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Lot 330

Alfred R Blundell, Lowestoft Trawlers, drypoint etching, signed and inscribed with title in pencil, 21 x 27cm

Lot 84A

Etching After Cecil Aldin (1870-1935) Portrait of a puppy, signed, 67/180

Lot 84B

Etching After Marguerite Kirmse (1885-1954) Depicting a litter of puppies, possibly West Highland Terriers, signed

Lot 466

Bonnie Brain [Contemporary] - Sanur - A Visit to The Temple:- soft ground coloured etching, signed, inscribed and dated `83, 53 x 44cm, together with one other by the same hand. [2]

Lot 24

RAOUL DUFY (French, 1877-1953), 'Portrait of two women', original etching on woven paper, 33.5cm x 49.4cm, framed.

Lot 54

PIERRE AUGUSTE RENOIR (French, 1841-1919), 'Sur la plage a Berneval', drypoint etching, circa 1894, 14cm x 9cm, signed in the plate.

Lot 103

20TH CENTURY SCHOOL (Dutch), 'Menschen im raum', 1988, etching and mezzotint, 23.5cm x 25cm, 32/50, signed, titled, dated and framed.

Lot 431

BEATRICE PRINCESS: (1857-1944) Fifth daughter & youngest child of Queen Victoria. A.L.S., Beatrice, three pages, 8vo, Balmoral, 19th October 1878, to [Theodore] Martin, on the attractive monogrammed stationery of the Princess. Beatrice writes on behalf of her mother, explaining that 'we are all very desirous to have an engraving made after Angeli's picture of our lamented Sir Thomas Biddulph' and continuing to add that the Queen 'thinks that Mr. Hall could perhaps do a vignetted head larger, but not so highly finished as those of the Royal Family. If it could be more in the style of an etching, it would not be so expensive, as the Queen would prefer not going beyond £35 to £40.' The Princess further states 'The heads of Grant & Brown, intended for the Queen's book, were only 25 guineas, therefore if something could be done more slightly & rather larger, surely 10 or 15 guineas more would suffice. Would you kindly let the Queen have an answer about this as soon as possible.' VG Theodore Martin (1816-1909) Scottish Poet & Biographer, best known for his Life of the Prince Consort (1874-80), a work with which he gained the lifelong friendship of Queen Victoria. Sir Thomas Biddulph (1809-1878) British Army officer and Courtier, Master of the Household to Queen Victoria from 1851-66 and later Keeper of the Privy Purse.

Lot 710

Leonard Russell Squirrell (1893-1979) - Brig O'Gowrie, Deeside, etching, signed in pencil to the margin, 24 x 35cm

Lot 772

Louis Icart (French 1888-1950) - Premier Coursing, drypoint etching, signed, titled and dated 1910 in pencil to the margin, 43 x 51cm

Lot 773

Louis Icart (French 1888-1950) - The Birdseller (Marchande d'Oiseaux), 1929, etching, drypoint and aquatint, signed in pencil to the margin, framed as an oval, 48.5 x 37cm

Lot 777

William Walcot (1874-1943) - Basilica of Constantine Maxentius, etching, signed in pencil to the margin, 31 x 49cm

Lot 2027

VICTOR PASMORE [BRITISH 1908-1998], ETCHING & AQUATINT, 1989, #37/90, H 26", W 78" PLATE, "SENZA TIT: Reference: G62, Lynton; published by Marlborough Graphics; pencil initialed and dated lower right; 36" x c. 105 1/2" paper size; floated in framing under acrylic.

Lot 2032

MARY CASSATT, DRYPOINT H 9" W 12" SARA SMILING: 9 1/4" x 12.5". Drypoint and etching.

Lot 2119

HARRY STERNBERG ETCHING, 1947, H 15", L 17.75" "ENOUGH": Harry Sternberg [AMERICAN, 1904-2002]. Pencil signed lower right. Framed and matted under glass. Associated American Artist label on verso.

Lot 2296

BRYAN HUNT [1947-], COLOR ETCHING, 1988, #35/35, 11" X 15", "QUARRY AT TUY": Pencil signed lower right, numbered 35/35 lower left, 11 1/4" x 14 3/4", Crown Point Press, publisher; Renee Boti, printer, under glass, matted and framed. Bryan Hunt, American, born 1947.

Lot 320

John Shapland watercolour of a Continental coastal scene signed; Greg Hall watercolour of a mountainous landscape; watercolour of huts on a bank; print after Goethem; an etching of a farmstead; and a oil on canvas of a still life of flowers monogrammed M.T.A (6)

Lot 384

John Makepeace (British, b.1939) Knot Chair 17/100, signed and numbered in pencil (in the margin) etching 44cm x 28cm, unframed. This series of etchings was produced and exhibited by Makepeace for the Chicago International New Art Forms Exposition, September 1991.

