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Adam Partridge Auctioneers & Valuers
Lot 283

***PLEASE NOTE AMENDED DESCRIPTION*** OKRA; an iridescent globular glass paperweight, etched marks to base, no.43, approx 7cm and an Okra shell moulded paperweight, height 7cm (2). Please note: Loetz etching to base of globular paperweight is spurious, maker's mark is "NJO" for Nicola Osbourne. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. Please note: Loetz etching to base of globular paperweight is spurious, maker's mark is "NJO" for Nicola Osbourne.

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Charterhouse Auctioneers & Valuers
Lot 540

A Victorian officer's sword, with VR cipher to the guard, the blade marked Henry Wilkinson, Pall Mall, London, and another sword and scabbard (damages/loss) (2) Condition report Report by RB The brass guard is slightly loose, the blade has been cleaned at some point, and is heavily greased, the leather scabbard is generally fair, and has been cleaned at some point, although the brass tip section of the scabbard is detached from the main part, no naming or etching to the blade.

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Great Western Auctions
Lot 852

HERBERT THOMAS DICKSEE RE (British 1862 - 1942) HIS ROYAL HIGHNESS Etching, 24 x 18.5cm (9 1/2 x 7 1/4")

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Great Western Auctions
Lot 881

WILLIAM STRANG RA, RPE (Scottish 1859 - 1921) 'THE VILLAGE FIDDLER', 'PORTRAIT OF DR BALFOUR', 'PLAZA MAYOR, RONDA' Etching, signed, 15 x 22cm (6 x 8 3/4"), 23 x 16cm (9 x 6 1/4"), 25.5 x 34cm (10 x 13 1/2") (3)

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Great Western Auctions
Lot 891

JAMES ABBOTT McNEILL WHISTLER PRBA, RP, HRSA, RSW (American 1834 - 1903) DROUET, SCULPTEUR Etching, signed, dated 1859 and inscribed with title in plate, 22.5 x 15cm (8 3/4 x 6") One of the set of cancelled plates published by the Fine Art Society, London, 1879

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Great Western Auctions
Lot 943

•PHILIP REEVES RSA, RSW, ARCA, RE, RGI (British b. 1931) COTSWOLD LANDSCAPE Etching, signed, 19.5 x 28.5cm (7 3/4 x 11 1/4") Inscribed with title and with a dedication verso

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Great Western Auctions
Lot 990

ANDERS LEONARD ZORN (Swedish 1860 - 1920) THE BEADLE Etching, signed, 16 x 12cm (6 1/4 x 4 3/4")

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McCartneys
Lot 272

Mortimer Menpes. Santa Maria del la Salute, Venice. Signed etching

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McCartneys
Lot 422

William Strang. 'Hinerauts'. Signed etching 7' x 9'

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25 Blythe Road
Lot 171

WALTER GREAVES, RI (1846-1930) THE CREMORNE GARDENS signed and dated within plate: W. Greaves /1870 etching, unframed 17.5cm by 27cm; 7in by 10 2/3in

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25 Blythe Road
Lot 164

JAMES GILLRAY (1757-1815) FRENCH LIBERTY, BRITISH SLAVERY published 1792, handcoloured etching and aquatint 24cm by 34cm; 9 1/2in by 13 1/3in

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25 Blythe Road
Lot 182

CHARLES HERBERT CLARK (fl. early 20th Century) FULL MASTED SHIP IN A DOCK signed l.r.: Charles H. Clark, etching 45cm by 23cm; 17 3/4in by 9in

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25 Blythe Road
Lot 165

JAMES GILLRAY (1757-1815) A COGNOCENTI CONTEMPLATING YE BEAUTIES OF YE ANTIQUE ETCHING published February 11th 1801 by H.Humphrey, handcoloured etching and aquatint 35cm by 25cm; 13 3/4in by 9 3/4in

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25 Blythe Road
Lot 166

JAMES GILLRAY (1757-1815) DIDO IN DESPAIR! published February 6th 1801 by H.Humphrey, handcoloured etching and aquatint 24.5cm by 35cm; 9 2/3in by 13 3/4in

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25 Blythe Road
Lot 163

JAMES GILLRAY (1757-1815) FIGHTING FOR THE DUNGHILL- OR JACK TAR SETTLING CITOYEN FRANCOIS published 20th November 1798 by H.Humphrey, London, handcoloured etching with aquatint 25.5cm by 35.5cm; 10in by 14in

