This exquisite etching on cream laid paper, after the original artwork Paysage d'Italie by Jean-Baptiste Camille Corot, depicts a serene landscape with towering trees and two indistinct figures strolling by. Housed in a wooden frame with a white mat. Sight size: 10"L x 7"H. Frame dimensions: 16.75"L x 1"W x 21"H. Artist: After Jean Baptiste Camille Corot (French, 1796-1875)Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
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Original etching on Arches vellum paper featuring French Classical dramatist Jean Racine from the 1945 illustrated folio of five etchings by artist Jacques Villon. His method is described as a network of finely etched lines recalling the engraving style of the 17th century... of baroque splendor and brilliance. The etching includes the original folio cover in a slipcase attached on verso: Jean Racine, Cantique Spirituel, Jacques Villon, with the poem: Sur Les Vaines Occupations des Gens du Siecle. Signature in graphite on lower right: Jacques Villon. Housed in a wooden frame with a white mat. Sight size: 11.25"L x 15.50"H. Frame dimensions: 16.75"L x 20.75"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Jacques Villon (French 1875-1963)Issued: 1945Dimensions: See DescriptionEdition Number: Edition of 225Country of Origin: FranceCondition: Age related wear. Sporadic foxing.
Antique etching on laid paper entitled Portrait de Guillaumin after French Post-Impressionist artist Paul Cezanne. Etched for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Sketch in the upper left corner which depicts a tiny gallows with a hanged man. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Paul Cezanne (French, 1839-1906)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.
Antique etching on Marais wove paper entitled Venice at Sunset (Venise au coucher du Soleil) after French painter Felix Ziem, engraved by Charles Louis Kratke for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Felix Ziem (French, 1821-1911)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.
Antique etching on Marais wove paper entitled Island of Love (L Ile des Amours) after French artist Narcisse Virgilio Diaz for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: N. Diaz 1855. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Narcisse Virgilio Diaz de la Pena (French, 1807-1876)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.
Antique etching on Marais wove paper entitled After the Storm (Apres LOrage), after French artist Jean-Baptiste-Camille Corots original painting. Engraved by Charles-Louis Kratke for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Artists signature in plate on lower right side: Corot. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean-Baptiste-Camille Corot (French, 1796-1875)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.
Antique etching on Marais wove paper entitled The Watering Hole (LAbreuvoir) after French artist Constant Troyons original painting. Engraved by Auguste Boulard for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: C. Troyon 1851. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Constant Troyon (French, 1810-1865)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.
Antique etching on Marais wove paper entitled The Windmill (Le Moulin a vent) after French artist Jules Louis Dupres original painting. Engraved by Auguste Boulard for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 427/525. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jules Louis Dupre (French, 1811-1889)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.
Antique etching on Marais wove paper entitled Lion Attack (Lion attaque) after French Romantic artist Eugene Delacroixs original painting. Etched by Charles Jean Louis Courtry for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Eugene Delacroix (French, 1798-1863)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.
Antique etching on Marais wove paper entitled Sappho (Sapho) after French artist Gustave Moreau. Engraved by Charles Jean Louis Courtry for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Gustave Moreau (French, 1826-1898)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Stain at bottom of page.
Antique etching on Marais wove paper entitled The Exit of the Herd (La Sortie du Troupeau), after French painter Charles Jacques original engraving, for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: Ch. Jacque 1890. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Charles-Emile Jacque (French, 1813-1894)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.
An original etching on Arches paper entitled Dancing Nudes VI by American-Colombian artist Knox Martin. Part of a rare limited Artists Proof edition. Artists signature in graphite on lower right: Knox Martin. Artists Proof in graphite on lower left. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: c. 1970Dimensions: 22.25"L x 30"HCondition: Age related wear. Time stained.
An original etching on Arches paper entitled Dancing Nudes I by American-Colombian artist Knox Martin. Part of a rare limited Artists Proof edition. Artists signature in graphite on lower right: Knox Martin. Artists Proof (AP) in graphite on lower left. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: c. 1970Dimensions: 30"L x 22.25"HCondition: Age related wear.
Antique etching on Marais wove paper entitled The Return of the Fields (Le Retour des Champs) after French artist Jean Francois Millets original painting. Engraved by Henri Felix Vion for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Artists signature in plate on lower right side: J F Millet. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean Francois Millet (French, 1814-1875)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.
