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Lot 1084A

W L Wyllie - dry point etching of a Thames scene, signed in pencil 17 x 11in. (43 x 28cm)

Lot 263

Etching, Brussels street scene with Cathedral spire, indistinctly signed in pencil, 39 x 23cm.

Lot 265

Rowland Langmaid, etching, view of St Paul`s Cathedral and Blackfriars Bridge, London, signed in pencil, 17 x 22cm, and a watercolour of sailing vessels in circular frame, 12cm.

Lot 55

After the School of Rembrandt van Rijn - Portrait of a Native North American wearing a Feather Headdress and holding a Quiver with Arrows, late 17th/early 18th Century monochrome etching, approx 9.9cm x 7.4cm.

Lot 79

William Lionel Wyllie - The High Level Bridge viewed from the Tyne, Newcastle, monochrome etching, signed in pencil, approx 24cm x 40cm, within an ebonized frame.

Lot 80

William Lionel Wyllie - `Southwark Bridge`, monochrome etching with aquatint, signed in pencil recto, titled label verso, approx 18cm x 38cm, within an ebonized frame.

Lot 81

William Lionel Wyllie - `London Bridge`, monochrome etching, signed in pencil recto, titled to remnants of label verso, approx 14.5cm x 34.5cm, within an ebonized frame.

Lot 117

William Lionel Wyllie - View across the River Thomas towards the Houses of Parliament, early 20th Century monochrome etching, signed in pencil, approx 24cm x 36.5cm, within an ebonized frame.

Lot 118

William Lionel Wyllie - H.M.S. Victory at Portsmouth, early 20th Century monochrome etching, signed in pencil, approx 36.5cm x 26cm, within an ebonized frame.

Lot 119

William Lionel Wyllie - Fishing Luggers in Harbour, early 20th Century monochrome etching, signed in pencil recto, titled verso, approx 22cm x 42cm, within an ebonized frame.

Lot 440

Roberto Matta (1911-2002), Figurative composition, etching with aquatint, signed and numbered 57/95, 57cm x 38.5cm.DDS

Lot 151

An etching of Madaline College, Oxford by R.B.E. Woodhouse, together with another coloured print of Christchurch from the meadows

Lot 631

After John Crome (1768-1821). Bixley, soft ground etching.

Lot 115

A small 19th century etching of a hare, and five prints of dogs

Lot 466

Billy Childish,a hand coloured etching from an edition of 100 produced for the ICA, London titled "And His Hat Rolled Clean Way"depicting a man in a black coat tumbling over in the snow his hat some distance in front of him,hand "signed" with his gallows mark and numbered

Lot 697

A naval dirk, c 1805, tapering ovoid section blade 7½”, with traces of blued and gilt etching, flat figure of eight crossguard with embossed stylized shell pattern to top, ivory baluster grip with swollen octagonal centre section, rosette pommel. Basically GC, the hilt retaining some original gilt (grip cracked). Plate 5

Lot 719

An 1827 pattern rifle officer’s sword d 1864, slightly curved blade 32½” engraved “10th GRV 9th June 1864, WWN” at forte and etched with crowned VR cypher and strung bugle in scrolled panels, regulation steel hilt incorporating crowned strung bugle, stepped pommel, plain backstrap, wirebound fishskin grip, in its steel scabbard with 2 rings. Basically GC (some wear overall, blade sharpened removing some etching, dark rust patina to hilt and scabbard) Note: The sword of William W Nell, Ensign, 10th (Cardiff) Glamorgan Rifle Vols

Lot 629

William Walcot RBA RE, British 1874-1943- "The Roman Games at the Stadium of Domitian"; drypoint etching, signed in pencil, 34.5x55cm: together with five other etchings by the same artist, titled "The Forum of Minerva", signed in pencil, 24x29cm: "Eros", signed in pencil, 13x20cm: "Anthony`s Palace, Alexandria", signed in pencil, 17x28cm: "Villa Quintilii, Rome", signed in pencil, 18x25.5cm: Bank of England, signed in pencil, 17.5x27cm: Westminster, signed in pencil, 16x30cm, (6), (may be subject to Droit de Suite)

