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Lot 623

Arnulf RainerDie schwarze Schwimmerin, aus der Mappe "Haute Coiffure", 1963Radierung auf Kupferdruckbütten; ungerahmt, 29,7 x 41,9 cm (Darstellung) Arnulf Rainer*„"Die schwarze Schwimmerin", from the portfolio "Haute Coiffure"“1963etching on laid paper; unframed29.7 x 41.9 cm (depiction)

Lot 624

Arnulf RainerLiebesgrab, aus der Mappe "Haute Coiffure", 1963Radierung auf Kupferdruckbütten; ungerahmt, 31,8 x 43,8 cm (Darstellung) Arnulf Rainer*„"Liebesgrab", from the portfolio "Haute Coiffure"“1963etching on laid paper; unframed31.8 x 43.8 cm (depiction)

Lot 625

Arnulf RainerDamenbein, aus der Mappe "Haute Coiffure", 1963Radierung auf Kupferdruckbütten; ungerahmt, 43,8 x 31,6 cm (Darstellung) Arnulf Rainer*„"Damenbein", from the portfolio "Haute Coiffure"“1963etching on laid paper; unframed43.8 x 31.6 cm (depiction)

Lot 626

Arnulf RainerNebenbuhlergruft, aus der Mappe "Haute Coiffure", 1963Radierung auf Kupferdruckbütten; ungerahmt, 41,9 x 29,8 cm (Darstellung) Arnulf Rainer*„"Nebenbuhlergruft", from the portfolio "Haute Coiffure"“1963etching on laid paper; unframed41.9 x 29.8 cm (depiction)

Lot 627

Arnulf RainerTuchent, aus der Mappe "Haute Coiffure", 1963Radierung auf Kupferdruckbütten; ungerahmt, 29,7 x 41,9 cm (Darstellung)1000.00-1500.00 Arnulf Rainer*„"Tuchent", from the portfolio "Haute Coiffure"“1963etching on laid paper; unframed29.7 x 41.9 cm (depiction)

Lot 628

Arnulf RainerWomenmonument, aus der Mappe "Haute Coiffure", 1963Radierung auf Kupferdruckbütten; ungerahmt, 41,9 x 29,7 cm (Darstellung) Arnulf Rainer*„"Womenmonument", from the portfolio "Haute Coiffure"“1963etching on laid paper; unframed41.9 x 29.7 cm (depiction)

Lot 629

Arnulf RainerMarymausoleum, aus der Mappe "Haute Coiffure", 1963Radierung auf Kupferdruckbütten; ungerahmt, 41,7 x 29,7 cm (Darstellung) Arnulf Rainer*„"Marymausoleum", from the portfolio "Haute Coiffure"“1963etching on laid paper; unframed41.7 x 29.7 cm (depiction)

Lot 630

Arnulf RainerTurm, aus der Mappe "Überdeckungen", 1961Radierung auf Kupferdruckbütten; ungerahmt, 41,7 x 29,8 cm (Darstellung) Arnulf Rainer*„"Turm", from the portfolio "Überdeckungen"“1961etching on laid paper; unframed41.7 x 29.8 cm (depiction)

Lot 631

Arnulf RainerTür, aus der Mappe "Überdeckungen", 1961Radierung auf Kupferdruckbütten; ungerahmt, 24 x 19,8 cm (Darstellung) Arnulf Rainer*„"Tür", from the portfolio "Überdeckungen"“1961etching on laid paper; unframed24 x 19.8 cm (depiction)

Lot 632

Arnulf RainerTor, aus der Mappe "Überdeckungen", 1961Radierung auf Kupferdruckbütten; ungerahmt, 34,8 x 26 cm (Darstellung) Arnulf Rainer*„"Tor", from the portfolio "Überdeckungen"“1961etching on laid paper; unframed34.8 x 26 cm (depiction)

Lot 633

Arnulf RainerTuch, aus der Mappe "Überdeckungen", 1961Radierung auf Kupferdruckbütten; ungerahmt, 41,8 x 29,8 cm (Darstellung) Arnulf Rainer*„"Tuch", from the portfolio "Überdeckungen"“1961etching on laid paper; unframed41.8 x 29.8 cm (depiction)

