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Local Interest - John Moulding Clarke (1889-1961), The Peacock Rowsley, signed, etching, 16.5cm x 9.5cm; Bonsall Cross, Der

Bamfords Auctioneers & Valuers

Lot 193

Local Interest - John Moulding Clarke (1889-1961), The Peacock Rowsley, signed, etching, 16.5cm x 9.5cm; Bonsall Cross, Derbyshire, signed, etching, 16cm x 20cm; He studied painting and etching at the Slade School of Fine Art, University College London; and the Royal Academy Schools and the Royal College of Art in London. During the 1920s and 1930s he exhibited at the Royal Academy in London; the Royal Cambrian Academy in Conwy, Wales; Manchester City Art Gallery; the Walker Art Gallery in Liverpool; and at the Royal Glasgow Institute of the Fine Arts; James Priddey, RBSA, PPRBSA, FRSA, (19 April 1916 – 10 November 1980 ) Derwent Water, coloured etching, 24cm x 31cm (3)

Live Auction

JACOB EISENBERG (ISRAELI 1897-1966): AN ETCHING ON PAPER TITLED 'JERUSALEM', Signed in pencil and numbered edition 6/100. 25c

Wimbledon Auctions

Lot 400

JACOB EISENBERG (ISRAELI 1897-1966): AN ETCHING ON PAPER TITLED 'JERUSALEM', Signed in pencil and numbered edition 6/100. 25cm x 11cm Mounted in a frame and glazed. 37cm x 26cm

Live Auction

TRISTRAM JAMES ELLIS (BRITISH 1844-1901): A SIGNED ETCHING ON PAPER DEPICTING A MIDDLE EASTERN CITY,53cm x 31cmSigned in penc

Wimbledon Auctions

Lot 398

TRISTRAM JAMES ELLIS (BRITISH 1844-1901): A SIGNED ETCHING ON PAPER DEPICTING A MIDDLE EASTERN CITY,53cm x 31cmSigned in pencil, artists proof No.2. Mounted in a frame and glazed. 75cm x 53cm

Live Auction

JAN VAN DOETECHUM (CIRCA 1530-1606) AND LUCAS VAN DOETECHUM AFTER PIETER BRUEGHEL THE ELDER (CIRCA 1525-1569): SAINT JEROME I

Wimbledon Auctions

Lot 345

JAN VAN DOETECHUM (CIRCA 1530-1606) AND LUCAS VAN DOETECHUM AFTER PIETER BRUEGHEL THE ELDER (CIRCA 1525-1569): SAINT JEROME IN THE WILDERNESS 'HIERONYUMUS IN DESERTO' ETCHING WITH ENGRAVING ON LAID PAPER, 42.5cm x 31cmSome water damage, wear to bottom left hand corner.The etching and engraving on laid paper mounted loosely at the top to a thicker sheet of paper. For similar see Christies London, Old Master Prints, July 2nd 2024, Lot 70.

Live Auction

James Abbot McNeill Whistler (American, 1834 - 1903), Black Lion Wharf, signed and dated 1859 in the plate, etching on laid p

Dawsons Auctioneers

Lot 83

James Abbot McNeill Whistler (American, 1834 - 1903), Black Lion Wharf, signed and dated 1859 in the plate, etching on laid paper with 'DEDB' Beehive watermark, plate 15 x 22.5 cm, sheet 17.5 x 25 cm, framed and glazed 34 x 49.5 cmPrivate collection

Live Auction

Edward Burra (British, 1905 - 1976), Wednesday Night (1973), signed E J Burra in pencil (lower left), Artiists proof 6/15, et

Dawsons Auctioneers

Lot 76

Edward Burra (British, 1905 - 1976), Wednesday Night (1973), signed E J Burra in pencil (lower left), Artiists proof 6/15, etching on T.H. Saunders wove paper, plate 30 x 25 cm, sheet 46 x 40.5 cm, framed and glazed 60.5 x 43.5 cm

