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Lot 379
An Italian sculpted softwood frame in Renaissance taste, 19th century, carved with masks and caryatids, the oval reserve with an etching after Rembrandt van Rijn, St Jerome beside a Pollard Willow, 37 x 25cm overall; together with a gilt-ground panel of the Madonna and Child after Fra Angelico (Italian, circa 1400-1455), late 19th century, in a giltwood and gesso frameIllustration charge £5
Lot 914
Elmer Keene (British, 1853-1929)Lantern Hill & Hillsborough off Branscombesigned and inscribedpastel on paper7.5 x 15cm (sight, unframed);together with a 20th century etching of a bay view, by Donald Crawford; four etchings of Exeter attributed to John Shapland (British, 1865-1929), three pencil-inscribed with the artist's pseudonym; two prints after Shapland; and a view of Exeter by E. W. James (fl. 20th century), shown in various progressive stages from watercolour to colour print
Lot 917
After Daniel King (British, fl. circa 1616-1661)The North Prospect of ye Cathedrall Church of Exeterbearing printed signatures and creststeel engraving16.5 x 30cm (sight); and another engraving by Daniel King, after Richard Newcourt (circa 1610-1679), the East Front of Exeter Cathedral, bearing printed signatures, crest and inscriptionstogether with five further topographical prints of Exeter and surroundings, to include one etching by Samuel Prout (7)
Lot 809
James Gillray, handcoloured etching - Britannia between Death and the Doctors - "Death may decide when Doctors' Disagree", published H Humphrey, May 20th 1804, plate 25 x 38cm, glazed frame, together with 'The Union Club' by Gillray. (2)Britannia, not examined out of frame but appears to be trimmed close to plate mark and mounted, condition generally ok (see images), Union club not examined out of frame, some damage to lower centre. Both frames are antique with some losses to mouldings
Lot 126
Christopher R W Nevinson ARA (1889-1946)'Marlow'etching and drypoint, 1926-7, signed 'C. R. W. Nevinson' in pencil l.r.plate mark 27.7 x 35.3cmLiterature: Jonathan Black, 'C.R.W. Nevinson, The Complete Prints', Farnham, 2014, p.177, no.128.Nevinson sketched by the River Thames with his father whilst a student at the Slade. He returned there in the early 1920s with his wife, Kathleen, to escape the noise of a jazz club that opened above his flat in Euston Road. 'Marlow' was first exhibited at Alex Reid & Lefevre, London, in April 1927. A watercolour of the same scene was first exhibited at the Leicester Galleries, London, in March 1926.Condition ReportFramed size 36.5 x 44.2cmPaper discolouration with foxing to the margins. Some areas of the print have a cloudy appearance through the glass, this may have occured if the print was framed whilst still a little wet. Unexamined out of glazed frame, please contact the department for a more detailed report.
Lot 127
Christopher R W Nevinson ARA (1889-1946)'Sèvres'etching and drypoint, 1926-7, signed 'C. R. W Nevinson' in pencil l.r.plate mark 27.7 x 35.3cmLiterature: Jonathan Black, 'C.R.W. Nevinson, The Complete Prints', Farnham, 2014, p.172, no.119.'Sèvres' was first exhibited at Alex Reid & Lefevre, London, in April 1927. An oil on canvas of the same scene was exhibited at the Leicester Galleries, London, in March 1926.Condition ReportFramed size 36.5 x 44.2cmDiscolouration to paper. There are two 4.5cm white marks along the top margin, perhaps due to previous taping. Some areas of the print have a cloudy appearance through the glass, this may have occured if the print was framed whilst still a little wet. Unexamined out of glazed frame, please contact the department for a more detailed report.
Lot 146
â–´ Pablo Picasso (Spanish, 1881-1973) Sculpteur devant sa Sculpture: Plate I from Le Chef-d'Oeuvre Inconnu (Bloch. 82; Cramer: 20)etching, 1927, signed 'Picasso' in ink l.r., numbered '78/99' l.l.plate 19 x 27.5cm Provenance: The Zwemmer Gallery, London.Condition ReportFramed 42 x 49.5cmViewed in the frame there is some timestaining and light cockling, there are two brown stains, one to the centre of the left margin and another to the extreme left corner of the margin. Examined out of the glazed frame there is a large amount of acid staining, please see images. The edges of the sheet are stuck down and taped. The middle of the work does not appear to be stuck down but it is not possible to remove the sheet and examine the reverse without damaging the work. Sheet size: 33.5 x 41cm.
Lot 153
â–´ Sir William Russell Flint RA ROI (1880-1969)'Spanish Wheelwrights'drypoint etching, published 1936, from an edition of 75, signed 'W. Russell Flint' in brown ink l.r.plate mark 23 x 32cmCondition ReportNot viewed out of glazed frame. Light mark from edge of mount visible in upper margin. Spots of light foxing visible in margins.