Lot 634

Arnulf RainerTafel, aus der Mappe "Überdeckungen", 1961Radierung auf Kupferdruckbütten; ungerahmt, 41,7 x 29,8 cm (Darstellung) Arnulf Rainer*„"Tafel", from the portfolio "Überdeckungen"“1961etching on laid paper; unframed41.7 x 29.8 cm (depiction)

Lot 635

Arnulf RainerT, aus der Mappe "Überdeckungen", 1961Radierung auf Kupferdruckbütten; ungerahmt, 41,7 x 29,8 cm (Darstellung) Arnulf Rainer*„"T", from the portfolio "Überdeckungen"“1961etching on laid paper; unframed41.7 x 29.8 cm (depiction)

Lot 638

Arnulf RainerRöhre, 1993Radierung; ungerahmt, 28,5 x 23,5 cm (Darstellung) Arnulf Rainer*„"Röhre"“1993etching; unframed28.5 x 23.5 cm (depiction)

Lot 611

PENCIL SIGNED ETCHING OF ASSISI, SIGNED B NICHOLSON

Lot 637

PENCIL SIGNED ETCHING OF EDINBURGH CASTLE, SIGNED IAN STRANG, UNFRAMED

Lot 241

Louis Icart (French, 1888-1950)'Eve'hand-coloured etching and aquatint of a reclining goddess, signed l.r., numbered 309, with the blind stamp of the artist, copyright and date in plate, published by Jaubert, Paris35 x 50cm

Lot 242

Louis Icart (French, 1888-1950)'Venus'hand-coloured etching and aquatint of a reclining goddess, signed l.r., numbered 216 with the blind stamp of the artist, copyright and date in plate, published by Jaubert, Paris35 x 50cm

Lot 58

Frank Vernon Martin (1921-2005), 'Louise Brooks', signed, titled and numbered 38/100, etching, framed and glazed (47x34 cm).

Lot 60

Frank Vernon Martin (1921-2005), 'Vilma Banky', signed, titled and numbered 14/100, etching, framed and glazed (58x45 cm).

Lot 93

A pair of hand-coloured etching by Richard Dighton (1795-1880) English, "Sir Robert Thomas Wilson ('A good soldier, but no general')" and "Sir Robert Bolton ('A view from the Horse Guards')", framed and glazed, (31.5x23 cm). (2)

Lot 530

A 'John Sell Cotman' etching and a 'Harry Becker' experimental lithographs of sheep

Lot 61

SOWA & REISER ETCHING OF DWARF FROM DISNEY SNOW WHITE LIMITED EDITIONS 60/500 PRINT 10cm x 10cm ENGRAVING APP.SIZE: 4.5cm x 4.5cm

Lot 77

An etching, after Joseph Webb, A Buckinghamshire Lane, signed and dated 1931, 12 x 17cm, plus frame and glazed, an engraving, Chichester, C19th, 12 x 20cm, plus frame and glazed, and a selection of decorative pictures

Lot 2156

(See English version below)Elizabeth Peyton (Danbury, Connecticut 1965 – lebt in New York und Berlin). „Brunhilde + Wotan“. 2010Radierung auf Velin. 30 × 22,2 cm ( 11 ¾ × 8 ¾ in.). Signiert und datiert.Einer von 15 nummerierten Abzügen. [3849]Zustandsbericht: Ex. 4/15. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig in den Ecken mit Papierklebeband auf den Unterkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Elizabeth Peyton (Danbury, Connecticut 1965 – lives in New York and Berlin). ”Brunhilde + Wotan”. 2010Etching on wove paper. 30 × 22,2 cm ( 11 ¾ × 8 ¾ in.). Signed and dated.One of 15 numbered prints. [3849]Condition report: No. 4/15. In good condition. The sheet edges have no tears or losses. On the reverse at the corners mounted with paper tape on the support cardboard. Fine, harmonious overall appearanceWe charge 30% premium on the hammerprice.

