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Lot 40
Rudolph Stu*** (19th century) A FARM BOY WITH HORSE AND CART initialed on the plate, signed in pencil etching 16 x 12cms; 6 1/4 x 4 3/4in. (plate size); Early 20th Century British School LANDSCAPE WITH TREES AND A LAKE etching 16.5 x 23cms; 6 1/2 x 9in. (plate size); and Late 19th Century Continental School GOING TO MARKET etching 16.5 x 23cms; 6 1/2 x 9in. (plate size). (3)
Lot 852
PIERRE-AUGUSTE RENOIR (1841-1919) French Le Chapeau Epingle (La Fille de Berthe Morisot et sa Cousine) Final state first edition etching, circa 1894, signed within the plate Published by Dentu, Paris on laid paper The plate 8.5 x 12 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some staining to paper, some foxing, cellotape shadow to paper.
Lot 855
JOHN BOWLES (1701-1779) British, After GIOVANNI ANTONIO CANAL, known as CANALETTO (1697-1768) Italian A View of Northumberland House, Charing Cross & C. Etching laid on canvas Originally published 1753, re-published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London 40 x 26.5 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight staining, slight losses to frame.
Lot 881
*AR LEONARD RUSSELL SQUIRREL (1893-1979) British Westminster Abbey at the Time of 1953 Coronation, showing Edward Bedford's Temporary Annexe and James Woodford's Queens Beasts Limited edition etching, titled in pencil 25 x 17 cm, framed and glazed Note: Originally produced for the Calendarium or Monk's Calendar. CONDITION REPORTS: Generally in good condition, expected wear, some slight staining/fading.
Lot 884
NATHANIEL PARR (18th century) British, After JEAN RIGAUD (1700-1754) French Veue du Parc de St Jaques/A Prospect of St. James's Park Hand coloured etching Published by F. West, 83 Fleet Street, London 40.5 x 24 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight fading.
Lot 713
Marc Chagall (French/Russian, 1887-1985) - 'Aaron before the seven-branded golden candlestick' Pencil signed limited edition etching with hand colouring, signed with initials and no. 46/100, bears label verso for the Durban Picture Framing Company & Orient Art Gallery, 109 Field Street, Durban, approx 29x23cm, framed. (illustrated) CONDITION REPORT: no damage or repairs visible no tears or folds visible is behind non-reflective glass and not been out of frame, colouring looks to be hand coloured - please see further images
Lot 734
Henry Moore OM CH (British, 1898-1986) - 'Woman in chair' Pencil signed limited edition etching, no 11/XX, image approx 18x16cm, paper approx 68x48cm, framed. (illustrated) CONDITION REPORT: Lot 734: No damage, no restoration, paper slightly discoloured in areas. No provenance, consigned from private client. See further images.
Lot 663
A quantity of pictures and prints including a watercolour of an extensive landscape, signed bottom right Peter Atkin and dated 1985, a signed coloured etching-portrait of George Eliot, signed bottom right G Sidney Hunt, 26 x 22 cm, a 19th century watercolour portrait of a standing gentleman in blue jacket, various landscape subjects, floral subjects, etc
Lot 690
A pair of 19th century signed black and white etchings by James Reid, one showing a shore scene with fishermen and fishing boat, signed bottom right James Reid RPG, the other showing a wooded hillside beside a river with ruined tower, signed James Reid RSA, 25 x 18 cm approx together with a black and white etching showing Loch Katrine, signed bottom right Preston Gibb, 14 x 21 cm approx, all in simple black frames
Lot 697
A pair of black and white etchings by Sir David Young Cameron, one showing Perth Bridge, 19 x 27 cm approx visible, the other a coastal scene at Arran, 14 x 26 cm approx visible, both with signature within plate and inscription Perth Bridge and Arran together with a black and white etching signed A Sharland showing the Market Cross, Chichester, signed in pencil bottom left, 23 x 19 cm approx visible, all with Alexander Gallery labels verso dated 71, all in gilt frames
Lot 699
A collection of 19th/early 20th century pictures and prints including an oil painting on canvas in the naïve manner of a mountainous landscape with figure walking to the foreground, signed bottom right W Grimmit, 51 x 61 cm, unframed, three photographs of mountainous and scenery in Oxford type carved wooden frame, a small oil painting on canvas board of a landscape with yellow gorse, signed bottom right P South, a pair of coloured prints after Morland - The Cottages and The Thatcher, a pen and ink study of figures on a quayside, signed bottom right Philip E Harris and dated 71, an engraving of a terrestrial globe, an etching of Lynmouth by R H Smallridge, an etching of The Great Reformer's House, Edinburgh by W Renison, etc
Lot 722
A collection of pictures and prints including a signed limited edition sepia coloured etching showing a harbour scene, signed bottom right June Hicks and inscribed - Mousehole Evening, edition 9/25, 18 x 21 cm approx, a charcoal study of chimney pots inscribed - Autumn in the Garden, a watercolour of a river scene signed bottom left BEB, with label verso - Near Cray, Upper Wharfedale, Watercolour by Barbara Bytheway after Arthur Craven, 37 x 27 cm approx, two prints showing a quayside scene and a windmill and a continental tile with abstract type polychrome glazed decoration, 14 x 14 cm approx, all framed
Lot 39
WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), ARC SAN CARLO, NAPLES etching and drypoint, signed in pencil 19.5cm x 17.5cm Mounted, framed and under glass together with HEDLEY FITTON (BRITISH 1859 - 1929), A CONTINENTAL CANAL etching, signed in pencil 34cm x 35cm Mounted, framed and under glass
Lot 98
* WILLIAM LEE-HANKEY RWS RI ROI RE (BRITISH 1869 - 1952), EVENING drypoint etching, signed in pencil 24cm x 26.5cm Mounted, framed and under glass Label verso: Taylor & Brown, Edinburgh accompanied by another BRITISH SCHOOL (20TH CENTURY), PASSING THE TIME etching, signed in pencil 16cm x 22cm Mounted, framed and under glass
Lot 210
After CHARLES WILLIAMS (fl. 1796 - 1830) Framed, coloured etching on paper, 'The pattern or dignity and grace, opening the wedding ball', published by Walker and Knight, 1812, satirical print, together with after WILLIAM HEATH (1794 - 1840) Three framed, coloured etchings on paper, 'An Election Ball', 'La Finale' and 'The Galoppade', published by McLean, 24cm x 35.5cm, 24cm x 35cm, 25cm x 36.5cm and 25cm x 36cm, (4).
Lot 793
AFTER J FERNELEY "Count Sandor's Exploits in Leicestershire", three colour engraved plates by E. Duncan, together with AFTER TOM CARR BUCCLEUCH "At Ciseford", limited edition colour etching 46/75, together with one other (five) CONDITION REPORTS J. FERNELEY : Plate II "Shivering the Timbers" basically sound, though with some discolouration to the mount particularly, Plate VI "Smooth Glides the Water Where the Brookis Deep" in similar condition, and Plate I "A Flora Pick Up the Pieces" in similar condition, though glass broken, all frames with minor damage throughout. TOM CARR - both in sound condition, though with some rippling and browning to the edges where the mount meets the image.
Lot 19
Alexander Handcock (1853 - 1932) A Colston Street scene Watercolour Unsigned 24.5cm x 19cm; Robert Hills (1769 - 1832) Two children with barrel Watercolour Unsigned; A watercolour of a Railway track at New Haven, with label to reverse indicating by Sir Hugh Casson and an etching by Jenifer Caplan (4)
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78388 item(s)/page