Live Auction

Thomas Riley (1856-1892) - 'Portrait of Roxana', etching, 23 x 18 cm, frame dimensions: 34 x 40 cm, mounted, glazed and frame

Wotton Auction Rooms

Lot 1687

Thomas Riley (1856-1892) - 'Portrait of Roxana', etching, 23 x 18 cm, frame dimensions: 34 x 40 cm, mounted, glazed and framed

Live Auction

Paul Drury (1903-1987) - 'Portrait of a Young Woman' (1930), etching, signed and dated with monogram in print, signed lower r

Wotton Auction Rooms

Lot 1665

Paul Drury (1903-1987) - 'Portrait of a Young Woman' (1930), etching, signed and dated with monogram in print, signed lower right in pencil, together with a Clyffe Hangings receipt of purchase with artist's bio attached, 12 x 15 cm, frame dimensions: 49.5 x 45 cm, double-mounted, glazed and framed

Live Auction

After Joseph Henry Kirsop (1886-1981). Sandhill, Newcastle Upon Tyne, black and white etching, signed, 29cm x 38cm.

Golding Young & Mawer

Lot 257

After Joseph Henry Kirsop (1886-1981). Sandhill, Newcastle Upon Tyne, black and white etching, signed, 29cm x 38cm.

Live Auction

After E J Maybery. Tower Bridge London, etching, signed, 13cm x 20cm, together with C Hannaford. Norfolk Wherry, watercolour,

Golding Young & Mawer

Lot 247

After E J Maybery. Tower Bridge London, etching, signed, 13cm x 20cm, together with C Hannaford. Norfolk Wherry, watercolour, 17cm x 24cm, and John Hoar, pen and ink drawing depicting Bridgeport Hotel by the water, 17.5cm x 29cm. (3)

Live Auction

Hugh Paton ARE (1853-1927). Three black and white etchings, comprising two depicting fishing boats, each signed, 20.5cm x 30c

Golding Young & Mawer

Lot 258

Hugh Paton ARE (1853-1927). Three black and white etchings, comprising two depicting fishing boats, each signed, 20.5cm x 30cm, and another indistinctly titled, depicting a church and buildings from the river, signed and dated 1910, 30cm x 22cm, together with A Modern Etching and Engraving edited by Charles Holme, detailing some works by the artist, page 24.

Live Auction

George Marples - Jackdaws of Chartres - an early 20th century drypoint etching. The etching depicting two birds seated atop a

Auctioneum Ltd - East Bristol & Bath

Lot 21

George Marples - Jackdaws of Chartres - an early 20th century drypoint etching. The etching depicting two birds seated atop a gargoyle overlooking the city of Chartres, France. Framed & glazed. Measures approx. 26cm x 20cm, 43cm x 36.5cm to include frame.

Timed Auction

Malcolm Osborne - Truckers of the Plain - an original drypoint etching. The etching depicting a wagon crossing a field. Signe

Auctioneum Ltd - East Bristol & Bath

Lot 33

Malcolm Osborne - Truckers of the Plain - an original drypoint etching. The etching depicting a wagon crossing a field. Signed to lower right hand corner. Measures approx. 36cm x 15cm, 53cm x 32cm.

Timed Auction

Karel Boom/Charles Boom (1858-1939) signed etching. 36.5cm x 25cm. Frame 47.5cm x 37.5cm

Laganside Auctions

Lot 684

Karel Boom/Charles Boom (1858-1939) signed etching. 36.5cm x 25cm. Frame 47.5cm x 37.5cm

Live Auction

Robert Cresswell Boak. A coloured etching. Signed. 30x41cm

Laganside Auctions

Lot 519

Robert Cresswell Boak. A coloured etching. Signed. 30x41cm

Live Auction

Winifred Marie Louise Austen, (1876-1964), Coloured Etching Budgerigars

Curr & Dewar

Lot 523

Winifred Marie Louise Austen, (1876-1964), Coloured Etching Budgerigars

Live Auction

Winifred Marie Louise Austen, (1876-1964), Coloured Etching Tom Tits

Curr & Dewar

Lot 522

Winifred Marie Louise Austen, (1876-1964), Coloured Etching Tom Tits

Live Auction

A signed and numbered etching along with two abstract studies; one charcoal and ink the other pen and watercolour. H.58 W.42c

