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A collection of pictures and prints relating to cats including a coloured print after Louis Wain of a cat playing a pipe 14 x 13cm, a Victorian coloured print of kittens playing with a watch - Time Keepers 19 x 24cm, a signed coloured limited edition etching of a Siamese cat in a garden setting 31 x 24cm, a pair of white chalk studies of prowling cats and kittens both signed Anne Hudson 77 x 25cm, together with a ink and wash design for a stained glass window showing the four horsemen of the Apocalypse inscribed 'Original sketch for window by Magnus M Dawson 41' 76 x 25cm, all framed
A limited edition monochrome print after Tom Merrifield, a study of a male nude, with printed signature bottom right and edition number 11/250, 94 x 58cm together with two further limited edition prints, one after the same artist showing dancers and also together with an early 20th century coloured etching of an Ostend canal scene, black and white engraving after Tiepolo, a pair of oriental embroidered panels with floral detail, probably cuffs etc
Two unframed etchings after Kurt Meyer Eberhardt, one showing a group of eight dogs including French bull terriers, Pekinese, Airedale type etc, 36 x 76cm numbered 136, the other showing a seated terrier watching a wasp, both with pencil signatures bottom right and inscribed Original Etching, numbered 73, 50 x 39cm both unframed
Firenze. Etching engraved by Carlo Gregori, reinforcements and restorantions, tiny marginal tears, 21,14 x 27,56 in. Lively scene showing the Piazza invaded by the football players. Plate from the famous series entitled “Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze”, a masterpiece by Giuseppe Zocchi considered an important document of the Florence of the eighteenth century.
Etching, full margins, 3,35 x 4,33 in. A niceful country scene in which two men inflate a balloon for a group of kids, while the background shows the fortifications of a northern European city with subtitle at the underneath “Wiltu den Ballon schlagen gschwind, must sehen das du habest wind”.
*Gillray (James). Taking Physick, published John Miller & William Blackwood, Edinburgh, [1824 - 1827], etching with contemporary hand colouring, slight staining to margins, 260 x 190 mm, together with Metalic Tractors, [1824 - 1827], mixed method engraving with contemporary hand colouring, 195 x 230 mm, mounted, with another seven Edinburgh published Gillray caricatures, including, 'The Bear and his Leader...', 'A Smoking Club', 'More Pigs than Teats...', 'A Cockney & his Wife going to Wycombe', 'Tales of Wonder', 'A Kick at the Broadbottoms...' and 'Doublures of Character...', various sizes, six mounted, many with pages of descriptive text, with My Poll & my Partner Joe, published H.Humphrey, 1796, etching with contemporary hand colouring, felt pen doodle on verso with showthrough, 265 x 290 mm, plus thirteen Gillray caricatures printed on eight leaves, published by H.G.Bohn, with additional cartoons to verso, (one with later hand colouring), circa 1850, each sheet approximately 480 x 380 mm The Caricatures of Gillray; with Historical and Political Illustrations, and Compendious Biographical Anecdotes and Notices was a nine volume history of James Gillray's works, published by John Miller of London and William Blackwood of Edinburgh between 1824 and 1827. It was one of four major posthumous editions of Gillrays prints to have been published during the first half of the nineteenth-century, although it was the only one to have been produced using copied engravings rather than Gillray's original copperplates. (18)
A watercolour, by O.H. Thomas - "Snowdon from Penyclavyd", signed and inscribed; a watercolour by George S. Cauntley - "Monument at Philae" from his album of "Jouney through Turkey, Egypt and near East, 1844-7", inscribed label verso; together a colour etching by Dr D. Donald - "Tetuan", with signature to border. (3)
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