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Lot 108

MICHAEL AYRTON [1921-75]. Minotaur Full Grown, 1971. Etching, edition of 75, artist's proof V111/X. Signed. 56 x 35 cm [image size - overall including frame 88 x 68 cm]. Literature: illustrated 'Michael Ayrton' by Peter Cannon-Brookes. [very good condition - unexamined out of frame]. Ayrton signed very few of his late etchings [using a studio stamp signature instead], so rare to find one like this with an original signature.

Lot 215

DOUGLAS PORTWAY [1922-93]. Untitled [C3], c.1970. Etching, edition of 50, 26/50. Signed. 49 x 38 cm. Unframed. [good condition - tiny pin prick spot bottom left edge].

Lot 134

ALEXIS GORODINE [b.1944]. Leatherwords, 1989. Etching [with some hand colouring?], edition of 99 [3/99]. Signed and dated. 61 x 50 cm [sheet size]. Unframed. [very good condition - never mounted or framed].

Lot 173

LEO ZOGMAYER [b.1949]. Seated Figure, 1984. Etching, edition of 50, 37/50. Signed and dated. 46 x 35 cm [sheet size]. Unframed. [very good condition]. see notes in lot 128.

Lot 171

The next 14 lots are the 2nd batch of etchings by featured artist Leo Zogmayer [b.1949]. See lot 128 for more information. LEO ZOGMAYER [b.1949]. 2 Figures and a Head, 1984. Etching, edition of 50, 37/50. Signed and dated. 46 x 35 cm [sheet size]. Unframed. [very good condition].

Lot 156

MICHAEL AYRTON [1921-75]. Baselisk. Etching, edition of 75, 10/75. Studio stamp signature on reverse [Ayrton rarely signed his later etchings]. 29 x 39 cm [sheet size - image 12 x 14 cm]. Unframed. [good condition].

Lot 2

ALEXIS GORODINE [b. 1944]. Volcan, 1989. etching [with some hand colouring?], edition of 99 [7/99]. signed and dated. 65 x 50 cm [sheet size], unframed. More Gorodines - lots 132 to 135. [very good condition – never mounted or framed].

Lot 90

DOUGLAS PORTWAY [1922-93]. Seated Figure. Etching, edition of 8 [2/8]. Signed. 22 x 18 cm [overall including frame 37 x 33 cm]. [good condition - unexamined out of frame].

Lot 62

ALAN REYNOLDS, R.A. [1926-2014]. Autumn, 1967. Etching, artist's proof, 1/5. Signed. 38 x 38 cm [overall including frame 58 x 54 cm]. [good condition - some time toning to paper - unexamined out of frame].

Lot 490

A RARE ETCHED PARTISAN OF THE GUARD OF THE ELECTOR FRIEDRICH AUGUST I OF SAXONY, 'THE STRONG' (1670, 1694-1733), CIRCA 1694-7 with central blade of flattened-diamond section, broad base formed of a pair of flat notched flukes, etched at the base with a pattern of scrolling foliage on each side and surmounted on the respective faces with the crowned electoral arms and the initials 'CFA' for Churfürst Friedrich August, traces of early gilding, moulded collar, faceted socket and a pair of long straps (the etching with areas of wear), on a fabric-covered wooden haft 51.0 cm; 20 1/8in head Provenance The Saxon Electoral Armoury, Dresden. Howard Ricketts Friedrich August I ruled as Elector of Saxony (1694-1733) and twice as King August II of Poland (1697-1704 and 1709-33). Similar partisans are preserved in the Wartburg (inv. no. 461) and the Wallace Collection, London (inv. Nos. A1002 & A1003). Another partisan from this group with the same notable style of etching is preserved in the Deutsches Historiches Museum, Berlin. See Müller and Kölling 1981, p. 311 no. 395.