Criterion Auctioneers Ltd

Lot 84

A signed and numbered etching along with two abstract studies; one charcoal and ink the other pen and watercolour. H.58 W.42cm (largest)

Timed Auction

After August Macke, View into an Alley a framed and glazed print along with a limited edition etching, indistinctly signed. H

Criterion Auctioneers Ltd

Lot 311

After August Macke, View into an Alley a framed and glazed print along with a limited edition etching, indistinctly signed. H.76 W.61cm (largest)

Timed Auction

A framed and glazed limited edition etching, village setting, signed and numbered. H.49 W.66cm

Criterion Auctioneers Ltd

Lot 35

A framed and glazed limited edition etching, village setting, signed and numbered. H.49 W.66cm

Timed Auction

ETCHING OF THE THAMES BARRIER SIGNED DONALD HARRIS 22/25 - 33CMS (H) X 52CMS (W) PIC ONLY APPROX

Southgate Auction Rooms

Lot 204

ETCHING OF THE THAMES BARRIER SIGNED DONALD HARRIS 22/25 - 33CMS (H) X 52CMS (W) PIC ONLY APPROX

Live Auction

Wilfrid Ball (1853-1917), etching, Nuremberg, signed indistinctly to the lower left, framed, mounted, and under glass, measur

1818 Auctioneers

Lot 93

Wilfrid Ball (1853-1917), etching, Nuremberg, signed indistinctly to the lower left, framed, mounted, and under glass, measuring 21cm x 28cm, & 41cm x 49cm overall, together with a print of 'A Labour of Love' after Maude Goodman (1853-1938, British) (2)

Timed Auction

C.Dickens (19th/20th Century), etching, 'Porlock Village', Somerset, signed to the lower right, framed, mounted, and under gl

1818 Auctioneers

Lot 34

C.Dickens (19th/20th Century), etching, 'Porlock Village', Somerset, signed to the lower right, framed, mounted, and under glass, measuring 11cm x 16cm, & 31cm x 31cm overall, together with another etching depicting 'Dunster', Somerset (2)

Timed Auction

Frank BRANGWYN (1867-1956) Accordion Player Etching, signed in graphite to margin, plate size 22.5cm x 16.5cm, 51.5cm x 39cm

Lay's Auctioneers - Timed

Lot 49

Frank BRANGWYN (1867-1956) Accordion Player Etching, signed in graphite to margin, plate size 22.5cm x 16.5cm, 51.5cm x 39cm framed. Shipping is available from £25.22 to a UK Mainland address.

Timed Auction

Penwith Print Room Portfolio A Spring Collection Portfolio of five (of ten) prints published by The Penwith Society of Artist

Lay's Auctioneers - Timed

Lot 314

Penwith Print Room Portfolio A Spring Collection Portfolio of five (of ten) prints published by The Penwith Society of Artists in 1978. Michael FOREMAN (1938) Cuckoo, etching; Sheila OLINER (1930-2020) Janet, etching/drypoint & hand colouring; Lieke RITMAN (1942), Jollytown Barn, silkscreen; Alyson STONEMAN (1948) Lamorna Spring, etching; Roy WALKER (1936-2001); each limited edition number 21 of 75. All signed, titled, numbered & dated. Sheet size 52cm x 38.5cm Image size 24.5cm x 17cm. Original folder & cover.

Timed Auction

Edward Bouverie HOYTON (1900-1988) Spritsails at sunset Hand-coloured etching, signed, The 'Old Master' Galleries, Rathbone P

Lay's Auctioneers - Timed

Lot 290

Edward Bouverie HOYTON (1900-1988) Spritsails at sunset Hand-coloured etching, signed, The 'Old Master' Galleries, Rathbone Place label to verso, plate size 25cm x 35cm, 43.5cm x 56cm framed.

