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Lot 618
Y RUPERT A SHAW (1950-1994) "A View from Richmond Hill", soft ground etching, artist proof, signed and inscribed in pencil and dated 1980, plate size 10 1/2" x 13", together with another similar "A Back Street in Venice", dated 1979, blond wood frames (Ex stock The Alton Gallery Barnes High Street, London) (2) (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Good, Venice a little loose in frame.
Lot 354
HENRY RUSHBURY (BRITISH, 1889-1968) (5)St Martin-in-the-Fields signed in pencil 'Henry Rushbury' (in lower margin) etching 29 x 26cm together with four other etchings by the same hand (5) ARRCondition ReportMinor discolouration to the sheets, particularly the borders. Otherwise sound condition overall. Framed and under glass; unexamined out of frame.
Lot 386
G*** SIMONIS (19TH CENTURY) (5)Portrait of a lady with fan (5) signed, dated and inscribed 'G Simonis Granade 84' (lower right) watercolour 46 x 30.5cm together with A couple in a storm, a watercolour study for a bookplate; A boy with sheep, a pencil drawing; An Italian hilltop town, a watercolour; and an etching of a greyhound (5, all unframed) Provenance Michael Appleby of St. James's
Lot 59
William Woollett (1735-1785)A View of the House and Part of the Garden of Sir Francis Dashwood Bart at West Wycomb; A View of the Canal and of the Gothick Tower in the Garden of his Grace the Duke of Argyl at Whitton; A View of the House and part of the Garden of his Grace the Duke of Argyl at WhittonThree, each etchingLargest 37.7 x 54.7cm; 14¾ x 21½in; Smallest 37 x 54cm; 14½ x 21¼in (plate) (3)Provenance:Private Collection, Salisbury
Lot 62
Charles François Gabriel Levachez (French act.1789-1828) after Carle Vernet (1758-1836) Dogs Dancing - La Danse des Chiens Coloured aquatint and etching 38.1 x 59.7cm; 15 x 23½in Together with David Weiss (1775-1846) after George Morland (1763-1804); St. James's Park; A Tea Garden; Two, both stipple with hand-colouring; Each 33.6 x 42.8cm; 13¼ x 16¾in (image); and after Édouard Detaille (French 1848-1912); Scots Guards drilling in Rotten Row; Coloured print; 43.2 x 56.5cm; 17 x 22¼in (image) (4)Provenance: A private collection, Oxfordshire
Lot 148
English School 19th CenturyViews of Farleigh Hungerford, Somerset, comprising View of Farleigh Chapel; View of one of the Farleigh Towers; Mummies at Farleigh Chapel; Church of St Leonard, Farleigh Hungerford; Chancel of Farleigh Chapel with tombs; Interior of Farleigh Church; Chancel of Farleigh Church with an altar; Interior of Farleigh Chapel with a font; Cottage in Somerset; Cottage in Farleigh Wood; Farleigh LodgeEleven, ten inscribed with title to mountEach watercolourLargest 23.2 x 19.1cm; 9¼ x 7½in; Smallest 15.5 x 20.8cm; 6 x 8¼inUnframedTogether with Joseph Lambert (act.1821-1822) after Samuel Prout (1783-1852); Farley Castle, Somersetshire; Etching; 22.9 x 27.2cm; 9 x 10¾in Unframed (12)
Lot 198
A Collection of Prints Mostly depicting Architectural and Genre SubjectsIncluding Cornelius Johnston (Mid 18th-century); A section of the quadrangle design'd for the British Musaeum; Engraving; 44 x 80.1cm; 17¼ x 31½in; Unframed; Bartolomeo Nerici after Giovanni Antonio Santi; Prospetto del Anfiteatro costruito nella Citta di Lucca; Etching; 44.9 x 58.1cm; 17¾ x 22¾in; Unframed; and twenty-two further unframed prints (24)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 199
A Collection of 18th and 19th-Century prints, drawings, and watercolours of musical and theatrical subjectsIncluding John Smith (1652-1743) after Domenico Tempesti (Italian c.1655-1737); Frontispiece for Sonate da camera by Nicolo Cosimi; Mezzotint; 24.3 x 33.6cm; 9½ x 13¼in (sheet); Unframed; Georgiana Keate (1771-1850); Edwin in the Character of Caleb; Signed and dated Georgiana Keate 1786 (lower right); Pen and ink with watercolour; 24.7 x 17.2cm; 9¾ x 6¾in; Unframed; George Cruikshank (1792–1878); The Opera Boxes During the time of the Great Exhibition; Etching; 21.9 x 26.5cm; 8½ x 10½in (sheet); Unframed; Thomas Rowlandson (1756-1827); Dr Syntax at Covent Garden Theatre; Aquatint with hand-colouring; 10.7 x 18.1cm; 4¼ x 7in (sheet); Unframed; a playbill for Paganini's Ninth Concert; 33.3 x 21.2cm; 13 x 8¼in (Unframed); and twenty-one further unframed works (26)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 200
John Vanderbank (1694-1739)Gaetano Berenstadt, Francesca Cuzzoni and Senesino performing Handel's FlavioEngraving18.8 x 26.5cm; 7½ x 10½in (sheet)UnframedTogether with Thomas Cook (c.1744-1818) after William Hogarth (1697-1764); The Bench; Etching and engraving; 21.2 x 24.5cm; 8¼ x 9¾in; Unframed (2)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 202
Joseph Goupy (c.1689–1769)Thou tunefull scarecrow & thou warbling bird...Etching31.5 x 19.7cm; 12½ x 7¾in (image)Provenance:Property of a former museum keeper, collected between the 1930s and 1970sThe present work is a satire on the popularity of masquerades and the decline of Italian opera in London with caricatures of the singers Francesca Cuzzoni, the tall, thin "scarecrow" Farinelli and the impresario John James Heidegger.