Large original etching on laid paper that represents a Lioness that the artist engraved with outmost observational and realistic details. Signature in plate in ink on lower left: W. Thoman ? Edition number on lower right: 20/250. Issued: c. 1970Dimensions: 17"L x 19"HEdition Number: 20 of 250Condition: Age related wear. Browning of paper and white spots on upper right side.
Antique original etching on Marais wove paper entitled La Vie after French artist Alfred Philippe Roll, engraved for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Alfred Philippe Roll (French, 1846-1919)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.
An antique original etching on folded wove paper from The Gentleman's Magazine for October, 1768 (Volume 38, Issue 10), depicting barges (boats) transporting the Danish king, Christian VII, from Whitehall (a prominent area in London where the British government is based) to the Temple (an area in London known for its legal institutions and Inns of Court), on September 23, 1768. Text under the etching describes the scene and indicates that it was dedicated to the King as a gesture of honor. Text on upper right corner: Gent. Mag Oct 1768. Issued: 1768Dimensions: 10.75"L x 8"HCountry of Origin: EnglandCondition: Age related wear. Time stained. Some soiling around margin. Small rips along bottom edge. Small crease on upper left corner.
Antique etching on Marais wove paper entitled Traveling Arabs (Arabes en Voyage) after French Romantic artist Eugene Delacroix's original painting. Engraved by Master printmaker Jules Jacques Veyrassat for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artist's and engraver's name, and title in French. Artist: After Eugene Delacroix (French 1798-1863)Issued: 1897Dimensions: 12.50"L x 10"HEdition Number: 307 of 575Country of Origin: FranceCondition: Age related wear. Time stained.
Antique etching on Marais wove paper entitled Young Man Studying (Jeune Homme a l etude), after French academic painter Jean-Louis-Ernest Meissonier. Engraved by Paul Adolphe Rajon for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean-Louis-Ernest Meissonier (French, 1815-1891)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.
Antique original color etching on wove paper entitled Vue prise de Saardam (View taken from Saardam) after French Post-Impressionist artist Paul Cezanne. Etched for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on lower right: A G. Includes protective cover sheet. Artist: After Armand Guillaumin (French, 1841-1927)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.
Antique etching on Marais wove paper entitled Sappho (Sapho) after French artist Gustave Moreau. Engraved by Charles Jean Louis Courtry for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Gustave Moreau (French, 1826-1898)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.
An original etching on Arches paper entitled Dancing Nudes III by American-Colombian artist Knox Martin. Part of a rare limited Artists Proof edition. Artists signature in graphite on lower right: Knox Martin. AP in graphite on lower left. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: c. 1970Dimensions: 30"L x 22.25"HCondition: Age related wear.
Antique etching on wove paper entitled Bords du Loing after French artist Alfred Sisleys original painting. Engraved by Pierre-Marcel Roy for the for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on lower left side: Sisley. Printed under etching, artists name on left side and etchers name on right side. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Alfred Sisley (French, 1839-1899)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.
Antique original color etching with aquatint on brown paper by Ferdinand Mitchl from his portfolio The Song of the Earth. Entitled The Drinking Song of Earth's Sorrows, this etching (plate 1) illustrates a poem by Chinese Tang Dynasty Poet Li Bai (Li T'ai Po.) Signature in graphite on lower right: F. Mitchl. Title on lower left side: Das Trinkleid. Artwork dimensions: 14"L x 18"H. Artist: Ferdinand Mitchl (Czechoslovakian 1877-1951)Issued: 1923Dimensions: See DescriptionCountry of Origin: Czech RepublicCondition: Age related wear. Upper center scape with loss of color. Edges are worn.
Antique etching on Marais wove paper entitled The Windmill (Le Moulin a vent) after French artist Jules Louis Dupres original painting. Engraved by Auguste Boulard for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jules Louis Dupre (French, 1811-1889)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained. Sporadic foxing.
Antique etching on Marais wove paper entitled The Hunt (La Chasse), after French artist Jean-Baptiste-Camille Corots original painting. Engraved by Albert Duvivier for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Artists signature in plate on lower left side: Corot. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean-Baptiste-Camille Corot (French, 1796-1875)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.
An original etching on Arches paper entitled Dancing Nudes II by American-Colombian artist Knox Martin. Artists signature in graphite on lower right: Knox Martin. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: c. 1970Dimensions: 22.25"L x 30"HCondition: Age related wear. Time stained.