Lot 642

Robert Walker MacBeth RA, Scottish 1848-1910- "The Bathers", after Frederick Walker, publ September 1st 1888 by Thos Agnew & Sons London, Liverpool & Manchester; etching in sepia, signed in pencil, bears publisher`s blindstamp, in a mahogany moulding frame, bears label for E Grindley & Palmer, Printsellers & Publishers, 73 & 75 Church Street, Liverpool attached to the reverse, 46.5x100.1cm Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Lot 651

Jean Étienne Liotard, French 1702-1789- "Profil de l`Imperatrice Reine"; mezzotint, 14x12cm: W Nelson, British, early-mid 19th century- "Portrait of an Arabian Horse", after M T Ward, publ W Day 17, Gate Street; lithograph, 39x50.5cm: Jacob Demus, Austrian b.1959- View of Landscape with Trees; drypoint etching, signed, dated 1984 and inscribed 9/25 in pencil, 9.5x14.5cm: A Design for Lyon Silk Manufacture, late 19th/early 20th century, gouache, 31x26cm: Philibert-Louis Debucourt, French 1755-1832- "Pauvre Annette", publ a Paris chez Depeville, Rue St Denis pres celle aux Ours; stipple engraving printed in colours, 31x23cm: After Giovanni Battista Piranesi, Italian 1720-1778- Illmo e Rmo Sig Sig Prone Colmo Roma 20 Luglui 1748 Umiliss Divotiss Obbligatiss Servidore Giambattista Piranesi Architetto; etching, 23.5x35cm., (6) (may be subject to Droit de Suite)

Lot 658

Charles Maresco Pearce NEA LG, British 1874-1964 exh 1902-1939- Old houses in Paris; etching on blue/grey coloured paper, signed in pencil, 42x26cm: Sir Henry Rushbury NEA RA RE RWS, British 1889-1968- Fishermen`s cottages; etching with drypoint, signed and dated 1916 within the plate, signed in pencil, 19x39cm., (2) (may be subject to Droit de Suite)

Lot 736

Swoon, American b.1978- "Argentina"; etching with screenprinting in colours, signed and numbered 33/95 in pencil, 54x53cm

Lot 803

James Gillray, British 1757-1815- "Push Pin", publ. April 17th 1797 by H Humphrey, 27 St James`s Street; hand coloured etching, 25.7x33.5cm: together with a further seven hand coloured etchings by and after the same artist including, "All Bond Street Trembled as he Strode", "William Pitt, The Bottomless-Pitt", "Very Slippery Weather", "Le Tresorier", "Elements of Skateing", "Venus Attired by the Graces", "Easing the Tooth-ach", (8), (part unframed)

Lot 843

Ana Maria Pacheco, Brazilian b.1943- Hanging Legs in Stockings and Boots; drypoint etching, signed, titled, and inscribed 2/10 in pencil, 17.3x16cm: Ana Maria Pacheco, Brazilian b.1943- Three Female Nudes in Stockings; drypoint etching, signed, titled and inscribed 2/10 in pencil, 17x16.3cm, (2)

Lot 886

John Brunsdon ARCA, British b.1933- "St Mark`s Basilica and Clock Tower"; etching with aquatint printed in colours, signed, titled and numbered 61/150 in pencil, 45x60cm, (may be subject to Droit de Suite), (unframed)

Lot 888

John Brunsdon ARCA, British b.1933- "Charmouth Beach": etching with aquatint printed in colours, signed, titled and inscribed 2/150 in pencil, 50x39.5cm: together with five further etchings with aquatints printed in colours by the same hand entitled "Robin Hood`s Bay from the North", "Zephyr", "Boggle Hole", "Summer Grey" and "Pebble Bank: Salthouse", each signed titled and inscribed in pencil, various sizes, (6), (may be subject to Droit de Suite), (unframed)

