, plate 318 x 238mm (12 1/2 x 9 2/5in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Jim Dine (b.1935)Lost Shells (D'Oench & Feinberg 186)Diptych etching with drypoint and hand-colouring in colours, 1985, signed and numbered from the edition of 32 in pencil, on two sheets of BFK Rives wove paper, printed by Atelier Crommelynck, Paris, published by Pace, New York, each the full sheet, each sheet 762 x 540mm (30 x 21 1/4in) (framed)
Man Ray (1890-1976)Mon Premier Amour (Anselmino 63)Etching with aquatint printed in colours, 1971, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder, Brussels, the full sheet, 663 x 502mm (26 x 19 3/4in) (unframed)
δ Salvador Dali (1904-1989)Espejo Vivo (Field 73-6; M&L 579a)Etching printed in sanguine, 1973, signed and inscribed 'P.A.' in pencil, an artist's proof aside from the edition of 50, on Japan paper, printed by Spectra AG, published by Pinon, with full margins, sheet 780 x 574mm (30 3/4 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Judgement of Paris (Three Graces) (Field 63-3I; M&L 123b)Etching with aquatint, 1963, signed and numbered from the edition XX in pencil, on japan paper, as included in 'Mythologie', printed by Robbe, published by P. Argillet, Paris, with full margins, plate 500 x 400mm (19 5/8 x 15 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)DomainEtching, 2013, signed, titled, dated and numbered from the edition of 100 verso in pencil, on wove paper, with full margins, sheet 380 x 303mm (15 x 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, a slightly later impression of New Hollstein's fourth state (of six), printing with plate tone, on wove paper without watermark, platemark 181 x 217 mm. (7 1/4 x 8 1/2 in), sheet 188 x 224 mm. (7 3/8 x 8 3/4 in), small margins, with 19th century 'Seine Colportage' blue ink import stamp verso, (unframed)Literature:Hind 301; New Hollstein 312 iv/vi
Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, a well inked impression of New Hollstein's fourth state (of five), before further reworking, on laid paper with a proprietary watermark, sheet 200 x 151 mm (7 7/8 x 5 7/8 in), some toning to sheet, small repair to lower right corner, marginal nicks (unframed)Provenance:Naudet, Paris, (active 1763-1830), dated 1815 verso, [Lugt 1937]Literature:Hind 290; New Hollstein 293 iv/v
δ Stanley William Hayter (1901-1988)Death of Hector (Black & Moorehead 401-409)The portfolio comprising nine engravings with soft-ground etching, three printed in colours, 1979, all signed, dated, inscribed and numbered from the edition of 300 in pencil, printed and published by Circle Press, Guildford, within the original slipcase overall 415 x 320mm (16 ¼ x 12 1/2in) (unframed) (9)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Erik Desmazières (b. 1948) Précis d'horticultureEtching, aquatint and roulette, 1991, signed and dated in pencil, from an edition of 90, on cream wove paper, platemark 345 x 535 mm (13 1/2 x 21 in) (framed)Literature:Fitch-Febvrel 135δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ driving the money changers from the templeEtching with drypoint, 1635, a good impression of New Hollstein's fourth state (of four), on laid paper, platemark 137 x 170 mm. (5 1/2 x 6 3/4 in), sheet 150 x 185 mm. (5 7/8 x 7 1/4 in), 19th century import 'Seine Colportage' blue ink stamp verso, even toning (unframed)Literature:Hind 126; New Hollstein 139 iii/iv
δ Salvador Dali (1904-1989)Tête de veau (Field 69-1G; M&L 306g)Etching with hand colouring in gold, 1968/1969, signed and inscribed 'EA', one of very small number printed in black on tinted Arches paper, together with a second etching on silk, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with full margins, plate 318 x 238mm (12 1/2 x 9 2/5in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Blake (b.1932)Ms SuperEtching with extensive watercolour, 2010, signed, titled and numbered from the edition of 30 in pencil, on wove paper, published by Paul Stolper, London with full margins, plate 250 x 200mm (9 3/4 x 7 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a good but a slightly later impression of New Hollstein's eighth state (of nine), on cream laid paper without watermark, platemark 158 x 131 mm. (1/4 x 5 1/4 in), sheet 191 x 157 mm. (6 1/4 x 6 1/4 in), marginal repair to lower extremity (unframed)Literature:Hind 229; New Hollstein 240 viii/ix