Timed Auction

Eric WEDLAKE Cornish Clay Pits Etching with graphite finish, 44.5cm x 51.5cm, 59cm x 66cm mounted.

Lay's Auctioneers - Timed

Lot 339

Eric WEDLAKE Cornish Clay Pits Etching with graphite finish, 44.5cm x 51.5cm, 59cm x 66cm mounted.

Timed Auction

Sheila OLINER (1930-2020) Three Works Resting I, etching, signed, titled and numbered 2/10, plate size 29.5 x 39.5cm, a simil

Lay's Auctioneers - Timed

Lot 247

Sheila OLINER (1930-2020) Three Works Resting I, etching, signed, titled and numbered 2/10, plate size 29.5 x 39.5cm, a similar untitled artist's proof numbered I/V, plate size 30.5cm x 45.5cm and another untitled etching numbered 6/10, 40cm x 30cm (3) Shipping is available from £25.22 to a UK Mainland address.

Timed Auction

Rachael KANTARIS (1967) Small Peach, Big Blue Coloured etching, edition 11/15, signed and titled, plate size 40.5cm x 24cm, 6

Lay's Auctioneers - Timed

Lot 194

Rachael KANTARIS (1967) Small Peach, Big Blue Coloured etching, edition 11/15, signed and titled, plate size 40.5cm x 24cm, 65cm x 48.5cm framed.

Timed Auction

Naomi FREARS (1963) Jumble The Cat Graphite on paper, signed and titled, 30cm x 42cm; together with two further cat studies b

Lay's Auctioneers - Timed

Lot 254

Naomi FREARS (1963) Jumble The Cat Graphite on paper, signed and titled, 30cm x 42cm; together with two further cat studies by a different hand; Sheila OLINER (1930-2020), 'Naomi', etching, edition 49/50, plate size 20cm x 12cm; and further works by artists including Jerry White, Isobel Heath, Ian Laurie and other Cornish artists (qty)

Timed Auction

Louise GABRIEL (XX) Daddy long legs Hand-coloured etching, signed limited edition 32/89, plate size 40cm x 30cm, together wit

Lay's Auctioneers - Timed

Lot 38

Louise GABRIEL (XX) Daddy long legs Hand-coloured etching, signed limited edition 32/89, plate size 40cm x 30cm, together with Fish Lips, hand-coloured etching, signed edition16/39, plate size 60cm x 29cm (2) Shipping is available from £21.76 to a UK Mainland address.

Timed Auction

Arthur Boris KLEIN (1893-1985) Two Works from the 'Dirty Dogs of Paris' series Each etching in colour, signed and titled, 50c

Lay's Auctioneers - Timed

Lot 151

Arthur Boris KLEIN (1893-1985) Two Works from the 'Dirty Dogs of Paris' series Each etching in colour, signed and titled, 50cm x 25cm framed. (2)

Timed Auction

Audrey HOUTMAN (XX-XXI) Pandora Artist's proof etching, signed and numbered A/P, plate size 29cm x 20.5cm, 49cm x 37.5cm fram

Lay's Auctioneers - Timed

Lot 223

Audrey HOUTMAN (XX-XXI) Pandora Artist's proof etching, signed and numbered A/P, plate size 29cm x 20.5cm, 49cm x 37.5cm framed; together with Colin SCOTT (1941-2006), 20th century oil on canvas of a seated female, initialled CS, and dated '81, 45cm x 32.5cm and an unsigned oil on board, 30.5cm x 40.5cm (3) Shipping is available from £25.22 to a UK Mainland address.

