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Lot 3
Elizabeth (?) ClemmWine glasses, artist's proof, etching with aquatint, pencil signed in the margin, 27 x 19.5cm; and one further etching, indistinctly signed and dated '64, 24.5 x 32cm, the latter mounted but unframed (2)Provenance: From the Estate of the late Paul Hulton (1918-1990) Deputy Keeper of the Department of Prints and Drawings at the British Museum (retied 1981)
Lot 46
Rowland Hilder (1905-1993)'High Mill', etching in colours, pencil signed in the margin and numbered 30/175, 30 x 40cm; and one further - 'Before the Storm', pencil signed in the margin and numbered 34/175, 12 x 22cm (2) The lot is sold together with a book - Rowland Hilder - 'Sketching County'
Lot 47
Rowland Hilder (1905-1993)The Weald of Kent, etching in colours, pencil signed in the margin by the artist and numbered 47/175, 15 x 29cm; together with two signed colour prints after the artist, all mounted but unframed (3) The lot is sold together with a book - Rowland Hilder - 'Sketching County'
Lot 160
A group of 19th and 20th century prints to include Nicholas Parry (British 20th Century) A Shropshire Lad, signed bottom right, dated 1990, engraving, measurements 15 x 11 cm (PL), together with a print after Margaret W Tarrant 'Woodland Hospital', Donn Swann (1899-1954) Etching of Old Christ Church, Alexandria VA, A Linney(?) etching titled Off the Isle of Arran, a photographic print of Crib Goch by Rob Piercy, and two engravings of Birmingham General Hospital and Queens Hospital Birmingham (6)
Lot 199
John Brunsdon (British 1933-2014), View from Kingston Hill, etching and aquatint, signed bottom right, numbered 16/100, measurements 28.5 x 31 cm (PL), frame 49 x 49 cm, together with a further print titled 'Towards Seaford' 39/100 and Derbyshire Lake, numbered 83/150 by the same hand (3)Condition report: The prints are works on paper, framed under glazing, not examined external to the frame. The Kingston work paper is in good condition, no obvious signs of any rips, creasing or folds, the colours are well preserved, there is some ageing- browning to the bottom margin. General wear and tear to the frame. The Derbyshire print- has ageing- browning to the sheet margins, colours well preserved, no obvious evidence for rips, creasing or folds or deterioration, general wear and tear to the frame. Seaford- ageing and browning to the left and right margins. sheet appears in good condition- no rips, tears or folds, no obvious signs of deterioration, general wear and tear to the frame.
Lot 200
K Varler (Eastern European 20th-21st Century) Descending Angel, woodcut, signed, dated '01 and numbered 11/45 in pencil bottom right, measurements 32 x 18 cm (i), frame 57 x 37 cm.Together with a further woodcut titled Knows Where to Fly, signed in pencil and dated '90 bottom right, numbered 4/10, measurements 18 x 30 cm (PL), frame 45.3 x 51 cm, and a coloured etching of a woman holding a lightbulb, initialled BW and numbered 10/10 bottom right, blind stamp below, measurements 12 x 14 cm (PL), frame 47 x 37 cm (3)Provenance: Purchased in Tallin, Estonia, consigned from the private collection of an art therapist
Lot 214
Two Edwardian oil lamps, one brass Classical column support with floral etched shade to stepped circular column base, height 63cm, the other a brass example with octagonal base to black stepped support, height 48cm (2). CONDITION REPORT 1. small bubble to the glass funnel during firingsome age related wear to the brass base, some under rim chips to the black stepped base2. Some rim chips to the floral etched glass shade, small areas of etching to glass missing, age related wear to brass baseLacking glass funnel
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71174 item(s)/page