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Lot 273

Norman James (20th century British School), a monochrome study of fishermen preparing baskets and nets, drypoint etching, signed in pencil to margin. H.20cm W.23.5cm

Lot 280

After Francesco Bartolozzi, (Italian, 1728-1815), a study of the virgin Mary, Joseph and child with globe, etching on paper, H.22.4cm W.28cm

Lot 327

M.C.Robinson (Early 20th century British School), architectural study of gateway in Rye, East Sussex, dry point etching with aquatint, signed in pencil. H.20cm W.15cm

Lot 648

A collection of early 20th century coloured engravings and etchings published by The Museum Galleries including examples by Tatton Winter, examples showing continental city scenes and inscribed Original Etching by Dr D Donald, etc, various sizes 43 x 25 cm maximum, all in simple black frames

Lot 651

Three portfolios containing an extensive collection of prints, drawings, engravings, etc, including sepia coloured chalk study, shoulder length study of a young girl, signed Kiddey and dated 35, an etching of Lady Hamilton after Romney by Paul Rajon, various photographic portraits, etc

Lot 652

An extensive collection of watercolours, prints, etc, including landscape subjects, floral subjects, etc and including a moorland scene signed Trevor, a pair of country landscapes signed Mary Williams, an etching of a Venetian canal scene, etc

Lot 663

An oil painting on board by Hilary Briscoe showing figures picking apples, with New Grafton Gallery, London label verso Hilary Briscoe Apple Picking, Oil on Board, Exhibited July 2001, 14 x 14 cm approx in pine frame together with a signed coloured limited edition etching of a bedside cabinet with lamp and floral posy, signed bottom right A Antoine and inscribed Les Table De Nuite, edition 9/20, 23 x 17 cm in gilt frame

Lot 664

A signed black and white etching, shoulder length portrait of a man in checked jacket and cap, signed Henry Rayner and also inscribed Richard Sickert and dated 1940, with signatures also within the plate, with Michael Parkin Gallery, London label verso, Henry Rayner 1902 - 1959, Walter Sickert, Bathampton, 1949 etching, 22 x 20 cm in gold coloured aluminium frame

Lot 181

After Salvador Dali "MYSELF AT THE AGE OF SIX, LIFTING WITH EXTREME PRECAUTION THE SKIN OF THE SEA TO OBSERVE THE DOG SLEEPING IN THE SHADE OF THE WATER" multi plate drypoint etching printed in colours, numbered 165 from and edition limited to 295, published 1988 by Demart Pro Arte 39 x 53.3cms; 15 1/2 x 21in. (plate size).

Lot 210

Leo Houlberg "EGERT TRYK" signed and inscribed in pencil etching 25.5 x 35.5cms; 10 x 14in. (plate size).

Lot 212

Brenda Hastie "MINERAL ELEMENTS II" signed, inscribed and dated '93 in pencil mixed method etching 40 x 60cms; 15 3/4 x 23 3/4in. (plate size); and a similar print "VARIATIONS VII STONE". (2)

Lot 214

Ruth McPhun MOUNTAINOUS LANDSCAPE signed and dated '82 colour etching 44 x 50cms; 17 3/8 x 19 1/2in.

Lot 215

John Brunsdon "EDALE, DERBYSHIRE" signed and inscribed in pencil colour etching and aquatint numbered 205 from an edition limited to 350 impressions 45 x 60cms; 18 x 23 5/8in. (image size).

Lot 217

Tom McGuinness "HAND PUTTER" - A PITMAN WORKING UNDERGROUND signed, inscribed and dated '83 drypoint etching, Artist's proof 6 x 18.5cms; 2 3/8 x 7 1/4in.

Lot 218

Tom McGuinness "MINERS IN THE RETURN" signed, inscribed and dated '84 drypoint etching, numbered 11 from an edition limited to 40 10 x 6.5cms; 4 x 2 1/2in.

Lot 1244

David Hockney OM CH RA (British, b. 1937) - 'In a Old Book', etching, from the 'Illustrations for fourteen Poems from C P Cabafy', approx 35x22cm, mounted and framed

Lot 1246

European School (early 20th Century) - 'Two seated Ballerinas', pencil signed limited edition etching, no. 6/100, bears indistinct handwritten label verso, approx 17x20cm, mounted and framed

Lot 726

FRANCIS DODD watercolour 'old lady standing' signed with initials lower left and with dedication middle right. And after Francis Dodd Black and white etching 'old woman seated in armchair', signed on mount and with dedication. H25cm x W20cm. Good general condition commensurate with age and use

Lot 224

E. HERBERT WHYDALE. Farm horse. Signed etching. 20 x 25cm.

Lot 313

After Philip R. Morris AVA (English 1836-1902), Sweethearts and Wives, coloured etching, 40cm x 64cm.