Timed Auction

Stevie HAWTIN (XX-XXI) Two Works Look at Me!, etching and drypoint, signed Stevie H verso, 46cm x 34cm including the frame; t

Lay's Auctioneers - Timed

Lot 206

Stevie HAWTIN (XX-XXI) Two Works Look at Me!, etching and drypoint, signed Stevie H verso, 46cm x 34cm including the frame; together with Orange Hollow, collograph with oils, signed and titled, artist label verso, 34cm x 27cm, 58cm x 50cm framed.

Timed Auction

Lee STEVENSON (XX-XXI) St Ives, Morning Etching, edition 7/ 50, signed and titled, 31 x 39 cm, 47cm x 55cm.

Lay's Auctioneers - Timed

Lot 228

Lee STEVENSON (XX-XXI) St Ives, Morning Etching, edition 7/ 50, signed and titled, 31 x 39 cm, 47cm x 55cm.

Timed Auction

Eric WARD (1945) A Collection of Work St Ives, Harbour, etching, numbered 34/50, signed and titled to mount, 15cm x 20cm, 28.

Lay's Auctioneers - Timed

Lot 145

Eric WARD (1945) A Collection of Work St Ives, Harbour, etching, numbered 34/50, signed and titled to mount, 15cm x 20cm, 28.5cm x 37cm framed; Music At Trewyn House, a sketch with annotation for future colouring, signed, titled and dated '03, inscription verso, 19cm x 22cm, 39cm x 41cm framed; together with Eric Ward's St Ives, signed with boat illustration and tip-ins related to the artist.

Timed Auction

Julian DYSON (1936-2003) The Dance Etching, edition 5/6, signed and dated 02.01 within plate and in graphite to margin, 35cm

Lay's Auctioneers - Timed

Lot 74

Julian DYSON (1936-2003) The Dance Etching, edition 5/6, signed and dated 02.01 within plate and in graphite to margin, 35cm x 25cm. Shipping is available from £21.76 to a UK Mainland address.

Timed Auction

Special Air Service Regiment Plaque and Knife: Small wood plaque with SAS badge, metal SA80 model in AF condition and plaqu

C&T Auctioneers & Valuers Ltd - Timed

Lot 263

Special Air Service Regiment Plaque and Knife: Small wood plaque with SAS badge, metal SA80 model in AF condition and plaque , with a 22nd SAS FS type commemorative knife with etching to blade. 2 items

Timed Auction

Waffen-SS Etched K98 Bayonet: German K98 bayonet with engraved pommels and blade for elite unit of the German armed forces,

C&T Auctioneers & Valuers Ltd - Timed

Lot 270

Waffen-SS Etched K98 Bayonet: German K98 bayonet with engraved pommels and blade for elite unit of the German armed forces, 12 th SS Panzer Division Hitler Jugend. Etching post war done for veterans associations and the collectors market.

Timed Auction

Simon March and Simon Lucy Signed Etchings and Prints Set This collection features two finely detailed black and white etchi

AMW Auctions

Lot 643

Simon March and Simon Lucy Signed Etchings and Prints Set This collection features two finely detailed black and white etchings or prints displayed in elegant copper-tone frames with matted borders. Each frame measures 9 inches by 12 inches with internal dimensions of 8 inches by 5 inches. The first piece, titled "Ferry Steps, Salcombe" by artist Simon March, presents a meticulously rendered scenic view leading to a body of water populated by sailboats, capturing the charm of an urban waterside setting. The second artwork, by Simon Lucy, is a limited edition print numbered 18 of 25, titled "Ships over the roofs." This etching portrays a serene scene with rooftops and chimneys in the foreground, giving way to a picturesque landscape of trees, hills, and a bustling body of water, similarly filled with small sailboats. Both artworks are distinguished by their compositions and the precision of their perspective, making this set a notable acquisition for collectors of fine prints and etchings.

