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Lot 667
AUGUSTUS EDWIN JOHN, OM, RA (1878-1961) OLD MAN OF LIVERPOOL etching on wove, signed in the plate and dated 1902, signed by the artist in pencil, 14 x 10cm Number 7 of 25 impressions of the only state. Sold with the receipt of Chas Chenil & Co Ltd, Chelsea, 8 March 1918 (4gns). In good condition with slight browning from a window mount, reframed for the present vendor by the late Dorothie Field, the artist, c1980.
Lot 994
A GROUP OF FOUR FRAMED ARTWORKS, CIRCA 1915-1980. Comprising a lovely charcoal and gouache illustration depicting Children in a 4th of July Procession in a New York City Park, signed lower left R.G. Bowie and inscribed, titled and dated on verso Robert G. Bowie 1915, 16 inches x 10.75 inches. Also, an original signed and numbered lithograph by American artist Chaim Gross (1904-1991) depicting a Jewish Man Holding Basket of Bread, 16.5 inches x 12 inches, an original hand signed and numbered color lithograph by the famous French pantomimist Marcel Marceau (1923-2007) image #4 from the series Le Troisome Oeil, 17 inches x 22.75 inches, and a highly accomplished signed and numbered etching and aquatint by American artist Sara Sears (Born 1953-) titled Halloween Parade –dated 1987, 21.75 inches x 15.75 inches. Each work contained in a glazed frame.
Lot 563
Rembrandt van Rijn, Dutch 1606-1669- "The Artist`s Mother Seated, in Widow`s Dress and Black Gloves", 1632, (B.344, H.91) N.-U state I (of III); etching on laid paper, signed within the plate, early impression identified by the etched thumb in the upper left corner above the signature, 14.3x11.1cm., (unframed)
Lot 581
Robert John Thornton, British 1768-1837- "Temple of Flora, A Group of Carnations", after Henderson, sculpt. Caldwell, publ. April 2nd 1803; etching with aquatint printed in colours with hand colouring, 50.5x38cm: together with three other etchings with aquatints printed in colours with hand colouring from the same suite, "A Group of Auriculars", after Reinagle, sculpt. Sutherland, publ. May 1st 1807, "The Nodding Renealmia", after Henderson, sculpt. Caldwell, publ. Nov 1st 1801, "A Sacred Egyptian Bean", after Henderson, sculpt. Burke & Lewis, publ. Dec 1st 1804, in matching frames, ea. approx. 50.5x38cm, (4)
Lot 606
Walter Richard Sickert NEA RBA RE, British 1860-1942- "Chagford", the small plate (Bromberg 177), c.1916; etching, second state, signed within the plate, 10x14.5cm. (may be subject to Droit de Suite) Provenance: with Thos Agnew & Sons Ltd, according to label attached to the reverse of the frame
Lot 612
John Skinner Prout, British 1806-1876- Mountainous lake scene with fishing boats and buildings in the distance; watercolour and pencil, 19.2x26.6cm: Provenance: Thomas Agnew & Sons Ltd, London, No 27644, according to the label attached to the reverse of the back board, Christies Auction 16th May 1966: Follower of Joseph Mallord William Turner RA, British 1775-1851- Four boats at sea; watercolour, pen, ink and wash, heightened with white, 16x11.5cm: British Provincial School, 19th century- Man riding horse on sandy shores; watercolour, 16x20cm: European School, 19th century- The Tomb of General Moreau; sepia hand coloured etching, 8.7x12.8cm: together with three other similar prints by the same or associated hand depicting the Elbe and Schandau, (7), (unframed)
Lot 709
Sandra Blow RA, British 1925-2006- Untitled abstract composition; etching with aquatint, numbered AP IIII/X, bears the artist`s studio stamp on the reverse, 37x37cm: John Plumb, British 1927-2008- "Colour Steps D"; screenprint in colours, signed, titled, numbered 17/75 and dated 71 in pencil, 53x72cm, (2)(may be subject to Droit de Suite)
Lot 713
Julian Otto Trevelyan RA, British 1910-1988- "West Wind"; etching with aquatint printed in colours, numbered 32/50 and titled in pencil, with printed signature and monogram beneath the plate, 35x47.5cm, (may be subject to Droit de Suite) Note: a number of editions were not completed at the time of Trevelyan`s death; from 1990 his print dealer Bohun Gallery and the artist Mary Fedden continued to organised posthumous prints, Fedden designed a monogram to be printed with a rubber stamp of Trevelyan`s signature so that these posthumous prints could be easily recognised.
