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Lot 4615

NORMAN STEVENS (1937-1988) A framed and glazed limted edition etching with Aquatint - 'Stonehenge'. Pencil signed, dated 1974 and No.6/83. Waddington & Tooth Gallery label verso. 44cm x 46cm plate size

Lot 22

H.R., Champion Konstanz Von Zaandan, etching, 18 x 20cms, framed

Lot 23

Marcel Augis, Basilique d'Albert, Somme 1915, signed etching, 20 x 14cms, framed

Lot 539

South American school (?) - two unframed watercolour paintings depicting figures in a forest scene, 77 by 57cms (30.25 by 22.5ins); together with an etching by Andrew Afflick (3).

Lot 575

Pamela Heway - Moroccan Market Scene - woodblock, signed & dated 1963 in pencil to margin, framed, 46 by 39cms (18 by 15.25ins); together with another painting by Genevieve Gilchrist - Study of Two Girls - etching, signed & dated 1980 in pencil to the margin, framed & glazed, 25 by 32cms (9.75 by 12.5ins) (2).

Lot 273

Leslie Moffat Ward (1888-1978) Snow at Boston, etching, signed and titled in plate, 19cm x 13cm, mounted

Lot 278

Mortimer Menpes (1855-1938), Quiet Canal, Shanghai, etching, signed, 22cm x 24.5cm, framed

Lot 279

Guy Malet (1900-1973), Knaresborough, etching, signed and numbered 7 of 12, 18cm x 15cm

Lot 296

† Howard Hodgkin (1932-2017), Artist and Model, in Green and Yellow, soft ground etching, 1980, signed and numbered 77 of 100, 81cm x 103cm, framed

Lot 334

Americas.- Canada.- Serres (After Dominic) and Richard Short. Part of the Town & Harbour of Halifax in Nova Scotia, Looking down George Street to the opposite Shore called Dartmouth, etching and engraving by James Mason, on laid paper mounted on board support, plate-mark 377 x 530 mm. (14 7/8 x 20 3/4 in), sheet 402 x 545 mm. (15 3/4 x 21 1/2 in), some minor abrasion to sheet, light spotting and surface dirt, unframed, drawn on the Citadel Hill desd. & Pubd. by R. Short Mar. 1, 1764.⁂ This plate is the first issue published by Richard Short himself, not the later second issue by John Boydell in 1777.

Lot 437

Barry (James, 1741-1806) King Lear, etching and engraving, 520 x 565 mm. (20 1/2 x 22 1/4 in), a good but later slightly impression on wove paper with margins, probably published in Barry's Series of Etchings, 1808, framed, 1776 (but later)

Lot 439

Coronation of Queen Victoria.- Fores & Co. (Samuel William, printsellers and publishers) Fores' Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majesty's Coronation, an almost sixty foot long panorama, etching and aquatint with original hand-colouring heightened with gum arabic, approx. 105 x 17200 mm. (4 1/8 x 675 inches), sections joined with linen, split into two parts, folding concertina-style with surface dirt, creases, nicks and tears, with original covers, very worn, lacking spine, oblong 8vo, 1838.

Lot 445

Palmer (Samuel, 1805-1881) The Lonely Tower, etching, an excellent impression of the first published state with the number '16' printed in the lower left corner, signed in pencil in the lower right, on laid japan, platemark 190 x 255 mm. (7 1/2 x 10 in), sheet 227 x 295 mm. (8 7/8 x 11 1/2 in), minor surface dirt, unframed, one of the Twenty-one Etchings by the Etching Club, published by H Blair Ansdell, 1879.⁂ "Or let my lamp at midnight hour,Be seen in some high lonely tow'r,Where I may oft out-watch the Bear[Milton 'Il Penseroso'] Literature: cf. Alexander 12, Lister 12

Lot 469

Alexeïeff (Alexandre).- Soupault (Philippe) Chant du Prince Igor, number 7 of 6 copies on chine with an original signed etching and 3 additional suites of plates (in colours, black and decompositions), from an edition limited to 290, etched plates and illustrations by Alexandre Alexeïeff printed in colours, some spotting, loose as issued in original illustrated wrappers, uncut, glacine wrapper, additional suites on loose in card folders, together in cloth-backed wood-veneer board folder, spine label chipped, slip-case, slightly rubbed, 4to, Rolle, Eynard, 1950.⁂ One of the scarcest of Alexeïeff's books; the original etching is printed in different colours to that in the book.

Lot 108

Collection of prints M. Oliver Rae, "Harrow", etching, 26cm x 20cm, together with two signed limited edition prints by Hugh Casson (1910-1999), largest 30cm x 22cm (3)

Lot 135

Lucian Freud, black and white etching, female nude, 42/50, 10ins x 7ins (D)Condition Report: There is a monogrammed in pencil to the front of the etching. It is in good condition.