Live Auction

WILLIAM LIONEL WYLLIE (BRITISH 1851-1931), etching of a sea port, signed in pencil and framed under glass, 20 x 15cm

Franklin Browns

Lot 102

WILLIAM LIONEL WYLLIE (BRITISH 1851-1931), etching of a sea port, signed in pencil and framed under glass, 20 x 15cm

Live Auction

WILLIAM WILSON RSA RSW (SCOTTISH 1905 - 1972), CHARTRES, etching, signed in pencil and numbered 2/16, framed under glass, 12

Franklin Browns

Lot 58

WILLIAM WILSON RSA RSW (SCOTTISH 1905 - 1972), CHARTRES, etching, signed in pencil and numbered 2/16, framed under glass, 12 x 20cm

Live Auction

Etching of two lions, signed indistinctly and framed under glass, 22 x 15cm

Franklin Browns

Lot 103

Etching of two lions, signed indistinctly and framed under glass, 22 x 15cm

Live Auction

J.R BARCLAY (British 1884-1962), etching of St Andrews, signed in pencil and framed under glass, 25 x 18cm

Franklin Browns

Lot 101

J.R BARCLAY (British 1884-1962), etching of St Andrews, signed in pencil and framed under glass, 25 x 18cm

Live Auction

4 Etchings - A.P Thomson -Original etchings titled ''A French Cafe'' and ''Old House, Nuremberg'' (Artists Proof) both signed

Bowler and Binnie

Lot 252

4 Etchings - A.P Thomson -Original etchings titled ''A French Cafe'' and ''Old House, Nuremberg'' (Artists Proof) both signed.William Walcot - Etching titled ''Interior of St Peters, Rome'', signed.W.C.A - Etching titled ''Harrogate College'', signed.

Live Auction

Boyd (Julia) edit. Bewick Gleanings: Being Impressions from Copperplates and Wood Blocks, Engraved in the Bewick Workshop ….

Tennants Auctioneers

Lot 11

Boyd (Julia) edit. Bewick Gleanings: Being Impressions from Copperplates and Wood Blocks, Engraved in the Bewick Workshop …. Newcastle-upon-Tyne, Andrew Reid, 1886, numbered Large Paper copy [of 250 copies], signed by Julia Boyd, quarto in twos, xxiv, [ii], 108, [2], 104 pages, frontispiece (an original etching, only present in the large paper edition), portrait plate, Chillingham Bull plate, facsimile letter, lacking portrait at p. 75, thirty-four of the other fifty-three plates only, top edge gilt, original morocco binding (spine rubbed); Another copy, with frontispiece (etching), two portrait plates, Chillingham Bull plate, and facsimile letter, thirty-four of the other fifty-three plates only, original morocco binding (spine worn); Another copy, loose sheets from the work, together with prospectus, not collated, housed in leather-backed folder. [lot sold not subject to return].

Live Auction

Topographical views - Sam & Nath Buck - Two early 18th century circa 1734 etching on paper views of Cornwall. The lot to

Auctioneum Ltd - East Bristol & Bath

Lot 433

Topographical views - Sam & Nath Buck - Two early 18th century circa 1734 etching on paper views of Cornwall. The lot to include ' The North East View of Pendennis Castle, in the County of Cornwall ' etching, together with ' The East View of St Michael's Mount, in the County of Cornwall ' etching. Both framed, St. Michael's Mount also glazed. Each measures approx. 27cm x 45cm.

Live Auction

William Lionel Wyllie (1851-1931) - ' Rowen ' - A late 19th century / early 20th century artist's proof etching on paper pain

Auctioneum Ltd - East Bristol & Bath

Lot 423

William Lionel Wyllie (1851-1931) - ' Rowen ' - A late 19th century / early 20th century artist's proof etching on paper painting. Signed bottom left in pencil. Mounted, framed & glazed. Label to verso for Thomas Wood & Sons, Fine Art Gallery, Darlington. Measures approx. 18cm x 39cm excluding frame.