Lot 611

AN 1803 PATTERN INFANTRY OFFICER'S SWORD with curved blade formed with a hatchet point, with traces of etching including flowers and anthemion on each face of the forte, regulation hilt with wire-bound fishskin-covered grip, in its regulation brass-mounted leather scabbard 74.5 cm; 29 3/8 in blade

Lot 110

ËœA HUSSAR OFFICER'S LEVÉE SWORD, CIRCA 1870 with curved blade retaining traces of etching (pitted), gilt-brass hilt of regulation type, carved ivory grips (chipped), in its engraved gilt-brass mounted fishskin-covered wooden scabbard 77.5 cm; 30 1/2 in blade

Lot 138

FRAMED POLYCHROME ETCHING BY ENRICO BAJ- LEMASCHERE (THE MASK), DATED 1988, No 5 OF 35, PENCIL SIGNED

Lot 461

Etching, High Level and The Swing Bridge

Lot 133

Herbert Thomas Dicksee (1862-1942), study of a male lion resting, etching, 49cm x 19cm, monogrammed 'HD', signed in pencil, published by Frost & Reed Ltd Bristol & London 1915, glazed and framed.

Lot 513

Francis Kelly (1927-2012)Lithe Figure, signed, numbered 8/50 and inscribed with title, etching, 29 x 25cm (PL)

Lot 483

After Rembrandt Harmensz van Rijn (1606-1669)Self portrait, Rembrandt and his wife, etching, 11 x 10cm, together with a further etching after Rembrandt and an engraving after W.V.Lande (3)

Lot 631

20th Century British School - Etching - 'Birdman', The Conquest of the Air, 50cm x 24cm, titled and inscribed in pencil to margin, No. 5 of 10, in wood frame and glazed Good condition

Lot 597

20th Century School - Limited edition etching - Resting woman, 19cm x 25cm, signed in pencil to margin 'H. Matisse', No. 8/29, in wood frame and glazed Good condition

Lot 633

Henry Williams colour etching-Fishing scene

Lot 34

Nikos HADJIKYRIAKOS-GHIKAGreek, 1906-1994Hydraoil on paper laid down on canvassigned and dated 72 lower right44 x 33 cmPROVENANCEprivate collection, AthensNOTEThis work is registered with the archives of Nikos Hadjikyriakos Ghika, the Benaki Museum under the reference number Î§Î“ 5798 Nikos Hadjikyriakos-Ghika was born in Athens in 1906.As a young boy Hadjikyriakos-Ghika showed an early inclination to drawing and while still at school he attended art lessons with Constantinos Parthenis.In 1922 he moved to Paris where he studied French literature and Aesthetics at the Sorbonne. Two years later he enrolled at the Academie Ranson and studied painting under R. Bissière and etching with D. Galanis.He first exhibited in Paris in 1923 at the Salon des Tuileries and the Salon des Surindépendants. In 1927 he held his first solo exhibition at the Galerie Percier in Paris. His first Athens exhibition was shared with sculptor Michael Tombros at the Strategopoulos Gallery in 1928. In 1930 he settled in Paris and returned to Athens four years later a respected artist. Between 1935 and 1937 he edited the periodical â€˜The Third Eye’together with architect Pikionis, the poet Papatzonis and the director Karantinos. In 1937 he restored the ancestral home of the Ghikas family in Hydra, where he painted the first works in which he expressed his artistic style decisively, combining elements of Cubism with nature, light and the architecture of Greece. He was appointed Professor of Drawing at the National Technical University of Athens School of Architecture in 1941, and continued to teach there until 1958. In 1961 he married Barbara Hutchinson , who had been previously married to Victor Rothschild, 3rd Baron Rothschild and to classicist Rex Warner. In 1972 he was elected a regular member of the Academy of Athens and in 1986 an honorary member of the Royal Academy of Arts in London. He was also granted honorary doctorates by the School of Architecture at the University of Thessaloniki in 1982 and by the University of Athens School of Philosophy in 1991.More than fifty exhibitions of Hadjikyriakos-Ghika’s works have been held in Athens, Paris, London, Geneva, Berlin and New York. Hadjikyriakos-Ghika was also involved in designing stage sets and costumes for theatrical works such as Aristophanes’s Clouds at the National Theatre of Greece (1951) and Comédie Française (1952) and Gide’s ballet Persephone, with music by Stravinsky in Covent Garden (1961). He also illustrated a number of books, including N. Kazantzakis’s Odyssey, Longos’s Daphne and Chloe and C.P. Cavafy’s Poems. His writings include several books, studies and articles on architecture and aesthetics, as well as treatises on Greek art. His work can be found in The National Gallery of Greece, The Municipal Gallery of Athens, The Leventis Gallery, The National Bank of Greece, the Musée d’Art Moderne in Paris, the Tate Gallery in London, the Metropolitan Museum of Art in New York and many other public and private collections.