δ Salvador Dali (1904-1989)Le Soleil (from Hippies) (ML 386a)Etching with hand colouring in gold, 1969, signed and numbered in pencil from the edition of 145 in pencil, on Arches wove paper, with the Dali blindstamp, sheet 660 x 500mm (26 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miró (1883-1983)Fissures (Dupin 469)Etching with aquatint printed in colours, 1969, signed and numbered from the edition of 75 in pencil, on BFK Rives paper, printed and published by Maeght, Paris, the full sheet printed to the edges, sheet 485 x 580mm (19 x 22 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but slightly later impression of New Hollstein's eighth state (of eight) on chine collé, a good evenly printed impression with some light signs of wear, with Lamoureux's address in the lower right corner, platemark 526 x 408mm (20 3/4 x 16in), sheet 560 x 425mm (22 x 16 3/4 in), some marginal spotting (unframed)Literature:Hind 103; New Hollstein 119 viii/viii
δ Salvador Dali (1904-1989)Venus et L'Amour (from Mythologie Nouvelle) (Field 1-8-D; M&L 483b)Etching with pochoir in colours, 1971, signed and numbered from the edition of 120 in pencil, on Japan paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 760 x 560mm (30 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)Horizon FieldEtching, 2010, signed, titled, dated and numbered from the edition of 80 in pencil, on BFK Rives paper, published by White Cube, London, sheet 570 x 760mm (22 1/2 x 29 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good impression of New Hollstein's second state (of two), printing with plate tone on thin laid paper without watermark, platemark 95 x 145 mm. (3 3/4 x 5 3/4 in), sheet 107 x 156 mm. (4 1/4 x 6 1/8 in) (unframed)Literature:Hind 277; New Hollstein 281 ii/ii
δ Salvador Dali (1904-1989)Le Labyrinthe (Field 75-12G; M&L 844a)Etching with lithograph printed in colours, 1976, signed and numbered from the edition of 225 in black ink, on parchments, as included in 'Alchimie des philosophes', printed by Viglino, Arts Litho and Caza, published by Art et Valeur, the full sheet printed to the edges, 760 x 560mm (29 7/8 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Jews in the synagogueEtching and drypoint, 1648, a very good impression of New Hollstein's sixth state (of nine), printing with plate tone, on laid paper without watermark, sheet 76 x 132 mm. (3 x 5 1/4 in), thread margins (unframed)Literature:Hind 234; New Hollstein 242 vi/ix
δ Salvador Dali (1904-1989)Plaza Fountain, New York City (Field 64-3-C; M&L 114b)Etching printed in bistre, 1964, signed, dated, and numbered from the edition of 30 in roman numerals in pencil, on Japan paper, printed by Ateliers Rigal, published by Jean Schneider, Basel, with full margins, sheet 565 x 765mm (22 1/4 x 30 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Le Cercle Viscéral du Cosmos (Field 74-12-D; M&L 647)Etching with drypoint and lithograph printed in colours, 1974, signed and numbered from the edition of CLXXXXV in pencil, on watermarked BFK Rives wove paper, as included in 'La Conquete du Cosmos', with full margins, plate 750 x 555 mm (29 1/2 x 21 3/4 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Apothéose (Field 73-1-R; M&L 522a)Etching with aquatint printed in colours, 1973, signed, and inscribed 'Epreuve d'Artistes' in pencil, on Richard de Bas paper, printed by Ateliers Rigal, with full margins, sheet 667 x 512mm (26 3/8 x 20 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
*Salvador Dali (Spanish, 1904-1989) TRISTAN THE MAD Etching printed in colours, 1970, from the 'Tristan et Iseult' book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed *Artist's Resale Right may apply to this lot.
Salvador Dali (Spanish, 1904-1989), THE GIANT BELIAGOG Etching printed in colours, 1970, from the 'Tristan et Iseult' book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed *Artist's Resale Right may apply to this lot.
*Salvador Dali (Spanish, 1904-1989), BROTHER OGRIN, THE HERMIT Etching printed in colours, 1970, from the 'Tristan et Iseult' book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed *Artist's Resale Right may apply to this lot.
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![* Frank Brangwyn [1867-1956]-St Martin's Bridge, Toledo,:-pen and ink drawing highlighted with white40 x 35cm.* Provenance. L](https://cdn.globalauctionplatform.com/26f4aa85-ad76-49a7-88c4-ab0c00da47b6/bfef0a6b-e5ad-4ce0-a80f-ab1f00ee57ec/468x382.jpg)