Lot 2167

(See English version below)Dieter Roth (Hannover 1930 – 1998 Basel). „Drei Engel“. 1966Radierung in Braun auf hellbraun gefärbtem Velin. 25,3 × 31,2 cm (52,5 × 78,5 cm) ( 10 × 12 ¼ in. (20 ⅝ × 30 ⅞ in.)). Signiert, datiert.Dobke 054.–Künstlerabzug. Eines von 75 nummerierten Exemplaren. Blatt 1 (von 11) der Folge: Unterhaltungsmusik I. London, Divers Press, 1969. [3710]Zustandsbericht: Ex. Kü[nstler] Ex[emplar] 66/75. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter dem Passepartout gebräunt. Partielle Schmutzspuren im Randbereich mit vereinzelten Schmutzspuren, sowie oben rechts ein Stockfleck. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig mit verblassten Wasserflecken. In den oberen Ecken mit Papierklebestreifen unter das Passepartout montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Dieter Roth (Hanover 1930 – 1998 Basle). ”Drei Engel”. 1966Etching in brown, on light brown coloured wove paper. 25,3 × 31,2 cm (52,5 × 78,5 cm) ( 10 × 12 ¼ in. (20 ⅝ × 30 ⅞ in.)). Signed, dated.Dobke 054.–Artist's proof. One of 75 numbered copies. Sheet 1 (of 11) from the set: Unterhaltungsmusik I. London, Divers Press, 1969. [3710]Condition report: No. Artist copy 66/75. Sheet edges without tears or losses. Time staining under the mount. Partial marks in the margins with isolated soil marks, as well as a foxing in upper right. There are no repairs visible under ultraviolet light. Faded water stains on the reverse. Mounted under the mount with paper tape in the upper cornersWe charge 30% premium on the hammerprice.

Lot 49A

An elongated shape agate bead pendant with applied gold fittings on both terminals, decorated with filigree depicting floral scroll motifs. The bead design suggests the origin of the “Dzi bead”. Although the geographic origin is uncertain, it is accepted that they are now generally known as “Tibetan beads”. The Dzi are stone beads worn as part of a necklace or bracelet. Many Asian cultures around Tibet prize Dzi as protective amulets and for positive spiritual benefits. Artisans used agate as the base stone and then embellished the bead's lines and shapes using ancient methods that remain unknown. Treatments may have included darkening with plant sugars and heat, bleaching and white line etching with natron, and protecting certain areas with grease, clay, wax or a similar substance. The number of "eyes" (circular designs on the stone), is considered to be significant. This bead displays the attractive repetitive symmetrical “nine-eyed” pattern. The item will be accompanied by a Gemmological report issued by an independent professional Gemmologist. Very Good Condition; Size: Size: L:55mm / W:16mm ; 19.5g; Provenance: From the private collection of D. Ruskin, Oxfordshire; formerly in a British collection formed before 2000 on the UK / International art markets.

Lot 61

DENIS ALDRIDGE (b. 1898-1985) 'Red Leaf Ridge', etching in colours, signed, numbered and titled in pencil, 81cm x 110cm, framed.

Lot 1016

Frank Henry Mason (Staithes Group 1875-1965): Steam Fishing Boat at Sea, watercolour signed 14cm x 26cm; an etching of Fishing Boats and a pair of unframed Carriage prints (4) Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.

Lot 1018

Frank Henry Mason (Staithes Group 1875-1965): Scarborough and the Herring Fleet, dry point etching signed in pencil 23cm x 17.5cm Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.

Lot 1019

Frank Henry Mason (Staithes Group 1875-1965): Scarborough from the South Cliff, dry point etching signed in pencil 21.5cm x 15cm Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.

Lot 1020

Frank Henry Mason (Staithes Group 1875-1965): 'Mount St. Michael', dry point etching signed and titled in pencil 40cm x 55cm (unframed) Provenance: from the estate of Christine Dexter and by descent from the artist's sister Eleanor Marie (Nellie)Click here to view further images, condition reports, sale times & delivery costs for this lot.

Lot 1034

Claude Hamilton Rowbotham (British 1864-1949): 'The Haunt of the Kingfisher, Bourne End', coloured etching signed and titled in pencil 9cm x 7cm; Albert T Pile (British 1882-1981): High Petergate York, etching signed and dated 1931 in the plate, together with four further engravings and a lithographClick here to view further images, condition reports, sale times & delivery costs for this lot.