Lot 889

Norman Stevens RA, British, 1937-1988- "Repaired Stone and Earthwork, Avebury Stone Circle"; etching printed in colours, signed, titled, dated `78 and inscribed 3/100 in pencil, 49x54cm: together with two further etchings and two screenprints by the same hand entitled "China Wall", "Palenque", "Bridge, Lowick House" and "Black Walnut Tree, Kew Gardens, -21st of October 1987", each signed, titled, dated and inscribed in pencil, various sizes, (5), (may be subject to Droit de Suite), (unframed)

Lot 1166

I. Lewis, early 20th Century watercolour, Shelley's Cottage, Lynmouth, signed, gilt framed, 14ins x 20ins , Henry Rayner, artist signed proof etching, bullock team, gilt framed, an antique French coloured engraving of a bird of prey, together with two monochrome lithographs after Chris Sinclair and Branden Cox

Lot 1210

Herbert Dicksee, Limited Edition etching entitled 'The Old Hound', signed in pencil, bearing label verso, housed in a mahogany frame with gilt slip

Lot 1218

W.L. Wyllie published etching, extensive shipping scene (Victoria Victrix 1901), 23ins x 16ins

Lot 1219

Fred A. Farrell, signed drypoint etching, rowing team on the Thames, 14ins x 9ins

Lot 1223

Roland Batchelor, signed etching 'Evening in Amboise', R.I. exhibition, label verso

Lot 1292

W.L. Wyllie, artist signed etching, 'View in the Pool of London', 8ins x 16ins, oak framed

Lot 1293

W.L. Wyllie, artist signed etching, the river Thames with the Palace of Westminster in the background, 8.75ins x 13.75ins, oak framed

Lot 1294

W.L. Wyllie, artist signed etching, the river Thames with Tower Bridge in the background, 7.75ins x 9.75ins, oak framed

Lot 1295

A.J. Meyer, artist signed etching, courtyard in Normandy together with Hester engravings, of Dulwich College and Dulwich Chapel

Lot 1310

John Taylor Arms, etching of a Continental town through a stone arch, signed in pencil, dated 1926, 10ins x 14ins, together with a coloured print, a match at Hambledon 1777

Lot 1382

David Gentleman Limited Edition print of 'The Seven Sisters', No. 53 of 350, signed in pencil, together with an etching of St. Botolphs Church, Boston, gilt framed watercolour (a/f) and a print of the port of Boston

Lot 133

K Vernon/The Wind on the Heath/etching, 15cm x 20cm (6" x 7.75"); after Lionel Edwards/The Devon and Somerset (Looking towards Dunkery)/print, 27cm x 38cm (10.5" x 15") and Dubourg/Arrival at Brandenburg House of the Watermen, 1820/proof impression Condition Report: The Edwards print is in good condition

Lot 6306

Felix Hilaire Buhot, "La Ronde De Nuit, " 1878, etchingFelix Hilaire Buhot (French, 1847-1898), "La Ronde De Nuit," 1878, etching, pencil signed and bears artist`s stamp lower right, bears Arthur Harlow, Rare Etchings, New York label verso, plate: 5.125"h x 5.5"w, overall (with frame): 13.75"h x 14.25"wStarting Price: $500

Lot 6307

Felix Hilaire Buhot, "Une Matinee d`Hiver au quai de l`Hotel Dieu," etching,Felix Hilaire Buhot (French, 1847-1898), "Une Matinee d`Hiver au quai de l`Hotel Dieu," etching, signed within the plate lower left, publication line within lower margin, image: 8.5"h x 12.25"w, overall (with frame): 16.5"h x 20.5"wStarting Price: $150

Lot 262

Ralph Parker, Signed Black and White Etching "Tynemouth", signed in pencil and numbered 16/70, in black frame, 35cm x 30cm

Lot 268

Christopher Penny, Signed Black and White Etching "Couple 1", signed in pencil and numbered 32/75 in silvered frame, 45.5cm x 39.5cm

Lot 287

Sydney E. Wilson, Circular Coloured Etching depicting 2 children, signed in pencil, in white and gilt frame, 45cm x 43cm

Lot 444

Aberdonie, colour engraving, and Ben Lomond from Ardlui, by J.F. King, pencil signed etching. (2)

