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Click here to subscribeCollection of prints, to include a signed etching of Winchelsea windmill, by Albert Thomas Pile; a stipple-engraving of rural couple by Gaugain after Morland; a colour lithograph depicting an interior with pianoforte by Collard & Collard of London; a steel engraving of the Great Exhibition at Crystal Palace; 19th-century French fashion plates, and others. Framed & glazed (12)
Walt Disney - Three limited edition prints including 'Bandleader Mickey' limited edition sericel, edition of 5000, framed, 36 x 38cm, '8 Ball Bunny' limited edition sericel, 194/2500, framed, 41 x 46cm and 'I Say, I Say...' limited edition etching, 492/500, framed, 36 x 36 cm. (3).Provenance: All with certificates of authenticity on reverse..
Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, circa 1636, a later impression of New Hollstein's third state (of three), on thin laid paper without watermark mounted on extra-fine tissue, sheet 160 x 140 mm (9 7/8 x 7 5/8 in), thread margins, several careful areas with repaired loss, notably to the corners, toning to sheet (unframed) Together with:'The Baptism of the Eunuch', etching with touches of drypoint and plate tone, 1641, but a later impression of New Hollstein's third state (of four), on cream wove paper without watermark, small loss in upper right, toning to sheet (unframed)Literature:Hind 147; NH 159 iii/iii [AND] Hind 182; NH 186 iii/iv
δ Grayson Perry (b.1960)Map of NowhereEtching from five plates printed on one sheet, 2008, signed and numbered from the edition of 68 verso, on Arches Paper, published by Charles Booth-Clibborn under his imprint The Paragon Press, with full margins, 1520 x 1120mm (59 ¾ x 44 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Eléphant (from Fifteen Etchings) (Field 68-4G; M&L 283-e)Etching with engraving, 1968, a proof aside from the edition, with the signature embossed in gold, on BFK Rives paper, printed by Ateliers Rigal, Paris, with full margins, sheet 375 x 278mm (17 3/4 x 14 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Roy Lichtenstein (1923-1997)Auto Poésie: En Cavale de Bloomington (Corlett 268)The deluxe etching with aquatint printed in colours, 1992, signed in full in pencil, numbered from the edition of 42, as included in the deluxe volume of La Nouvelle Chute de l'Amérique, printed by Dupont-Visat, L'Inediteur, published by Les Editions du Solstice, Paris, on Japon Nacré paper, with full margins, 480 x 354mm (18 7/8 x 13 7/8 in) (unframed)
Roy Lichtenstein (1923-1997)Un Fenêtre Ouverte sur Chicago (Corlett 271)The deluxe etching with aquatint printed in colours, 1992, signed in full in pencil, numbered from the edition of 42, as included in the deluxe volume of La Nouvelle Chute de l'Amérique, printed by Dupont-Visat, L'Inediteur, published by Les Editions du Solstice, Paris, on Japon Nacré paper, with full margins, 480 x 354mm (18 7/8 x 13 7/8 in) (unframed)
δ Salvador Dali (1904-1989) L'Unicorne laser désintègre les cornes de rhinocéros cosmiques, (M&L 646a; Field 74-12-H)Etching and lithograph printed in colours with embossing, 1974, signed and numbered from the edition of 195 in pencil, on watermarked BFK Rives wove paper, published by Lavigne, Paris, full sheet, 970 x 700mm (38 x 27in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Martian Dalí Equipped with a Double Holoelectronic Microscope (Field 74-12.C)Etching with aquatint printed in colours, 1974, signed and inscribed 'EA' in pencil, an artist's proof aside from the edition of 195, on wove paper, with full margins, 740 x 550mm (29 1/8 x 21 5/8in) (unframed)The authenticity of this work has been confirmed by Frank Hunter of the Salvador Dalí Archives Ltd., inscribed and signed by him verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final state (of four), on laid paper without watermark, platemark 182 x 210 mm. (7 1/4 x 8 1/4 in), sheet 190 x 219 mm (7 1/2 x 8 5/8 in), even toning to the sheet, with faint damp-staining to upper section (unframed)Literature:Hind 182; New Hollstein 186 iv/iv
