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Lot 832
St. Louis Thistle / Ivy Gold 3 Weingläser, diverse Größen, wine glasses,Kristall, Frankreich, Serie Thistle Gold & Ivy Gold, mit Ätzmarke, 1x rotes Weinglas No.4 H 14,5 cm x D 7 cm, 1x Ivy Gold Weinglas No.3 H 16,5 cm x D 8,5 cm, 1x Ivy Gold Südweinglas H 13 cm x D 6,5 cmcrystal, France, series Thistle Gold & Ivy Gold, with etching mark, 1x red wine glass no.4 H 14.5 cm x D 7 cm, 1x Ivy Gold wine glass no.3 H 16.5 cm x D 8.5 cm, 1x Ivy Gold dessert wine glass H 13 cm x D 6.5 cm
Lot 820
St. Louis Thistle Gold 3 Champagnerflöten, farbig, champagne flutes,Kristall, Frankreich, Serie Thistle Gold, in den Farben Grün, Blau und Grün-Gelb, mit Ätzmarke, 3x H 19 cm x D 6 cmcrystal, France, series Thistle Gold, colored in green, blue and green-yellow, with etching mark, 3x H 19 cm x D 6 cm
Lot 194
EIGHT VARIOUS PRINTS & ETCHINGS mainly sport related, comprising P. DOUTRELEAU limited edition (269/350) print - entitled 'Golfer', signed, 76 x 54cmsA WEAVER two coloured engravings - early 20th Century golfing scenes entitled 'Out of Trouble' and 'Holing Out', both 59 x 76cmsJOHN YOUNG limited edition (646/950) print - entitled 'Low Flying Mosquito', signed, 63 x 84cmsKENNETH McDONAGH limited edition (109/250) print - Gloucester meteor F8, signed, 53 x 73cmsWENDY REEVES limited edition (361/850) print - fishing scene entitled 'My Favourite Pool', signed 51 x 72cmsVENANCIO AMBOS coloured (154/225) etching - entitled 'Suenode Las Piedraes II', signed, 60 x 48cmsUNKNOWN hand coloured etching - Government House and Council Chambers at Madras, 64 x 87cmsComments: all unmounted and unframed
Lot 202
UNKNOWN print - two figures with a dog looking across Swansea Bay from west to east, entitled 'View of Swansea', 36 x 65cms together with a SAMUEL & NATHANIEL BUCK etching - entitled 'The East View of Swansea in the County of Glamorgan', 32 x 83cmsComments: (1) framed and glazed, slight foxing and discolouration to paper (2) framed and glazed, crease to centre
Lot 257
GEORGE REYNOLDS GILL (1827-1904) pencil drawing - Tintern Abbey ruins, entitled in pencil bottom right 'Abbey - Tintern Looking South', unsigned, 26 x 38cms together with coloured etching of the road from London to St. Davids, Pembrokeshire by Thomas Gardner, 18 x 28cmsComments: (1) framed and glazed, slight foxing to the top (2) framed and glazed, no problems
Lot 1071
Michael Fairclough (b.1940)Seascape Signed and numbered 139/150, etching, together with a collection of further etchings and wood engravings, including Alison McKenzie, "Ode to the Nativity: Milton", Anne Jope, "An Artist's Dreams", Blair Rowlands Hughes-Stanton (1902-1981), "The Throne", illustration for The Revelation of St John, artist's proof, engraving, Libby Carreck, "Hedgerow" etc... (7)
Lot 203
A group of 6 portrait etchings and engravings, to include: Portrait of Arthur Nikisch, etching, indistinctly signed, 22 x 24.5cm; Felix Meseck, Portrait of Hans Meid, signed by sitter, 24 x 18cm; Thomas Cornell, self portrait, 20 x 17cm; Henri Guerard, Whistler's Portrait of Himself, 31 x 20.5cm; Portrait of Max Slevogt, signed indistinctly, 25 x 18cm; and another signed indistinctly, 17 x 14cm
Lot 376
A group of vintage silver earrings. The lot to include; enamel, cloisonne, beads, drop earrings, stud earrings, white metal, yellow metal, floral design, etching, purple stones, faux amber, white stones, hearts, blue stones, halo, pink stone, mother of pearl, orange stones & red stones. All marked 925, silver or test as silver. Total weight approx 40.1 g.