Lot 1719

* JOHN BELLANY CBE RA HRSA, THE LOVERS etching with aquatint in colours, signed and numbered in pencil 75cm x 56cm Mounted, framed and under glass Note: From the Bellany Sextet

Lot 1720

* JOHN BELLANY CBE RA HRSA, SAMSON AND DELILAH etching with aquatint in colours, signed and numbered in pencil 75cm x 56cm Mounted, framed and under glass Note: From the Bellany Sextet

Lot 1724

* WILL MACLEAN MBE RSA RSE Hon D.Litt (SCOTTISH b.1941), THE KING'S FISH Colour etching from an edition of 40, from 'The Night of Islands' series (1991), signed beneath the backing board 'Will MacLean R.S.A' 40cm x 33cm (plate size) Mounted, framed and under glass Partial label verso: Louise Pickering Fine Art, London Note : Will Maclean RSA, Professor of Painting at the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea.

Lot 1725

* WILL MACLEAN MBE RSA RSE Hon D.Litt (SCOTTISH b.1941), A HIGHLAND WOMAN Colour etching from an edition of 40, from 'The Night of Islands' series (1991), signed beneath the backing board 'Will MacLean R.S.A' 40cm x 32.5cm (plate size) Mounted, framed and under glass Label verso: Louise Pickering Fine Art, London

Lot 1726

* WILL MACLEAN MBE RSA RSE Hon D.Litt (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON colour etching from an edition of 40, from 'The Night of Islands' series (1991), signed beneath the backing board 'Will MacLean R.S.A' 49cm x 33cm (plate size) Mounted, framed and under glass Label verso: Louise Pickering Fine Art, London

Lot 1727

* WILL MACLEAN MBE RSA RSE Hon D.Litt (SCOTTISH b.1941), THE AUTHOR OF THIS IS ... colour etching from an edition of 40, from 'The Night of Islands' series (1991), signed beneath the backing board 'Will MacLean R.S.A' 50cm x 33cm (plate size) Mounted, framed and under glass Label verso: Louise Pickering Fine Art, London

Lot 1728

* WILL MACLEAN MBE RSA RSE Hon D.Litt (SCOTTISH b.1941), STRATHNAVAR Colour etching from an edition of 40, from 'The Night of Islands' series (1991), signed beneath the backing board 'Will MacLean R.S.A' 49cm x 32cm (plate size) Mounted, framed and under glass Label verso: Louise Pickering Fine Art, London

Lot 1729

* PHILIP REEVES RSA PPRSW RGI RE, ACADEMY etching, signed in pencil and numbered 3/14 38cm x 76cm Mounted, framed and under glass Note: Philip Reeves studied at the Cheltenham School of Art and at the Royal College of Art, London before being appointed lecturer at Glasgow School of Art in 1954. In 1967 he founded the Edinburgh Printmakers, and was made Head of Printmaking at Glasgow School of Art in 1970, during which time he honed his skill, and expanded his media to include collage and construction. He has been extensively exhibited nationally with collections in the City Art Centre, the Royal Scottish Academy and the V&A Museum. His work can be found in many public and private collections in the UK.

Lot 1742

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), TRANSPLANT 1 (1989) etching, signed and numbered 14/30 in pencil 45cm x 40cm Mounted, framed and under glass

Lot 1743

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE BARBERS CHAIR (1986) etching, signed and numbered 13/50 in pencil 25cm x 20cm Mounted, framed and under glass

Lot 1890

* WILLI KISSMER (GERMAN b.1951), RUCKENAKT II etching, signed and marked 'EP' in pencil and studio stamped 39cm x 20cm Mounted, framed and under glass

Lot 163

TRACEY EMIN (British, b. 1963), 'The Kiss, 2001', etching, 33cm x 30cm, numbered 284/1000, signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

