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Lot 283
Art and Artists archive of autograph letters of the 18th c cartographer and artist John Lambert discussing a variety of his works, including a view of Durham Abbey with Bridge which he intends to have made into a print – with indication of local subscribers – and describing in great detail his methods of producing his works : ‘...the border part is coarse and strong purposely done so in order to strike the eye at a great distance in the nature of an etching and this drawing has one peculiar quality that is the more it is sullied by hanging (unless totally blackened) the more like a print it will appear which I had in contemplation which I did it is having already been washed with a composition to darken it...’ ‘...I am now possessed of a very exact sketch of Durham Cathedral with all the intended alterations now going forward which I obtained from authentic papers and a very elegant figure it will make when finished but what will be at a future period that you or I may perhaps never live to see (about 20 years is computed to finish it) Therefore as it is the greatest object of the Dean and Chapter let me know if a drawing of it would be agreeable...’ A fine correspondence which complements the correspondence of Lambert sold in these rooms in our sale in June 2008.
Lot 611
English School circa 1920- Standing female nude; pencil, 38x23.2cm: Circle of Francis Ernest Jackson RA 1872-1945- Standing female nude, bears inscription, (recto); Circle of Joan Hassal b.1906, (verso)- Studies of cats; pencil, bears inscription, mounted in a double-sided glazed frame, 229x22.3cm: Italian School late 20th century- Female nude; red crayon/chalk, signed with monogram and inscribed 'Firenze' and dated LXXIII, 41x34cm: together with one other life drawing in red chalk by the same hand, similarly signed: James Hamilton Hay 1874-1916- Village street scene; etching, signed and dated 1913 within the plate, 17.5x26cm: William Henry Simmons 1811-1882- "The Duet", after Frank Stone, publ 25th March 1851 by E Gambart & Co, London; engraving, 66x81cm: together with a hand-coloured print of a cat with a mouse, 10x13.5cm., (a lot)
Lot 618
Tessa Beaver b.1932- "Pelham, Massachusets"; etching with aquatint printed in colours, signed, titled, and numbered 9/125 in pencil, 58x39cm: together with seventeen other etchings and aquatints mostly in colours by different hands including: Terence Millington b.1942, Derek Wilkinson 1929-2001, Christopher Penny b.1947, Martin Cronin b.1934 and other examples by Tessa Beave b.1932r, all in matching metal frames, (18) (may be subject to Droit de Suite)
Lot 630
Benjamin Levy b.1940- "Figures on the beach"; drypoint etching, signed and numbered in pencil, 5/100, 8x6cm: Marion Parry, mid-late 20th century- "A Relic of the Past"; pen and black ink, watercolour, bears label for Hinckley And Brohel Drawings, 45 Christopher St., N.Y. 14, N.Y, attached verso, (2) (may be subject to Droit de Suite)
Lot 670
Sir David Young Cameron RA RE 1865-1945- "Inverrary"; etching printed on buff paper, signed within the plate and signed in pencil, 22.5x35.3cm: Professor Alphonse Legros RE HRSA 1837-1911- Men along a river bank with a cottage and woodland, etching, signed in pencil, bears collector's stamp (Lugt 265) for The Bliss Collection, 11x21cm., (2)
Lot 713
Tess Jaray b.1937- Untitled figure study; etching, signed and numbered 63/100 in pencil, 40.3x30cm: together with four etchings of abstract and figurative subjects by different hands, one unsigned and two 1960's/1970's gouache studies of abstract subjects by an unknown hand, (7), (unframed) (may be subject to Droit de Suite)
Lot 830
Bill Jacklin RA b.1943- Horse's head; etching, signed and inscribed 'Trail Proof I', in pencil, on wove paper, full margins, 64.5x56cm: After Barry Flanagan RA b.1941- abstract form; lithograph printed in colours, bears initials, on wove, full margins, 30x63cm, (2) (unframed) (may be subject to Droit de Suite)
Lot 860
W Grant 19th/20th century- Riverside buildings; watercolour, signed, 16x24cm: European School late 20th century- Townscape; black and coloured chalk, inscribed and dated 82, 29x23cm: Cedric, early 20th century- Portrait of an officer of the Artist's Rifles; black ink wash heightened with white on buff paper, signed and inscribed, 26x19cm: Italian School early 20th century- Portrait of a peasant woman standing with a baskets on her head; watercolour, 27.3x18.7cm: William Palmer Robins RE 1882-1959- Horse in a stable; etching, signed and dated 1925 in pencil, 16x24.2cm: Frederick Albert Slocombe RE 1847-1920- The windmill, publ August 1st 1901 by W R Howelll & Co, Bedford Row Chambers, W1; etching, signed within the plate and in pencil, 36.5x19.7cm., (6). Note: The view of the lead item of this lot is possibly at Langstone, Hampshire, a short distance before crossing the bridge for Hayling Island
Lot 992
European School mid-late 20th century- Portrait of a young man; pencil heightened with white, 22x18cm: Italian School late 20th century- View of a town; pen and black ink wash, signed and dated 1965: H Leitch, late 20th century- Figure reading a book; etching, signed, dated 79 and numbered 4/6 in pencil, (3)
Lot 1018
* European School early 20th century- "The Laughing Cavalier"; etching, after Frans Hals I 1580-1666, indistinctly signed and inscribed 'Exhibitor RA', eight states of the same plate, each signed and inscribed, 33x25cm., ea: together with a collection of other prints titled "The Doctor", after Sir Samuel Luke Fildes 1843-1927, signed and inscribed in pencil, five states of the same plate: together with further multiple examples of other prints, (a lot) (unframed)
Lot 1091
Sandhurst, British Colonial school, late 19th/early 20th century- Figure and mule on a stone bridge in a mountain landscape; pencil, signed, 12x17cm: Thomas Rowlandson 1756-1827- "Doctor Syntax, Made Free of the Cellar"; published 1817, etching with aquatint; together with seven other examples from the same series and others by different hands, (part unframed)
Lot 298
Graham Clark (born 1941) - Three artists proof coloured etchings - “Year of the Wild Pig”, “Kettle Watching”, and “Pondering”, and one one other signed proof etching - “Le Jeu du Mail”, 6.5ins x 5ins, two of 5ins x 4ins and 3ins x 4.5ins respectively, all signed in pencil to margin, in frames and glazed
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71174 item(s)/page