Rosamund Jones RE(b.1944)"Goose",signed and titled,artist's proof colour etching, 28 x 37cms, framed.Notes:In the warm summer months, Rosamund Jones etches her copper plates outdoors, giving her work a sense of fleeting movement. More can be discovered about the artist at the Royal Society of Printmakers website.
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Rosamund Jones RE(b.1944)"Sleeping Fox",signed, titled, and numbered to the margin,limited-edition colour etching, 10/20,17 x 22cms, framed.Notes:In the warm summer months, Rosamund Jones etches her copper plates outdoors, giving her work a sense of fleeting movement. More can be discovered about the artist at the Royal Society of Printmakers website.
Rosamund Jones RE(b.1944)"Pony",signed, titled, and numbered to the margin,artist's proof colour etching,29 x 34cms, framed.Notes:In the warm summer months, Rosamund Jones etches her copper plates outdoors, giving her work a sense of fleeting movement. More can be discovered about the artist at the Royal Society of Printmakers website.
Harold Rigby - ships in a dockyard scene with warehouses to the background, printed by Virtue & Co for The Art Journal, signed in pencil 21.5cm x 29cm in glazed frame; M C Robinson - High St shopping scene, etching published for The Art Journal by Virtue & Co 21.5cm x 30cm in glazed frame; and a signed limited edition print numbered 2/100 in pencil to lower margin 40cm x 26.5cm in glazed frame (3) Location:
Four prints and pictures. Comprising a watercolour by Anne Cherry, depicting a landscape, 27cm x 18cm, a study in pencil of a church, unsigned, 34.5cm x 24.5cm, a contemporary print of a map, 55cm x 42cm and an etching after Judge of St George's Chapel, Windsor, 24cm x 19cm, all framed and glazed
Herbert Thomas Dicksee (British 1862-1942) "The Last Furrow" Signed in pencil in the margin, etching.30cm x 59cm (11.75in x 23.25in)The print is in good, original condition. The paper has browned universally across the sheet and there are some minor spots of foxing and light creases in the margins. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES a full set sealed edition of six medium format giclee prints on Hahnemuhle 350gsm Museum etching paper: 'Train Tracks', 'Woman in Red Lion Pub', 'Man on a Bridge', 'Amangansett', 'Truck' and 'Still Life with Peaches' each signed by the artist,53 from the numbered edition of 295, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet size 91.5cm x 71cm, each work with a signed and numbered certificate of authenticity. (6 housed in the original 'Drawn Blank' portfolio case)Provenance: Purchased from Westover Gallery, 2008.
*TREVOR PRICE (B. 1966) 'Shooting Star' 2017, signed, titled and numbered 14/75 in pencil to the margin, drypoint and etching, the image 24cm x 25cm; together with another limited edition print by the same artist: 'Moonlight Sonata', 2017, signed, titled and numbered 8/75 in pencil to the margin, drypoint and etching, the image 23cm x 25.5cm (2) Provenance: Sarah Wiseman Gallery, South Parade, Oxford
DAVID BIRTWISTLE ( b. 1947) 'Worms' Coloured etching, artist's proof Signed in pencil 16cm x 22.5cm (plate size) Condition Report : good condition Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Henri de Toulouse-Lautrec (French 1864-1901), 'Portrait d’un Homme #1', drypoint etching, 1898, the plate 17x10.5cmProvenance: from the estate of Professor James Griffin, formerly White's Professor of Moral Philosophy at Oxford University and an Emeritus Fellow of Corpus Christi college, Oxford
M*Carder (20th/21st Century)Study of a nude three quarter length stretching Signed, oil on board; together with a Middle Eastern/North African townscape, signed David Rose, dated 1966, a boat in a cove, oil on board, signed A A Rasmussen, still life of flowers,signed Bladen and dated (19)33, indistictly signed and dated (19)83 etching (5)

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