Lot 466

John Brunsdon (British, b.1933) Arnside 67/75, signed, numbered and inscribed in pencil (in the margin) etching, aquatint in colour 44cm x 58cm.

Lot 467

Anthony Gross (British, 1905-1984) Landscape with Praying Mantis 24/250, signed, titled and numbered in pencil (in the margin) etching 34cm x 45cm.

Lot 471

Paula Rego (British, b.1935) The Wild Duck, 1990 (Rosenthal 72) 64/75, signed and numbered in pencil (in the margin) etching and aquatint 29cm x 24cm, unframed.

Lot 475

Edward Gordon Craig (British, 1872-1966) Stage set monogrammed and dated in pencil (lower right) etching 20.5cm x 12.5cm.

Lot 479

Roland Batchelor (British, 1889-1990) At the RA 6/40, signed, titled and numbered in pencil (in the margin) etching 14cm x 10.5cm and `Self Portrait`, 1937, 7/40, 12cm x 8.5cm (2).

Lot 485

Victor Pasmore (British, 1908-1998) Desert Sand, 1992 8/90, signed, dated and numbered in pencil in the margin etching and aquatint 44cm x 44cm.

Lot 486

Takesada Matsutani (Japanese, b.1937) La Propagation - 6, 1969 26/40, signed, titled, dated and numbered in pencil (in the margin) etching and aquatint 27.5cm x 38.5cm.

Lot 487

Takesada Matsutani (Japanese, b.1937) La Propagation - 7, 1967 3/50, signed, titled, dated and numbered in pencil (in the margin) etching and aquatint 33.5cm x 29cm.

Lot 488

Henri Goetz (French/American, 1909-1989) Untitled 32/40, signed and numbered in pencil (in the margin) etching in colour 27.5cm x 32cm.

Lot 492

William Tillyer (British, b.1938) Untitled 48/60, signed and numbered in pencil (in the margin) etching 51cm x 74.5cm, unframed. William Tillyer is a print maker, painter, ceramist, illustrator and teacher. He attended the Slade (1960-62), studying under William Coldstream and Anthony Gross, following which he went to Paris and joined Stanley William Hayter at Atelier 17. He went on to teach at the Chelsea School of Art, Bath Academy of Art and Watford School of Art.

Lot 494

Bruce Onabrakepeya (Nigerian, b.1932) The Lord is my Shepherd, 1932 8/8, signed, numbered, titled and dated in pencil (in the margin) deep etching 44.5cm x 60.5cm.

Lot 511

(Book) Barbara Rae (British, b.1943) Barbara Rae, Lund Humphries, 2008, together with a special edition Orgiva etching, 128/150, signed, titled and numbered, 15cm x 11.5cm, in original slip case. This limited edition book is one of 150, and came with the special edition coloured etching Orgiva.

Lot 512

(Book) Terry Frost (British, 1915-2003) Dominic Kemp, Terry Frost Prints, Lund Humphries, 2010, together with a special edition Red and Black Sunburst, etching and aquatint, 56/100, stamped signature and countersigned by Anthony Frost (to the reverse), 22cm x 24.5cm, in original slip case. This limited special edition book was limited to 100 copies and included the original etching by Terry Frost.

Lot 514

Enzo Plazzotta (Italian, 1921-1981) Leda, 1972 19/50, signed, titled, numbered and dated in pencil (in the margin) etching 24.5cm x 16cm.

Lot 516

George Percy Jacomb-Hood (British, 1857-1929) The Glassblowers etching 16.5cm x 22cm. Provenance: C. A. Bell-Knight Collection.

Lot 520

Peter Lanyon (British, 1918-1964) Figure Study 9/25, signed by Sheila Lanyon, titled and numbered in pencil with stamped studio mark etching 17.5cm x 10.5cm.

Lot 521

John Brunsdon (British, b.1933) Derwent Water 25/75, signed, numbered and inscribed in pencil (in the margin) etching, aquatint in colour 45cm x 60cm.

Lot 522

John Brunsdon (British, b.1933) Ullswater 68/75, signed, numbered and inscribed in pencil (in the margin) etching, aquatint in colour 58cm x 44cm.

Lot 523

John Brunsdon (British, b.1933) Welsh Farm 95/150, signed, numbered and inscribed in pencil (in the margin) etching, aquatint in colour 60xm x 45cm.

Lot 524

John Brunsdon (British, b.1933) Harvest artist proof, 10/10, signed, numbered and inscribed in pencil (in the margin) etching, aquatint in colour 45cm x 58cm.

