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Click here to subscribeFRANK SHORT (BRITISH 1857-1945): A MEZZOTINT 'NO.82 - EBB TIDE, PUTNEY BRIDGE' ALONG WITH ANOTHER SIMILAR ETCHING OF HAMMERSMITH BRIDGE AND A SMALL BIBLICAL WATERCOLOUR (3)Frank Short signed and inscribed 'Trial Proof' in pencil. Sheet size 23cm x 17cm Mounted in a frame and glazed. 40cm x 34cm
A GROUP OF CONTINENTAL COLOURED GLASSWARE to include a glass orange bowl in the style of Michael Powolny (chip to the inside rim), two sets of red and blue shot glasses with decanters, a vintage blue pressed glass vanity set, six long stemmed coloured glasses with floral etching, a green Murano bird, a glass ship in a glass bottle (qty) (Condition report: chip to the glass lidded bowl, fleabites apparent)
A SMALL SELECTION OF PAINTINGS AND PRINTS ETC, to include original illustrations in the style of John Nunney, an ink sketch of male figures gathering by flaming torch-light and a pen and ink study of male figures talking in a garden both initialled J.A. Webb verso, an unsigned watercolour depicting a parrot talking to a man 'Lotties opinion of his family - about Cousin Johnny - Nice lad but why is he an antisemite?', unsigned watercolour of a seated Jewish cleric, two cartoons signed Noel and John, a watercolour cartoon of a sailor with a broken wooden leg pleading with a Joiner, a Percy Robertson signed etching of a river landscape, three Charles Lewis engraving prints after Landseer and a distressed late 19th century oil on board depicting a horse in a stable etc
A SMALL QUANTITY OF PICTURES AND PRINTS, to include a Michael Barnfather signed limited edition print, published by Alexander Gallery 1977, approximate size 28cm x 27cm, A.D. Bassi watercolour Venetian scene with Gondola, an early 20th century unsigned watercolour depicting a cottage scene, a Marcel Jacque etching with colours, two Alan Firth prints depicting canal scenes, needlework pictures etc
‡ SIR TERRY FROST RA (English 1915-2003) limited edition (18/50) etching with collage - entitled, 'Red and Yellow for Nice', fully signed in pencil, 40 x 35cmsProvenance: private collection Cardiff, with original purchase receipt from Strand Gallery, SuffolkComments: framed and glazed, ready to hang
‡ EDGAR HOLLOWAY (English, lived Wales 1914-2008) watercolour - view of Llanthony Tertia, Capel-y-ffin, 1969, signed, 39 x 28cmsAuctioneers Note: Holloway first visited Gill’s former commune at Capel-y-ffin monastery in 1943. There he met and married Gill’s favourite model Daisy Hawkins. After the War, the relocated to Ditchling where Holloway became a letterer and graphic designer. He returned to painting and etching in 1969 after revisiting Capel-y-ffin. This view of the sun setting behind Llanthony Tertia has been described as one of Holloway’s most ‘visionary’ works. He made an etching after this watercolour. Most of Holloway’s paintings of Capel-y-ffin are now in public collections many of which have staged Holloway retrospective exhibitionsProvenance: private collection Ceredigion
‡ CHARLES FREDERICK TUNNICLIFFE RA OBE (English, worked Wales 1901-1979) 1927 limited edition (23/75) etching and drypoint published by H C Dickins - 'The White Horse', signed in pencil to margin, 20 x 24cms (pl)Provenance: private collection Gwynedd, 'Charles Tunniclffe - Prints: A Catalogue Raisonne', ill.46, '...for more detailed studies he (artist) needed the horses to be well-grazed and standing still in the shade of a tree on a hot summer's day...'Comments: framed and glazed, ready to hangFree Delivery: bidders with invoices over £4000 in this Welsh Sale can benefit from free insured delivery to their home (England and Wales only). To enquire about this service, please email brj@rjauctions.co.uk
