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Click here to subscribeNapoleon.- Voltz (Johann Michael), after. Napoleon, satirical broadside with hand-coloured etching and letterpress text, on wove paper without watermark, sheet 475 x 300 mm. (18 3/4 x 11 3/4 in), large tear running into text at lower centre, other minor smaller tears at extremities, with one running into the image at upper edge, scattered surface dirt, light damp-stain, unframed, published by Ackermann, [1814].Literature:BM Satires 12202
Goya (Francisco, 1746-1828) Pepo Illo doing homage as he "plays" the bull, plate 29 from La 'Tauromaquia', etching, burnished aquatint, drypoint and burin, on laid paper with partial text-based watermark in italics ending 'hes', platemark 240 x 350 mm. (9 1/2 x 13 3/4 in), sheet 320 x 490 mm. (12 1/2 x 19 1/5 in), acidic stain from previous mount just outside the platemark, otherwise minor surface dirt, [1815 and later].
NO RESERVE Williamson (Capt. Thomas) and Samuel Howitt [Oriental Field Sports], a group of eight plates only (of 41), including numbers V, XVII-XIX, XXI, XXIII-XXIV, and XXIX, etching and aquatint, coloured by hand, each sheet c. 365 x 470 mm. (14 3/8 x 18 1/2 in), under glass, minor surface dirt, light spotting, laid down onto support, mount affixed partially over sheets, [Abbey Travel 427], Edward Orme, [1805-7].
After James Abbott McNeill Whistler (1834-1903) - 'Billingsgate', signed within the plate and dated 1859, also inscribed on an exhibition label verso, black and white dry point etching, 6" x 8.75" (pl) **Provenance with Marjorie Parr, Wills' Lane, St. Ives, Cornwall, also at 285, Kings Road, Chelsea, SW3, also ex. collection Mr Angliss
Paul Francis Bernard Cyr (British, 20th Century), Spring landscape, signed, titled, dated and numbered in pencil 'Paul Cyr, 89, 1/10' (in lower margin) and bears Royal Academy Summer Exhibition 1990 label with title and artist's name (verso), etching with aquatint, 11 x 16cm. May be subject to ARR
William Lee Hankey (British, 1869-1952), A landscape with a bridge across a river, signed and indistinctly titled in pencil 'W Lee Hankey' (in lower margin), etching, 18 x 25cm, together with another etching by the same hand, 15 x 20cm, an etching by Sidney Tushingham, of children in a field outside a city, 19 x 29cm, an etching of a river by Audley Ashtin (unframed), and a colour print of donkeys, indistinctly signed (5). May be subject to ARR
NO RESERVE Piranesi Giovanni Battista. Veduta della Dogana di Terra a Piazza di Pietra. Roma: 1751-1778 circa. Incisione all'acquaforte (mm 610x445 alla battuta) su carta forte, pieni margini con piccoli strappi lungo quello superiore. Piega in alto al centro. Lievi arrossature. Ottima impressione. Diciture: in basso a sinistra 'Questa fu fabbricata sulle rovine del Tempio di M. Aurelio Antonino Pio nel suo Foro. 1 Avanzo di Colonne rimaste, oggi mezzo internate nella nuova Fabbrica 2 Architrave antico ristorato 3 Cornicione, ed Ordine Attico nuovamente rifatto'; al centro 'Veduta della Dogana di Terra a Piazza di Pietra'; a destra '4 Abitazione moderna 5 Collegio Bergamasco 6 Quartiere de' Soldati 7 Strada che va al Corso'; sempre a destra più sotto in piccolo 'Presso l'Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' monti'; a destra sotto l'immagine 'Piranesi Architetto fec'. Proviene dalla raccolta Vedute di Roma disegnate ed incise da Giambattista Piranesi Architetto Veneziano. Hind 32, IV Stato su VI. Etching (platemark 610x445 mm) on strong paper. 4th state of 6. Minor tears to the upper margin. A crease to top, at centre of plate. Pale foxing. Very good impression. Inscriptions: on bottom left, 'Questa fu fabbricata sulle rovine del Tempio di M. Aurelio Antonino Pio nel suo Foro. 1 Avanzo di Colonne rimaste, oggi mezzo internate nella nuova Fabbrica 2 Architrave antico ristorato 3 Cornicione, ed Ordine Attico nuovamente rifatto'; at the centre 'Veduta della Dogana di Terra a Piazza di Pietra'; on the right side '4 Abitazione moderna 5 Collegio Bergamasco 6 Quartiere de' Soldati 7 Strada che va al Corso' and, in smaller size, 'Presso l'Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' monti'; on the right side, below the view of the Dogana, 'Piranesi Architetto fec'. The etching is taken from the celebrated collection Vedute di Roma, drawn and engraved by Giambattista Piranesi Architetto Veneziano. Hind 32, IV State of VI.
NO RESERVE Chagall Marc. 2 acqueforti originali acquerellate a mano tratte dalla serie Favole di La Fontaine. 1927-1930.Il lotto comprende:Les deux Perroquets, le Roi et son Fils. 1927-1930 Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 295x239). Firma incisa dell'artista. Esemplare in perfetto stato di conservazioneLe Singe et le Léopard. 1927-1930Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 297x246). Firma incisa dell'artista. Esemplare in perfetto stato di conservazione.Chagall Marc. Two original hand-coloured etchings, taken fron the series Fables by La Fontaine. 1927-1930.The lot includes:Les deux Perroquets, le Roi et son Fils. 1927-1930 Original hand-coloured etching, printed on paper Montvald (mm 295x239). Engraved artist's signature. In excellent condition.Le Singe et le Léopard. 1927-1930Original hand-coloured etching, printed on paper Montvald (mm 297x246). Engraved artist's signature. In excellent condition.