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25 Blythe Road
Lot 167

A LARGE FOLIO OF BRITISH PRINTS including a collection of etchings by Hugh Stanley White (1904-1984) (c.21)subjects including the Sudan, village high street, boat house, Warwick Castle, Windsor Castle from Eton, the river Congo, Arundel Castle, Sussex, the Gorge, Castle Cambell and other subjects. Skysigns, Trafalgar Square (wood engraving) by Graham Dudley Page, signed and dated 1934. After the Masquerade etched by Paul Rajon after J. L. Gerome. Going to the Park, original etching by John Everett Millais. The Abundance of Egypt, Original etching by William Holman Hunt. Various Sizes (c.25)

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Busby
Lot 364

Attributed to Anthonie Waterloo (1606-90) Alphee and Aretus, etching, Folio Fine Art label en verso, 24 x 29cm

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Busby
Lot 351

Rembrandt van Rijn (Dutch, 1606-1669) Etching of a mounted cavalryman and a prophet blessing kneeling figures, signed and dated 1641 lower right, framed, mounted and glazed 20 x 22cm

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Busby
Lot 365

Attributed to Claude Lorrain (French, 1600-1682) Landscape etching with herdsmen and their flock, mounted, Folio Fine Art label en verso, 17 x 10cm

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Wright Marshall Ltd
Lot 2027

William Douglas MacLeod (Scottish, 1892-1963) - 'Citadella Pisa' Pencil signed etching, bears old hand written and printed label verso for W. B. Simpson, 84 St Vincent Street, Glasgow, approx 18x35cm, framed.

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Hansons Auctioneers and Valuers
Lot 2415

A colour etching, indistinctly signed, no. 36/50, framed

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Hansons Auctioneers and Valuers
Lot 2401

William Henry Simmons (1811-1882) 'The Hunt', colour etching 16 ¾ inches by 28 ¼ framed approx.

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Wright Marshall Ltd
Lot 2031

Four Fine Antique prints Comprising - Paul Sandby RA (British, 1730-1809), Country landscape etching, approx 17x22½cm, Andrew Geddes (1783-1844), 'The Field of Bannockburn' and 'The Borestone', etching, approx 12x16cm, an indistinctly pencil signed etching depicting Chinese fishing boats, approx 15x21½cm, and a David P. Ramsay pencil signed coloured lithograph depicting a horse and cart, bearing hand written text and label verso, also bears a James Bourlet & Sons Ltd of Mortimer Street, London label verso, no 95483, approx 17x22½cm, all framed (4).

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Wright Marshall Ltd
Lot 1959

Edouard Manet (French 1832-18883) 'Peint et Grave 1862' a drypoint etching The monochrome etching depicting a gentleman wearing top hat and cravat, 28cm x 20cm, artist's monogram top left corner, framed and glazed. (illustrated)

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Wright Marshall Ltd
Lot 2014

Jean-Baptiste Camille Corot (French, 1796-1875) - 'L'etang de la Levray' Etching, bears pencil inscription to the mount, bears label verso for Fraser & Son Fine Art Dealers Dundee, approx 7x12cm, framed. (illustrated)

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Wright Marshall Ltd
Lot 2020

William Lionel Wyllie (British, 1851-1931) - 'St Mary's Island and Lighthouse, Whitley Bay' Etching, signed and titled in pencil to the margin, bears label verso for Fraser & Son, Fine Art Dealers, Dundee, approx 16x38cm, inset swept gilt frame (foxed).

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Wright Marshall Ltd
Lot 2013

Gerald Leslie Brockhurst RA RP RE (British, 1890-1978) - 'Two Melisandes' Etching, pencil signed to the margin, bears old label verso, for P & D Colnaghi & Co of London, with hand written annotations, approx 14½x9cm, framed

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Hansons Auctioneers and Valuers
Lot 2408

A signed colour etching of St Paul's

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Bulstrodes Auction Rooms
Lot 567

Diamond shaped glass decanter with 3rd Reich motif etching - overall height 29cm

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Woolley & Wallis
Lot 39

William Lionel Wyllie R.A. (1851-1931) The Thames looking towards Westminster Signed Etching 16.5 x 37.5cm; 6½ x 14¾ With another Wyllie etching of Ryde, Isle of Wight from the Solent 21 x 49cm; 8¼ x 19¼in (2)

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Woolley & Wallis
Lot 40

Jean-Baptiste-Camille Corot (French 1796-1875) Environs de Rome 1866 Inscribed lower left on bottom margin Etching on japan paper, 3rd state, unframed 32 x 24cm; 12½ x 9½in (plate size) With an uuframed etching by André Dunoyer de Segonzac (2) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent

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Woolley & Wallis
Lot 56

‡ Eileen Alice Soper R.M.S. (1905-1990) The Scooter, 1922 Signed Etching, edition 243, mounted, unframed 12.5 x 18.5cm; 5 x 7¼in ++Good condition

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Woolley & Wallis
Lot 51

‡ Robin Tanner (1904-1988) The clapper bridge Signed and numbered 3/50 Etching, unframed 18 x 24.5cm; 7 x 9½in ++Good condition

