§ PABLO PICASSO (SPANISH 1881-1973) MINOTAURE, UNE COUPE À LA MAIN, ET JEUNE FEMME - 1933 Etching on Montval laid paper with Picasso watermark, ed. 260, signed in pencil to margin, from the Vollard suite, published by A. Vollard, Paris(plate size 19cm x 26.5cm (7.5in x 10.5in), the sheet 34cm x 44cm (13.5in x 17.25in), unframed)Footnote: Note: The Vollard Suite of one hundred etchings was a significant artistic undertaking. Commissioned by the art dealer Ambrose Vollard, Picasso worked on the series over a period of seven years, from the initial commission in 1930 until 1937, though it then took the printer a further two years to complete the full printing. The suite reveals Picasso’s most significant personal preoccupations over this period of his life, as wider turmoil was unfolding across Europe.
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Three antique late 19th/early 20th century etchings, comprising a mono etching after Fred Morgan titled 'Nothing to Fear', depicting a dancing bear travelling through a town, with scared children running to mother, produced by C. W. Faulkner & Co, 49 x 65cm, in an oak frame and glazed, frame size 90 x 106cm, after C. Haigh Wood; 'While the Shepherd Sleeps', depicting a courting scene in the courtyard of a house, 63 x 50cm, framed and glazed, frame size 90 x 76cm and after Arthur J. Elsley; monoprint titled 'A Tempting Bait', depicting a young lad enticing a pony with an apple and reins behind his back, while sisters and dog watch on, 49 x 71cm, in an oak frame and glazed, frame size 85 x 106cm.
Various pictures and prints of country pursuits and Cumbria interest, to include 'Castle Head Westmorland', 23 x 31cm, 'Mardale Green Westmorland', 'Rossthwaite Borrowdale from the Road to Wattenlath' coloured etching, William Heaton Cooper coloured print of the Lake District, possibly Wastwater, King's Parade Cambridge limited edition print, no.517/850 and a picture titled 'How to Jug a Hare', 30 x 24.5cm, framed, frame size 44 x 37cm (6).
RONALD STEAD; watercolour, 'Bassenthwaite Lake and Skiddaw', signed bottom left, signed and titled on mount, 26 x 37cm, framed and glazed, together with six other watercolours and prints to include Graham Clarke, etching 'Stamper No.1' 43/100, Continental watercolour, coloured etching, indistinctly signed 'Cotswold Cottages' 13/150, acrylic portrait of a gentleman, a AL Daniel; watercolour, 'Miniature Sunflowers and Daisies', signed, and colour lithograph 'Frangipani', 56/650, all framed and glazed (7).
ALEX KATZ (Brooklyn, New York, 24 July 1927)."Homage to Degas", 2020. Archival pigments on innova etching cotton rag 315, edition 42/100.Hand signed and numbered in the lower left corner.Work published in the artist's online catalogue raisonné.Measurements: 92 x 181,5 cm; 96 x 186 cm (frame).
*Sir Howard Hodgkin (1932-2017)'In Touch, Checking In'etching and aquatint in colours, signed with initials, dated '91 and numbered 12/50 in pencil sheet 30 x 43cm*Artist's Resale Right may apply to this lot.Condition report: Framed size: 53 x 66cm. Not viewed out of glazed frame. Paper appears to be loosely stuck down causing a little ripple effect to edges. No major condition issues. Please contact department fro more detailed images.
*Joan Miró (Spanish, 1893-1983)Untitledcoloured etching and aquatint on handmade paper, signed 'Miro' and inscribed hors commerce proof XII/XX in pencilplate 25 x 29.5cm, sheet 48 x 64cm*Artist's Resale Right may apply to this lot.Condition report: Framed size 86 x 102cmNot viewed out of glazed frame, in generally good order.
William Kentridge (South African, b.1955)Untitled (Artist Standing) - from the HMV set, 1997etching, signed 'W Kentridge' in pencil and numbered 41/50, published by David Krut, Johannesburg, printed by Jack Shirreff at the 107 Workshop, Wiltshire12.2 x 12.4cmProvenance: Serpentine Gallery, London.Condition report: Framed size 31 x 31cmNot viewed out of glazed frame. Appear to be lightly stuck down and in good condition.
William Kentridge (South African, b.1955)Untitled (Artist Bending) - from the HMV set, 1997etching, signed 'W Kentridge' in pencil, numbered 40/50, published by David Krut, Johannesburg, printed by Jack Shirreff at the 107 Workshop, Wiltshire12.2 x 12.4cm Provenance: Serpentine Gallery, London.Condition report: Framed size: 30.5 x 32cmNot viewed out of glazed frame. Stuck down, appears to be in good condition.