Lot 514

Peter Milton, American b. 1930, The Train from Munich, from Interiors VII 100/175 etching, signed and titled in pencil, 92 x 50cm

Lot 420

Julian Trevellian, "The Fall", large soft ground etching with some colour, signed, titled and numbered 3/50 in pencil to margin, 47 x 35cm

Lot 135

Thomas Rowlandson, after John Hamilton Mortimer'SANCHO PANZA'Coloured engravingimage 34 x 28cm;R...Rushworth'THE ROMP'Coloured etching, published by S W Fores, 1786image 25.5 x 41.5cm (2)

Lot 446

WILLIAM LIONEL WYLLIE (1851-1931), SHIPPING IN THE CLYDE ESTUARY, etching, signed on mount in pencil, framed. 50cm by 20cm

Lot 450

TOM MCGUINNESS (1926-2006), "HUTTON SEAM", signed, dated 80, titled and numbered 17/50 in pencil in the margin, etching, framed. Image 6cm by 18.5cm

Lot 459

ALBANY E. HOWARTH (1872-1936), WINCHESTER CATHEDRAL, etching, signed in pencil, old typed label verso WINCHESTER CATHEDRAL by A.E. HOWARTH/ Specially Commissioned (sic) by THE QUEEN for QUEEN MARY'S DOLLS HOUSE, framed, plate 35mm by 22mm; together with A HAND COLOURED ENGRAVING OF A CARRIAGE, dated 1769 and inscribed Cartwright Del., framed, 6cm by 11cm. (2)

Lot 460

EILEEN ALICE SOPER (1905-1990), THE SPRING SONG, etching, signed in pencil on the mount, framed. 25cm by 19cm

Lot 460

William Lionel Wyllie (1851-1931), drypoint etching 'Eight and Twelve Metre Yachts Becalmed Off Cowes', signed in pencil lower left 17.5 cm x 35 cm, in slip mount, framed and glazed There are no obvious signs of significant damage or repair.

Lot 339

Robert Cowern. A.R.E., etching "Vezelay", geese in the lane.16cm x 20cm framed and glazed

Lot 285

William Lionel Wyllie (British, 1851-1931), HMS Champion and the 13th Flotilla leading in the Battle of Jutland, May 31st 1915, signed in pencil 'W L Wyllie' (in margin lower left), etching, 7 x 42.5cm.

Lot 80

^ British 1803 Infantry Flank Officers Sword, with damaged brass hilt, lion head pommel and ivory handle with wire binding. Curved blade with just remains of the original gilt etching, heavy surface rusting and some chips from the edge. Housed in its partial original leather field service scabbard with two of the three brass mounts remaining. Blade 72cms.

Lot 85

Elizabeth II 1827 Pattern Royal Navy Officers Dress Sword by Wilkinson, fine example with brass dish guard having fouled anchor with EIIR crown above. Fishskin grip retaining the original grip wire. Lion head top pommel incorporating the back strap. Near mint condition blade with crowned cipher and foliage etching. Wilkinson Sword trade mark to the forte and spine numbered 109986. Housed in its original leather scabbard with brass mounts. Blade 79cms. Excellent example.

Lot 2127

A large coloured Etching of a rural boating scene in a gilt frame, signed in pencil, C. Fitzgerald.

Lot 2149

An Etching of Conway Castle by Leslie S. Haywood, pencil signed, circa 1920.

Lot 2090

A chrome framed Etching/aquatint of trees in a landscape, signed in pencil lower right

Lot 2122

A signed Etching by Arthur Turrell of 'The Mangia Tower, Italy' with original label verso.

Lot 2199

Leonard Russel Squirrell. A Late 1940's Etching of Grosvenor Square, London - Framed.

