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AFTER PETER SCOTT "Courtship in Loch Ness", colour print, limited edition No'd. 33/500, signed in pencil, 22 cm x 25.5 cm, AFTER RICHARD DOWNER "Marjoram Olive Glade", monochrome etching, limited edition No'd. 4/7, numbered, titled, signed and dated '78 lower right, 43 cm x 61 cm, together with another by the same hand "The Stafford from Blue Ball Yard", black and white etching, artist's proof, titled, signed and dated July 1979 to mount, 43 cm x 25 cm and another work in monochrome, terracotta and gold, indistinctly signed and dated 2008 lower right, 23 cm x 23 cm
Lots 284-299PROPERTY FROM THE COLLECTION OF BRYAN STEELE - PART VI Herbert Thomas Dicksee RE (1862-1842) A fox terrier puporiginal etching on vellum, signed artist’s proof, edition of 325, no other state, published by Frost & Reed, c.1926plate 25.5 x 20cmProvenance: the Bryan Steele Collection.
Herbert Thomas Dicksee RE (1862-1942)‘The Happy Mother’ (Bloodhound with her litter of seven pups) original etching on vellum, signed artist’s proof, published by the Fine Art Society, London (and Boussod Valadon & Co., New York) 1895, with blindstamp, remarque of a dog collar, image 33 x 63.5cmProvenance: The Bryan Steele Collection.Exhibited: Royal Academy,1895, no. 1295.
Herbert Thomas Dicksee RE (1862-1942) 'Oh! For the Touch of a Vanished Hand and the Sound of a Voice That is Still’ - Tennyson, ‘In Memoriam’ (Irish Wolfhound guarding an empty glove)original etching on vellum (after his oil painting, RA exhibit 1892, number 987)signed artist’s proof, published by the Fine Art Society, London (and Boussod Valadon & Co., New York) 1893, with blind-stamp, remarque of a stag’s head image 32.5 x 63.5cmProvenance: the Bryan Steele Collection.Exhibited: Royal Academy, 1893, no. 1468.
Herbert Thomas Dicksee RE (1862-1942)‘My Lady Sleeps’ (Young Girl Asleep by Her Mastiff)original etching on vellum, signed artist’s proof, edition of 300, no other state, plate destroyed, published by Frost & Reed, 1905, with blindstampimage 24.2 x 49.5cmProvenance: the Bryan Steele Collection.The sitter was the artist’s daughter, Dorothy.Condition report: See images.Some slight time stainging otherwise in good order. Unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942) ‘'A British Bulldog' original drypoint etching on vellum, signed artist’s proof, edition of 300, no other state, plate destroyed, published by Frost & Reed, 1913, with blindstamp, circular image 37cm diameterplate 42.5 x 41.3cmProvenance: From artist’s grandson;the Bryan Steele Collection.
Herbert Thomas Dicksee RE (1862-1942)‘A Cocker Spaniel’ (head portrait, full-face)original etching on paper, signed artist’s proof, edition of 200, this one ‘23/200’, no other state, published by Frost & Reed c.1933, with blindstampplate 32.5 x 24cmProvenance: From the artist’s grandson;the Bryan Steele Collection.
Herbert Thomas Dicksee RE (1862-1942) ‘Alsatians’ original etching on paper, signed artist’s proof, edition of 250, no other state, published by Frost & Reed, 1930, with blindstamp plate 31 x 41.5cmProvenance: From the artist’s grandson;the Bryan Steele Collection.Exhibited: Royal Academy 1926, no.1064.
Herbert Thomas Dicksee RE (1862-1942)Two tigers by a lake, one drinkingoriginal printer’s proof etching on paper, signed by the artist, not published, signed and dated ‘HD 1930’ within image, l.r. plate 21.4 x 40cmProvenance: The Bryan Steele Collection.Condition report: See images.Some slight time staining, otherwise in good order, unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)'In the Reeds' (Tiger)original etching on paper, signed artist’s proof, edition of 100, no other state, published by Frost & Reed, 1928plate 21 x 38.8cmProvenance: From the artist’s grandson;the Bryan Steele Collection.Condition report: See images.In generally good condition, unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)‘A Wanderer’ (lion walking across a desolate landscape)original etching on vellum, signed artist’s proof, edition of 200, no other state, published by C E Clifford & Co., London, 1890, with blindstampimage 30 x 45.7cmProvenance: The Bryan Steele Collection.Exhibited: Royal Academy 1889, no. 1724;World’s Colombian Commission International Exhibition, Chicago 1893 (Special Merit Medal).
Herbert Thomas Dicksee RE (1862-1942)‘His Majesty’ (study of a lion's head full face) original etching on Japan paper, signed artist’s proof, remarque of a fly (lower left margin), edition of this state limited to 25 therefore very rare, published by C E Clifford & Co., London, 1888image 59.7 x 47.6cmProvenance: From the artist’s grandson; the Bryan Steele Collection.Exhibited: Royal Academy 1888, no.1595;World’s Columbian Commission International Exhibition, Chicago 1893.
Herbert Thomas Dicksee RE (1862-1942)'Study of a Lion'original etching on vellum, signed artist’s proof, edition of 150, no other state, published by Frost & Reed, 1915image 19 x 49cmProvenance: the Bryan Steele Collection.Exhibited: Royal Academy 1915, no. 293.Condition report: See images.Some rippling to the upper edge of the paper, otherwise in good order. Unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)‘Study of a Leopard’. original etching on paper, signed artist’s proof, edition of 100 only, no other state, published by Frost & Reed, 1922, with blindstamps, plate destroyed image 18.2 x 40.7cmProvenance: From the artist’s grandson; the Bryan Steele Collection.Exhibited: Royal Academy 1922, no. 1025.
Herbert Thomas Dicksee RE (1862-1942)‘A Tigress’ (full-face study of the head of a snarling tigress)original etching on Japan, signed artist’s proof, edition of this state limited to 200, published by C E Clifford & Co., London, 1891image 57.7 x 49.5cm Provenance: the Bryan Steele Collection.Exhibited: Royal Academy 1891, number 1594;World’s Columbian Commission International Exhibition, Chicago 1893. Condition report: There is some rippling to the paper and some spots akin to foxing along the bottom, see image. Unexamined out of frame.
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71174 item(s)/page