*Antoni Tàpies (Spanish, 1923-2012)'Amor amb signes blancs'etching and aquatint printed in colours, 1987, signed and numbered 58/60 in pencilsheet 36 x 51cm Provenance: Galeria Toni Tàpies, Barcelona, 2006.*Artist's Resale Right may apply to this lot.Condition report: Frame size 60.5 x 74cm. A light surface abrasion upper left. No other obvious flaws. Not seen outside of glazed frame.
*Antoni Tàpies (Spanish, 1923-2012) 1,2,3 etching with colour, Hors Commerce, signed 'Tapies' in pencil l.r.sheet 63.5 x 90.5cm Provenance: Christie's, 8 December 1998, lot 150.*Artist's Resale Right may apply to this lot.Condition report: Framed size 80 x 107cm. Not viewed out of glazed frame. paper lightly stuck down. Some handling creases. Paper brown to extreme edges.
*Craigie Aitchison RA RSA (1926-2009)'Sugarbush Wearing Hat'etching with aquatint printed in colours with carborundum, collage and hand-colouring in gouache, signed 'Craigie Aitchison' in black ink, numbered 32/50, published by Rabley Contemporary Editions, 2009, on wove paper, the full sheet printed to the edgessheet 75 x 50cm*Artist's Resale Right may apply to this lot.Condition report: In generally good order. The paper looks slightly uneven because it is only loosely attached to the backing board and one of its attachments has clearly come away to the bottom right. The print looks in good order and is nicely framed. Unexamined out of frame.
Frederick Landseer Griggs (1876-1938)'The Cross Hands' etching, inscribed within the print 'To my friend Thomas Pegram' l.l. and signed and dated 'FLGriggs.1935' l.r., further signed 'F L Griggs' in pencil l.r.image 17.3 x 23.5cm, unframedCondition report: Some time staining. The print is trimmed and attached to an acid free mount.
*Pablo Picasso (Spanish, 1881-1973)'Trois Acteurs from the Suite Vollard' (Bloch 145; Geiser 296)etching, with 'Picasso' watermark, from an edition of 260 (there is also an edition of 50 with wide margins)sheet 44.6 x 34cm*Artist's Resale Right may apply to this lot.Condition report: Discolouration to the edges of the sheet caused by acidic mount, please refer to additional images. A few specks of foxing. Otherwise, condition is fine.
Captain William Baillie (Irish 1723-1810, after Rembrandt) - Tacet et Loquiter and Evening, an etching by the same hand of a drawing of Bergham in the collection of The Earl of Bute, a further etching of a drawing of Sabbadini in the collection of The Earl of Bute, etc, original publication dates 1760, 65, 72 and 73, 55 x 42cm approx sheet size, together with a quantity of early 19th century black and white engravings of heraldic coats of arms, 28 x 22.5cm approx (collection)
PAINTINGS AND PRINTS ETC, to include Charles Grigg Tait (1915-1995) 'Low tide Maldon' signed watercolour, approximate size 35cm x 48cm, signed limited edition print of a bird in wintery conditions by Brian Darcy, with a limited edition print of a bird at a bird box by the same hand, Helen L Ness limited edition hand coloured etching, Homer Dodge 'Harp of the Winds' print, four wool work pictures together with assorted other prints etc (box and loose)
FRANCIS SEYMOUR-HADEN (1818-1910) a signed etching of a coal mine, signed to lower margin with inscription from his son 'to MEM from FSH 1938' approximate size 24cm x 31cm including visible margins, together with a hand tinted map of Aberdovey by Lewis Morris published September 1748, approximate size 18cm x 25cm together with two F Robson prints (4)
Italien - Herzogtum Parma : Herzogtum Parma: Geschenksäbel Herzog Carlo III. di Borbone - Parma (1849 - 1854) an General Antonio Crotti.Eisernes Bügelgefäß mit in Gold tauschiertem Wappen des Herzogtums Parma und der gekrönten vergoldeten Chiffre Herzog Karl II. von Bourbon - Parma (reg. 1849 - 1854. Auf dem Bügel Medaillon mit der vergoldeten Bezeichnung in Fraktur: "GEN. A.C." (General Antonio Crotti, Brigadegeneral und letzter Kommandeur der Armee des Herzogtums Parma.Griff in Rochenhaut. Die gekehlte Rückenklinge mit reicher beidseitiger Zierätzung von Waffentrophäen und Arabesken. Auf der Quartseite die Herstellersignatur: "Cio Sassi Milano". Glatte Eisenscheide mit zwei Tragringen. Gesamtlänge: 103 cm. Klinge 88 cm. Schöne und bedeutende Blankwaffe von größter Seltenheit und Wichtigkeit für die Geschichte des Herzogtums Bourbon - Parma. Ferdinand Karl III. von Parma (* 14. Januar 1823 in Florenz; ? 