Live Auction

Rembrandt Harmensz Van Rijn (Dutch, 1606-1669) The Angel Departing from the House of Tobit (B. Holl. 43; H 185) Original et

Auctioneum Ltd - East Bristol & Bath

Lot 400

Rembrandt Harmensz Van Rijn (Dutch, 1606-1669) The Angel Departing from the House of Tobit (B. Holl. 43; H 185) Original etching. 3rd state of IV. A late 17th century impression, signed and dated 1641 on plate. Measures approx. 15cm x 10cm. During the year 1641, Rembrandt made several etchings involving biblical subjects. The style he used at this time broke new ground for him in that the lines and spaces pointed to a far more liberated technique. The idea of finishing the etching as if a painting was discarded by the artist and a completely new effect was found by the means of more agitated lines. In this etching Rembrandt created the idea of a very active and dramatic moment. This has been achieved by the shading surrounding the central group being set at angles to each other. The flow of the composition is thereby naturally broken up. The flight of the angel across the face of the control group leaving a path from bottom left to top right completes this effect. The theme of the etching had been drawn from the Old Testament Book of Tobit. Tobit had been punished for acts of charity towards his own countrymen and was made blind by his grief for being scared to continue those acts after he had incurred the wrath of the local kings. Tobias, his son, was sent to collect money from a distant relative and the Lord sent an angel to guide him. Through his journeys the Angel helps Tobias and returns to Tobit. When the old man meets them at the door, Tobias restores Tobit's sight by means of gall which the Angel had told him to keep. The Angel then tells Tobit that his good works in the town and his courage in the face of the wrath of the kings has caused him to be healed. The family give thanks to the Lord and the Angel departs. Rembrandt chose this last moment to depict Tobit kneeling with his wife Sarah behind him. Tobias kneels in the centre of the group with his head inclined towards the departing Angel. It was a familiar subject in Dutch art. Rembrandt's master. Pieter Lastman had painted it, also Hercules Seghers had painted Tobias and the Angel. Rembrandt had etched Tobit as a blind man some years before and had made several paintings of Tobit and Anna. It was his Old Testament work which made Rembrandt so divorced from commercial success in the decades of the 1640s. In fact, it remains some of his greatest work. Rembrandt's oil painting of the same subject matter (The Archangel Raphael Leaving Tobias' Family, 1637) is kept in the Louvre Museum, Paris. Provenance: Acquired by current owner at Faustus Galleries, Jermyn Street London on 1st September 1975. Original sales invoice present. Revaluation letter from Faustus Galleries as at 21-07-1977 present. All correspondence letters between current owner and gallery regarding a Rembrandt exhibition organised in Geneve in 1978 present, with also original catalogue of the exhibition.

Live Auction

Canada.- Edy (J.W.) View of the Falls of Niagara, North America, after George Bulteel Fisher (1764-1834), etching with aquati

Forum Auctions

Lot 122

Canada.- Edy (J.W.) View of the Falls of Niagara, North America, after George Bulteel Fisher (1764-1834), etching with aquatint, full vibrant hand-colouring with watercolour and gouache, on wove paper without watermark, sheet approx. 395 x 610 mm (15 1/2 x 24 in), trimmed to image, lacking lettered margin, minor spotting and surface dirt, framed, [circa 1800]

Live Auction

XIX Century British Royal Navy Sabre with Curved Blade, hilt incorporating crowned fouled anchor, chequred grip, lion head po

Sheffield Auction Gallery

Lot 397

XIX Century British Royal Navy Sabre with Curved Blade, hilt incorporating crowned fouled anchor, chequred grip, lion head pommel with sword knot (some rust and faint etching to blade).The Blade is 74 cm linear.