Vintage mid century hand tooled leather decanter bottle with stopper, peach tinted pressed glass footed fruit bowl, pair of green recycled bottle glasses with butterfly etching, antique green pharmacy jar 29cm high, amber glass vase 28cm high, hand blown studio art ruffled glass vase and cranberry twisted glass vase 30cm high
Concorde, a Supersonic Era, a limited edition montage, specially commissioned for The Royal Mint, numbered lower right 65/500, with Certificate of Authenticity label verso, 44.5 x 57cm, T J Greenwood, badger, etching, limited edition number 4/50, signed in pencil lower right and numbered lower left 4/50, 24 x 18cm and three others by the same artist, all framed and glazed (5)
EGLAU, OTTO (1917-1988), "Torii Kyoto", Zustandsdruck 1963, abstrakte Komposition, Farbaquatintaradierung/Bütten, darunter mit Bleistift betitel, bezeichnet, signiert `Eglau´ und datiert (19)63, HxB: Platte ca. 46x30 cm, Passepartoutausschnitt ca. 51x33,5 cm, Außenmaße Rahmen ca. 72x52 cm. Leichte Altersspuren, gebräunt. Mit Rahmen (part. berieben). VERSO Etikett `Galerie Griesshaber, Tübingen´.| EGLAU, OTTO (1917-1988), "Torii Kyoto", state print, 1963, abstract composition, color aquatint etching/laid paper, including titled in pencil, inscribed, signed `Eglau´ and dated (19)63, HxW: plate approx. 46x30 cm, passepartout cut-out approx. 51x33.5 cm, external dimensions of frame approx. 72x52 cm. Slight signs of age, browned. With frame (partly rubbed). VERSO label `Grieshaber Gallery, Tübingen.
SALIGER, IVO (1894-1987), "Pierrot e la morte (Harlekin und Tod)", Aquatintaradierung/Papier (mit Wasserzeichen: Van Gelder Zonen), u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 49,5x63 cm, Blatt ca. 57,5x74 cm, Außenmaße Rahmen ca. 65x85 cm. Alters- und Knickspuren, gebräunt und fleckig, kleine Einrisse am äußeren Rand. Mit verglastem Rahmen.| SALIGER, IVO (1894-1987), "Pierrot e la morte (Harlequin and Death)", aquatint etching/paper (with watermark: Van Gelder Zonen), signed by hand in pencil lower right, HxW: plate approx. 49.5x63 cm, sheet approx. 57.5x74 cm, outer frame dimensions approx. 65x85 cm. Signs of age and creasing, browned and stained, small tears to outer edge. With glazed frame.
EGLAU, OTTO (1917-1988), "Bühnen", 1962, abstrakte Komposition, Farbaquatintaradierung/Bütten, darunter mit Bleistift nummeriert 12/50, betitelt, signiert `Eglau´ und datiert (19)62, HxB: Platte ca. 49x40 cm, Passepartoutausschnitt ca. 53,5x45 cm, Außenmaße Rahmen ca. 82x67. Leichte Altersspuren, gebräunt und part. fleckig. Im Passepartout mit verglastem Rahmen (part. berieben). VERSO Etikett `Galerie Griesshaber, Tübingen´.| EGLAU, OTTO (1917-1988), "Stages", 1962, abstract composition, color aquatint etching/laid paper, including numbered 12/50 in pencil, titled, signed `Eglau´ and dated (19)62, HxW: plate approx. 49x40 cm, passepartout cut-out approx. 53.5x45 cm, external dimensions of frame approx. 82x67. Slight signs of age, browned and part. blotchy. In passe-partout with glazed frame (partly rubbed). VERSO label `Grieshaber Gallery, Tübingen´.
