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Lot 1314
Morris Henry Hobbs (American/New Orleans, 1892-1967), seven works: "New Hampshire Winter", etching on paper, pencil-signed and titled lower right, inscribed from Alice Hobbs, sheet 5 5/8 in. x 6 3/4 in.; "French Quarter Courtyard", ink on paper, signed lower left, image 4 1/2 in. x 3 in., and "Old Merlin", 1945, four trial proof etchings on paper, all pencil-signed, titled, dated and inscribed in lower margins, matted together with inscriptions "edition of 50", largest 3 1/2 in x 4 3/4 in.; together with John Taylor Arms, N.A. (American, 1887-1953), "Cathedral of Chartres( Miniature)", 1939, etching on paper, pencil signed and dated lower right, titled in plate upper right, image 1/2 in. x 3/4 in., sheet 5 1/2 in. x 9 in., all unframed, (7 pcs.). Provenance: Collection of philanthropist Ralph M. Pons (1895-1893), New Orleans.
Lot 434
John L. Boqueta de Woiseri (active America, 1797-1815), "A View of New Orleans taken from the Plantation of Marigny", 1803, colored aquatint with engraving, showing saw mills, the Place des Armes, St. Louis Cathedral, three newly hoisted American flags, with an eagle holding a banner with the motto "Under My Wings Every Thing Prospers" above, sheet 13 in. x 22 3/4 in., framed. Note: Mounted on heavy stock. Note: In 1803, John L. Boqueta de Woiseri, a portrait artist by trade, who developed his talents as an engineer and designer, produced a bird`s eye view of the city of New Orleans. The etching presented here is a companion to a map produced by Boqueta de Woiseri most likely under the guidance of Pierre Clement Laussat, the prefect of Louisiana, who resided at the Marigny plantation. Boqueta de Woiseri`s etching is unique as it was the only view at the time to depict the city`s most important buildings: the Cabildo, the Presbytere, and St. Louis Cathedral. In addition, the etching celebrates the purchase of New Orleans and the Louisiana territory by the United States. This monumental event is symbolically portrayed by the eagle clutching a sixteen star-spangled banner. John L. Boqueta de Woiseri`s rendering of the newly minted American city is also included in the collection of Monticello and has been exhibited at the Historic New Orleans Collection. Reference: The Historic New Orleans Collection, Charting Louisiana: Five Hundred Years of Maps, 2003. The Historic New Orleans Collection Printmaking in New Orleans, 2006.
Lot 595
Alfred Heber Hutty (American/South Carolina, 1877-1954), "Corner of the Huguenot Church, Charleston, South Carolina", 1925, etching on paper laid down on board, pencil-signed and snail monogram lower right, edition of 75, plate 5 1/2 in., x 6 1/4 in., framed. Illustrated: Alfred Hutty, American Etchers Series, vol. 2, introduction by Duncan Philips, New York: Crafton Collection, 1929; Saunders, Boyd and Ann McAden, Alfred Hutty and the Charleston Renaissance, Orangeburg: Sandlapper Publishing Company, 1990, p. 78; and Arnold, Sara C. and Stephen G. Hoffius, eds., The Life and Art of Alfred Hutty: Woodstock to Charleston, Columbia: The University of South Carolina Press, 2012, p. 131
Lot 756
A pair of watercolours, one showing an estuary scene with beached fishing boats, the other showing a country lane with figure driving cattle, both signed H Callen and one dated 1947, 27 x 37 cm, both framed together with a 19th century coloured etching of a Venetian canal scene with figures, 27 x 38 cm, mounted (displayed on table below)
Lot 759
A coloured print after Vernon Ward showing a still life with vase of anemones together with a further similar coloured print of a vase of dahlias, both 37 x 28 cm in gilt frames together with a pair of 19th century coloured prints after J M W Turner, one of a cottage scene with figures, the other of a classical ruin, 20 x 15 cm in moulded gilt frames and also together with an early 20th century sepia coloured etching of a Dutch pargetted house in Bristol, published by Frost & Reed, in wooden frame with oak mount
Lot 761
A collection of 19th century and other pictures and prints including a pair of miniature coloured engravings of Raphael and Sir Walter Scott, a coloured engraving of JMA Fortenze, topographical prints and etchings including views of Salisbury Cathedral, Truro Cathedral and All Saints Church, Oxford after F Robson, an etching of a little girl seated on a tree trunk besides a church, signed in pencil W V Collitz (?), etc
Lot 773
A humorous coloured print after Harry B Neilson - Mr Foxes Hunt Breakfast on Xmas Day, 31 x 58 cm in wooden and gilt frame, a signed limited edition etching - The Clown, by Charles M Ware, of circular form, 29 cm diameter in simple wooden frame, a set of four sepia coloured photographs showing early 20th century Bristol scenes, a pair of monochrome prints of architectural subjects and two folders of coloured prints - A History of Medicine in Pictures, produced by Parke-Davis,
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71174 item(s)/page