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Lot 1

Pear Tree Press. An Account of the Aims and Intentions of His Press, with a List of Books, by James Guthrie, 1905, half-title, 32 pp., plus colophon leaf, blank at front and rear, minor foxing to blanks, orig. printed wrappers, rubbed and lightly creased to extrems., slim 8vo, with presentation inscription in ink to head of front wrapper, from Gordon Bottomley to B.J.F., dated September 1905, together with The Wreath, by P. J. Miller, with designs by James Guthrie, printed at the Pear Tree Press, 1911, b&w frontis., 32 pp., orig. cloth-backed boards, with paper label to upper cover, a little rubbed and some minor soiling, 8vo, plus Two the Memory of Edward Thomas by James Guthrie, Pear Tree Press, 1937, 32 pp. in all, illusts. to text, printed in black and orange-yellow, untrimmed and unbound, slim folio, and other related Pear Tree Press ephemera, including a slightly stained etching of 'Clouds', by James Guthrie, a Circular of Books, c. 1924, 4 pp., a prospectus for the Black Letter Series [1929], 4 pp., three black and white printed illustrations, a small pen and ink drawing of a Madonna and child, initialled J. F. C., and a copy of The Private Library, Spring 1976, devoted to James Guthrie (10)

Lot 1

Charles G L Phillips (1864-1944); etching of a shipping scene, signed in pencil, framed and glazed; also a pair of framed and glazed coloured etchings by MC Robinson and another smaller by Malcolm Patterson

Lot 1

William Lionel Wyllie, R.A. (1851-1931). Limehouse, signed in the margin, inscribed on a Robert Dunthorne Gallery label on the reverse, drypoint etching, image 20 x 25cm.

Lot 1

William Lionel Wyllie, R.A. (1851-1931). St. Katherine's Warf, signed in the margin, inscribed on a Robert Dunthorne Gallery label on the reverse, drypoint etching, image 20 x 25cm.

Lot 1

William Lionel Wyllie, R.A. (1851-1931). Sea Scouts, Portsmouth, signed in the margin, drypoint etching, image 15 x 25cm.

Lot 1

William Lionel Wyllie, R.A. (1851-1931). The Clyde at Govan, signed in pencil in the margin, etching, image 20 x 49.5cm.

Lot 1

William Lionel Wyllie, R.A. (1851-1931), 'Off Cowes, Phantom and Sunbeam', J Class yachts racing in the Solent between Cowes and Ryde, Isle of Wight, signed in pencil in the margin, bottom left, etching, image 8 x 37cm.

Lot 1

Marjorie Sherlock (1897-1973) 'Richmond, Yorkshire' Etching Pencil signed and titled 38cm x 25cm; Two other etchings by the same hand; An aquatint of Brighton by Norman Janes and six other works. (10)

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Dorothy E G Woollard, RWA, RE (1886-1986) Welsh Back, Bristol Etching Pencil signed 20cm x 25.5cm

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William Lionel Wyllie, RA, RE (1851-1931) A city river busy with shipping Etching Pencil signed 22.5cm x 37.5cm

Lot 1

An etching titled "The Sabot Shop" by Mortimer Menpes, monogrammed image, 9.5" x 6.75", S/D, carved oak frame.

Lot 1

A framed and glazed etching depicting a rural street with figures and half-timbered buildings monogrammed JRD, image 15.5" x 13".

Lot 1

W STEWART HOLLIER. Etching, titled verso "Gourock, Fort Matilda and Dunbartonshire Hill", signed in pencil, 4" x 9.5", framed.

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L WHIRTER. Etching, Holyrood Palace, Edinburgh, signed in pencil, Fine Art Trade Guild stamp, 8" x 12", framed.

Lot 1

John Fullwood THE RIVER DERWENT Drypoint etching and a Japanese watercolour on silk

Lot 1

A 19th Century Danish Naval Officers Sword, the 70cms slightly curved pipe back blade slightly etched with a trophy of arms, scrolling foliage etc. The gilt brass hilt with a single knuckle bow and pierced with a crowned fouled anchor. The grip of ivory, complete in scabbard with gilt fittings. The throat with a frog stud in the form of a shell and chiselled with an anchor against two flags. (Blade etching faint, gilding rubbed, scabbard chapel lacking)

Lot 1

Herbert Dicksee- Signed artist's proof etching- A rural scene with a ploughing team, 27cm x 46cm

Lot 1

A SMALL COLOURED ETCHING 'Flushing Ferry', framed; two Chinese needlework wall hangings, a Black Forest bear brush and a clockwork pecking finch toy.(5)

Lot 1

After Jean Louis Ernest Meissonier (1815-1891), French, Musketeers gambling in a tavern, etching, 35 x 41cm.; 13.75 x 16in, Game of boules, etching, 37 x 47cm.; 14.5 x 18.5in.; and another, Gentlemen playing games outside a tavern, etching, 41 x 54cm.; 16 x 21.25in (3).

