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Lot 417
19TH CENTURY ENGLISH SCHOOL "Portrait study of a young woman wearing a hat", head and shoulders, watercolour, unsigned, together with two Pears prints "Bubbles" and "Impertinent Hussies", AFTER JOHN M. AIKEN "Coastal maritime scene with lighthouse" limited edition black and white etching No`d 29/50, signed in pencil in margin, a modern print, and a Continental pottery plaque depicting two lovers
Lot 533
Charles Adam Platt 1861-1933- Rowing boats moored amongst the marshes; drypoint etching, 24x44cm: George Baxter 1804-1867- "Lake Lucerne, Switzerland"; Baxter print in colours, 27x38cm: J P Donne, late 19th century- "Why then the world`s mine oyster, which I with sword will open"; etching, 33x23.3cm: together with a small quantity of 19th century and later etchings etchings and engravings, (unframed) (a lot)
Lot 578
Frans de Neve 1606-1681- Man resting in the woodlands with his dog, publ in Rome by Giovanni Giacomo de Rossi, 19x25.8cm: James Bretherton c.1750-c.1790- "Fought all his battles o`er again and thrice he slew the slain", after Mr Bunbury, publ. 1 Jan 1782; engraving, 27.8x25.2cm: William Hogarth 1697-1764- "The South Sea Scheme"; engraving, 26x33.2cm: Luke Sullivan 1705-1771- "And as he reasoned of righteousness, temperance and judgment to come, Felix trembled", after William Hogarth; engraving, 41.5x50.7cm: William I Ward 1766-1826- "A Visit to the Child at Nurse", after George Morland, publ J R Smith; mezzotint in colours, 40x49cm: Thomas Cook 1744-1818- "Hudibras encounters the Skimmington", after William Hogarth, publ G I Robinson, February 1st 1802; engraving, 29.2x51.4cm: together with a quantity of 18th & 19th century and later etching, engravings and prints, by and after various hands, (a lot) (unframed)
Lot 621
Inge Clayton, Austrian/British 1942-2010- "Angel Pavement"; etching printed in colours, signed, titled and numbered 14/39 in pencil, 25.5x25.5cm: together with two other hand-coloured etchings by the same hand, titled "Rogues and Sinners", signed, titled and numbered 30/35 and "Swinging Low Street", signed, titled and numbered 10/36 in pencil, 28x20.5 and 20x15xcm., (3) (unframed)
Lot 627
* Piers Browne, British b.1942- "October in Walden - off Wensleydale"; etching and aquatint printed in colours with hand colouring, signed, titled and numbered 55/75 in pencil, 45x68cm: together with a further example by the same hand entitled "Spring evening: Beech at Laithkirk, Co. Durham", signed, titled and inscribed A/P, (2) (may be subject to Droit de Suite) Provenance: Paintings In Hospitals, London, cat. no 8160 and 9640
Lot 638
* Marius Alexander J Bauer 1867-1932- Large processional scene, possibly Cairo; drypoint etching, signed and inscribed `no.63` in pencil, 58x69cm: Andrew Fairbairn Affleck 1874/5-1935/6- "Hotel de Ville, Bruges"; etching, signed and titled in pencil, 44.5x55.5cm: together with three further etchings by the same hand: Axel Herman Haig 1835-1921- Cathedral interior with choir boys; etching, monogram and dated 1908 within the plate, signed in pencil, 60x40cm: Charles Henry Baskett 1872-1953- "The Dawn Wind"; aquatint, signed and titled in pencil, 34.5x51.5cm: Sydney Lee 1866-1949- Continental market scene; woodcut, signed in pencil, 37x47cm: together with a further copy of the same print, (9) (unframed)
Lot 257
An engraving by P. Williamson, 1662 of the Right Honourable Mildmay, Earl of Westmoreland, Baron de le Despencer, and Knight of Bath, etc, 26 by 20cm; a print Henry Fane of Fulbeck, 1739-1802, after the portrait by Sir Joshua Reynolds, with information verso reading `The original of this picture is probably Sir J.Reynolds` study for his portrait group of Henry Fane, C. Blair, and Jamigo James (?) painted in 1761 when Henry Fane was aged 22. The original was at Fulbeck till 1887 when it was bought by Lily and Blanch Fane of 23 Charles St. London for £52.10`, in a Hogath Frame, 45 by 34cm; and an etching of Sir Anthony Mildmay, published 1799 by Harding, 28 by 19cm. (3)
Lot 377
1833 Walter Geikie etchings: Illustrative of Scottish character and scenery with biographical introduction by Sir Thomas Dick Lauder 1st Edition 86 plates (some with more than one etching), bound from the original parts, 19th century morocco, a.e.g. rubbed, some stains and margins of some plates repaired, lacking the introduction by Lauder
Lot 383
Menpes (Mortimer) Whistler as I Knew Him number 464 of 500 de luxe copies signed by the author and with an original etching by Whistler plates some colour captioned tissue guards hinges weak original cloth t.e.g. others uncut spine browned a little soiled spine ends a little worn A. C. Black 1904; and another the first trade edition of the same 4to (2)(2)
Lot 451
Schoonebeek (Adriaen 1658-1714) Petr pervyi Imperator prisno pritavitel. Tsar i samoderzhets vserossiyskiy [Peter the First Tsar of all Russia] title in Cyrillic etching 280 x 177mm. 11 x 7in. a very good impression with margins light horizontal crease across centre c.1710. *** During his visit to Holland in 1697 Peter I was taught etching by Schoonebeek and invited him to Russia. This rare portrait with a naval battle in the background includes the Tsar`s black attendant and godson Abram Petrovich Gannibal.
Lot 671
Manetti (Saverio) Merlo in gran parte bianco an albino blackbird hand-coloured engraving with etching 345 x 275mm (13 1/2 x 10 3/4 in); with 2 hand-coloured Gould lithographs with trimmed margins of a Buff-breasted Tringa and a Long tailed duck with a Blue-Winged Shoveler by Mark Catesby and 2 others from a different series v.s. all unframed (6)
Lot 672
Mazell (Peter) The Male Sparrow Hawk etching with original hand-colouring after Paillou 340 x 295mm (13 1/4 x 11 3/4 in); with 3 other hand-coloured etchings from the same series including The Garganey The Scoter and The Crested Duck and The Eider Duck; with an etching by Haid of The Eider Duck all unframed (5) Condition report: Wide margins slight browning and spotting with a few marginal tears into the sheets.
Lot 27
John William Edy after Robert Clevely, The Defeat of the Dutch fleet under the Command of Admiral de Winter by a British Squadron, handcoloured aquatint with etching, published 1798 by John Harris, London 54 x 74cm (visible); together with HMS Fairy and Harpy After W Anderson, 48 x 67cm (visible) (somewhat stained) (2)
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71174 item(s)/page