Lot 82

PABLO PICASSO (Spanish, 1881-1973), 'Tetes', 1931, original etching on BFK Rives paper with cancellation marks and remorques, 44.9cm x 33.7cm, framed. (Please Note Clause 6 of Buyer's Conditions)

Lot 419

Pierre-Auguste Renoir, French 1841-1919- "Baigneuse debout à mi-jambes", (Delteil&Stella 23); etching on laid, bears pencil inscription on the reverse, 16.6x11.1cm CONDITION REPORT: Framed, glazed and mounted in a wood effect and canvas style frame with intentional spotting decortation Frame has scratches and marks throughout May or may not be stuck, it hasn't been inspected out of frame Mount has a few minor grubby marks The back of the frame is not secure and has come slightly loose Remains of tape present to the back of frame Slight ruckling to paper Overall in good condition

Lot 421

Anthony Slade, British 1908-1941- "Paradise"; etching, signed in pencil, 14.5x21cm

Lot 440

Robert Walker MacBeth RA RI RE,RWS Scottish 1848-1910- The Ferry; etching, signed with monogram and dated Oct 1880 within the plate, 15x27cm: William Gronow Davis, British, mid-late 20th century- Wooded river landscape; gouache, signed and dated 68 in pencil, 24x45.5cm:

Lot 442

Frank Archer RWS RE, British 1912-1995- "Job & his Friends"; etching, signed, titled and dated 1937 in pencil, 25x20cm, Provenance: with the Catto Gallery , London, according to label attached to the reverse, (may be subject to Droit de Suite) Frank Archer for an Art Teacher's Diploma at Brighton School of Art (1932), and then took up a place at the Royal College of Art (1934-38). The engravings that he produced as a student won him the coveted Prix de Rome (1938) and led to his election to the Royal Society of Painter-Etchers and Engravers (ARE 1940, RE 1960). After the war, Archer taught at Eastbourne School of Art, and later at Kingston College of Art, eventually becoming its head. Though he continued to use some kinds of printmaking, his essential development was as a painter with a breadth of vision. The Royal Society of Painters in Water-Colours elected him as a member (ARWS 1971, RWS 1976) and mounted a retrospective of his work at the Bankside Gallery (1990).

Lot 444

Salvador Dali, Spanish 1904-1989- "Le Torse" (Torso) from "Vénus aux Fourrures", (M&L 362f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 82/145 in pencil, 31.7x23.7cm, (may be subject to Droit de Suite) Note: Included in the book of the same title with texts by Leopold von Sacher-Masoch (1836-1895) CONDITION REPORT: Mounted in a glazed ebonised wooden frame with edges of the mount acidified. Edges of the sheet completely visible.

Lot 458

Evelyn Gibbs ARE, British 1905-1991- "Palm at Les Mimosas"; black ink with coloured chalk, signed and dated 53 in pencil, bearing hand inscribed label on the reverse, 55x42cm, Provenance: with The Zwemmer Gallery, London, according to label attached to the reverse: together with one engraving and one further etching with aquatint printed in colours by the same hand entitled "Cliff Fantasy" and "Blind Man", ea. signed, one dated 1928 and one numbered 7/30 in pencil, 60x45cm and 12.7x5.5, (3), (may be subject to Droit de Suite) Provenance: from the St Gabriel's College Collection, London

Lot 463

After Adriaen van de Velde, Dutch 1636-1672- Three cows; engraving, signed 'A V Velde del' within the plate, 11x13.2cm: After Wenceslaus Hollar, Czech/British 1607-1677- A woman standing to left on a ledge with hands folded, wearing a houpette, veil and cloak over ornate gown; etching, from St Gabriel's College Collection, bequest Mr & Mrs Houthuesen according to label attached to the reverse, 13.9x17.5cm: After Raphael, Italian 1483- 1520- "Madonna della Sedia" publ. Medici Society, London; colour reproduction print, bearing label for Medici Society, London attached to the reverse, 38x38cm, (3) Provenance: from the St Gabriel's College Collection, London

Lot 471

Eileen Cooper RA, British b.1953- "Private View"; etching with aquatint printed in pink, signed, titled, dated '05 and numbered 13/100 in pencil, 19.7x12.3cm, (unframed), (may be subject to Droit de Suite)

Lot 563

Auguste Delâtre, French 1822-1907- "Dios se lo pague a usted" After Fancisco José de Goya, Spanish 1746-1828, publ. Gazette des Beaux-Arts, Paris, 1867; drypoint etching on laid, 16.5x21.cm

