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Lot 429
* Christopher Penny, British 1947-2001- `Late October`; etching, aquatint in colours, artists proof, signed, titled, 47x34.5cm: Angela Newberry, 20/21st Century- `Fish Pond`; etching in colours, proof, signed, titled, 44.2x37.5cm., (2) Provenance: Paintings in Hospitals cat. no 10790 & HS0147 (may be subject to Droit de Suite)
Lot 433
Leonard Russell Squirrell RE RI RWS, British 1893-1979 exh 1913-1940- "Stoke by Nayland, Suffolk"; aquatint on paper, signed, titled, 21.6x33cm: together with `Bridgemount`; pencil sketch on paper, signed L.R.Squirrel, and titled, dated 28.7.34, 11.6x17.5cm: and a Church in Winter; etching, signed Leonard Squirrel, numbered 4/20, mounted, 10x7.1cm., (all by the same hand) (part unframed) (3)
Lot 466
Frederick Carter ARE 1885-1967- `Le Dons Du Diable`; etching, signed and dated 1908 within the plate, signed and dated 1909 in pencil, 21x13.4cm: together with two other etchings by the same artist, `Two Dancers`, signed and dated 1909 in pencil and `Will o` the Wisp`, signed and dated 1909 in pencil, 8x5.5cm and 9.7x12.6cm, (3)
Lot 467
Attributed to Henry Percy Huggill ARE 1886-1957- A French Cathedral, publ by The Gainsborough Galleries, Albert Building, Pressons Row, Liverpool Copyright 1919; etching, signed in pencil, bears blind stamp `Artist`s Proof`, 32x23cm: together with one other etching of a Northern European town square by the same hand, similarly signed in pencil, bears blind stamp `Artist`s Proof`, 21x26cm: Camille Foncé 1867-1938 exh 1896-1909- "Leon Cathedral" and "Rheims Cathedral", publ 1918 by Arthur Tooth & Sons 155 New Bond Street, London W, imp Ad Valcke Paris; etchings printed in colours, a pair, both signed in pencil, both bear labels for Grindley Palmer Exchange Street West Liverpool attached to the reverse of the frame, 40x35cm., ea: William Henderson exh 1886-1914- Sol del Venezia, publ by The Gainsborough Galleries Fine Art Publishers Liverpool copyright 1923; mezzotint printed in colours, signed in pencil, bears bind stamp `Artist`s Proof`, 29x40cm: George Sydney Hunt exh 1880-1917- "The Laughing Cavalier"after F Hals, publ 1915 by G J Howell& Co 26 Museum St London WC; mezzotint printed in colours, signed in pencil, 39.5x32cm., (6)
Lot 488
Late 20th/Early 21st Century- Portrait; mixed technique on paper, signed indistinctly and dated 84 in pencil, 61x45cm: Late 20th/Early 21st Century- "The Quintet"; etching with drypoint and aquatint printed in colours, signed, titled, numbered 2/50 and dated 88 in pencil, 43x30cm: After Judy Boyes b.1943- "After Rain in Torriden"; colour reproduction print, signed, titled and numbered 414/750 in pencil, 36x27cm., (3) (may be subject to Droit de Suite)
Lot 543
John Wright II c.1770-1820- Hunting Scene, after George Morland, publ Nov 20th 1800, Random, Stainbank & Sayer, 17 Old Bond Street; hand coloured soft ground etching, 29.5x37.7cm: together with four other hunting scenes from the same series, in matching frames (one missing glazing): together with a number of other prints, (a lot)
Lot 563
* Johannes Sadeler I 1550-1600- "Boni et Mali Scientia.."; c.1585, engraving, good impression, minor scattered staining and other defects, trimmed into the platemark, 20.4x25.5cm: After Antonio Lafrery, (Lafrerei) 1512-1577- Allegorical scene; c.1655, engraving, good impression, trimmed on the platemark, some staining and other defects: Quirinus Boel 1622-1686- "St Jerome"; engraving, after D. de Feraero, etching and engraving, fairly good impression , laid down, trimmed into the platemark: Giovanni Battista Galestruzzi 1618-1661- Bacchanalian fresco; etching and engraving, and others, (a lot) (unframed)
