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Lot 202
* Gillray (James). The Military Caricaturist, London: H. Humphreys, December 6th, 1799, etching on wove paper with contemporary hand colouring, trimmed to platemark, some glue and paper residue to verso, 350 x 240 mm QTY: (1)NOTE:BM Satires 9442. A caricature of Colonel of the Artillery Thomas Davies (1737-1812), an amateur landscape artist, naturalist, and caricaturist, who was supposed to have spoken slightingly of Gillray.
Lot 211
* Lommelin (Adriaen, circa 1637-1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), indistinct collectors ink stamp to verso, plate size 282 x 200 mm (11 1/8 x 7 7/8 ins), sheet size 305 x 220 mm (12 1/8 x 8 5/8 ins), together withJode (Petrus de, 1570-1634). Beatrice de Cusance, Princess of Cantecroix, Antwerp, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 250 x 200 mm (9 7/8 x 7 7/8 ins), sheet size 420 x 317 mm (16 1/2 x 12 1/2 ins),Neeffs (Jacobus, 1610- after 1660). Marie-Marguerite de Berlaymont, [Antwerp]: Joannes Meyssens, circa 1649, engraving on laid paper after Anthony van Dyck, with jester/fool watermark, plate size 278 x 202 mm (11 x 8 ins), sheet size 363 x 268 mm (14 1/4 x 10 1/2 ins),Bolswert (Schelte Adams, 1586-1659). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1677, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 243 x 183 mm (9 5/8 x 7 2/8 ins), sheet size 332 x 260 mm (13 x 10 1/4 ins),Bailliu (Pieter de, 1613- after 1660). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1650, engraving on laid paper after Anthony van Dyck, verso strengthened at head and foot (creased at foot), trimmed to plate mark, plate/sheet size 475 x 331 mm (18 3/4 x 13 ins),Bolswert (Schelte Adams, 1586-1659). Landscape by moonlight with horse grazing, from the Small Landscapes series, circa 1650, etching on laid paper after Peter Paul Rubens (1577-1640) published by Gillis Hendricx, trimmed to plate mark and laid down on mount board, plate/sheet size 317 x 455 mm (12 1/2 x 18 ins)QTY: (6)
Lot 201
* Gillray (James). The Chancellor of the Inquisition marking the Incorrigibles, London: H. Humphreys, March 19th, 1793, etching on wove paper with contemporary hand colouring, large margins, light overall toning, 500 x 330 mmQTY: (1)NOTE:BM Satires 8316.Edmund Burke holds up a large sheaf of paper headed 'Black List' as he walks towards the door of the 'Crown & Anchor' tavern, the headquarters of The Association for Preserving Liberty and Property against Republicans and Levellers.
Lot 365
Apiary Press. Insects, Apiary Press, Northampton, Massachusetts, 1959, 11 etched plates by Helen Marie Fesenmaier, including 5 with colour backgrounds, original stitched wrappers, small etching of a spider mounted to upper wrapper, 4to, limited edition 9/10, signed by the aritst and inscribed 'Pat - you really made this possible - many thanks! 'English girl' you won't be forgotten. Helene', together with Fish's Book of Beasts, Apiary Press, 1960, title with small etching of a fish, 8 etched plates by Janet Fish, a few minor spots to Bugs plate, further plate of Bugs loosely inserted, original paper-covered boards, spine faded, one or two light marks, 4to, limited signed edition 4/25, plus Vsevolod Mikhailovich Garshin. The Red Flower, translation by Max Wei Yeh, Apiary Press, 1961, etched portrait frontispiece and 8 etchings by Carol Heimburg, original paper-covered boards, spine faded with small losses from insect predation, 4to, limited signed edition 4/30 QTY: (3)
Lot 310
A captivating collection of art glass and crystal decorative bowls and plates, each showcasing distinct artistry and craftsmanship. This set includes a striking red crystalline-glazed ceramic bowl, its surface adorned with exquisite floral-like formations, complemented by a translucent blue glass bowl with a rippled, shell-like texture. A clear etched glass plate features intricate floral and fan motifs, enhancing its delicate allure, while an aqua-green ruffled-edge glass dish presents a fluid, organic form. The collection embodies a diverse range of techniques, from crystalline glaze artistry to precision glass etching and vibrant color infusion. A remarkable assortment for collectors and admirers of fine glass and ceramic artistry. Largest item measures 14.75" dia.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
Lot 319
This exquisite Baccarat Colombine vase showcases a striking geometric design with faceted crystal details that reflect light beautifully. The sculptural form adds a modern yet timeless elegance, making it a standout decorative piece. Baccarat's signature etching is present on the base, ensuring authenticity. Measures 2.75"L x 3.5"H. A refined addition to any fine crystal collection.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
Lot 339
A clear crystal highball glass in the Rohan pattern, featuring densely etched scrollwork across the entire bowl. The cylindrical form rests on a thick, clear base. The detailed etching displays repeated symmetrical scroll motifs. The base is marked with the Baccarat logo. This item is housed in its original red Baccarat box.Issued: 20th centuryDimensions: 5.5"HCountry of Origin: FranceCondition: Age related wear.