Lot 220
Jan Kip (Dutch 1652/3-1722) after Leonard Knyff (Dutch 1650-1722)New Parke in Surry the Seat of the Rt Honble the Earle of RochesterEtching36.2 x 50.4cm; 14¼ x 19¾in (sheet)UnframedTogether with Jean Baptiste Chatelain (French 1710-1758) after Marco Ricci (Italian 1676-1730); A Prospect of the Royal House at Richmond; Etching; 46.2 x 57.5cm; 18¼ x 22¾in; Unframed; James Basire (1730-1802). View of Richmond Palace fronting the river Thames, as built by Henry VII; Engraving; 39.4 x 57cm; 15½ x 22½in (sheet); Unframed; Peter Paul Benazech (c.1730-1783) after P. Brookes (act.1747-1750); A View of Sion House and the Parts Adjacent; Etching; 35.6 x 53.7cm; 14 x 21¼in; Unframed; and Francis Vivares (1709-1780) after Jolly, A View from Richmond Hill down the River; A View from Richmond Hill up the River; A pair, both etching; 29 x 44.6cm; 11½ x 17½in; 37.9 x 52.5cm; 15 x 20¾in (sheet) Unframed (6)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 221
After Augustin Heckel (German 1690-1770)A View from Richmond Hill up the River; A Front View of the Earl of Harrington's House at Petersham in Surry; A View of the Earl of Harrington's House towards the Garden at Petersham in Surry; The House of Moses Hart Esq between Twickenham & IsleworthFour, each etchingLargest 36.7 x 54cm; 14½ x 21¼; Smallest 34.5 x 48.5cm; 13½ x 19inUnframed (4)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 222
Richard Bernard Godfrey (c.1728-1795) after David Vinckboons (Flemish 1576-1632)View of the Thames at RichmondEtching32.4 x 45.7cm; 12¾ x 18inUnframedTogether with a collection of 18th and 19th Century Prints depicting Richmond, including Nathaniel Parr (act.1739-1767) after W. Staftoe; A View of Henry VII Old Palace at Richmond; Etching; 21.1 x 26.7cm; 8¼ x 10½in; Unframed; Claude Dubosc (French 1682-1745) after Gravelot (French 1699-1773); View of the Hermitage in the Royal Garden at Richmond; Etching; 35.8 x 25.9cm; 14 x 10¼in (sheet); Unframed; and ten further Richmond related unframed prints (13)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 224
Joseph Constantine Stadler (act.1780-1819) after Joseph Farington (1747-1821)Richmond; From Richmond Hill up the River; From Richmond Hill down the River; View of Richmond Hill from Twickenham; The Late Mr Garrick's VillaFive, each etching and aquatint with hand-colouringLargest 30.1 x 43cm; 11¾ x 17in; Smallest 30.2 x 39.4cm; 12 x 15½in (sheet)Unframed (5)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 229
After Anthony Vandyke Copley Fielding (1787-1855)View from Richmond HillAquatint with hand colouring36.9 x 47.9cm; 14½ x 18¾in (sheet)UnframedTogether with Charles Heath (1785-1848) after Thomas Hofland (1777-1843); A View from Richmond Hill; Etching; 42.7 x 59.7cm; 16¾ x 23½in; Unframed; and Robert Havell Snr (1769-1832) after William Havell (1782-1857); A View from Richmond Hill; Coloured aquatint with hand colouring; 33 x 45.5cm; 13 x 18in; Unframed (3)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 230
A Collection of 18th, 19th and 20th Century Prints Depicting RichmondIncluding William Elliot (1727–1766) after Samuel Wale (c.1721-1786); Sion House, view'd from Richmond Gardens; Etching and engraving; 12.2 x 20cm; 4¾ x 7¾in (sheet); Unframed; Andrew Watson Turnbull (1874-1957); The Tow Path; Etching; 29.4 x 46.6cm; 11½ x 18¼in; Unframed; and twenty-six further unframed prints (28)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 101
Henry Moore OM CH FBA, British 1898-1986, Dromedary, 1981; etching on Arches paper, signed in the plate, signed and numbered 'PL. II' and ‘23/65' in pencil, printed by James Collyer and John Crossley, published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadham, image: 21.1 × 27.6 cm, (framed) (ARR) Note: part of 'Animals in the Zoo', 1981-2, pub. 1983, an album of fifteen etchings, of various sizes, on Arches paper.
