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Lot 431
Robin Tanner (British, 1904-1988) Christmas, conceived 1929. This etching could be from either the edition of 50 published by MacDonald and Nicholson in 1929 or the edition of 50 by penn print room in 1974 in the edition of 50. (Garton 9) 13/50, signed and numbered in pencil (in the margin) etching 33.5cm x 27.5cm. Most of the studies for this print were made at Castle Come one moonlit night. In his autobiography Tanner described how 'it was an eerie feeling, working through the small hours in that empty village where the moonlight lay in sheets of silver so bright and constant that we drew as easily as by day.'
Lot 517
A set of three chromolithographs "View of Conway Castle, Caernarvonshire", "Dunbar, Haddingtonshire" and "Scene at Hempriggs, Caithness", 21 x 28cm, drawn, engraved and published by William Daniell, a coloured etching Fulham Palace in 1798, a further hunting scene print, two other examples, a street scene watercolour, 47 x 31cm, all framed and glazed, also two oil paintings, one depicting a castle by a river, the other depicting a park scene with bridge (10).
Lot 522
A quantity of various prints including a limited edition example by Jacqin Nix "Weather or Not", 1989, 37/75, plate 43 x 45cm and a hand coloured etching "A Lying in Visit" by Thomas Rowlandson, also a watercolour design for the WWI memorial window, believed to be for the firm of Heaton Butler & Bayne, 38 x 19cm, mounted etc.
Lot 649
O SUMNER; watercolour, beach with boats and figures, signed to lower right and dated 1918, 34 x 49.5cm, unframed, a still life watercolour by the same artist, 28 x 58cm, framed and glazed, an ink and wash sketch of a Paris street scene, signed "Herbelot, Paris" to lower right, 21 x 25.5cm, framed and glazed, an oil on canvas, "Catterick Force Settle", signed with monogram and dated 1882 to lower left, 45 x 34.5cm, framed, a black and white etching of a lying boy reading, signed "Heller" to lower right, 24 x 37cm, framed and glazed, and a large boat print by James Tyler (6).
Lot 53
- 1 of just 2,895 348 TB's built and 28,800 kilometres (18,000 miles) - Recent cambelt replacement and other maintenance by marque specialist - MOT certificate into October 2016 The apparently immaculate left-hand drive 348 TB now offered has had just two registered Italian owners from new and has covered a warranted total of 28,800 kilometres (18,000 miles). It was delivered new by Rome Ferrari dealer Samocar SpA to an Oscar Calzati on January 30th 1990. It passed to the second Italian keeper in September 2007, with whom it remained until purchased by the vendor who brought it to the UK. It has subsequently been entrusted to marque specialists Rardley Motors Ltd, who performed an engine-out cambelt replacement service, MOT test and other maintenance at a total cost of £3,842.10. The Ferrari is one of just 2,895 348 TBs built between 1989 and 1993 and is presented in the traditional combination of Rosso Corsa bodywork, Tan leather interior and Red carpets. The only departures from standard specification are colour-coded sills and valences as per the GTB, and a pair of Scuderia wing shields. The vendor currently classes the Ferrari's bodywork, paintwork and V8 engine as 'excellent' and is selling the car complete with original service book, handbook, leather wallet, selection of past invoices, MOT certificate into October 2016 and even the factory stencil for security etching the glass.
Lot 225
Thomas Gainsborough (1727-1788) Wooded landscape with a country cart and figures Etching with aquatint c.1785, published J & J Boydell, 1797 28 x 34.5cm; 11 x 13½in (plate size) Provenance: Hamilton Collection U.S.A. William Weston, 2002 The Estate of Peter James Rankin Exhibited: Fogg Art Museum, Ref. 15829.8 Literature: John Hayes, Gainsborough as Printmaker, No. 18, p.97 ++Restored by Watson - restoration of 2 small repairs to margins, some very light foxing lower margin, good condition
Lot 226
Thomas Gainsborough (1727-1788) A wooded landscape with cows beside a pool Etching with aquatint, c.1775/78, published from small edition by Boydell 1807 25.5 x 32.25cm; 10 x 12¾in Provenance: William Weston Gallery, 1996, No. 8656/2 The Estate of Peter James Rankin Literature: John Hayes, Gainsborough as Printmaker, No. 5, p.24-29, 50-51 ++Restored by Watson, Image and border complete, margins trimmed, some restoration to creases and small tear repaired lower edge, margins not visible, good restored condition
Lot 227
Thomas Gainsborough (1727-1788) A watering place - wooded landscape with cows and two figures Etching with aquatint, c.1776/77, published 1820 by Boydell 27.5 x 34.25cm; 10¾ x 13½in (plate size) Provenance: William Weston Gallery, 1984, No. 10065/1 The Estate of Peter James Rankin Literature: John Hayes, Gainsborough as Printmaker, p.446, illustrated 117b ++Good condition
Lot 228
Thomas Gainsborough (1727-1788) Wooded landscape with peasant reading a tombstone Etching, c.1780, published 1797 by Boydell 30 x 39.25cm; 11¾ x 15½in Provenance: Elizabeth Harvey-Lee, 1995 The estate of Peter J. Rankin Literature: John Hayes, Gainsborough as Printmaker, No. 10, p.66-71 ++Some earlier restoration, repaired tears upper margins, some staining and foxing, margins not visible
Lot 237
Samuel Palmer (1805-1881) The Bellman, 1879 Etching, from an impression of 75 made in 1926 before destruction of plate from collection of Henri Petiet Paris 16.5 x 23cm; 6½ x 9¼in Provenance: Elizabeth Harvey-Lee The estate of Peter J. Rankin ++Paper rippled, some bloom a little very light discolouration and foxing to margins (framed but glass missing)
Lot 239
Samuel Palmer (1805-1881) The Herdsman’s Cottage - sunset Etching, published by Hamerton 1872/80; Ref. Lister 3 second state as completed 9.75 x 7.5cm; 3¾ x 3in Provenance: William Weston Gallery, London, 1996 The estate of Peter J. Rankin ++Some foxing and time-staining to margins otherwise good
Lot 41
‡ Sir Frank Brangwyn R.A. (1867-1956) Trees and factory, Hammersmith Signed Etching 33 x 40cm Provenance: The estate of Peter J. Rankin ++Paper rippled, some discolouration to paper, some staining right margin, tears upper left corner (margin) and down left margin, two small tears lower left corner one in edge of image, 2 small white specks by factory chimney possibly bloom
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71174 item(s)/page