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AFTER JAN BOTH (1615 - 1652) OIL PAINTING ON UNLINED CANVAS 'View of the Tiber in the Roman Campagna' 33 1/2" x 43 1/4" (85 x 110cm) (It would appear that this 18th Century painting is copied either from the etching of the subject by Jan Both or based upon an engraving printed in reverse after the original painting, which now resides in the Rijksmuseum, Amsterdam. At a later date the present canvas has been reduced in size)
PROBABLY DUTCH LATE 19th/EARLY 20th CENTURY ORIGINAL ETCHING, VIEW OF A WINDMILL indistinctly signed in pencil (obscured by mount), W. STIRLING MARTIN 20th CENTURY LIMITED EDITION BLOCK PRINT ENTITLED 'FELLED BEECHES' No 1/25 signed in pencil, 4 1/4" (10.8cm) x 6 1/4" (16cm) and THREE OTHER 20th CENTURY PRINTS (5)
FARRINGTON. Framed, signed, dated '67' and titled 'I shall eclecticise la Chaise just as Rodin eclectisied Michelangelo' in pencil to margin, artists proof etching on paper, showing standing semi nude female in red knickers, after Gaston Lachaise's (1882 - 1935) 1932 bronze sculpture, 'Standing Woman' 60cm x 44.5cm.
*Spence (Robert, 1871-1964,). In the Carriere d'Eca[u]faut (S.S.A.3), circa 1916, etching on wove paper, signed and titled in pencil to lower margin, 24 x 35 cm, modern mount, light toning to margins within aperture and somewhat browned to verso Robert Spence, Section Sanitaire Anglais No. 3, Croix de Guerre, RE. (1)
AFTER THOMAS WEBSTER "Punch", black and white engraving, together with AFTER AXEL H HAIG "Chartres", the cathedral with figures on bridge, etching, signed bottom right, together with two prints "Holly" and "Mistletoe", AFTER JOSEPH CLARK "Return of the Runaway", AFTER DONALD CRAWFORD "Durham Cathedral", AFTER N CAUMINE "The Whaler", coloured engravings and etchings etc

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78391 item(s)/page