Lot 136

Henry Moore, etching, anthropomorphic form in yellow, numbered VIII/XX, (D)

Lot 142

Eberhardt, etching, study of a faun, 12ins x 12ins (D)From the collection of Charles Carter OBE (for services to art) former Director of Aberdeen Art Gallery and Liverpool Art Gallery and thence by family descent

Lot 143

Felix Bracquemond, etching, study of a dead hare, 8ins x 5insFrom the collection of Charles Carter OBE (for services to art) former Director of Aberdeen Art Gallery and Liverpool Art Gallery and thence by family descent

Lot 51

Attributed to Salvador Dali (Spanish, 1904-1989) The Beloved is as Fair as a Company of Horses from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 68/250 Signed in pencil lower rightLANA watermark40 x 24.5cm

Lot 52

Attributed to Salvador Dali (Spanish, 1904-1989) King Solomon, from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 67/250 Signed in pencil lower rightLANA watermark40 x 24.5cm

Lot 53

Attributed to Salvador Dali (Spanish, 1904-1989) Thou Art Fair, from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 74/250 Signed in pencil lower rightLANA watermark40 x 24.5cm

Lot 54

Attributed to Salvador Dali (Spanish, 1904-1989)I Went Down Into the Garden of Nuts to See The Fruits from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 73/250Signed in pencil lower rightLANA watermark40 x 24.5cm

Lot 55

Attributed to Salvador Dali (Spanish, 1904-1989) The Beloved Feeds Among the Lilies, from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 99/250 Signed in pencil lower rightLANA watermark40 x 24.5cm

Lot 56

Attributed to Salvador Dali (Spanish, 1904-1989)The Voice of My Beloved from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 93/250Signed in pencil lower rightLANA watermark

Lot 57

Attributed to Salvador Dali (Spanish, 1904-1989) The Shepherd, from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 72/250 Signed in pencil lower rightLANA watermark40 x 24.5cm

Lot 58

Attributed to Salvador Dali (Spanish, 1904-1989) Return, O Shulamite, from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 95/250 Signed in pencil lower rightLANA watermark40 x 24.5cm

Lot 59

Attributed to Salvador Dali (Spanish, 1904-1989)Let Him Kiss Me from Song of Songs of Solomon, 1971Drypoint etching in colours with gold dust, limited edition numbered in pencil lower left 73/250Signed in pencil lower rightLANA watermark

Lot 67

After Jacques Callot (French, 1592-1635)Village Gathering with Man on Horseback Etching Inscribed on backing paper 6.3 x 8.5cm Together with a number of prints from Capricci di varie figure di Iacopo Callot - The Florence set, several depicting 17th century Italian costume and group subjects (19)

Lot 93

Fred Bromley after D. Maclise R.A.Caxton Shewing the First Specimen of His Printing to King Edward the FourthPrintPublished in London 185868 x 101cmTogether with Lloyd's and its Members 1925, a print published by H.J Whitlock & Sons, Conference of Engineers at the Menai Straits, an engraving by James Scott after John Lucas, Marriage by Registrar, an etching by W.H. Boucher after Dendy Sadler and further 19th century prints - mainly group portraits and horses, all of generous dimensions (8)

Lot 15

FREDERICK LANDSEER GRIGGS (1876-1938) 'Laneham', etching, pencil signed in the margin, 12.5 x 11.5cm; two further works by the same hand (one unframed); and a print after Samuel Palmer but inscribed by F.L.Griggs and dated 'Christmas 1928' (4)

Lot 16

SAMUEL PALMER (1805-1881) 'The Willow', etching, 12 x 8cm; and after Samuel Palmer - 'A Church Among Trees, A Ganymede Facsimile', 15 x 18cm (2)

Lot 19

WILLIAM HOLMAN HUNT (1827-1910) The abundance of Egypt, etching, 14.5 x 11.5cm; another - The desolation of Egypt (plate 21 from etchings for the Art Union), 4 x 10.5cm; and an etching after J.E. Millais, all unframed (3)

Lot 21

AFTER REMBRANDT 'Jan Uytenbogaert, Armenian Preacher', etching, 24 x 19cm; and three Old Master engravings to include: portrait of Rubens after Van Dyck; classical maidens with cupids; and a Dutch landscape (4)

Lot 29

DAVID KOSTER (b. 1926) 'Firetails', etching in colours, pencil signed in the margin, titled and numbered 15/150, 29.5 x 22cm; and one further by the same hand - 'Green Finches', pencil signed in the margin, titled and numbered 33/150, 29 x 22cm (2)

Lot 30

ROWLAND LANGMAID (1897-1956) 'Tower Bridge', etching, pencil signed in the margin and titled, 14 x 21cm

Lot 33

SYDNEY MACKENZIE LITTEN (1887-1934) Interior with Windsor chair, etching, pencil signed in the margin, 32.5 x 40cm