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Woolley & Wallis
Lot 60

‡ Eileen Alice Soper R.M.S. (1905-1990) A voyage of discovery Signed Etching, mounted unframed 12.5 x 18.75cm; 5 x 7½in ++Paper slightly yellowed, good condition

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Woolley & Wallis
Lot 41

David Young Cameron (Scottish 1865-1945) The Gates of a City Signed Etching 19 x 16cm; 7½ x 6¼in With 6 unframed etchings: 2 x Stephen Gooden; 3 x Malcolm Osborne; 2 x Frank Short (8) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent

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Woolley & Wallis
Lot 69

‡ Graham Clarke (b.1941) Goût de Grenouille Signed, titled and numbered 109/250 Etching with aquatint 54 x 68cm; 21¼ x 27in Provenance: Christie’s Contemporary Art certificate ++Good condition

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Woolley & Wallis
Lot 52

‡ Robin Tanner (1904-1988) Wiltshire roadmaker Signed and numbered 3/50 Etching, unframed 10 x 15cm; 4 x 6in ++Good condition

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Woolley & Wallis
Lot 37

William Lionel Wyllie R.A. (1851-1931) Seagulls at low tide Signed Etching 30 x 21cm; 12 x 8½in ++Mount stained and paper discoloured otherwise good

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Woolley & Wallis
Lot 54

‡ Eileen Alice Soper R.M.S. (1905-1990) The See-Saw, 1922 Etching, edition 314 11 x 17.5cm; 4¼ x 7in Provenance: Chris Beetles, London The estate of George & Eileen Soper Literature: Catalogue Raisonne of the etchings of George and Eileen Soper, No. 44 Exhibited: Abbey Gallery 1927, No. 124 ++Some very light staining and discolouration

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Woolley & Wallis
Lot 55

‡ Eileen Alice Soper R.M.S. (1905-1990) Tiddlers, 1921 Signed Etching, edition 190 10 x 15cm; 3¾ x 6in ++One light fox mark otherwise good condition

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Woolley & Wallis
Lot 25

Capt. William E. Baillie (Irish 1723-1810) After Rembrandt The Three Trees Etching 21 x 28cm; 8¼ x 11in ++Paper rippled, Foxing and staining to margins, a little light bloom, a light fox mark to centre

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Woolley & Wallis
Lot 28

After Rembrandt Harmenz Van Rijn A street market Etching, mounted, unframed 9 x 6cm; 3½ x 2¼in With 9 further prints and etchings by Dujardin x 2 Tiepolo and others (10) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent

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Woolley & Wallis
Lot 42

‡ Henry Wilkinson (1921-2011) Bassett hounds Signed and numbered 73/75 Drypoint etching in colour 25 x 36cm; 9¾ x 14¼in

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Woolley & Wallis
Lot 44

Sir Frank Brangwyn R.A. (1867-1956) Trees and factory, Hammersmith Signed Etching 33 x 40cm; 13 x 15¾in ++Paper rippled, some discolouration to paper, some staining right margin, tears upper left corner (margin) and down left margin, two small tears lower left corner one in edge of image, 2 small white specks by factory chimney possibly bloom

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Woolley & Wallis
Lot 68

‡ Graham Clarke (b.1941) The Sailor’s return Signed, titled and numbered 77/250 Etching with aquatint 54 x 68cm; 21¼ x 27in Provenance: Christie’s Contemporary Art certificate ++Good condition

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Woolley & Wallis
Lot 53

‡ Robin Tanner (1904-1988) Full moon Signed and dated 74 Etching, unframed 24 x 18.5cm; 9½ x 7¼in ++Good condition

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Woolley & Wallis
Lot 49

Norman Lindsay (Australian 1879-1969) Land of the Sylphs Signed, titled and numbered 11, in pencil Etching, unframed 25 x 30cm; 9¾ x 11¾in (plate size) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent ++Untrimmed, strong old mount stain, some time staining, some peripheral marks where the print was previously spot fixed and has been removed, some slight creases and blemishes, otherwise in good condition

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Bamfords Auctioneers & Valuers
Lot 315

A Bortzells, after A pair of Crossbills tinted etching; four other tinted etchings, of birds, Kingfisher, Jay, Green Woodpecker, Kestrel (5)

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Halls Fine Art Auctioneers
Lot 295

Giovanni Battista Piransei (Italian, 1720-1778) Veduta Della Cascata di Tivoli, etching, 1766, on laid, margins, 48 x 71cm (PL) together with a further etching after the same hand titled 'Veduta Della Gran Piazza e Basilica di S.Pietro', trimmed and stuck down, 46 x 58cm (SH) (2)