Lot 1

Lt.-Com. Rowland Langmaid (exh.1924-30): 'Westminster from the river', signed etching, 21cm x 26cm

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A Frank Short Artists Proof Etching, and five other etching (6)

Lot 1

JACKSON SIMPSON SETTERS Etching, signed in pencil 14cm x 23cm and two others by the same hand 'A glimpse of Beinn Loyal' and 'Rising' (3)

Lot 1

JACKSON SIMPSON THE DINGHY Etching, signed in pencil 22cm x 15cm and another by the same hand 'Leaving port' (2)

Lot 1

WILLIAM LIONEL WYLLIE THE REGATTA Etching, signed in pencil 16cm x 37cm and another by the same hand 'Barges on the Thames' (2)

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JAMES ABBOTT MCNEIL WHISTLER LA VIEILLE AUX LOQUES Etching 21cm x 15cm

Lot 1

Hester Frood, Userche, etching, signed in pencil, 22x19cm

Lot 1

William Lionel Wyllie 'How the fleet came to anchor', etching, signed in pencil, 10x22cm

Lot 1

M.Birket Foster; etching, sheep droving across a millstream, pencil signed and small facial study to margin, published Arthur Troth & Sons 1882, impressed K R mark, 19x26

Lot 1

WILLIAM WALCOT, Liverpool, etching, artist proof, signed in pencil, plate size 3 3/4" x 6", ebonised frame

Lot 1

WILLIAM WALCOT, Whitehall, London, etching, artist proof, signed in pencil, plate size 3 3/4" x 6", ebonised frame

Lot 1

TATTON WINTER, Close Gate Salisbury, coloured etching, signed in pencil, 15" x 10", gilt frame

Lot 1

Ben Nicholson, O.M., 1894-1982 untitled 1957 (E.290) signed, dated 1957 and inscribed drypoint only copy in pencil drypoint etching image: 17x13.5cm.; 6.75x5.25in. sheet: 22x17.5cm.; 8.5x7in.

Lot 1

A .177" BSA "Light" Pattern underlever air rifle, 391/2" overall, barrel 17", number L38238 (1932), "1" stamped between tap and rearsight, single hole trigger block as in the succeeding "A" series; walnut butt with impressed chequering. GWO & C (no chamber etching, re finished over slight pitting)

Lot 1

A German 1871 type undress bayonet, blade with traces of etching, WM crossguard with ring, brass grip with spring, but no button or slot, in its brass mounted leather scabbard, the crossguard and scabbard top mount marked "76.R.8.39". Basically GC (some wear, markings at forte erased, abrasion to blade).

Lot 1

James Gilray- "French Liberty English Slavery", publ. December 21st 1792 by H. Humphrey; hand-coloured etching, 24.7x35.3cm: together with one other cartoon titled "War, John Bull in the Year 1800!, Peace, John Bull in the Year 1801!", and four etchings by W. L. Wyllie from "Our Fathers, To the Memory of the nameless Killed and Wounded" by Captain Ronald A. Hopwood. R.N., plates I, II, III and IV, each signed in pencil, and a further print, 'The Laws of the Navy', (7)

Lot 1

B. Nahmi, 20th century- Three circus figures; lithograph in colours, signed and dated '952 in pen, 36.7x25.5cm: 20th Century School- Venetian view; hand-coloured etching, signed with initials 'MRT', numbered 66/100 and dated '65 in pencil, 39x29.5cm., (2)

Lot 1

Attributed to Wenceslaus Hollar- The Hunt; etching, 11.5x18.4cm

Lot 1

Frank Brangwyn- The accordion player; etching, signed with initials within the plate and signed in pencil, 22.3x16.2cm: John Fullwood- Lakeland scene; etching, signed in pencil: together with thirteen other prints by and after different hands, (15)