JANOSCH (d.i.: Horst Eckert, geb. 1931), "Drei Amazonen zu Pferd und ein Bauer auf dem Feld", Aquatintaradierung/Papier, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 34/100, HxB: Platte ca. 26,5x35 cm, Blatt ca. 37,5x52 cm, Außenmaße Rahmen ca. 40x54 cm. Altersspuren, leicht gebräunt, Fleck am oberen Rand. Mit verglastem Rahmen.| JANOSCH (i.e.: Horst Eckert, born 1931), ‘Drei Amazonen zu Pferd und ein Bauer auf dem Feld’, aquatint etching/paper, signed by hand in pencil lower right, numbered 34/100 in pencil lower left, HxW: plate approx. 26.5x35 cm, sheet approx. 37.5x52 cm, outer frame dimensions approx. 40x54 cm. Signs of age, slightly browned, stain in upper margin. With glazed frame.
Albert Gleizes (French, 1881-1953)"Soloman Et Job Ont-Misere"Etching. Pencil signed, inscribed and numbered (XLIV/XLV) lower margin.Gleizes was a major exponent of Cubism. He participated in the first exhibition of Cubism in Paris in 1911.Plate Size: 9.25 x 6.5 in.Overall Framed Size: 22 x 18 in.Framed behind plexiglass.
A collection of political satyrical prints, 19th century printings:After James Sayers, Cui bono, publico bono... 9th February 1784, etching, 14.5x19.5cm;After James Gillray, A Junction of Parties, hand-coloured etching, 35x26cm;After James Gillray, The State Waggoner and John Bull, 16x22cm;After James Sayers, Paradise Lost, etching published 17 July 1782, 28x32cm;After James Sayers, Cicero in Catilinam, hand-coloured etching, 34x28.5cm;After James Sayers, A Transfer of East India Stock, hand-coloured etching, 30x22cm;After Thomas Rowlandson, The Infant Hercules, hand-coloured etching, 25x35cm;Folio of seven etchings and prints after James Gillray, unframed.
SYDNEY MACKENZIE LITTEN (1887-1949) “Venetian Gondolas by Night”, etching, signed & numbered 41/80 in pencil, 25cm x 35cm (image), framed & glazed (44.5 x 52.8cm overall); & two coloured prints after Cadore titled “Ca’ Dario” & “L’Autunno”, 16.75cm x 13cm, each in a glazed frame (41.5 x 31.3cm overall).
Kurt Meyer-Eberhardt (1895-1977) - A dry point etching depicting a baby donkey. Signed in pencil by the artist to the bottom right corner. Framed and glazed, measuring approx. 52cm x 39cm. Kurt Meyer-Eberhardt (1895-1977) was a German painter, etcher, and illustrator, who studied at the Weimar Academy of Fine Arts, where he studied under the guidance of artists Theodor Hagen and Lionel Feininger. He is mostly known for his animal portraits and drypoint etchings.
Geoffrey H Wedgwood (1900 - 1977) - A 20th-century etching titled 'Borghese Gardens, Rome', dated '1928'. Featuring a detailed landscape of the Borgese Gardens in Rome, including tall trees figures, and architecture. Signed by the artist to the bottom right corner. Mounted, framed, and glazed. Measuring approx. 34.5cm x 49cm. Geoffrey Heath Wedgwood, ARCA, RE (1900 - 1977) was a British etcher and engraver, best known for his architectural etchings. After service in WWI, he studied at the Liverpool City School of Art from 1919 to 1921, and then won a scholarship to the Royal College of Art, London, studying engraving there under Sir Frank Short. He was a Rome scholar at the British School at Rome, after winning the Engraving Prize in 1925. Later in his life he taught at the Liverpool Institute and at Liverpool College of Art 1935-60.
Kathleen Guthrie (1905-1981), a signed pencil and watercolour on paper titled 'The First Pond (Hampstead Heath)' in a conservation grade frame, under UV and non-reflective glass with inscribed notes to the reverse, along with a signed etching in colours titled 'Transylvanian Landscape', by Arthur Gross. H.52.4 L.43.5cm
Three framed prints to include a signed and limited edition etching titled 'Arrival (Kings Cross St Pancras Station)' by John Duffin, a printed Christmas card by Tracey Emin titled 'The Annunciation', and an indistinctly signed pen drawing of the University of Oxford. All framed and glazed. H.69 L.48.5cm

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