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Lot 149
Cundall (H.M.). Birket Foster R.W.S., 1906, numerous col. plts., and b&w illusts., with retirement presentation inscription to front pastedown, dated 1921, t.e.g., remainder rough-trimmed, orig. decorated cream cloth gilt, a little rubbed, limited edition de luxe 58/500, signed by the publishers, with an additional etching of Sheep Feeding bound in as frontispiece, together with Menpes (Mortimer & Dorothy), Briteany, 1905, numerous col. plts., t.e.g., orig. decorated cloth, rubbed and some surface soiling, a little fraying to extreme head and foot of spine, limited edition de luxe 292/350, signed by Mortimer Menpes, both 4to. (2)
Lot 733
HEDLEY FITTON (1859-1921) - `Porch of St. Magnus the Martyr, London Bridge, etching, pencil signed in the margin, 13" x 9" and one further by the same hand `Flower Market Florence` also pencil signed in the margin, 13 3/4" x 9 1/4", framed similarly (2) (see illustration). Each bears label verso `Robert Dunthorne & Son Ltd, The Rembrandt Gallery, 5 Vigo Street, London.
Lot 27
Alken (Henry) Panorama of a Fox Hunt showing a large scope of the Leicestershire Rutlandshire and Lincolnshire Counties... 16 conjoined sheets of hand-coloured soft-ground etchings lacking final sheet “Wo-e Wo-e” & “Tally ho” rather soiled and stained small abraded patch to one sheet most sheets separated engraved title mounted on inside front cover folding into original cloth-backed board folder additional hand-coloured etching of the kill mounted on upper cover rubbed and browned lacking ties [Siltzer p.61; cf.Snellgrove Alken 30 but narrower only 97mm.; Not in Abbey] c.120 x 3200mm. folding to oblong 8vo R.Ackermann 1828; and a small bundle of others hunting maps v.s.; sold not subject to return(a bundle)
Lot 605
Wilfrid Blunt 1901-1987- Self portrait of the artist, standing full-length holding a palette; oil on card laid down on panel, signed and dated 1941, signed, dedicated and dated Sept 1984 on the reverse, 38.6x18.5cm: Wilifrid Blunt 1901-1987- Portrait of a man head and shoulders; etching, signed within the plate, signed, dedicated and dated 1922 in pencil, 20.3x14cm: together with a lithograph of a male portrait subject, signed and dated 1923 within the plate, dedicated and dated 1986 in back pen, 31x25cm and a further etching of the Eifel Tower, Paris, signed and numbered 2/50 in pencil, 12x9cm., both by the same hand, (4) (part unframed)
Lot 606
William Walcot RE 1874-1943- "Kings College, Cambridge"; etching, signed in pencil, 10x15cm: Felix Stanislaw Jasinski 1862-1901- "Man in a Turban", after Jan van Eyck, publ by Jules Hautecour, Paris April 1902; etching, with remarque, bears facsimile signature, in an oak frame, 29.5x20cm., (2)
Lot 620
After Francisco José de Goya y Lucientes, mid-late 20th century- "Estragos de la Guerro" (Ravages of War) etching, drypiont and burin, on laid paper, with full margins, with publishers blindstamp, this a later example of Plate 30 from the original "Los Desastres de la Guerra" c.1810-15, first published 1863, apparently good condition, 13x17cm
Lot 641
George Cruikshank 1792-1878- The Borough Candidates"; published Oct 12th 1812, Cheapside London, hand-coloured etching, 18x24cm: After James Gillray 1757-1815- "Discipline a la Kenyon, Faro`s Daughter`s Beware"; etching, originally published March 25th 1797, by H Humphrey, London, this a later Bohn example, 37x27cm: and one further etching after Gillray, "Preliminaries of Peace..", a later 19th century example: After William Hogarth, five 21st century reproductions, (8) Note: A collection of apt sartorial political prints by two of the best exponents of their trade Gillray and Cruikshank.
Lot 735
* Camille Bryen, French 1907-1977- Untitled; drypoint etching and aquatint, signed and numbered 153/288 in pencil, on cream wove with margins, 19x14cm: European school, early-mid 20th century- Untitled; drypoint etching, on cream wove with margins: together with other 20th century lithograph and print studies by and after various hands, (5) (unframed)
Lot 777
After Conrad Martin Metz 1749-1827- Zeus, studies after the antique; published may 1st 1799, by Darling & Thompson, Gt Newport St, London, soft ground etching by J Dawson, 33x43cm: Carlo Cesio 1626-1686- Religious scene; engraving after Arnoldo van Westerhout 1651-1725 and Guido Reni 1575-1642, 30x44cm, (2) (unframed)
Lot 796
Jacques Villon 1875-1963- "Camille Renault" (G./P. 494) etching and engraving, 1945-46, signed in pencil, inscribed 2 e etat (retraced) (there were 35 impressions printed in this state and a further 140 printed after the plate was reworked in 1947) on BFK Rives wove paper, with full margins, good condition with minor handling marks, 40.5x31.7cm, (unframed)
Lot 813
* Kevin Jackson b.1954- "Blue Curtains"; etching with aquatint with embossing printed in colours, signed with initials and numbered 2/200 in pencil, 64x51cm: Rima Farah b.1955- "Sofa"; etching with aquatint with embossing printed in colours, signed and numbered 22/60 in pencil: together with one other etching by Rima Farah titled "Weaving", signed and numbered 57/60 in pencil, (3). (may be subject to Droit de Suite)
Lot 819
Jacques Villon 1875-1963- L`Aide Gracieuse; La Latiere; and L`Enfant et la Chevre (G./P. 202, 207, and 208) three dry points, two with etching, 1907, the first and last example signed in pencil, the first numbered 29/30, the second apparently of only a few impressions, the last example unsigned, numbered 35/60 in pencil, on laid and wove papers respectively, full margins, in good condition, 19.5x14.2cm; 16.5x22.4cm; and 18.5x17cm, respectively, (3) (unframed)
Lot 821
Richard Bramble b.1968- "The Institute of Chartered Accountants"; etching, signed, titled, numbered 36/250 and dated 93 in pencil, 52x67cm: Sylvie Edwards, American late 20th/early 21st century- "Rainbow in the Maze"; lithograph in colours, signed, titled, numbered 131/175 in pencil: together with one other similar colour lithograph by the same hand and nine various reproduction prints, including coaching scenes etc., (12) (may be subject to Droit de Suite)
Lot 853
Jacques Villon 1875-1963- "La petite Encoliere or Fleure De Pave; and Le Grand Pere Nicole" (G./P. 103 and 124) drypoints with aquatint, the second with soft ground etching, 1904-05, each signed in pencil, the first inscribed tiré à 25, the second example one of only a few impressions, on Arches and cream laid papers respectively, with full margins, in good condition, Le Grand Pere Nicole with printers ink fingerprints to the margins, 22.5x17cm and 25x16.4cm, respectively, (2) (unframed)
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71174 item(s)/page