Lot 730
Dame Elisabeth Frink CH DBE RA, British 1930-1993- "Agamemnon at the Lion Gates"; etching with aquatint in sepia/brown, numbered 16/70 in pencil, 54.8x36.8cm, (may be subject to Droit de Suite) Provenance: with the Compass Gallery, 178 West Regent Street, Glasgow, G2 4RL according to the label attached to the reverse
Lot 742
AMENDMENT: The `Easter Festival` print is not included in this lot- Julian Otto Trevelyan RA, British 1910-1988- "Harbour"; etching with aquatint, signed, titled and numbered 37/50 in pencil, 34.5x47.5cm: Julian Otto Trevelyan RA, British 1910-1988- "Easter Festival"; aquatint printed in colours, signed, titled and numbered 40/100 in pencil, 34.5x47.5cm: After Julian Otto Trevelyan RA, British 1910-1988- "Harbour", publ by Schools Prints Ltd., printed by the Baynard Press, 1946-1947, from the edition of approximately 3000, 49.5x76cm., (3) (part unframed) (may be subject to Droit de Suite)
Lot 743
Bill Jacklin RA, British b.1943- "Table Top with Rattle"; etching with aquatint, signed, titled dedicated, inscribed `A/P` and dated 78 in pencil, 42x33.5cm: David Gentleman, British b.1930- "St James, Goose Creek", "Stanway" and "Charleston Market"; lithographs printed in colours, three, each signed, titled, numbered 68/100, 70/70 and 87/100 in pencil respectively, 42x55cm., ea: Ota Janecek, Czech 1919-1996- Reclining nude; linocut, signed twice, inscribed `A/P` and numbered 8/50 in pencil, 30x51cm: together with two other linocuts by the same hand both of nude subjects, one printed in vermilion, both signed, inscribed `A/P` and numbered 37/50 and 45/50 in pencil, respectively, 57x45cm., ea: Valér Ferenczy, Hungarian 1885-1954- View of Budapest; etching, signed in pencil, 23x33cm., (8) (may be subject to Droit de Suite)
Lot 750
* Salvador Dali, Spanish 1904-1984- "Saturnian Giraffe", from Conquest of the Cosmos, 1974; drypoint etching on chromolithograph in colours, embossed, signed, inscribed `EA` in pencil, from an edition of 195 epreuves d`artiste, 74x55cm (may be subject to Droit de Suite). VAT charged on hammer price
Lot 766
Laura Sylvia Gosse RBA ARE SWA, British 1881-1968- Figures in a village street; etching, signed within the plate and signed in pencil, 25x18cm Provenance: Gabriel White, British 1902-1988- "A Window in Dieppe"; etching, 22.2x17.5cm Provenance: with Sally Hunter Fine Art, London, according to label attached to the reverse: Guy Seymour Warre Malet RBA, British 1900-1973- "Dieppe";woodcut, signed, titled and numbered 5/50 in pencil, 16x21cm: After Ernst Oppler, German 1867-1929- "A Street in Dieppe"; soft-ground etching, signed and dated within the plate, 14.5x9.2cm: William Westley Manning RBA ARE ROI, British 1868-1954 exh 1889-1940- "Market Place, Dieppe"; aquatint, signed in pencil, 25x35cm: Eugène Béjot, French 1867-1931- "Le avant Port Dieppe"; etching, signed, inscribed and dated 1930 within the plate, signed and numbered 75/102 in pencil, 20.5x27cm., (6) (may be subject to Droit de Suite)
