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*Rembrandt (Harmensz van Rijn, 1606-1669). The Death of the Virgin, 1639, a later restrike etching on laid paper, probably 18th or 19th century, a strong well-inked impression, trimmed to image, laid down on card, sheet size 390 x 315 mm (15.3 x 12.4 ins), together with The Bathers, 1651, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont in Paris), trimmed to plate mark, sheet size 109 x 138 mm (4.25 x 5.4 ins), plus Holy Family with the Cat and Snake, 1654, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont, Paris), trimmed to plate mark, sheet size 96 x 146 mm (3.75 x 5.75 ins), together with 8 other etchings by Rembrandt, all later reprints, including Jan Uytenbogaert, The Baptism of the Eunuch, Jesus amongst the Doctors, etc. (11)
*Lumsden (Ernest, 1883-1945). A Toledo Inn, 1923, original etching on laid, signed in ink & pencil to lower margin, 300 x 164mm (11.75 x 6.5ins), limited edition of 50 copies, together with six other original signed etchings, seven black chalk & nine pencil drawings by Lumsden, including portraits, views & scenes, plus an oil on canvas portrait of a gentleman (24)
*Goya (Francisco de, 1746-1828). El famoso Martincho poniendo banderillas al quiebro (The famous Martincho playing the bull with the movement of his body), 1816, etching, drypoint burin and burnished aquatint on laid paper, with partial watermark 'AN', numbered 15 to top right, plate size 257 x 352 mm (9.7 x 13.8 ins), one or two surface marks and light diagonal crease towards left hand side, sheet size 313 x 475 mm (12.3 x 18.7 ins), tab-mounted Delteil 238. Harris 218. (1)
William Henry Vernon, (1820-1909) Mother and child, tent and figures on camels in an extensive desert landscape watercolour and gouache, signed 24 x 19.5 cm together with a watercolour of an Elder and camel a coloured etching after Edgar Pattison 'Return of the Caravan', and a print of a Middle Eastern city (4)
James Abbott McNeil Whistler (1834-1903), The Little Pool, etching dated in plate 1861 and inscribed 'the Works of James Whistler: Etchings and Drypoints are on view at 39 Old Bond Street, E Thomas Publisher', published in the Thames Set, 1871, 10.5cm x 12.5cm, framed Note: examples of this etching are included in the collections of the the National Portrait Gallery, London, the Victoria and Albert Museum, British Museum and other international art galleries.
***Julian Trevelyan RA (British 1910-1988), a mid 20th Century framed and glazed (original untouched frame) Limited Edition (13/50) coloured etching/aquatint "The Palio, Siena" titled in pencil and also signed in pencil lower right, original gallery paper label verso of Eveling & Tress Ltd, London W.1, image size 50cm x 41cm

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78388 item(s)/page