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Lot 1174

J. Eggett, Portsmouth Harbour, signed and extensively inscribed in pencil, etching, pl.16.5 x 42cm, together with: Harold Sayer, 'The Dovecot', signed and inscribed, etching, pl.19.5 x 25cm; and another print after Frank Brangwyn. (3)

Lot 1115

Gray (Thomas), Elegy Written in a Churchyard, folio, morocco, illus. by The Etching Club, London, J. Cundall, 1847; Lambeth Palace Illustrated by a Series of Views...,folio, calf, with engravings, J. Carpenter, 1806; and Oeuvres de Gavarni, half calf, marbled boards, folio, n.d. (3)

Lot 57

‡ SIR FRANK BRANGWYN RA (Welsh 1867-1956) etching - 'The Butcher's Shop', signed in pencil (i), 47 x 48cmsProvenance: deceased estate Vale of GlamorganComments: paper margin toned, framed and glazed

Lot 133

HOOKER (JEREMY) & ACKROYD (NORMAN) Itchen Water, poems 1982, Winchester School of Art Press, 4to., limited edition (11/100), signed by the poet and the artist, comprising ten tipped in original etchings all signed and titled in pencil, and a loose additional etching similar, , Provenance: private collection Vale of Glamorgan.Comments: excellent condition.

Lot 1026

Gillian E Hoare (20th Century) Portrait of three dogs: "Dusty, Buttons and Brail" Signed and dated (19)87, pastel, oval; Together with a pencil sketch of the racehorse "Crisp" by the same hand, signed and dated (19)77 and a limited edition coloured etching No. 4/75 after Henry Wilkinson, Retriever with a duck, signed in pencil; 50.5cm by 37.5cm, 39cm by 29cm and 27cm by 31.5cm respectively (3)

Lot 1029

William Lionel Wyllie (1851-1931)Sailboats on choppy watersPencil signed etching, 35cm by 47cm; together with a further maratime print signed Wyllie and a Langmaide Thames view etching (3)Sailboats on choppy waters - overall good condition. Dust and debris trapped under glass. Sporadic small marks.Not examined out of the frame.

Lot 1081

After R A Riseley (20th Century)"Freckles"Etching signed in pencil, 20cm by 14.5cm, together with fourteen further engravings after the same artist, including: "Gainsworth Rectory", "Moreton Old Hall", "Gawsworth Rectory" and "Sandback Crosses" etc (15)

Lot 361

Harold Wylie (1880 - 1973), by and after, HMS Agamemnon, etching, signed and inscribed in pencil, 20cm x 29.5cm

Lot 225

Pasternak (Boris) Doktor Zhivago [Doctor Zhivago], first trade edition in Russian, light occasional spotting and staining, light marginal toning, upper hinge slightly cracked, original olive boards, gilt-stamped with griffin crest to upper cover and spine, tear to upper joint head, ink stain to upper joint foot, spine ends and corners lightly bumped, very light foxing, Milan, Feltrinelli, [1958]; Doktor Zhivago [Doctor Zhivago], early reprint of first trade edition in Russian, crude ink annotations throughout, a few leaves dog-eared, a few marginal tears, hinges cracked, contents shaken with last few leaves slightly loose, original olive boards, spine ends lightly bumped, dust-jacket, upper flap joint slightly cracked, tear to lower flap, spine ends and corners slightly chipped, Milan, Feltrinelli, [1961]; Doktor Zhivago [Doctor Zhivago], reprint, frontispiece, a few ink annotations, lower hinge slightly cracked at head, original cloth, gilt, price label to lower cover, a few faint stains to covers, spine foxed, Moscow, 1989l; and 4 others, including 2 works on the forced repatriation of Cossacks at the end of WW2 and an etching of Matvei Platov, v.s. (7)

Lot 75

AFTER GABRIEL PERELLE FOUR VIEWS OF THE CHATEAU, PARK, AND GARDEN AT CHANTILLY Etching, mounted as three One inscribed 'A Paris chez N Langlois rue St Jacques a la Victoire' (lower left) Plate 22 x 32cm (8½ x 12½ in.) and smaller Unframed (3) These plates were engraved by Gabriel Perelle (1604 - 1677) and published as part of a large series of views of mostly France, titled Veues des belles maisons de France, by the Langlois and Mariette families in the 17th and 18th centuries. The works offered here include two plates which carry the address for Nicolas Langlois, (1640-1703). Only one complete set of this series has been offered at auction, a 1703 edition with all plates carrying the Langlois printed address. Both the Chateau and the gardens at Chantilly were designed by Andre le Norte (1613 - 1700).(This lot is offered without reserve)