Lot 196
â–´ Richard Bawden RWS NEAC RE (b.1936)'Fishermen's Huts'etching and linocut, signed 'Richard Bawden' in pencil l.r., inscribed with title and numbered '3/85'image 40 x 57.5cmCondition ReportFramed 62 x 77.5cmThe left hand margin is slightly dirty, however the printed area appears to be in generally good order. Uninspected out of glazed frame.
Lot 197
â–´ Richard Bawden RWS NEAC RE (b.1936)'Hydrangeas'etching and aquatint in colours, signed 'Richard Bawden' in pencil l.r., inscribed with title and numbered '29/75' l.l.image 43.5 x 32cmCondition ReportFramed 66.5 x 54.5cmIn good overall condition and well presented. Unexamined out of glazed frame.
Lot 294
â–´ Julian Trevelyan RA (1910-1988)'Macclesfield'Etching and aquatint in colours, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '53/75'image 46.5 x 34.5cmCondition ReportFramed: 88.5 x 68cmTime staining and light foxing with some slight creasing to the top half of the print. Unexamined out of glazed frame.
Lot 295
â–´ Julian Trevelyan RA (1910-1988)'San Gimignano'etching in colours, AP, signed 'Julian Trevelyan' in pencil, l.r., inscribed with title l.c., and 'Artists Proof' l.l.image 49 x 37.5cmCondition ReportFramed: 75.5 x 65.5cmLight rippling to the paper with some minor spots of surface dirt to the margins, however the printed area appears to be unaffected. Unexamined out of glazed frame.
Lot 297
â–´ Julian Trevelyan RA (1910-1988)'Thames Barge'etching and aquatint in colours, 1984, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '36/50'image 47.5 x 34.5cmCondition ReportFramed: 74 x 54cmSome light rippling to the paper, the print has an acidic mount. Unexamined out of glazed frame.
Lot 321
â–´ Dame Paula Rego RA (Portuguese-British, 1935-2022)'Flying out of the Window'etching and aquatint on Somerset paper, 1992, published by the Artist and Marlborough Graphics, printed by Paul Coldwell at Culford Press, London, signed 'Paula Rego' and numbered '8/25' in pencilplate mark 19.5 x 11.5cmCondition ReportNot viewed out of glazed frame. Appears to be in good condition.
Lot 343
Bob Dylan (American, b.1941)'Sidewalk Café'Fine art giclée print on Hahnemühle 350gsm Museum Etching paper, from 'The Drawn Blank Series' published by Washington Green Fine Art in association with Black Buffalo Artworks, 2011, signed 'Bob Dylan' in pencil l.r., and numbered '194/295', complete with Washington Green Fine Art certificate of authenticityimage 51 x 40cmCondition ReportFramed: 85 x 68cmIn good condition. There are two small thunderbugs trapped between the glazing and the mount to the lower half, however the printed area is unaffected. Unexamined out of glazed frame.
Lot 344
Bob Dylan (American, b.1941)'Amagansett'fine art giclée print on Hahnemühle 350gsm Museum Etching paper, from 'The Drawn Blank Series' published by Washington Green Fine Art in association with Black Buffalo Artworks, 2008, signed 'Bob Dylan' in pencil l.r., and numbered '225/295', complete with Washington Green Fine Art certificate of authenticityimage 74 x 54cmCondition ReportFramed: 106.5 x 83cmIn good condition and well presented. Unexamined out of glazed frame.
Lot 225
AN EAST INDIA COMPANY SWORD, CIRCA 1830with 32in. etched pipe backed blade, half basket hilt with hinged thumb piece and company device, wire bound leather handle with stepped pommel, contained in metal scabbard with belt loops -- 39in. (99cm.) overallEtching worn, device on handle worn, scabbard may be associated.
Lot 130
A Georgian hallmarked silver footed salver plate. The salver of round serpentine form having a beaded border spaced by foliate motifs & etching to centre, raised on three cabriole legs to clawed ball feet. Hallmarked for London 1781, makers marks for I.S - John Schofield. Total weight approx 201.8g. Measures approx 16cm.
Lot 2
A hallmarked silver maritime interest bosun's whistle. The boatswain's call pipe having banded detailing to the mouthpiece & repeated down the shaft, coiled wirework, foliate etching to the body & etched crown, anchor & monogrammed initials to the whistle bowl to a spring ring clasp. Hallmarked for Birmingham 1896, makers marks for H&T - Hilliard & Thomason. Total weight approx 22g. Measures approx 9.5cm.
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71082 item(s)/page