Lot 38

PAUL JEFFAY (1898-1957) Dock Side, Paris, etching, pencil signed in the margin and inscribed, artist's proof, 40 x 49cm

Lot 43

JOYCE HARGREAVES (20TH CENTURY) 'Children and Carousel Night', artist's proof, etching with aquatint in colours, pencil signed in the margin, titled and dated May '70, 31 x 42cm

Lot 45

EDWARD BOUVERIE HOYTON (1900-1988) 'Squall off Maen-a-Vaar, Isles of Scilly', etching in colours, pencil signed in the margin and titled, 24.5 x 29cm

Lot 47

GEORGE HUNT AFTER LT JOSEPH MOORE 'Scene upon the Eastern Road from Rangoon looking towards the South', Plate 13 from 'Rangoon views and Combined Operations in the Birman Empire', etching with aquatint, hand-coloured, published by Kingsbury & Co, 27 x 37cm

Lot 49

MICHAEL CARLO (b. 1945) Haymaking at Wivenhoe Park, etching in colours, pencil signed, dated '89, titled and numbered 22/50 in the margin, 20 x 27cm; further various prints and engravings to include: two French engravings; four Manchester subjects; 'Dr Johnson in the Ante-Room of Lord Chesterfield', 'Wolsey's Gate'; a map of Colchester; and a print after Karl Spitzweg - 'The Bookworm' (11)

Lot 53

WALTER W. BURGESS (1856-1908) 'In Academia Oxoniae Prospectus', etching, pencil signed in the margin, 44 x 68cm

Lot 56

ATTRIBUTED TO WILLIAM LIONEL WYLLIE (1851-1931) The Thames looking towards Tower Bridge, etching, inscribed in pencil 'W.L. Wyllie' to margin, 29.5 x 19cm

Lot 65

W.H. TOMS AFTER JAMES MACE 'The West View of Gibraltar from a bay', etching, pub. c.1775 by J Boydell, 29 x 93cm

Lot 73

GIOVANNI BATTISTA PIRANESI 'Altra Veduta del Tempio della Sibilla in Tivoli', etching, 45 x 68cm

Lot 75

WATANABE A street with buildings, etching, pencil signed in the margin and numbered 28/100, 23.5 x 17cm; another similar but numbered 26/100; Bernard Kohn (1905-1989) - 'Gothic', woodcut in colours, pencil signed in the margin, titled, dated 1971 and numbered 3/10, also inscribed, 18 x 12cm; and one further etching (4)

Lot 77

AFTER REMBRANT The Flute Player, etching, 11.5 x 14cm

Lot 8

AFTER LOUIS WAIN 'Blind Man's Buff', sepia print, 37 x 82cm; and three etchings or engravings to include: 'Unfix Bayonet' and 'Fix Bayonets' after Rowlandson and an etching in the manner of Rembrandt (4)

Lot 420

** Abeliy (20th century), Lady in white, colour etching, signed, 59cm x 43.5cm.; together with two further works by the same hand.(3)

Lot 423

Annapia Antononi (Swiss, b.1942), La Marxchande de Fleurs, colour etching, signed, 81/175, 39cm x 49cm.; together with seven further works by the same hand.(8)

Lot 424

Marie Arbaratez (French b.1942), l'Exploration de sa Maman, colour etching, sgned, 24/100, 45.5cm x 58cm.; together with three further copies of the same subject.(4)

Lot 432

Eugene Bejot (French, 1867-1931), L'Ile Lacroix, Rouen, etching, fourth (final) state, signed, 15.5cm x 24.5cm.

Lot 484

Marc Chagall (French, 1887-1985) Mouse in Doorway etching 28cm x 22cm; together with a further lithograph buy the same hand. (2)

Lot 485

Marc Chagall (French, 1887-1985) Amoureux au soleil colour etching with aquatint, 30cm x 23.5cm

Lot 488

Christine Chagnoux (French 20th Century) Chat et Chien sur coussin, colour etching signed, 72/250 10cm x 13.5cm; together with three further works by the same hand. (4)

Lot 492

Salvador Dali (Spanish, 1904-1989), Untitled, colour etching, signed, 40cm x 26.5cm.; together with three further colour etchings by the same hand.(4) DDS

Lot 493

Salvador Dali (Spanish, 1904-1989), 'Much ado about Shakespeare: 'Troilius & Cressida', drypoint etching, indistinctly inscribed 17.5cm x 12.5cm. DDS

Lot 494

Salvador Dali (Spanish, 1904-1989), Toison d'Or, coloured etching, signed, 208/300, 39.5cm x 31.5cm.; together with Judgement of Paris by the same hand.(2) DDS

Lot 495

Salvador Dali (Spanish, 1904-1989), Chariot de Vents, etching with hand colouring, signed, 36cm x 50cm. DDS

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