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Click here to subscribeJames Arden Grant, British 1887-1974- "London, The Gateway of the Church St. Bartholomew the Great"; etching, signed in pencil, 14.9x10.5cm: British School, late 19th/early 20th century- Cottage scene; charcoal heightened in white, signed with initials and dated, 22.5x28.5cm: together with two prints of townscapes, (4), (may be subject to Droit de Suite)
European School, mid 20th century- Iberian fishing boats in a harbour; woodcut printed in colours, signed, titled, numbered 1/20, and dated 1952, 18.5x29.5cm: MacDonald, British School, mid 20th century- `Christ`s College Cambridge`; etching on paper, artist`s proof, dated `53, signed and titled, 20x26cm: together with a quantity of engravings and reproduction prints of varying sizes, 36x45.5cm., (max) (11) (a lot) (may be subject to Droit de Suite)
* Chris Plowman, British 1952-2009- "Metropolis"; photo etching printed in colours, signed, titled, inscribed `Artist`s Proof` an dated 1977 in pencil, 37x24.5cm: Scandinavian School, mid 20th century- River landscape; lithograph printed in colours, signed, titled, numbered 51/125 and dated 62 in pencil, 42x59cm., (2) (unframed) (may be subject to Droit de Suite)
After John Frederick Herring, British 1795-1865- "Fathers of the Turf 1683-1822", publ February 1st 1915 by Messrs Fores 41 Piccadilly, London; chromolithograph, 63x90.5cm: George Morland, British 1763-1804- Man stabling a horse, republished by Orme Conduit Street June 1 1799, Sold & Published by D Orme & Co May 1 1793 at the Morland Gallery 14 Old Bond Street; hand-coloured soft-ground etching, signed and dated 1792 within the plate, 53.5x41cm., (2) (unframed)
Wenceslaus Hollar, Czechoslovakian 1607-1677- "Seleucus and His Son", after Giulio Romano; etching, this possibly a later edition, 28.3x36.3cm (trimmed): Aegidius Sadeler, Flemish 1570-1629- Virgin and child with St. John, after Raphael; engraving, this possibly a later edition, 28.3x23cm (trimmed): George Hayter, British 1792-1871- "La Sybillas"; etching, signed and dated 1824 within the plate, 24.3x15cm: together with another etching by the same artist, (4) (part unframed)
Professor Alphonse Legros RE HRSA, French 1837-1911- Man resting in the countryside; etching, signed in pen, 12.6x20.2cm: Publ. W H Beynon & Co. Cheltenham, late 19th/early 20th century- "The Hall, Corpus Christi", "Corpus Christi Coll. Cambridge", "The Old Court", three; etchings, ea. 12.8x20.2cm: together with three other prints, (7) (unframed)
Joseph Webb ARE, British 1908-1962- "Timber Waggon, Bincombe Dorset"; etching, signed, with Memorial Exhibition, RWS Galleries, 26 Conduit Street, W1 label to verso, 14.5x20.5cm: George Mackley, British 1900-1983- "Haybarns at Eemdijk"; wood engraving, signed, titled and numbered 17/75 in pencil, 10x12.5cm, (2), (may be subject to Droit de Suite)
H Bello, early 20th century- Maiden warrior on a horse drawn chariot leading her army to battle; watercolour, signed and dated `15, 73x51cm: After William Quiller Orchardson RA, British 1832-1910- "The Surrender of Napoleon to Great Britain"; reproduction print, 50x72.5cm: Jules Jacquet, French 1841-1913- French Cavalier, after Meissonier, publ 1903 Arthur Tooth & Sons; etching, signed, 42x24.5cm: Andre Charles Coppier, French 1866-1948- The Three Musketeers, after Meissonier, publ. 1907 The Fine Art Society; etching, signed in pencil, Robert Dunthorne The Rembrandt Gallery label to verso, 53x63cm: together with two early 20th century gilt composition frames, (6), (may be subject to Droit de Suite) (a/f)
James Garden Laing RSW, Scottish 1852-1915- Church interior; watercolour, signed, 53x38cm: James Alphege Brewer, British act.1909-c.1938- "Venice, (Palazzo C`o d`Oro)", publ by Alfred Bell & Co Ltd 6 Old Bond Street London W1 October 29th 1928; etching, signed in pencil, 25x36cm., (2) (part unframed) (may be subject to Droit de Suite)
W BARKER (19th CENTURY) "Stonegate York" and "Near Lichfield", watercolours, ovals, MEYER EBERHARDT "Study of a terrier seated in the rain", black and white dry point etching, IN THE MANNER OF BARTOLOZZI "Figures in an interior with a gentleman looking on", coloured mezzotint, EARLY 20th CENTURY SCHOOL-a pair of over painted portraits and a quantity of miscellaneous prints
English School (18th/19th century). Portrait of Sir Thomas Chaloner. Inscribed in Latin upper left, further inscribed and bearing date 1548 upper right. Oil on canvas. 107 x 77.5 cm (42 x 30 1/2 in). Provenance: The Collection of a Lady of Title. An etching of this subject: Sir Thomas Chaloner by L. Picard, after Unknown artist, etching, (1548) is in the collection of the National Portrait Gallery.