δ Pablo Picasso (1881-1973)Le Repos de Sculpteur IV (from the Vollard Suite) (Bloch 174)Etching 1933, signed in pencil, the edition was 250, on Montval laid paper, from the Vollard Suite, with the Vollard watermark, published by Ambroise Vollard, Paris, with full margins, 193 x 267mm (7 5/8 x 10 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria: among RuinsEtching, 1634, but a later impression of New Hollstein's third state (of five) printing with plate tone, some signs of wear but before further re-working, on buff laid paper without watermark, platemark 122 x 107 mm (4 3/4 x 4 1/4 in), 136 x 120 mm (5 3/8 x 4 3/4 in), light exposure lines in margins, small perforation to foot of the well, fine splitting to lower left platemark, and also to upper centre (unframed).Literature:Hind 122; New Hollstein 127 iii/v
δ Jacques Villon (1875-1963)La Cigarette (Ginestet/Pouillon)Etching with aquatint printed in colours, 1901, signed and inscribed 'No. 18' in pencil, from the edition of approximately 46, on wove paper, published by L'Estampe Nouvelle, Paris, with wide margins, plate 418 x 343mm (16 1/2 x 13 1/2in (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, but a later impression of New Hollstein's eighth state (of nine), well inked and printing clearly with contrasts, on cream laid paper without watermark, platemark 158 x 131 mm (6 1/4 x 5 1/4 in), sheet 161 x 133 mm (6 3/8 x 5 1/4 in) (unframed)Literature:Hind 229; New Hollstein 240 viii/ix
δ Jake and Dinos Chapman (b. 1962 & 1966)The Rape of CreativityEtching printed with tone, 2003, signed and numbered from the edition of 100 verso, on wove paper, published by Modern Art Oxford, with full margins, sheet 493 x 590mm (19 ½ x 23 ¼in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Doig (b.1959)Haus Der BuilderEtching with aquatint printed in colours, 2001, signed and numbered from the edition of 46, on wove paper, published by Charles Booth-Clibborn under his imprint the Paragon Press, with full margins, 665 x 857mm (26 ¼ x 34 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Tracey Emin (b.1963)No Substitute for Your LoveEtching, 2003, signed and numbered from the edition of 300 in pencil, on wove paper, the full sheet, 460 x 510mm (18 x 20in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later 19th century impression of New Hollstein's seventh state (of eight), an evenly printed impression with some signs of wear in the plate, platemark 526 x 408mm (20 3/4 x 16in), sheet 545 x 415mm (21 1/2 x 16 1/4 in), blue 'colportage' ink stamp verso, edges reinforced verso, minor toning and some marginal spotting (unframed)Literature:Hind 103; New Hollstein 119 vii/viii
δ Damien Hirst (b.1965)DoxylamineEtching printed in colours, 2007, signed and numbered from the edition of 75 in pencil, on Hahnemuhle wove paper, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, the full sheet, 820 x 940mm (32 1/4 x 37in) (unframed)This work is accompanied by a certificate of authenticity. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)I Get Around (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)I Saw Half of the Moon (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)Spin Me Right Round (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)You Threw a Melon at my Head (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A QUANTITY OF ASSORTED PICTURES AND PRINTS ETC, to include limited edition etchings by Mary George, watercolour of flowers by A.C.Powner, prints by Gordon Butler, landscape with heavy horses, etching by Venancio Arribas, painting on board of A.Pike, initialled, various prints etc (two boxes and loose)
Pair of etchings, Archduchy of Austria. 1- Partie Du Cercle d'Autriche, 1704. Par Sanson, Gegraphe ordinaire du Roy. Chez Iaillot, de Geographe ago majesté, 1704. 46x65 cm, copper etching. With walnut frame cm 59x78,5. 2 - Cards Des Paysbas Catholiques, 1702. Aut. Guillaume Delisle (1675-1726). Geographe de Roy: Ph Buachhe Glateer De L'auteur (1700/1773) .Cm47x63, copper etching. With frame ribbed rooted in gold 59x79 cm.
Sir Claude Francis Barry R.B.A. (1883-1970)Old Roman Bridge, St Remo signed 'F Barry' (lower left); titled and dated 'Old Roman Bridge/St Remo 19/50' (on board verso)oil and pastel on board56 x 91.5cm (22 1/16 x 36in).Footnotes:ProvenanceThe Artist, by whom gifted to the family of the present owner, and thence by descentPrivate Collection, U.K.The present work is related to the etching The Old Roman Bridge, Bordighera, reproduced in K. Campbell, Moon Behind Clouds: An Introduction to the life and work of Sir Claude Francis Barry, Fine Art Promotions Ltd, Jersey, no. 329, illustrated on p.235.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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