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Lot 1080
An oil lamp with barleytwist type brass column and Corinthian capital to circular base, peach reservoir with enamel detail and peach glass shade with etched floral decoration and clear glass chimney, height to shade rim approx 67cm. CONDITION REPORT: Very minor nibbles to shade interior rim, small chips and nibbles to shade base, some loss and rubbing to enamel decoration and visible manufacturing imperfections, some rubbing to etching on shade and manufacturing imperfections, general surface wear commensurate with age, use and display.
Lot 1082
An oil lamp with brass Corinthian column to circular base, green foliate decorated reservoir, duplex burner and green glass globular shade with etched detail and clear glass chimney, height to shade rim approx 73.5cm. CONDITION REPORT: Abrasions and uneven finish to shade rim, minor nibbles to shade base, rubbing to enamel and gilt decoration of reservoir, visible manufacturing imperfections, otherwise ok. Some rubbing and manufacturing imperfections to etching on shade, general surface wear commensurate with age, use and display. The font does not screw off, it is unclear whether this is because of design or owing to a seizing in the brass.
Lot 337
JAMES PRIDDY (BRITISH 1916-1980) 'NANT FFRANCON', an aquatint etching of a Welsh scenic view, signed and titled in pencil, with artist proof blind stamp, mounted, framed and glazed, approximate size 37cm x 26cm, together with an untitled aquatint by Reginald Green of a view across a lake to a ruined castle (2)
Lot 349
UNATTRIBUTED (TWENTIETH CENTURY) OIL PAINTING ON CANVAS Rural landscape with cottage in the distance Unsigned 12" x 21" (30.5cm x 53.3cm) S.L. (NINETEENTH CENTURY) OIL PAINTING ON CANVAS LAID DOWN ON BOARD Figures on a country path in a wooded landscape Initialled and dated (19)97 11 ¾" x 15 ¾" (29.8cm x 40cm) UNATTRIBUTED (TWENTIETH CENTURY) COLOUR PASTELS Stylised rearing horse Unsigned 17 ½" x 6 ½" (44.5cm x 16.5cm) ATTRIBUTED TO F.C. TOTTIE (NINETEENTH CENTURY) PENCIL DRAWING 'Prestwich, Lancashire from Bent Hill', view of a church spire in wooded landscape Unsigned, attributed and titled to 'Somerset & Wood, Fine Art Company' label 4 ½" x 6 ¼" (11.4cm x 15.9cm) MARGARET M. RUDGE ARTIST SIGNED ETCHING Farmyard Signed and inscribed, 'Thelma- with affection, Nov '41-July '43 7" x 9 ¾" (17.8cm x 24.8cm) NEIL ROLAND THREE BLACK AND WHITE PHOTOGRAPHIC PRINTS 'The Three Graces', male nudes Signed and titled 10 ¾" x 6 ½" (27.3cm x 16.5cm), mounted and framed as one, (6)
Lot 399
F. Honicke, oil on board, LMS locomotive 'The Kolnapur', signed, 19 x 29.5in., unframed, English School after Beardsley, pen and ink, interior with nude, 27 x 21in., Christopher Saxton and William Kip, coloured engraving, map of Northamptoniae, 12.5 x 14.5in. and Frederick Halpern, etching with aquatint, coastal scene, Colombo from Mount Lavinia, signed 21/25, 8 x 10in.
Lot 570
A group of local prints comprising after J. M. W. Turner RA (1775-1851): St Martins 1830 printed on silk, 17 by 22cm, glazed and framed 28 by 33cm, a limited edition print of the 'Mid Lent Fair, Broad Street', by Karen Neale, number 12 of 99, 19 by 43cm, a limited edition print entitled 'Street Elevations of Stamford, No 12, St George's Square South', number 114 of 500, 14 by 40cm, glazed and framed 27 by 54cm and an etching of Duddington Mill, 19 by 25cm, glazed and framed 38 by 43cm. (4)
Lot 553
A late 19th century Austrian cup, the metalwork filled with enamel and gilded sections, the rock crystal bowl and base with floral etching, the central figural column in the form of three herons, h. 14 cm CONDITION REPORT: Some chips and breaks to glass, some losses to enamelling. Significant cracks please see further image(s)
Lot 2
NO RESERVE δ Norman Ackroyd (b.1938) Malignant TopographyEtching with aquatint in colours, 1962, signed, dated and titled in pencil, a proof aside from the edition of 20, with margins, plate 660 x 375mm (26 x 14 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 26
δ Salvador Dalí (1904-1989)Martian Dali Equipped with a Holo-Electronic Double Microscope,the Conquest of the Cosmos (M&L644; Field 74-12C)Etching with drypoint and lithograph printed in colours, 1974, signed and numbered from the edition of 195 in pencil, on Arches paper, with full margins, plate 750 x 555 mm (29 1/2 x 21 3/4 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 28
δ Salvador Dali (1904-1989)The Golden Helmet of Mandrino (Field 80-1.F)Etching with aquatint printed in colours, 1981, signed and numbered from the edition of 150 in pencil, on japon nacre paper, as included in the portfolio Historia de Don Quichotte de la Mancha, with full margins, 400 x 445mm (15 ¾ x 17 ½ in) (unframed)This lot has been authenticated by Albert Field on the reverse.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 48
δ David Hockney (b.1937)A Moving Still Life (from The Blue Guitar) (M.C.A. Tokyo 195)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 462 x 525mm (18 1/8 x 20 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 49
δ David Hockney (b.1937)On it May Stay His Eye (from The Blue Guitar) (M.C.A. Tokyo 194)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 456 x 525mm (20 5/8 x 18in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 50
δ David Hockney (b.1937)The Old Guitarist (from The Blue Guitar) (M.C.A. Tokyo 179)Etching with aquatint, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 77
δ Howard Hodgkin (b.1932)Artist and Model (Heenk 60)Soft-ground etching with extensive hand-colouring in watercolour, 1980, initialled and dated in pencil, numbered from the edition of 100, on wove paper, published by Petersburg Press, London, the full sheet printed to the edges, sheet 813 x 1029mm (32 x 40 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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78391 item(s)/page