Lot 897

Alfred Parker: a pencil signed etching, "The Edge of the Wood", and other assorted framed coloured engravings and prints, etc

Lot 740

Phil Greenwood [20th century] - Border Country - aquatint etching with colours, signed, inscribed, dated `80 and numbered 79/350 in pencil in the margin, images size 32 x 47cm, together with an oil still life of flowers. [2]

Lot 693

Leonard Russell Squirrell (1893-1979) - Early spring in Suffolk, etching, signed in pencil to the margin, 18 x 25cm, sold with Ipswich Art Club Catalogue 1978 (2)

Lot 694

Leonard Russell Squirrell (1893-1979) - Bamburgh Castle, etching, signed in pencil to the margin, 19 x 33cm

Lot 705

Bernard Townend - Ipswich Docks, etching, signed in pencil to the margin, 20 x 22.5cm

Lot 2070

JULES PASCIN [FRENCH 1885-1930], PENCIL DRAWING STUDY, C. 1929, 9 1/4" X 11", "FEMMES ET ENFANT": Study for an etching; signed lower right; framed. Martin Summers Graphics, NYC label.

Lot 2078

JAMES ENSOR, ETCHING, 1887, 9 1/4" X 7" PLATE: "Iston, Pouffamatus, Cracozie et Transmouf célèbres médecins persans examinant les selles du Roi Darius après la bataille d`Arbelles"; pencil signed, dated and titled; framed.

Lot 2079

JAMES ENSOR [BELGIAN 1860-1949], ETCHING, 1888, 3 5-8" X 2 3/8", "LA MIMERE": Pencil signed and dated; 5 3/4" x 4 1/2" paper; framed.

Lot 2243

FRANCISCO GOYA [1746-1828], ETCHING & AQUATINT, DATE UNKNOWN, 8 1/4" X 5 3/4" PLATE, "CORRECCION": From 1st edition of the "Caprechios", plate 46. Probably posthumous.

Lot 2244

FRANCISCO GOYA, ETCHING & AQUATINT, DATE UNKNOWN, C. 8 1/2" X 6" PLATE, "SUBIO Y BAJAR": Plate 56 from "Caprechios", experimental proof before the 1st edition; could be posthumous.

Lot 463

A Dolphe Appian etching - Chemin De L`Etang De Frenon and one other

Lot 611

Sir Frank William Brangwyn RA, RWS, PRBA, RE, HRSA (1867-1956) ``Barges in Bruges`` Signed artist`s proof, black and white etching, 35cm by 38cm (pl) Good satisfactory condition and may not be laid down as looks a little wavy in places. Reasonably good plate mark. Contained within a double plain acid free card mount and plain outer gilt frame under glass 070313

Lot 612

Sir Frank William Brangwyn RA, RWS, PRBA, RE, HRSA (1867-1956) Fortified Continental town Signed artist`s proof, black and white etching, 30.5cm by 38.5cm (pl) Appears to be in reasonably satisfactory condition with the exception of one or two light fox marks in the margins, most of the black and brown dots within the images are from the plate itself within a rather crudely cut washline cream card mount with a further outer plain mount under glass, the underside of the glass is rather dirty in places and the frame is slightly split in the corners and the veneer is cracked in several places (220113)

Lot 613

William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931) ``Children Playing with Pond Yachts - Scarborough`` Signed artist`s proof, inscribed Scarborough, black and white drypoint etching, 12.5cm by 38cm (pl) Appears to be in excellent state of preservation, good plate mark, appears to be no damages, contained within a double plain cream mount and plain outer gilt frame under glass (240113)

Lot 615

William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931) ``Steamships off the Gibraltar`` Signed artist`s proof, black and white drypoint etching, 16.5cm by 37.5cm (pl) Provenance: W.R. Howell & Co, Albert Square, Manchester Appears to be in good satisfactory condition with a reasonably good plate mark, it does not appear to be laid down and not visible damages or scratches. Contained within a fairly contemporary outer cream acid free mount and plain outer gilt frame, within the mount there are signs that the original mount does exist (230113)

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