Lot 1007

Bryan Pearce (1929 - 2006), St. Ives Parish Church and Harbour, etching, limited edition, 21/30, signed in pencil, dated '72, Belgrave Gallery, St. Ives paper label to verso, 15cm x 20cm

Lot 6096

WILLIAM LIONEL WYLLIE RA (1851-1931): An etching of Westminster Hospital, signed lower left, framed and glazed, 20cm x 25cm image size

Lot 2

Collection of four engravings Hedging and Ditching from Liber Studiorum by J.M.W. Turner, sepia etching with aquatint, 21 x 29cm (image); Mother and three children resting by Anthonie Watherloo, etching, 29 x 24cm (image); and two reproduction prints: Frederik Bloemaert - Farm Buildings, and Jan van der Velde - Landcsape Brewery (4)

Lot 43

Herbert Thomas Dicksee RE (1862-1942) 'The Alarm', a family of lions on the lookout,etching, hand-signed in pencil,published by Frost & Reed, 50 x 75cmProvenance:John Mathiesen & Co.Unexamined out of the frame, possibly on vellumOverall even golden colour and good condition.Impressed marks bottom left hand side (shown)Etching apparently highlighted particularly on the male lion (gum arabic or similar)Press mark visibleSigned in pencil "Herbert Dicksee" inside the press markPartial printed inscription across the top not clear "Published at 8 Clare St. Bristol, by Frost & Reed.......", underneath "Copyright 1918 by Frost and Reed Ltd (of Bristol England) in the United States of America" (shown)Labels to the reverse of the frame, one indistinct, the other John Mathieson & Co, Edinburghplease see further images

Lot 42

Francis Sydney Unwin (1885-1925) ‘A View of the Malt Tower, The Brewery, Chiswell Street, E.C.’,etching, signed in the plate, a rich impression, published at 59 Great Ormond St. W.C. Aug. 1915,34 x 45cm

Lot 22

A folder of miscellaneous antique and later prints and a few drawings to include: Dubourg, Claudian Aqueduct, coloured aquatint, pub. 1820, watermark of J. Whatman 1816 Dubourg, The Queen returning from the House of Lords, coloured aquatint, published 1821 Bickham, Love Relaps’d, coloured 18th Century engraving;A 17th Century German engraving after Dietterlin, engraved by S. GlonerusThe Indian Guitar and its Scale, coloured engraving, published 181819th century photographs of Bethlehem and Ely CathedralJohn Fullwood, Maidenhead-on-Thames, etching, signed in pencil, and others

Lot 54

Johannes Blaeu Comitatus Northantonensis, hand coloured engraved map of Northamptonshire, French text verso, 43 x 51cm;'A View from St John's College Cambridge', Dighton caricature of James Wood, 1809, hand coloured etching, 35 x 22.5cm (2)

Lot 15

John D. Miller (1860-1903) after George Heming Mason 'The Milkmaid'etching and mezzotint, trial proof for the print published by P & D Colnaghi & Co., 188456 x 30cm Pl.; together with Robert Walker Macbeth (1848-1910) after George Heming Mason'Only a Shower'etching, trial proof for the print published by Arthur Tooth, 189039 x 74cm Pl.; and two further prints after Benjamin Williams Leader and Marcus Stone (4)

Lot 8

William Fowler View of the Steeple of the Church of St Nicholas, Newcastle upon Tyne, hand coloured etching 1818, 61.5 x 36.5cm (image)rather toned, small closed tear at top; some surface age marks

Lot 1311

Isidore Opsomer. 1878 - 1967. Belgian School. City gate. Signed etching on paper. Dimensions: H 65 x W 53 cm. In good condition.

Lot 1276

M. Pietschmann. '02. 1865 - 1952. German School. Portrait of a woman. Etching on paper. Dimensions: H 38 x W 29 cm. In good condition.

Lot 301

Three pieces of crystal with silverware, with a cheese dome with etching and a silver knob, ø20x15cm., various chips, a contoured glass with etching placed on a long silver foot with Biedermeier finish, 14.5cm. and a carafe with grinding and a silver collar. 23 cm. Various grades. In reasonably good condition.

Lot 1351

Marius Bauer. 1867 - 1932. No. 97. Sultan with figures in temple. Etching on paper. Dimensions: H 17.5 x W 12.5 cm. In good condition.

Lot 1356

3x Barbara van Houten. 1862 - 1950. 3x Flower still life. Etching on paper. Size: approx. 23 - 30 cm. In good condition.