Lot 590
* After Jean Francois Millet 1814-1875- "Depart Pour le Travel"; c.1863, etching, this possibly a example a later impression, unidentified state, signed within the plate, on cream wove with margins, overall good impression, thin spot top right, handling marks and other minor defects, 45x35cm, (unframed)
Lot 613
Late 20th/Early 21st Century- Man drinking alone in a bar; oil on canvas, 60.3x76.2cm: French Surrealist School, late 20th century- `L`oiseau Jaune IV`; etching with aquatint, signed, numbered 14/73 and dated 80, 25.1x33.3cm: After Jean-Michel Folon 1934-2005- `Le Nid`; reproduction printed in colours, 53x45.8cm: together with a further quantity of other prints and reproductions, (a lot)
Lot 630
Ann Hewson b.1933- Cat on a chair; pastel, signed and dated 1990, 40x30cm: Elizabeth Duncan Meyer b.1942- "Lands End"; pastel, signed, titled and dated 97, 38.5x47cm: Tanya H, British, late 20th century- "Mother Nature Wants You"; watercolour, signed, bears inscription on the reverse `"Mother Nature Wants You, Stephen Bartley Gallery, 62 Old Church Street, London SW3 Dec 1989 Exhibited", 76x60cm.:Dawn Matthews, British late 20th century- Untitled composition; monotype, 120x89cm: Elizabeth Duncan Meyer b.1942- "Homage to V+A Pisa Doors"; etching with aquatint, signed, titled and numbered 1/10 in pencil, 56.5x57cm: Gabriela Zalewska, Polish late 20th/early 21st century- Untitled composition with figures; woodcut printed in colours on two sheets of buff paper, signed, inscribed `A/P` and dated 2002, 39x49cm: After Jock Leyden 1908-2000- Cartoons, composite group; reproduction prints/collage in shared frame, 69x69cm: Late 20th/Early 21st Century- Figure, untitled; mixed technique print with mixed media, 75x60cm.: Stewart MacKinnon b.1948- Untitled; pencil, signed and dated 72, 48.5x36cm: Anne Dunn b.1929- Untitled composition; watercolour, signed and dated 1989, 43x58.5cm., (10) (may be subject to Droit de Suite)
Lot 48
NEIL CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Wells Cathedral”, 4” x 6”; INDISTINCTLY SIGNED, HAND COLOURED ETCHING, “ ...... Matterhorn”; INITIALLED AND DATED 1887, SEPIA ETCHING, Fisherfolk on a Beach; and AFTER JACQUEMART, BLACK AND WHITE ETCHING, Flower Study, 11” x 8” (4)
Lot 62
BLACK AND WHITE PRINT, CIRCA 1868, (FROM A PUBLICATION), “The Royal Meet of the West Norfolk Hunt at Snettisham ……”, 9” x 14”; BERTHA GOOSE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1911, “Llangollen Bridge”, 8” x 12”; and LARGE BLACK AND WHITE PHOTOGRAPH, Racing Yachts on the Norfolk Broads, 15” x 35” (3)
Lot 554
AFTER ARCHIBALD THORBURN "Sable Antelope", black and white print, together with a black and white engraving after a 17th century scene depicting huntsmen and hounds in a wooded landscape, a pair of figural engravings of gentlemen, AFTER S. VAN ATHE ... "St. Paul`s, London-December 29 1940, black and white drypoint etching depicting St. Paul`s during the Blitz, indistinctly signed in pencil in the margin, a pair of Continental coloured engravings, a pair of mounted and displayed cigarette cards of birds, and various watercolours, pictures and prints
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78388 item(s)/page