Lot 104
Henry Moore OM CH FBA,British 1898-1986,Sculptural Ideas 5, 1980;etching with aquatint in colours on wove,signed and numbered 30/50 in pencil,printed by Vigna Antonia Stamperia D'Arte 2RC, Rome, with blindstamps to lower left,published by Raymond Spencer Company, Ltd., for The Henry Moore Foundation, Much Hadham,sheet: 42 x 58 cm,(unframed)(ARR)
Lot 193
Bob Dylan, American b. 1941-The Asia Series, 2021 (Portfolio - Hunan Province; Opium; Shanghai; The Bridge);each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 69/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 76.2 x 67.2 cm, (framed) Note: together with COA issued by Washington Green Fine Art.
Lot 194
Bob Dylan,American b. 1941-Train Tracks (Portfolio - Set of 4), 2018;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove,each signed and numbered 226/295 in pencil,each printed by GTZ Fine Art Editions, New York,each published by Washington Green Fine Art in association with Black Buffalo Artworks,each sheet: 70 x 56 cm,(unframed)Note: each together with COA issued by Washington Green Fine Art.
Lot 196
Bob Dylan, American b. 1941-Vista From Balcony, 2012; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 152/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed) Note: together with COA issued by Washington Green Fine Art.
Lot 199
Bob Dylan,American b.1941-The Brazil Series (Portfolio Set of 3), 2015; each giclée in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 282/295 in pencil, each printed by GTZ Fine Art Editions, New York,each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 65.4 x 76.2 cm, (unframed)(3)Note: each together with COA issued by Washington Green Fine Art.
Lot 200
Bob Dylan, American b.1941-The Drawn Blank Series (House on Union Street; Sunflowers; Sunday Afternoon; Truck Stop; Man on a Bridge; Bicycle; Vista From Balcony; Dad's Restaurant), 2012; each giclée in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 37/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (unframed) (8) Note: each together with COA issued by Washington Green Fine Art. Complete boxed set in presentation wallets.
Lot 201
Bob Dylan, American b.1941- Woman In Red Lion Pub, 2008 (portfolio);set of four giclée prints in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 181/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4)Note: together with COA issued by Washington Green Fine Art.
Lot 234
Sir Howard Hodgkin CH CBE, British 1932-2017, Green Room, 1986;lift-ground etching and aquatint from two copper plates printed in green and red, with hand colouring in veronese green and green egg tempera on BFK Rives wove paper (240 gsm), signed with initials, dated and numbered 39/100 in pencil, printed and hand coloured by Jack Shirreff at the 107 Workshop, Wiltshire, published by Bernard Jacobson Ltd, London, sheet: 50.5 x 61 cm, (framed) (ARR)Provenance: Saatchi & Saatchi London
Lot 25
Salvador Dali, Spanish 1904-1989, Lady sitting, from Les amours de Cassandre, 1968; etching on Japan paper with hand coloured highlights in pen, signed in pencil and numbered 68/95, image: 11 x 15 cm, (framed) (ARR) Note: Under no.s 248-265 (g) Dali, the catalogue raisonne of etchings and mixed media prints by Michler and Lopsinger, 1994.
Lot 300
Graham Sutherland OM, British 1903-1980, 15. Ibis (from Apollinaire. Le Bestiaire ou Cortège d'Orphée), 1978-9; etching and aquatint on wove, signed and numbered 72/75 in pencil, printed by Eleonora and Valter Rossi at 2RC Editrice, Rome, co-published by Marlborough Fine Art and 2RC Editrice, Milan, image: 37.8 × 63.8 cm, (framed)(ARR)
![Frank Auerbach, German/British b.1931- Leon Kossoff [Marlborough 11], 1980; etching on Arches wove, signed, dated, titled](https://cdn.globalauctionplatform.com/ef9b030d-7ba1-45d1-9df3-b03800abcc99/898a5146-2b43-4328-a986-b05b00d785bf/468x382.jpg)
Lot 42
British School, 18th century'Major Charles Stuart'engraving after a painting by George Romney47 x 35cm,together with another portrait etching of William, Earl of Mansfield, another engraving of a gentleman, and a pair of engravings of ladies (5)The Estate of the Late Malcolm Frazer.Condition ReportAll framed and glazed. Discolouration, creases and small tears throughout commensurate with age.
Lot 407
Frederick Landseer Griggs RA RE FSA (1876-1938)'Laneham'etching, dated 1923 and signed in pencil l.r.13 x 12cm,together with two other etchings and an engraving by Griggs (4)The Accumulations of a Cotswold Antiques Dealer: The David Pickup Edit.Condition ReportLargest (unframed) - 28 x 23cm.
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