Lot 301

Christian Silvain (1950): 'Il giardino dei deliri', etching, ed. 9/50Work: 53 x 41 cm Paper: 60 x 43 cm Frame: 81,5 x 65,5 cm

Lot 281

Pierre Alechinsky (1927): 'Maintenant', etching and watercolour on paper, dated 1992Work: 50 x 33,5 cm Frame: 73,5 x 57 cm Provenance: - Ex-collection Galerie Lelong and Cie, Paris; acquired directly from the artist (see also the document at the backside).

Lot 847

Salvador Dali (1904-1989): 'La tête', etching heightened with watercolour, ed. E.A., [1969]Work: 31,5 x 23,5 cmPaper: ca. 40 x 30 cmFrame: 59,5 x 50 cm

Lot 833

Philippe Mohlitz (1941-2019): 'Le départ des invités', etching, ed. II/V, [1972]Work: 22,5 x 16,5 cmPaper: ca. 29 x 23 cmFrame: 41 x 35 cm 

Lot 274

Roger Raveel (1921-2013): Nude, etching in colours, 1st state, ed. 4/20, dated 1988Work: 26 x 23,5 cm Paper: ca. 38 x 35 cm Frame: 70,5 x 57 cm Provenance:- A Belgian private collection.- Acquired from Galerie Denise Van de Velde, with a stamp on the back.

Lot 325

Jenny Montigny (1875-1937): Emile Claus, etching, dated 1924Work: 46 x 35 cm Frame: 69 x 57,5 cm With a dedication to Cyriel Buysse: 'a Cyriel Buysse, en memoire de notre grand recoi Jenny Montigny'.

Lot 235

Graham Clarke prints (b 1941) two etching and aquatint hand coloured limited edition prints signed and titled ' Turnip Court' 114/250 and 'Mallards in Flight' 56/250 in original frame, published by Christies Contemporary Art.

Lot 232

Graham Clarke (b. 1941)  limited edition etching and aquatint hand coloured, signed and titled 'Nethercott'  36/300 printed on Barcham Green's handmade Wealden paper and cloured published by Christies Contemporary Art, certificate to the verso, in original frame 91.5cm x 66cm.

Lot 233

Graham Clarke (b1941)  limited edition 27/250  signed and titled 'The Nasty Tern' hand coloured etching and aquatint circa 1984 framed and glazed print 89cm x 76.5cm

Lot 234

Graham Clarke (b. 1941) a large pencil signed & titled limited edition 119/150 hand coloured etching and aquatint  'Archipelago', published by Christies contemporary art circa 1977. Presented in original metal frame with perspex glazing, 84cm x 69cm.

Lot 461

Seven boating/shipping scenes to include watercolours, an oil on board indistinctly signed, and an etching The Larg Bridge over the Plym or Saltram Creek with the names T Allam and P Heath Location: If there is no condition report shown, please request

Lot 356

A John Brunsdon limited edition signed coloured etching titled Black Mountains 84cm x 61.5cm Location:If there is no condition report shown, please request

Lot 304

Sole Hope: an etching, Highland mare and foal, an etching of a foal, and an engraving of a tiger, in Oxford frame

Lot 298

Helen Fay, '88: a figured etching, "Orangutan 1", 17/35, in ebonised strip frame

Lot 40

CIRLCE OF JOSEF VAN BREDAEL (FLEMISH 1688-1739) SAINT ANTHONY (RECTO); ORIGINAL DESIGN FOR ENGRAVING, FRAGMENT (VERSO) Oil on copper With red wax studio stamp to supporting panel (verso) 12 x 14cm (4½ x 5½ in.) A painting with strong similarities was sold at Dorotheum, Vienna, Old Master Paintings II, 12 May 2022, lot 273, as Attributed to Josef Van Bredael Condition Report: Scattered areas of flaking and paint loss throughout. Surface dirt and discolouration. Would benefit from a clean. Uneven varnish. Some light craquelure. The reverse of the copper plate with upper left corner of a design for an etching, with some light wear but in good condition commensurate with age.  Please note Dreweatts is not responsible for damage to frames.Condition Report Disclaimer

Lot 530

George Vernon Stokes (1873-1954), a signed limited edition colour etching, foxhounds and terrier on cliff 59/75, 31 x 28 cm, framed and mounted with note to rear "Original etching in colour Fell Foxhounds, artists signed proof".

Lot 140

Rowland Langmaid "The Silver Solent",etching (1930s),signed and inscribed in pencil,37 x 45cms, in frame.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.

Lot 141

A mid-19th Century etching of a pen drawing of the American 'Western Water' Steamer Mississippi on the Ohio River, 'Mississippi' written above the paddle, signed and dated in pencil 'Running in 1837. D.S', in a figured walnut frame, 36 x 27cms.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.