Lot 7
Henry Wilkinson (1921-2011) British, Two Pointers in a landscape, etching, numbered and signed in pencil, label verso, 10.5" x 13.75", (26.5x35cm) along with two Lurchers in a landscape, etching, numbered 29/150 and signed in pencil, label verso, 10.5" x 14", (26.5x35.5cm) and two Terriers in a landscape, etching, numbered and signed in pencil, 9" x 11.5", (23x29cm) (3).
Lot 393
A very rare and unusual Thomas Webb and Sons cameo glass 'tusk' vase, circa 1885in the Oriental manner, of gently curved tapering cylindrical form on a stepped base, the heavy glass delicately shaded with brown stain to imitate the appearance of old ivory, delicately carved with scrolling plants and flowers including hibiscus, chrysanthemums and grasses within geometric borders, etched THOMAS WEBB & SONS mark, 19.2cm highFootnotes:The design appears in the Ivory glass pattern book as number I290. The price archive lists this as a 7 1/2in vase with individual costs as 18/- for making, 18/6d for etching and 4/6d for painting. The vase sold for 50/-, representing a relatively small profit of 9 shillings. See Ray and Lee Grover, English Cameo Glass (1980), pp.227 and 419, no.S421. The original drawing is reproduced in A Facsimile of Thomas Webb & Sons' Pattern Books Principally for Cameo Glass by the Woodall Team (2000), published by Richard Dennis, p.45.For further information on this lot please visit Bonhams.com
Lot 150
* Barbault (Jean, 1718-1762). Vue des restes du Château de l'Eau Marcia, & Fragments Antiques (from Les Plus Beaux Monuments de Rome Ancienne), by Domenico Montagu after Barbault,1761, two etchings printed on one sheet of laid paper with a double encircled fleur de lys watermark, very good, atmospheric impressions, published by Bouchard and Gravier, with margins, in very good condition, a tiny brown spot at the upper right sheet corner, plate size respectively 26.2 x 26.3 cm (10 1/4 x 10 3/8 ins) and 8.8 x 16.5 cm (3 1/2 x 6 1/2 ins), sheet size 49.6 x 35.2 cm (19 1/2 x 13 7/8 ins), framed (59 x 47 cm); together with Hieronymus Cock (circa 1510-1570), Colossaei Roi Prospectus 3, circa 1550, etching on fine laid paper with a high crown watermark, with narrow margins, framed; plus J.C. Bellicard (1745-1780). Sepolcro di un Soldato, detto volgarmente di Nerone, from Vues de Rome, 1750, etching on laid paper, framed; and Pieter van Laer (1599-circa 1642), Dedicatory plate from Various Animals, 1636, etching on laid paper with a fool's cap watermark, the first state before the number, framedQTY: (4)
Lot 158
* Gillray (James, 1757-1819). "Ay, here's the Masculine to the Feminine Gender". Enter Cowslip with a Bowl of Cream..., H. Humphrey, June 13th 1795, etched caricature with contemporary hand-colouring, large margins, 345 x 245 mm, together with Operatical Reform - or - La Dance a l'Eveque, H. Humphrey, March 14th 1796, etched caricature with contemporary hand-colouring, torn with loss to the upper left corner, professionally repaired and restored, thread margins, 255 x 355 mm, with A Corner near Bank - or - An Example for Fathers -, H. Humphrey, Sept. 26th. 1797, etched caricature with contemporary hand-colouring, light overall toning, torn with loss to the lower right corner but not affecting the printed image, crudely repaired, 350 x 260 mm, plus Field Marshall Count Suwarrow-Romniskoy..., H. Humphrey, May 23rd 1799 [but later impression], uncoloured etching, trimmed to neatline, tipped on to later paper, 345 x 2145 mm, and Cruikshank (Robert). La Promenade, C. Tregear, 1828, etched caricature with contemporary hand-colouring, laid on later paper, 350 x 250 mmQTY: (5)
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71174 item(s)/page