NO RESERVE Chagall Marc. 2 acqueforti originali acquerellate a mano, dalla serie Favole di La Fontaine, 1927-1930.Il lotto comprende:Le Bucheron et Mercure. 1927-1930 Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 240x297). Firma incisa dell'artista. Esemplare in perfetto stato di conservazione. Le Petit Poisson et le Pecheur. 1927-1930Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 299x238). Firma incisa dell'artista. Esemplare in perfetto stato di conservazione.Chagall Marc. Two original hand-coloured etchings, taken fron the series Fables by La Fontaine. 1927-1930.The lot includes:Le Bucheron et Mercure. 1927-1930 Original hand-coloured etching, printed on paper Montvald (mm 240x297). Engraved artist's signature. In excellent condition.Le Petit Poisson et le Pecheur. 1927-1930Original hand-coloured etching, printed on paper Montvald (mm 299x238). Engraved artist's signature. In excellent condition.
δ Salvador Dali (1904-1989)Pegasus (from Quinze Gravures) (M&L 291b; Field 68-4-A)Etching printed in colours, 1968, signed and numbered from the edition of 75 in pencil, on Japon Nacré, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, sheet 440 x 316mm (17 1/4 x 12 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Portrait de Calderón (from Calderón: La Vie est un songe) (M&L 515a; Field 73-1-D)Etching with aquatint printed in colours, 1971, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 150, on Richard de Bas wove paper, printed by Ateliers Rigal, with full margins, 340 x 250mm (13 3/8 x 9 7/8in) (PL) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Plaza Mayor (M&L 582a; Field 73-11)Etching, 1973, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition 150, on BFK Rives wove paper, printed by Ateliers Rigal, published by Vision Nouvelle, with full margins, sheet 562 x 750mm (22 x 29 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)v The Twelve Tribes of Israel (M&L 618-630; Field 72-6) The complete portfolio, comprising thirteen dry points with etching and pochoir in colours, 1973, each signed and numbered from the edition of 195 in pencil, on wove paper, with title-page, text and justification, each with full margins, the sheets loose in the original blue washed silk portfolio case, printed by Atelier Rigal, Paris, published by Transworld Art, New York, overall size 685 x 565 x 55 mm (27 x 22 1/4 x 2 1/4 in) (portfolio)IMPORTANT NOTICE: The authenticity of this portfolio has been confirmed by Bruce Hochman of the Salvador Dali Gallery Inc.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henri Matisse (1869-1954)Buste, robe fleurie (Duthuit 137)Etching, 1929, signed and numbered from the edition of 15 in black ink, on chine collé supported on Arches wove paper, the full sheet, 381 x 285mm (15 x 11 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miro (1893-1983)Untitled from La Bague D'Aurore (Dupin 134)Etching with aquatint printed in colours, 1957, signed and numbered from the edition of 50 in pencil, on Arches wove paper, printed by Crommelynck et Dutrou, Paris, with full margins, sheet 140 x 115mm (5 ½ x 4 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miro (1893-1983)Persontage I Estels I (Dupin 1088)Etching with aquatint in colours with collage, 1979, signed and numbered from the edition of 50 in pencil, on Arches paper, published by Maeght, Barcelona, the full sheet printed to the edges, 905mm x 604mm (35 5/8 x 23 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Camille Pissarro (1830-1903)Le Pont de Pierre, à Rouen (Delteil 66ii)Etching with drypoint printed in dark brown, 1887, the second state of two, inscribed 'no.26' and '2e état, imprimé par F. Jacques' in pencil, one of circa 32 impressions, on Van Gelder cream laid paper, with full margins, plate 149 x 198mm (5 7/8 x 7 3/4in) (PL) (unframed)
Dieter Roth (1930-1998)Sausage Power (Die Kraft der Wurst) (Dobke 59)The rare etching, 1966, a state proof, initialled and inscribed 'O.K.' in black ink, the sheet hand-dyed with blue wash, on handmade wove paper, the plate etched at the Rhode Island School of Design, Providence, proofed by Harry Snook, London, the full sheet with a deckle on all four sides, 795 x 565mm (31 ¼ x 22 1/4in) (unframed)
** Jim Dine (b. 1935)Behind the Thicket (Carpenter 68)Woodcut, with etching and aquatint extensively hand-coloured in gouache, 1993, signed, dated and numbered from the edition of 75 in pencil, on BFK Rives paper, printed at Spring Street Workshop, New York, with full margins, sheet 502 x 687mm (19 3/4 x 27 in) (unframed)** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
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![NO RESERVE Williamson (Capt. Thomas) and Samuel Howitt [Oriental Field Sports], a group of eight plates only (of 41), includi](https://cdn.globalauctionplatform.com/8bfd4c67-462b-4808-a885-a90400f46e61/83456583-d698-43f0-df91-29f0ebb0ddc7/468x382.jpg)