Lot 136

Jackson Henry Simpson (1893 - 1963) "Silver Strand Loch Katrine", etching (1930's), signed and inscribed in pencil, with artist's blind stamp, 37 x 45cms, in frame, together with; A P Thomson (1887-1962) White Horse Close, Edinburgh, etching (1930's), 53.5 x 37.5cms, in frame, and W. Renison "Halsies", an etching. PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.

Lot 224

* Stubbs (George, 1724-1806). The Spanish Pointer, published by Thomas Bradford Jany. 1st 1768 [or slightly later], uncoloured engraving with etching by William Woollett, one small repair to the upper margin, 445 x 545 mm, framed and glazedQTY: (1)NOTE:Lennox-Boyd, Dixon & Clayton, George Stubbs The Complete Engraved Works, no.10 state IV.

Lot 505

Sir John Everett Millais Bt PRA, (1829-1896 Pre-Raphaelite painter) original etching 'Going to the Park' (1872) for the Art-Union of London by the Etching Club, signed and titled within the plate, image 18 x 13cm, mounted

Lot 774

Five framed prints comprising pair of 19th century sporting scene coloured engravings, coloured etching after Maurice Jacques and a G Sidney Hunt engraving of George Elliot, all framed and glazed.

Lot 61

A framed and glazed limited edition etching; seated ballerina, signed and numbered. H.75 W.60cm

Lot 167

Jules Van Paemel, La tour de Babel, 1933. Etching, 43/50. | 77,5 x 59 cm.

Lot 135

Dan Van Severen (1927-2009) untitled 1971, etching 17/75. | 49.5 x 35.5 cm.

Lot 137

8 graphic works. Pol Mara, silkscreen 49/125, André Lambotte, lithograph 27/40 , Jon Marten, lithograph 102/190, Jules Lismonde, etching 13/35, Yvan Theys Idyll 1973, etching 17/60 and 3 illegibly signed works. | Pol Mara: 76 x 55 cm.André Lambotte: 78 x 48 cm.Jon Marten: 65 x 50 cm.Jules Lismonde: 55 x 39 cm.Yvan Theys: 30 x 24 cm. | Condition: not framed.

Lot 4

Constant (1920-2005) Graph, Execution, Etching 102/190. | 13,5 x 11,6 cm.

Lot 400

Framed Hanslip Fletcher etching "St James Street" 1931 - approx. 37.5cm x 32cm

Lot 390

Chalk drawing signed BME of cliffs and beach, 1929 etching 'Mary-Le-Port street, Bristol with signature to bottom right and one other etching 

Lot 293

Henry Wilkinson,Pair of Retrievers,drypoint etching, hand coloured, signed,27x36cm,and a companion work, both limited editions.Qty: 2Condition report:31/100 and either 31 OR 37 /100.

Lot 203

Paul Cesar Helleu, (French 1859-1927), Etching, Le Coucou

Lot 430

David Foggie, Etching, Greenmarket Dundee 1914

Lot 201

Fred Slocombe (1847-1920) : A woodsman piling firewood, drypoint etching, 24 cm x 16.5 cm.

Lot 176

Rowland Langmaid (1897-1956) Westminster, dry point etching, 15.5 cm x 19.5 cm, signed to margin.

Lot 925

Old Master Print. Ludwig Wilhelm Busch (1703-1772) after Rembrandt (1606-1669) - Portrait of an Old Man in a Beret, bust-length and front facing, within a feigned double-ruled frame, s.l. [Brunswick], n.d. [mid-18th c], etching, 8.5 x 6.4cm, [Bartsch 1797 (Rembrandt), p. II, 147, 7] Unexamined out of frame, but apparently fairly fresh, with some marginal browning, surface dirt and signs of handling; the sheet probably affixed to the mount.

Lot 936

Caricature. Matthias Darly (publisher; c. 1720-1780) - The Three Graces of Cox-Heath, [London, 1779], etching, with contemporaneous hand-colouring, 23 x 30.5cm A rare print satirising the Georgiana Cavendish, Duchess of Devonshire (1757-1806), Elizabeth FitzRoy, Duchess of Grafton (1745-1822), and Jane Gordon, Duchess of Gordon (1748-1812), all of whom followed their ducal husbands and their respective militias - in the Devonshires' case Derbyshire - to Coxheath, near Maidstone, Kent, then the British Army's camp training raw troops into soldiers, to fight alongside the British Army, during the American Revolutionary War. The aristocratic ladies even had their dressmakers tailor fashionable 'military uniforms' for themselves. A rare satirical print. Unexamined out of frame, but apparently trimmed with loss of lettering. The sheet somewhat browned, yet displaying well.

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