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Lot 107
Percival Leonard Rosseau (American 1859-1937) Partners etching, signed and titled in pencil. Original mount and frame 19cm x 26cm Note: Percival Rosseau was often invited by his partners to hunt and paint on their estates. Most prominent was Percy Rockerfeller, who made Rosseau a member of the hunting club at Overhills, on his estate in Fayetteville, North Carolina. Rockerfeller erected a studio for Rosseau on his estate and often lent his bird dogs to Rosseau as models.
Lot 243
After James Gillray (1756-1815), Shrine at St. Ann's Hill, the original plate published 26th May 1799 by Hannah Humphrey, London, later impression with later hand colouring, engraving, image size 35 x 24.5cm. 13.75 x 9.75in, together with Pacific-Overtures_or_a Flight from St. Clouds_over the Water to Charley_a new Dramatic Peace now Rehearsing, the original plate published April 5th 1806 by Hannah Humphrey, London, later impression with later hand colouring, etching, image size 28.5 x 38cm. 11.25 x 15in (2).
Lot 1100
Graham Murray b.1938- "Bud Forms"; oil on board, signed, bears inscription onthe reverse of the frame, 28.5x21cm: James Cadzow b.1881- Woodland scene; etching, signed and numbered XVIII in pencil, bears framer's label for Aitken Dott & Son, Edinburgh attached to the reverse of the frame, (2) (may be subject to Droit de Suite)
Lot 1204
Circle of David Hockney RA b.1937- Old man standing with a caped figure in a nocturnal mountain landscape; etching with aquatint, unsigned, 18x21cm., (unframed) Note:This print bears strong similarities to examples of etchings by David Hockney from the editions 'Rapunzel', 'The Boy Who Left Home to Learn Fear' and 'Old Rinkrank'
Lot 1214
Yinka Adeyemi, Nigerian b.1941- "Laying Ostrich"; mixed technique etching printed on buff paper, signed, titled and dated 1973, 50x39cm: Bruce Onbobrakpeya, Nigerian b.1932- "Playtime (Yellow Base)"; etching with hand-colouring and embossing, signed, inscribed 'Lagos', numbered 4/20 and dated 1973, 59.5x45cm., (2). Note: Yinke Adeyemi was one of the original artists of the Oshogbo School in Nigeria from the early 1960's. He currently resides in the USA. see pages 250 and 254, 'African Art' by Frank Willett, 1971. A print by Bruce Onobrakpeya is illustrated on page 250. (may be subject to Droit de Suite)
Lot 1261
The Following Six Lots are from the Studio of Berenice Sydney 1944-1983 Berenice Sydney born 1944 in Esher, Surrey. Studied at the Lycee Francais in London and attended the Central School of Art, before deciding to work independently and dedicating herself entirely to her work. In her Flood Street Studio in Chelsea, she abandoned the figurative representation for total abstraction where geometric forms alternate with with coloured rhythm. From the mid 1960s she began her work with woodcuts and engravings, later with screen printing and other techniques that led her towards a new particular way of representation In the early 1970s she continued to use canvas and etching on steel and copper in her Highgate studio, North London. With a strong involvement not only in her work but also in classical music, poetry and dance. Showing a long list of exhibitions ranging from 1968 until her early death in 1983, including shows in London, Paris, Barcelona and South America to include Drian Galleries, London Royal Institute Galleries Lumley Cazalet Gallery Bibliotheque Nationale, Paris Mostra m'Arte Multiple, Spain Memorial exhibition "Homage to Berenice Sydney" at the Edwin Engelberts, Galerie, Geneva along with many works in Universities and public collections Berenice Sydney died on May 18th 1983 Berenice Sydney 1944-1983- "British Education"; collage, inscribed verso, 76x56cm: together with three other collages by the same hand, depicting Marilyn Monroe and others, (4) (unframed)
Lot 1341
Amelia M Bowerley d.1916- The Sphinx; etching, signed in pencil, 22x35cm: Ernest Herbert Wydale 19/20th century- Figures in a village square; etching, signed in pencil: together with five other 19/20th century etchings to include Philip Gilbert Hamerton 1834-1891, J Knight, John Laviers Wheatley 1892-1955 and others, (7) (unframed)
Lot 815
An engraving on paper in period framed 'Truly This Man Is The Son Of God', together with After Frank Wiles, print on paper, rural haymaking scene with huntsman and dog, two Oriental scenes on paper, heightened with gold and Alexander H.Kirk, signed in pencil, etching on paper, horses in a wooded landscape. (5)
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