Live Auction

ANNIE FARRER (B. 1950) "Stems and tendrils", colour print, signed in pencil and dated 2002 lower right, as two pictures, 79 c

Moore Allen & Innocent

Lot 271

ANNIE FARRER (B. 1950) "Stems and tendrils", colour print, signed in pencil and dated 2002 lower right, as two pictures, 79 cm x 30 cm, together with a collection of seven 20th Century watercolours, possibly textile designs and AFTER WILLIAM JAMES SMITH (1893-1979) "Relief of Apollo", colour etching, signed and No'd 22/22, bears RIBA stamp, together with four others similar and a pencil sketch study of a stage set, unsigned, inscribed verso "William James Smith Scottish Artist" (14)

Live Auction

AFTER RICHARD BEER "Magdalen" limited edition colour print No'd 52/100, titled and signed in pencil to the lower margin, 55 c

Moore Allen & Innocent

Lot 274

AFTER RICHARD BEER "Magdalen" limited edition colour print No'd 52/100, titled and signed in pencil to the lower margin, 55 cm x 66 cm, "Magdalen College" black and white etching, published by Dickinson & Foster, London April 2nd 1891 bearing two indistinct signatures to margins and blind studio stamp, 42 cm x 54 cm, AFTER G WOOLLISCROFT RHEAD "Eton College Chapel interior" etching, 48.5 cm x 34.5 cm (3)

Live Auction

SUSAN FLETCHER CRAWFORD (SCOTTISH 1863 - 1918), GLASGOW HORSE MARKET etching on paper, signedmounted, framed and under glass

McTear's

Lot 74

SUSAN FLETCHER CRAWFORD (SCOTTISH 1863 - 1918), GLASGOW HORSE MARKET etching on paper, signedmounted, framed and under glass 31cm x 27cmoverall size 31cm x 27cm

Live Auction

DAVID WATERSON, TWO ETCHINGS AND A MEZZOTINT along with another etchingall framed Qty: 4

McTear's

Lot 674

DAVID WATERSON, TWO ETCHINGS AND A MEZZOTINT along with another etchingall framed Qty: 4

Live Auction

ROBERT HOUSTON RSW (SCOTTISH 1891 - 1942), EVENING ON THE GARELOCH etching on paper, signed, titled versomounted, framed and

McTear's

Lot 76

ROBERT HOUSTON RSW (SCOTTISH 1891 - 1942), EVENING ON THE GARELOCH etching on paper, signed, titled versomounted, framed and under glassoverall size 33cm x 27cm

Live Auction

PERCY ROBERTSON RE (BRITISH 1868 - 1934), THE BASS ROCK etching on paper, signed, titled versomounted, framed and under glass

McTear's

Lot 70

PERCY ROBERTSON RE (BRITISH 1868 - 1934), THE BASS ROCK etching on paper, signed, titled versomounted, framed and under glassoverall size 32cm x 38cm

Live Auction

* JAMES SPENCE RGI RSW (SCOTTISH 1929 - 2016), FLOATING artist's proof etching on paper, signed, titled and numbered A/Pmount

McTear's

Lot 132A

* JAMES SPENCE RGI RSW (SCOTTISH 1929 - 2016), FLOATING artist's proof etching on paper, signed, titled and numbered A/Pmounted, framed and under glassoverall size 54cm x 76cm

Live Auction

* MICHAEL MCVEIGH (SCOTTISH b. 1957), LITTE ME limited edition etching on paper, signed, titled and numbered 5/10mounted, fra

McTear's

Lot 791

* MICHAEL MCVEIGH (SCOTTISH b. 1957), LITTE ME limited edition etching on paper, signed, titled and numbered 5/10mounted, framed and under glassoverall size 56cm x 51cm

Live Auction

Antique original etching on paper entitled Paris-Notre Dame by French artist Leopold Robin who represents the back view of th

Lion and Unicorn

Lot 180

Antique original etching on paper entitled Paris-Notre Dame by French artist Leopold Robin who represents the back view of the Gothic cathedral seen from the river Seine. Signature in plate and in graphite on lower right: Leopold Robin. Housed in a gilt frame with a hunter green mat. Sight size: 3.75"L x 6"H. Frame size: 9.25"L x 11.75"H x 0.75"W. Artist: Leopold Robin (French 1877-1939)Issued: c. 1920Country of Origin: FranceCondition: Age related wear.

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