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Lot 290
Theodore Alexandre Steinlen (French, 1853-1923), 'Sketch, two French soldiers', signed and dated 1915 in plate lower left, bears pencil inscription lower right, limited edition lithograph on okra tinted paper, numbered 89/400. H.53.5cm W.38cm. Together with one further aquatint etching on paper by the same hand, signed lower right. H.33cm W.24cm, together with two further prints.
Lot 18
JAMES JOSEPH TISSOT (1836-1902) ""La Dormeuse, 1876"", printed signature within the image, dry point etching, Wentworth 7 (Wentworth gives the edition as being about 100), 4"" x 7.25"" (plate). See illustration Provenance: Christopher Drake Gallery, November 1981. The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).
Lot 19
FELIX BUHOT (1847-1898) ""Le Pont de Westminster, 1884"", signed in pencil and dedicated ""A Louis Morin Pour Te Degouter!"", etching, aquatint and dry point etching, 11"" x 15.75"". See illustration Provenance: Christopher Drake Gallery, June 1983. The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).
Lot 21
JAMES JOSEPH TISSOT (1836-1902) ""Le Journal"" signed and dated 1883 within the image, with red stamp JTC Beraldi 64 Wentworth 73, dry point etching, 14.75"" x 11.25"". See illustration Provenance: Christopher Drake Gallery, March 1980. The collection of the late Siva Swaminathan, (later Brendan Garry Nathan).
Lot 59
PAN YING (b.1962) YUNNAN LADY/ THE THINKER. Ink and colour on paper. Seal of the artist. 66 cm x 43.5 cm The artist portrays a demurely elegant lady dressed in traditional Yunnan costume leaning on the fence, with her chin resting on a clenched fist, gazing down and inward, thinking deeply, as if reflecting on her life experience, triggering the viewer's imagination and curiosity. An ethnic Manchu, Pan Ying graduated from the Art Institute of the People's Liberation Army in 1983, specializing in traditional Chinese painting. She is now on the staff of the Fine Arts Department of the Central University for Nationalities in Beijing. In her most mature works Pan paints with the traditional gongbi technique strips and ribbons of white material arranged in endless monochrome combinations that spiral and intersect on the surface of the painting. Using a traditionally high artistic idiom, therefore, Pan Ying provides a description of practices generally classified as belonging to 'handicrafts' and thus regarded as 'low'. Still the representation of what for centuries was classified as menial is replayed with elegant minimalist effects, reminiscent of drawing and etching, that bestow the coiling movement of the thread with an abstract formal beauty. Pan Ying has participated in many exhibitions both nationally and internationally, including: 'Century-Woman' in Beijing (1998); 'Die Hälfte des Himmels' (Half of the Sky) at the Frauenmuseum in Bonn (1998); and 'On This Side of the Sky: UNESCO Salutes Women' in Art in Paris (2003). Provenance: Directly from the artist herself in the 1990s. Provenance: Directly from the artist himself in the 1990's
Lot 135
Bernard Maurice Quentin (French, b.1923), abstract study in blue and black, signed lower right in pencil, limited edition lithograph, numbered 2/50. H.50cm W.65cm. Together with one other lithograph, signed lower right, numbered 161/300. H.33cm W.50cm and a further monochrome etching, signed lower right, numbered 1/6. H.26cm W.17cm
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71174 item(s)/page