Lot 1068

Warwick Reynolds (British 1880-1926): Study of a Lion, etching signed in pencil 23cm x 25cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Lot 123

Cornish School, Harbour Town with Figures and Boats, etching, signed bottom right (27cm x 38cm)

Lot 2075

A framed etching of St George's church, Doncaster and a Mike Sibley print of a dog.

Lot 2094

A framed and mounted pencil signed coloured Etching by Belgian artist Alfred Van Neste of a street scene on stamped paper. 13 1/4" x 20 1/2" including frame.

Lot 2095

A framed and mounted pencil signed coloured Etching, indistinct signature, Belgian water way. 15" x 18".

Lot 2114

An etching of 'The Three Marys' 10th state, artist unknown.

Lot 2132

A framed two-plate colour etching by Michael Oelman (born Llandudno 1941) titled 'Sunless Sea', from the 'Xanadu' series of six etchings.

Lot 2192

Albany E. Howarth A.R.E 1872-1936: 'The Old House Rouen', first state etching signed and titled in pencil, in card mount, 40 x 31 cms overall.

Lot 2200

A framed and mounted coloured etching by J.S. Prout of Raglan Castle, 21" x 16".

Lot 2211

A small framed Etching of "the Tower Bridge", a small etching of The Guildhall and a small framed oval Print depicting Nelson

Lot 51

A signed limited edition colour etching, The Bridge of Sighs, Venice, framed

Lot 73

Edition Of 40 , Year- 2021 , Medium- Screen print on Hahnemühle - German Etching Stock 308gsm Fine Art paper, Signed and Numbered , Size- 40 x 30 cm , Condition Report- As New , SHIPPED FROM EUROPE A beautiful and sad new series called 'What A Waste.' The artist writes - 'As our seas fill up with unwanted rubbish, so our wildlife gorges on it and dies. Are we really this short-sighted.' Small Fry is a Dutch/British urban artist who has quickly developed a strong international following for his beautiful, sometimes funny, and often poignant, art.

Lot 74

Edition Of 40 , Year- 2021 , Medium- Screen print on Hahnemühle - German Etching Stock 308gsm Fine Art paper, Signed and Numbered , Size- 40 x 30 cm , Condition Report- As New , SHIPPED FROM EUROPE A stunning piece, focusing on beautiful strong images with a troubling message.

Lot 244

J Crome, etching, River scene, 24 x 18cm

Lot 246

J Crome, etching, inscribed in pencil to margin, Rural scene, 33 x 23cm

Lot 2244

After John Audubon, hand coloured etching, Mallard Ducks, The History Institute Edition 1937, plate size 12.5" x 18", framedVery slight paper discolouration, no foxing, generally good

Lot 2318

J M Dennis, Terrier, etching on paper, signed in pencil, plate 3.5" x 5", mountedA couple of tiny fox marks in the margin, none in the image, original mount which is discoloured

Lot 2346

Cyril Power (1872 - 1951), church interior scene, etching, signed in pencil, 6" x 4", framedSlight paper discolouration

Lot 2469

Herman Struck (1876 - 1944), portrait of Marc Chagall, etching circa 1922, plate size 4.5" x 3.5", mountedGood condition

Lot 2511

Hubert Von Herkomer, portrait of a lady, etching, signed in pencil, image 21" x 16.5", published 1888, framedSlight paper discolouration and one fox mark in the margin, generally good

Lot 66

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass. Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.

Lot 112

Herbert Cutner (1881-1969) "Empress of Britain", black and white etching, signed, dated '32 and numbered 17/100 in pencil to lower margin, 22 x 31cm unframed

Lot 18

Pit Von Frihling (1919-2011) Titled river scene, coloured etching, signed, dated 83 and inscribed with title in pencil to lower margin, 17 X 27cm

Lot 80

Edward W. CHARLTON (1859-1935), etching of a Cornish harbour and boatyard

Lot 350

ANDREW WATSON TURNBALL (1874-1957): View of London from the River Thames, etching, pencil signed with Artist proof blind stamp, 18.5cm x 25.5cm and another etching (2)

Lot 351

After Jules Lefebure: An etching "The Grasshopper" of nude female, foxed, signed lower right, swept gilt frame, 40cm x 20cm

Lot 373

An etching of desolate landscape and picture of man as devil

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