Lot 767
Malcolm Osborne RA PRE, British 1880-1963 exh 1905-1940- Amiens; etching with drypoint, signed in pencil, 23x39.7cm: Malcolm Osborne RA PRE, British 1880-1963 exh 1905-1940- Port of Dieppe seen from the Arcades; etching with drypoint, signed within the plate and signed in pencil, 28x19cm: Gabriel White, British 1902-1988- "Le Treport"; etching, signed, titled, numbered 4/50 and dated 77 in pencil, 29x19cm: Provenance: with Sally Hunter Fine Art, London, according to label attached to the reverse of the frame: Gabriel White, British 1902-1988- "Dieppe"; etching, signed, titled and inscribed `A/P`, 18.5x28cm Provenance: with Sally Hunter Fine Art, London, according to label attached to the reverse of the frame: Edith Mary Garner ROI, British b.1881- "Abbeville"; etching, signed, titled and inscribed in pencil, 18x21cm: Job Nixon RWS RE NEAC ARCA, British 1891-1938- "Le Chateau de Dieppe", 1919; etching with drypoint, signed in pen from the edition of 60 signed proofs, 25x39cm., (6) (may be subject to Droit de Suite)
Lot 771
Sir Frank Brangwyn RA RWS RBA, British 1867-1956 and Yoshijiro Urushibara, Japanese 1888-1953- Fête, Cahors; woodcut printed in colours, signed by both artists and numbered 25 in pencil, 40.5x44cm: Laura Sylvia Gosse RBA ARE SWA, British 1881-1935- "Le Chateau, Dieppe"; etching, signed within the plate, 22x19.5cm. Provenance: with Michael Parkin Gallery, London, according to label attached to the reverse of the frame: Eliab George Earthrowl ARE, British b.1878- View of the harbour, Dieppe; etching, signed and dedicated in pencil, 13.5x22.5cm: Hedley Fitton RE, British 1859-1929- "St Etienne, Beauvais"; etching, signed with initilas within the plate, signed in pencil, 44.5x27.3cm: Herbert Railton, British 1857-1910- Rue Mortier d`Or; etching, signed within the plate, 27x21cm: John Sell Cotman, British 1782-1842- "Eglise Saint Jacques à Dieppe"; etching, 33x24cm., (6) (may be subject to Droit de Suite)
Lot 51
PICASSO MADOURA RAMIE TERRA COTTA PLAQUE 24/200 Picasso Madoura terra cotta pottery plaque depicting a face with impressed stamps etching. 24/200. Made in France. Holds impressed Picasso marks with black stamp mark numbered 24/200. Measures 13 7/8" length x 12 1/4" width (35.2cm x 31.1cm). Total weight of approx. 1.5 kilograms.
Lot 80
JAMES ABBOT WHISTLER ETCHING & DRYPOINT ANNIE James Abbott McNeill Whistler (AMERICAN, 1834-1903) etching and drypoint depicting a seated young girl. Titled `Annie`. Measures 5 3/4" height x 4 3/8" width (14.6cm x 11.1cm). Overall size of 20 1/8" x 15" (51.1cm x 38.1cm). Provenance: Vincent Price Collection, Sears Roebuck.
Lot 249
RENOIR PLATE SIGNED "FEMME NUE COUCHEE" LITHOGRAPH Jean Renoir (FRENCH, 1894-1979). Etching depicting reclining nude sleeping female. Title: "Femme Nue Couchee" or Naked Woman Sleeping. Includes certificate. Etching measures 5 1/2" x 8" width + 9 3/8" matte and frame (13.9cm x 20.3cm + 23.8cm).
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