Lot 1

William Walcot- "Park Avenue, New York", publ. by A.C.& H.W. Dickins Inc., New York; etching, titled in pencil on mount, 11.4x17cm: together with three other drypoint etchings by the same hand titled: "Villa Quintilii", "Arc de Triomphe, Paris" and "St. Peter's, Rome", the latter two publ. by The Fine Art Society, (4)

Lot 1

Victoria S. Hine- 'Ely'; hand-coloured etching, signed within the plate, 39x53cm

Lot 1

Maresco Pearce- Cafe interior with figures; etching, 1st state, signed within the plate and again in pencil, 22.3x14.8cm: Leroy- "Promenades Aeriennes, after L. Garneray, pub. A Pair au Jardin Baujon et chez Ch. Bance; hand-coloured engraving: together with a 19th century engraved map of St. Petersburg and one other engraving titled "View of the Copper Works at Neath", (4)

Lot 1

After Renoir- Portrait of two girls wearing hats; etching, bears signature, 11.5x8cm: William J. Allingham- Domestic scenes in the manner of Ward, publ. 1920 by G. G. Howell & Co.; stipple engravings printed in colours, ovals, a pair, both signed in pencil, (3)

Lot 1

After Rembrandt - Etching - A sow tethered in a sty with children looking on, 5.75ins x 7.25ins, signed in plate and dated 1643, in oak frame and glazed

Lot 1

JOHN FULLWOOD (1854-1931), "GRANGE BORROWDALE", 19th CENTURY ETCHING, inscribed lower left and signed in pencil lower right, framed. 22cm by 36cm

Lot 1

JOHN G. MATHIESON, "A QUIET CORNER OF LOCH KATRINE", drypoint etching, signed in pencil lower centre, framed. 39cm by 18cm

Lot 1

ENGLISH SCHOOL EARLY 20TH CENTURY, "TREE BY A STREAM", etching, signed indistinctly in pencil lower right, framed. 18.5cm by 27cm

Lot 1

G VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (1/75), River landscape with bridge, 11" x 9" and DOROTHY WOOLLARD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Old Curiosity Shop', 6" x 6", (2)

Lot 1

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed 'Stirling (Castle)', 10" x 13"

Lot 1

HEDLEY FITTON, SIGNED ETCHING, 'London Bridge' (see various labels verso), 14" x 14"

Lot 1

INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, a performing dog, 8" x 5" and AN EARLY 19TH CENTURY COLOURED STIPPLE ENGRAVING, awaiting the sailors return, 11" diameter and three other framed prints, various sizes, (5)

Lot 1

ROBERT MACBETH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING PRINTED ON SILK, DATED 1908, a roadside incident at the 'No Hurry' Inn, 13" x 20"

Lot 1

AFTER AVRIL BURLEY, ENGRAVED BY FRED MILLAR, SIGNED BY THE LATTER TO THE MARGIN, EARLY 20TH CENTURY COLOURED ETCHING, dated 1918, 'Magic Music', 11" x 8"

Lot 1

CHARLES H BASKETT, SIGNED IN PENCIL TO MARGIN, ETCHING, Polperro Harbour, 5" x 8"

Lot 1

AFTER ARCHIBALD THORBURN, ENGRAVED BY FRITZ KIRSTENIZ, SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING, Pheasants and Kingfisher, 7" x 10"

Lot 1

EDUARD WIRALT, SIGNED AND DATED 1926 TO MARGIN, BLACK AND WHITE WOODBLOCK PRINT, 'Leda and Swan', 11" x 9" and EDWARD WIRALT, LIMITED EDITION BLACK AND WHITE ETCHING (21/25), nude bathers, 16" x 15", (2)

Lot 1

ALFRED R BLUNDELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Glory of Delft', 20" x 12"

Lot 1

ALFRED G BURR, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING 'MENAI STRAITS', 10" X 7"; AFTER LAWSON WOOD, CHROMOLITHOGRAPH, A rainy day for Ducks, 11" x 9" and one other, (3)

Lot 1

CECIL MARY LESLIE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (3/10), 'Artemis' and a further UNSIGNED ETCHING by the same artist of Sleeping Cats, 6" x 8", (2)

Lot 1

AFTER SIR ALFRED JOHN MUNNINGS, BLACK AND WHITE ETCHING, Preparing for the Start, 5" x 8"

Lot 1

H JAMES STARLING, BLACK AND WHITE ETCHING, The Old Barge Inn; Together with four further framed prints, (5)

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