Lot 642

'GLASGOW GRID II' BY IAN MCNICOLEdition no. 2/10, multiple plate etching in black frame, image size 32cm x 33cm, frame size 59cm x 57.5cmNote: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 641

'TOP OF THE TOWN' BY IAN MCNICOLArtist's Proof, multiple plate etching in black frame, frame size 47cm x 77cm Note: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 634

'VIEW TO ARRAN' BY IAN MCNICOLArtist's proof, etching in black frame, signed and titled, image size 15cm x 10cm, frame size 35cm x 27cm Note: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 637

'SCOTTISH LANDSCAPE IV' BY IAN MCNICOLArtist's proof, etching and aquatint in black frame with white mount, signed and titled, image size 6.5cm x 20cm, frame size 31cm x 50.5cmNote: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 636

'NEW SCOTTISH LANDSCAPE II' BY IAN MCNICOLArtist's Proof II, colour etching in black frame, signed and titled, image size 13.5cm x 30cm, frame size 33cm x 49cmNote: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 635

'HIELAN JESSIE' BY IAN MCNICOLEdition no. 24/30, etching in black frame, signed and titled, image size 13cm x 10cm, frame size 38cm x 29cmNote: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 639

'CHANGING GABLES' BY IAN MCNICOLVaried Edition 13/17, colour etching in black frame, image size 21cm x 20.5cm, frame size 39.5cm x 37.5cmNote: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 640

'TREELINE' BY IAN MCNICOLVaried edition 1/1, colour etching with black frame, signed and titled, image size 16.5cm x 47cm, frame size 31cm x 60.5cmNote: Ian McNicol, born Paisley 1965, studied Architecture at the Glasgow School of Art for 3 years and then Technical Graphics & Illustration at the Glasgow College of Building and Printing. His artworks are made using the traditional printmaking technique of etching. He has exhibited widely in the UK, including in the Summer Show at the Royal Academy in 2015.

Lot 568

John Charles Moody, R.E, R.I, P.S.G.A, (British, 1884-1962): 'The Custom House Kings Lynn', etching, signed and titled lower margin, 24 by 30cm, together with a smaller study of Corfe Castle, Dorset, signed in pencil lower right margin, 14 by 18cm. (2)

Lot 493

Early 20th century etching signed Gaff on the Rhine by Frank Short

Lot 229

AFTER JAMES ABBOTT MCNEILL WHISTLER (AMERICAN, 1834 - 1903)Reading in BedEtching, 12cm x 8cm.Prov: Thomas Agnew & Sons label verso Condition Report The etching is in good condition. It is NOT signed in pencil. The mount is discoloured. There are scratches to the frame. Labels are clearly legible and in good condition.

Lot 177

CAROLINE ISGAR (CONTEMPORARY)ShepherdessSigned in pencil, limited edition colour etching, 5/40, 14cm x 34cm.

Lot 179

CAROLINE ISGAR (CONTEMPORARY)Rest A WhileSigned in pencil, limited edition colour etching, 5/40, 16cm x 15cm.

Lot 230

DWIGHT CASE STURGES (AMERICAN, 1874 - 1940)NatalieSigned in pencil, etching, 12cm x 9cm.

Lot 395

WILFRED APPLEBYEdinburgh CastleSigned, etching, 20cm x 30cm.

Lot 333

SAL (BRITISH, 20TH CENTURY)The Old Codger of The LyonSigned and titled, drypoint etching, 1/15 in pencil, 6.5cm x 12cm.

Lot 1051

Leon Danchin (1887-1938) - tinted etching, signed in pencil to the margin, 23 x 35cm; and Graham Petrie (1859-1940) - The Backs, Cambridge, framed print (2)

Lot 482

An oak framed tapestry, depicting a 17th century style scene with figures, 33 x 45.5cm, also with a framed print and a print etching (3)

Lot 373

Adrian Berg (b.1929)'Lapis Lazuli'Lithograph, signed and numbered 39/48, dated 1987, unframed 41 x 40cm, together with a collection of unframed prints to include seven Sir Eduardo Paolozzi (1924-2005) limited edition prints, a collection of Soviet political posters, a print of a chicken and an original etching by John Kay (1742-1826) ' The Evening Walk - Captain James Justice' (a lot)

Lot 356

John Bellany CBE RA HRSA (Scottish 1942-2013)'Self Portrait in Addenbrooke's Hospital'Artists proof etching, signed in pencil lower right, 51 x 45cm

Lot 363

Nikos Hadkihyriakos-Ghikas (Greek 1906-1974)'Greek Townscape'Limited edition signed etching 18/30, 34 x 25cm, together with a screen print of 'The Railway Station' indistinctly signed Hutton (?) (2)

Lot 347

John Bellany CBE RA HRSA (Scottish 1942-2013)'Three Faces'Limited edition signed etching 24/50, 25 x 28cm

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