* Paul Nash, British 1889-1946- "Genesis", publ by the Nonesuch press, 1924, numbered 187/375, text in Rudolf Koch`s Newland type on Zanders hand-made paper (unicorn watermark) by the Curwen press; twelve woodcuts, as issued with text, 27x19cm (sheet) (unframed) (26): Sir David Young Cameron RE, Scottish 1865-1945- "Amboise", 1903, etching, signed within the plate, bears title in pencil, 26x14.5cm: Blake Debassige, Canadian, b.1956- "Nanabush and the Great Flood", publ by Woodland Prints, Toronto, Canada; lithograph in colours, signed, titled, inscribed and numbered 91/150 and dated Aug `74, 23x33.2cm: Sir William Nicholson, British 1872-1949- "November"; woodcut on litho, printed in colours, 31.3x24.2cm (sheet): Stanley Vickerman, 1922-1997- Figure in a mountain landscape; linocut, signed with monogram within plate, signed in pencil, 19x12.5cm: William Blake, British 1757-1827- "Fear & Hope and Vision"; etching, numbered `13` lower left, 8x7cm: Mid 20th Century- Untitled, etching, initialled `LA` and numbered 4/22 and dated 1972 in pencil, 10x14cm: together with one other similar, signed with monogram, numbered 2/20, initialled `LA` and dated 1972 in pencil 25x21.2cm, and one wood cut of a hedgehog signed with initials `WH` within the plate, 7.7x11.2cm., (9) (a lot) (unframed)
* Attributed to Wilhelm Beckmann, German 1852-1942- `Merrymaking frieze of figures`:pen and black ink on paper, signed in pencil, 26x60.5cm: Hugo Lous Mohr, Norwegian 1889-1970- Figures on a shore by a temple; gouache, signed, 24x20cm: Wilhelm Von Kaulbach, German 1805-1870- Illustration to Goethe`s "Reynard the Fox"; pen and brown/black ink on paper, 12x11cm: Follower of Jean Louis Ernest Meissonier, French 1815-1891- A Dinner Party; etching hightened with white gouache, 5x9cm: Carl Röder, German 1852-1922- Waterfall; pen and brown ink on paper, bears ink on the mount, 18x26cm., (5) (unframed)
E Gentle, British, late 19th/early 20th century- "Nearing Antwerp"; oil on canvas, signed and dated 1900, bears inscription on the reverse, 23x33.2cm: British School, early 20th century- Shipping in the Pool of London; pencil, signed with initials `CM`, 17.5x24.7cm: British School, early 20th century- "The Palace of Westminster"; etching, 23x30cm: W Ellison, British, early 20th century- Estuary townscape; watercolour, signed, 17x26cm: British School, early 20th century- Parkland river scene; watercolour, 16.5x16cm., (5)
JAMES PITTENDRIGH MACGILLIVRAY, RSA (1856-1938) DESIGN FOR A CLARET JUG SIGNED AND INSCRIBED ON THE BACKING PAPER PRESERVED VERSO, PEN, BISTRE INK AND GREY WASH, 19.5 X 11.5 CM, A SMALL STUDY OF MULES OF THE MARKET PLACE BY AND CAROLINE PATERSON, RSA (1935-), PVA, 1972 AND AN ETCHING BY IAN FLEMING (3) ++ The lot in fine condition
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