Lot 577

David Carr, British 1944-2009- "Life Room"; etching with aquatint, signed, titled and inscribed A/P in pencil, 30x30.5cm: together with a Portrait of Gabriel Ivens, charcoal heightened in white, by the same artist, signed in pencil, 57.5x46cm, (2), (may be subject to Droit de Suite)

Lot 312

Max Beckmann, German 1884-1950- "Portrait of Naila Leaning on her Arms, with Glass", (Glaser 236, Gallwitz 230, Hofmaier 265, B b. Rifkind 147) from the unsigned edition of 1500, published by Verlag R. Piper & Co., Munich 1924; drypoint etching, 21x15.7cm, (may be subject to Droit de Suite) Note: see MoMA New York, Moma number: 545.1953, for example of the same. There is also a signed edition of 180 of this print

Lot 410

Maurice Taquoy, French 1878-1952- "La Rentrée au Paddock"; etching printed in colours, signed and dated 13 within the plate, signed and dated 13 in pencil, 25x55cm: Maurice Taquoy, French 1878-1952- "Avant le Départ"; etching printed in colours, signed and dated 1913 within the plate, signed and dated 1913 in pencil, 25x55cm., (2) (may be subject to Droit de Suite)

Lot 414

Luigi Kasimir, Austrian 1881-1962- The Opera House, Vienna; etching printed in colours, dated October 1922 within the plate, signed in pencil, 46x39cm: Luigi Kasimir, Austrian 1881-1962- "Grinzing"; etching printed in colours, signed, titled and dated Februar 1940 within the plate, signed in pencil, 46x59cm: Luigi Kasimir, Austrian 1881-1962- View of the Durnstein on the Danube, etching printed in colours, signed in pencil. 29x28cm., (3) (may be subject to Droit de Suite)

Lot 2033

JOHN SLOAN [AMERICAN 1871-1951], ETCHING, 1916, H 5 1/8", W 6 7/8", "MCSORLEY'S BACKROOM": Pencil signed; plate titled; #90 of a proposed edition on 100; 5 1/8" x 6 7/8" plate size; 9 1/4" x 10 5/8" paper size; matted. Reference: Morse 181.

Lot 2161

AFTER REMBRANDT ETCHING H 3 1/8" W 2 1/3": Beggar woman leaning on a stick. Trimmed to edge of image. Was laid down. Stained at center of print. 19th. C.

Lot 201

A pencil etching of seated nude female, pencil signed 26cm x 21cm

Lot 1493

* KATHARINE (KATE) CAMERON RSW RE (SCOTTISH 1874 - 1965), MORVEN etching, signed and titled in ink below the plate mark 19cm x 27.5cm Mounted, framed and under glass

Lot 413

Susan E Jameson (20th/21st century) - 'Isambard Kingdom Brunel', signed and dated '75, titled, limited 6/50 coloured etching, 14.5" x 7", framed

Lot 454

Edward Sharland (1884-1967) - 'The Gate of Honour, Cambridge', signed, blind stamp seal, colour etching, 12" x 8.5", framed; together with three further similar signed colour etchings of the interior Chapel studies (4)

Lot 459

Mary Louise Coulouris (1939-2012) - 'Scottish Hedgerow', signed and dated '79, limited 8/50 colour etching, 9" x 10", framed

Lot 122

GEORGE GASCOYNE Plough Horses in a Wheat Field Etching Signed and inscribed 24 x 40cm

Lot 137

TREVOR PRICE Soak Etching aquatint Signed inscribed and numbered 70 from an edition of 175 8.5 x 9.5cm Together with six bat prints after A. Thorburn and a coastal watercolour

Lot 189

CLAUDE ROWBOTHAM Entrance to Dartmouth Harbour Etching aquatint Signed Together with a booklet of prints by George Hayhurst France

Lot 27

CLAUDE ROWBOTHAM A collection of 46 etching aquatints including rare continental views, but very few Cornish scenes

Lot 29

CLAUDE ROWBOTHAM The Coming Storm, Running for Shelter, Falmouth Etching aquatint 10 x 15cm Together with three other aquatints by the same hand

Lot 337

A. Fischer (?) Maternite Signed Etching 22 x 29cm Together with an etching by Valer Ferenczy

Lot 344

CLAUDE ROWBOTHAM Two etching aquatints Together with four other works

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