RÓZGA, LESZEK (1924 - 2015), "Pejzaż wiosenny z kawką", 1976, aus der Serie "Pejzaże wiosenne". Radierung auf Papier, mit Bleistift signiert, datiert, betitelt und nummeriert 29/100, hinter Passepartout montiert. HxB Platte: ca. 29 x 22,5 cm, HxB Passepartoutausschnitt: ca. 32 x 24,5 cm (HxB Rahmen: ca. 52,5 x 38 cm). Altersspuren. Mit verglastem Rahmen (Altersspuren).| RÓZGA, LESZEK (1924 - 2015), ‘Pejzaż wiosenny z kawką’, 1976, from the series ‘Pejzaże wiosenne’. Etching on paper, signed, dated, titled and numbered 29/100 in pencil, mounted behind passepartout. HxW plate: approx. 29 x 22.5 cm, HxW passepartout cut-out: approx. 32 x 24.5 cm (HxW frame: approx. 52.5 x 38 cm). Traces of age. With glazed frame (traces of age).
Mary Annie Sloane (British 1867-1961): Portrait of the Artist's Son 'Peter', watercolour signed titled and dated 1918, 13cm x 11.5cm Notes: Sloane was a student of Sir Hubert von Herkomer (British 1849-1914) from whom she developed her skills in etching and engraving, her watercolours are more uncommon.
§ John Piper (British 1903-1992), Yellow Flowers 1987, colour etching with aquatint, signed lower right, numbered 31/100 lower left, plate 40.5 x 54.5cm. Framed and glazed. Please note that Artist's Resale Right is additionally payable on this lot where over the threshold up to maximum of 4% of the hammer price, see the DACS website for more information. Condition Report: Under glass, good clean condition.
Rivière (Georges) Renoir et Ses Amis, 1 drypoint etching "Le Chapeau Epingle" in third state, and other plates and illustrations, some colour, few ff. working loose, page margins tones, modern half black morocco, rubbed, original wrappers bound in, Paris, H. Floury, 1921 § Joyant (Maurice) Henri de Toulouse-Lautrec 1864-1901, 2 vol., one of 175 & 200 copies, 1 dry-point etching only (of 2), numerous other illustrations, including some color plates enhanced with pochoir, occasional tape to gutter in places, later half brown morocco over marbled boards, original chromolithograph wrappers bound in, light scuffing to edges, 1926-27; and 6 others, other early 20th century French monographs with plates and illustrations, v.s. (9)
La Fontaine (Jean de) Contes et Nouvelles en Vers, 2 vol. in 1, nouvelle edition, additional engraved pictorial title and half-page illustrations by Romeyn de Hooghe, vol. 1 title printed in red and black, B7 small chip to head without text loss, light offsetting, some light water-staining, contemporary vellum, ink manuscript title to spine, soiled, Amsterdam, Pierre Brunel, 1709 § Walcot (W.) Architectural Water-Colours & Etchings of W. Walcot, one of 275 numbered copies, signed etching by Walcot and numerous illustrations, prospectus for the work loosely inserted, signed etching with some light and mostly marginal spotting, original cloth, gilt, few very small gouges to spine, some wear to corners, little rubbed, 1919; and others illustrated or art related, including a few pieces of ephemera and a defective copy of Hullmandel's The Art of Drawing on Stone (1833), v.s. (c.15)
Decorative Bindings.- Hall (S. C.) The Book of Gems. from the Poets and Artists of Great Britain, half-title, becoming detached, engraved illustrations, scattered spotting, contemporary morocco backed laminate wood boards, title in gilt and gilt border to upper cover, richly gilt spine, a little rubbed, 1877 § Ingoldsby (Thomas) The Ingoldsby Legends or Mirth and Marvels, engraved frontispiece, illustrations, scattered faint spotting, previous owner's ink inscription, newspaper clipping and hand-coloured etching tipped-in, contemporary red morocco, g.e., title in gilt to covers, tiny hole to spine, a little rubbed, 1874 § Falconer (William) The Shipwreck, half-title, engraved illustrations, original cloth richly decorated with gilt, rubbed, bumping and chipping to spine extremities, Edinburgh, 1858; and others, all in decorative cloth or leather, v.s. (c.140).
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