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Brightwells
Lot 536

GRAHAM VIVIAN SUTHERLAND A.R.E, OM (1903-1980)Michaelmasoriginal etching, unframedpencil signed 'Graham Sutherland' in lower marginPl 3 1/2 x 3 in (8.9 x 7.7cm)Dateable to 1928Michaelmas is the celebration in the Roman Catholic Church of the feast of Saints Michael,Gabriel and Raphael (the archangels) which falls on 29th September each year. Graham Sutherland had converted to Roman Catholicism early in 1926 .Throughout the nineteen twenties, including his student years at Goldsmith's College, Sutherland produced a series of pastoral etchings including this deeply spiritual work, worked in the tradition of Samuel Palmer. By 1935 Sutherland had turned towards Surrealism

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Brightwells
Lot 515

PAUL DAROU DRURY PRE (1903-1987)Head of a young Womanoriginal etching, unframed pencil signed in marginPl. 6 x 4 1/2 in (15.3 x 11.4cm)Paul Drury was a friend and fellow student of Graham Sutherland at Goldsmith's College, 1920-1925. he later became a visiting teacher at various London art schools. Between 1948-1974 he was a member of the Faculty of Engraving of the British School in Rome

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Brightwells
Lot 520

CHARLES WILLIAM TAYLOR (1878-1960)Before Burfordoriginal line engraving and etching, unframedpencil signed 'C.W. Taylor' in lower marginPl. 8 1/2 x 6 1/2 in (21.5 x 6.5cm) Taylor studied at Wolverhampton School of Art and the RCA. His print making came to the attention of the public in the mid 1920's when he produced a small but interesting group of works, mostly wood engravings of unspoilt areas in the Midlands & the South of England

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Brightwells
Lot 513

NOEL ROOKE ARE (1881-1953)Sun and Shadeoriginal wood engraving, unframedsigned with initials' N.R.' in plate,unframedPl. 5 x 6 in (12.7 x 15.3cm)Noel Rooke was the son of the painter Thomas Matthews Rooke. He studied at the Slade School from 1899-1903 under P. Wilson Steer and Henry TonksSold together with a 1984 etching and aquatint by Ronald Best inscribed 'Untitled'; and a 1968 wood engraving by Robert Bates titled 'All in the Spring' ( Provenance: Lumley Cazalet, London), three (3)

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Brightwells
Lot 519

ROBERT SARGEANT AUSTIN RA (1895-1973)The Letteroriginal line engraving,unframed pencil signed and dated 'Robert Austin 1938' in lower right marginPl. 4 1/4 x 3 3/4 in (10.8 x 19.6 cm) Austin began to introduce engraving into his etchings in 1924, and produced his first pure line engraving in 1925. His appointment as tutor of engraving at the Royal college in 1927 promoted a revival of interest in the technique The sitter in this etching is Mrs Berhard Smith , owner of the Twenty One Gallery and publisher of Austin's prints for many years.She is depicted here in her cottage ar St Nicholas at Wade, near Birchington, in Kent

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Brightwells
Lot 535

WILLIAM LIONEL WYLLIE. RE. (1851-1931)Saint Paul's , London (c.1920), etching, pencil signed in lower left margin, Pl. 9 x 13 1/2 in; and a selection of five other etchings including examples by Albany Howarth, W.S. Bagdatopoulos, Lionel Lindsay and others. six (6)

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Brightwells
Lot 534

WINIFRED AUSTEN (1876-1964)The Dod Manoriginal etching,pencil signed in lower marginPl. 8 3/4 x 8 1/2 in (22.3 x 21.6cm)

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Brightwells
Lot 516

E. HEBER THOMPSON R.E. (1891-1971))The Ballerinaoriginal etching, unframedsigned 'Heber Thompson' in lower margin (lower right)Pl. 6 3/4 x 9 in (17.2 x 22.8cm) Thompson received his early artistic training in New Zealand. After serving in the New Zealand Army in WW1, he received an Army scholarship in 1919 to study at the Slade School of Art, and later studied etching with Frank Short at The Royal College of Art.

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Clarke and Simpson
Lot 503

Joseph W. Simpson 1879 - 1939, dry point etching of Mr Pryde, pencil signed to mount, 73/75, 32cm x 21.5cm

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Clarke and Simpson
Lot 501

Joseph W. Simpson 1879 - 1939, dry point etching "The Fur Cap", pencil signed to mount, 17cm x 14cm; a further example 22/50, 27.5cm x 19cm; and a similar, probably of the same child (3)

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Clarke and Simpson
Lot 513

Leonard Russell Squirrel, pencil signed etching, rural scene with church in the foreground,32.5cm x 35cm; and Leonard Russell Squirrel study of Thomas Eldred's house, Fore Street, Ipswich, signed drawing, 14.5cm x 22cm, (2)

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