27. März 1854 in Parma) war von 1849 bis 1854 Herzog von Parma. Ferdinand Karl war der einzige Sohn von Herzog Karl II. Ludwig von Parma (1799?1883) und Prinzessin Maria Theresia (1803?1879), Tochter des Königs Viktor Emanuel I. von Sardinien-Piemont und dessen Gattin Maria von Modena. Nachdem sein Vater zu seinen Gunsten abgedankt hatte, kehrte er im August 1849 unter dem Schutz österreichischer Truppen aus London nach Parma zurück und errichtete ein reaktionäres Willkürregime, das ihn derart verhasst machte, dass er im März 1854 in Parma auf offener Straße von einem Unbekannten erdolcht wurde. Für den noch unmündigen Thronerben Herzog Robert (1854?1859/60) übernahm dessen Mutter, die gebürtige französische Bourbonen-Prinzessin Louise Marie von Bourbon, die Regentschaft. Italy - Herzogtum Parma : Herzogtum Parma: Geschenksäbel Herzog Carlo III. di Borbone - Parma (1849 - 1854) an General Antonio Crotti. Iron bow hilt with the coat of arms of the Duchy of Parma inlaid in gold and the crowned gilded cipher Duke Charles II of Bourbon - Parma (r. 1849 - 1854. On the bow medallion with the gilded inscription in fracture: "GEN. A.C." (General Antonio Crotti,Brigadier General and last commander of the army of the Duchy of Parma. Handle in ray skin. The fullered single-edged blade with rich decorative etching of weapon trophies and arabesques on both sides. The maker's signature on the quarterside: "Cio Sassi Milano". Smooth iron scabbard with two suspension rings. Total length: 103 cm. Blade 88 cm. Beautiful and important blank weapon of great rarity and importance for the history of the Duchy of Bourbon - Parma. Ferdinand Charles III of Parma (* 14 January 1823 in Florence; ? 27 March 1854 in Parma) was Duke of Parma from 1849 to 1854. Ferdinand Charles was the only son of Duke Charles II Louis of Parma (1799-1883) and Princess Maria Theresa (1803-1879), daughter of King Victor Emmanuel I of Sardinia-Piedmont and his wife Maria of Modena. After his father abdicated in his favor, he returned to Parma from London in August 1849 under the protection of Austrian troops and established an arbitrary reactionary regime that made him so hated that in March 1854 he was stabbed to death in the open street in Parma by an unknown man. The heir to the throne, Duke Robert (1854-1859/60), who was still underage, was succeeded by his mother, the French-born Bourbon princess Louise Marie of Bourbon.
Kriegsmarine - Blankwaffen : Offiziersdolch der Kriegsmarine. Vergoldete Buntmetallausführung. Weißer Kunststoffgriff mit Drahtwickelung. Knauf als Hoheitsadler. Mit korrekt gebundenem Marineportepee. Rückseitige Parierstange mit Druckknopf. Doppelt gekehlte zweischneidige Klinge mit beidseitiger Ankerätzung. Herstellerzeichen: "WKC". Gehämmerte Scheide mit Eichenlaubbändern an zwei Tragringen. Mit kompletten Gehänge in vergoldeter Leichtmetallausführung. Navy - Blankwaffen : Offiziersdolch der Kriegsmarine. Gold plated non-ferrous metal finish. White plastic handle with wire wrapping. Pommel as a sovereign eagle. With correctly tied naval portepee. Rear guard with push button. Double fullered double edged blade with anchor etching on both sides. Maker's mark: "WKC". Hammered scabbard with oak leaf ribbons on two suspension rings. With complete hilt in gilded light metal finish.
Militaria Deutschland - Preussen : Preussen: Klinge für einen IOD. Zweifach gekehlte Rückenklinge. Im oberen Drittel beidseitig mit reicher vergoldeter Zierätzung. Auf dem Rücken bezeichnet: "J.P.OBRECHT HOFLIEFERANT BERLIN". Terzseitig Eichenlaubdekor. Quartseitig ebensolcher Dekor und die Inschrift auf gebläutem Untergrund: "Vetter s./l. Beske / Danzig 1903". Möglicherweise für einen Leibhusaren - Degen. Klingenlänge: 74,5 cm.German Militaria - Prussia : Preussen: Klinge für einen IOD. Double fullered single-edged blade. In the upper third on both sides with rich gilded decorative etching. Inscribed on the back: "J.P.OBRECHT HOFLIEFERANT BERLIN". Oak leaf decoration on the third side. On the reverse side the same decoration and the inscription on the blued background: "Vetter s./l. Beske / Danzig 1903". Possibly for a Leibhusar epee. Blade length: 74.5 cm.
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71174 item(s)/page