Lot 526

Charles Tunnicliffe (British, 1901-1979) The Pig Dealer 32/75, signed and numbered in pencil (in the margin) etching 21.5cm x 27.5cm, unframed.

Lot 527

Charles Tunnicliffe (British, 1901-1979) The Quarry 15/75, signed and numbered in pencil (in the margin) etching 22.5cm x 30.5cm.

Lot 528

George Soper (British, 1870-1942) The Farrier signed in pencil (in the margin) etching 17.5cm x 12.5cm.

Lot 337

After Richard Britton, a pencil signed and numbered limited edition print of a black labrador, an early 19th century coloured etching after Woodward 'Sailors Eating Pork', a 1984 Aston Martin poster, a framed print after Monet and other pictures and prints.

Lot 1073

A pair of ironstone dinner plates, by G.M. & C. J. Masons, printed with a chinoiserie pattern, presumably intended to be clobbered with colour, c1820, together with a pair of soup plates by Masons, depicting Provost’s Lodge, Kings College, c1835, and bearing both printed and impressed marks MASONS P. I. C., taken from the etching B J. & H. S. Storer, see Godden’s Guide to Mason’s China and Ironstone Wares (1980). (one chipped)

Lot 199

A collection of 18th century and later etchings and prints to include an etching after Rembrandt, "Beggars at a doorway", 18.5 x 14.5cm, two Hogarth prints etc.

Lot 206

A Victorian stipple engraving of a woman after Hayter, a 20th century etching of a jungle village and two other prints.

Lot 215

An early twentieth century album of postcards, together with an album containing silks, Edward Cherry etching, First day covers etc (Q).

Lot 179

Graham Clark, etching 25/400 entitled `It`s a Doges Life on the Grand Canal`, 55cm x 70cm, framed and mounted

Lot 181

Graham Clark, etching 140/150 entitled `Old Manor`, 34cm x 54cm, framed and mounted

Lot 242

William Lionel Wyllie, Fishing Boats with a Warship in the Background, etching, signed in pencil, 18.5 x 20cm

Lot 455

Herbert Dicksee. A Scottie dog. Etching. Signed in pencil 30cm x 40cm

Lot 900

Two vintage soda siphons, both with etching to the glass and engraving to the tops

Lot 1087

L Pritchard signed etching and three other prints

Lot 179

Peter Winslow Milton (American, b. 1930), 'Interiors IV: Hotel Paradise Cafe', signed bottom right and dated 1987, limited edition print 121/175, resist-ground etching and engraving. W. 90 cm, H. 61 cm. Literature: 'Peter Milton, Complete Prints 1960-1996', Robert Flynn Johnson and Peter Milton, Chronicle Books, San Francisco, 1996, p. 125.

Lot 329

Frank Auerbach (British, b. 1931), 'David', monochromatic portrait of a man from the 'Seven Portraits' series, published by Marlborough Graphics 1990, signed in pencil bottom right and dated 1989, artist's proof, etching, W. 16.5 cm, H. 20.5 cm.

Lot 342

David Hockney (British, b. 1937), 'The Buzzing of the Blue Guitar', from the 1976/77 portfolio 'The Blue Guitar', signed in pencil bottom right, numbered 53/200, etching and aquatint. H. 47 cm, W. 35 cm.

Lot 498

Willi Kissmer, study of a female torso, limited edition coloured etching 62/250, signed in pencil. H. 30 cm, W. 21 cm.

Lot 464A

Freda Marston [1895-1949] November Day, Brook Farm, Dedham- etching, signed and inscribed in pencil in the margin, 18 x 22cm, together with a group of five small coloured mezzotint portraits by E M Hester, and a small group of decorative pictures.

Lot 484

David Muirhead Bone (1876-1953) Etching, low tide.

Lot 851

A collection of watercolours, etchings, etc including a watercolour of a beach scene, signed bottom right A E Weston, a black and white limited edition etching by Kenneth H Oliver, signed bottom right and inscribed "Juniper Hill", edition 5/10, an etching of a landscape with farm buildings indistinctly signed bottom right Angela (?), a gouache study of a wooded landscape, etc

Lot 868

An interesting collection of pictures including a 19th century sepia ink and watercolour study of Dorothy Hale, wife of Charles 8th Earl of Dudley and dated 1839, a watercolour of a coastal fairground, signed C Eynon Bowen, a further watercolour by the same hand of a street scene in Lugano, an etching by the same hand inscribed "Ozerche-Correze", a pen and ink caricature inscribed "Mr Teixeira de Mattos Ashore, 1895, to Conal O`Riordan on his birthday from the subject", all framed, various sizes, 25 x 22 cm max

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