Lot 242A
Marigold Halse (XX) Roland Morris collection Mousehole Rocks-Low-Tide, watercolour on paper, signed, 23.5cm x 33cm together with an etching of St Michaels Mount, 12cm x 17cm. (2) Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.
Lot 962
Edgar Chahine (French-Armenian; 1874-1947) - Portrait of Anatole France, in his library, surrounded by antiquities and books, signed in pencil by the artist, monogrammed and dated 1900 within the plate, etching, 33 x 45cm The sheet typically foxed in places, some surface marks; broad margins.
Lot 459
2 modern copper plate etchings to inc Anthony Dawson "The Whale - Southwold" and Charles John Watson "The Dropped Ball", the largest approx 36cm x 22cm, Kathleen Caddick (b. 1937) - "Houghton Mill" - hand coloured etching, limited edition 8/350 and signed in pencil, approx 67cm x 54cm inc frame and Qty of limited edition prints etc to inc Jeremy King print of Cothele Quay, other limited edition prints of the Thames near Maidenhead, Marlow & Caversham and a 3d display of a Norfolk Wherry by Brian Martin, the largest approx 81cm x 61cm (9)
Lot 383
A qty of various pictures and prints to include Graham Clarke (b.1941) a vintage limited edition coloured etching entitled "Mon Canari" signed and titled in pencil, approx 28cm x 26cm inc frame, Sheila Stafford - 2 vintage limited edition coloured etchings entitled "River Garden I & III" signed and titled in pencil, the largest approx 33cm x 33cm inc frame, A framed watercolour of autumnal leaves, indistinctly signed and a small watercolour of foxes signed Andrew (9)
Lot 751
JOHN BRUNSDON (1933-2014) 'BALE OAKS', a limited edition aquatint etching depicting a landscape, numbered 239/350 with Christie's Contemporary Art certificate verso, approximate size 47cm x 61cm, frame size 68cm x 82cm, Condition Report: the print is in good condition, metal frame is marked and scratched in places
Lot 754
TESSA BEAVER (BRITISH 1932-2018) 'TULIP TREE', a limited edition aquatint etching depicting a tree before a house, signed titled and numbered 5/125 to lower margin, approximate size 63cm x 52, frame size 70cm x 59cm, Condition Report: the print is in good condition, frame marked and scratched in places
Lot 986
HENRY HADFIELD-CUBLEY (BRITISH 1858-1954) 'SANDSEND, WHITBY', a row of cottages beyond a stream, signed and titled verso, oil on board, approximate size 43cm x 58cm, together with a David Mace artist proof etching 'Night Walk II', a Henry G Walker hand tinted etching and an over painted early 20th century photograph of a boxer
Lot 993
TWO BOXES OF ASSORTED PRINTS ETC, to include four Bernard Vogel Venetian scenes, a miniature Liz Bishop limited edition etching of Leeks, a watercolour of a river and foliage lined river bank signed A.B. Hathaway 1927, a reproduction David Cox print of the Horse Fair in Birmingham, a set of 50 John Player firefighter themed cigarette cards, Brooke Bond transport prints, poster for a John Piper exhibition etc
Lot 753
JOHN BRUNSDON (1933-2014) 'BEACHY HEAD', a limited edition aquatint etching depicting a coastal landscape, signed, titled and numbered 29/100 to lower margin, approximate size 40cm x 40cm including margins, Condition Report: the print is in good condition, frame is marked and scratched in places
Lot 992
A SMALL QUANTITY OF DECORATIVE PICTURES ETC, to include a Robert Massey watercolour winter landscape, two watercolours of cottages signed Kelly, an indistinctly signed watercolour house interior, watercolour landscapes by Ken Topman and E.M Jelf, a charcoal portrait of a seated male figure signed Petra ??, a modern Rembrandt etching, an abstract wall picture composed of Carnelian and Brazilian agate on copper, two abstract mixed media pictures etc
Lot 284
This stunning two-parts Venetian-style wall mirror captures the timeless elegance of traditional hand-crafted glasswork. Featuring intricate floral etchings and delicately hand-cut beveled accents, the mirror's design showcases a symmetrical frame adorned with raised floral motifs and polished rosettes. The ornate border is highlighted by alternating etched patterns and decorative bead-like elements, creating a harmonious blend of sophistication and craftsmanship. The top section showcases a scalloped design with a central loop, for mounting or to enhance its decorative appeal. The arching silhouette of the mirror is accented by unique floral medallions at its corners and center, while the hand-etched floral detailing evokes a refined artistry synonymous with Venetian glassmaking traditions. The decorative upper section of the mirror is characterized by its intricate design and hand-etched detailing. The centerpiece features floral etching, surrounded by curved mirrored segments adorned with repeating patterns of ovals and flourishes. Its impressive size and elaborate design make it a perfect statement piece for any space, whether used as a decorative centerpiece in a formal living room, an opulent hallway accent, or a luxurious vanity backdrop. Venetian mirrors are celebrated for their exceptional quality and meticulous craftsmanship, originating from the Murano glassmakers of Venice, Italy, dating back to the Renaissance era. This mirror's delicate floral engravings and intricate designs reflect the rich heritage of this art form. Mirror dimensions without top: 25"L x 43.50"H x 1.50"W. Top part mirror dimensions: 28.50"L x 1"W x 12.25"H.Issued: 20th centuryDimensions: In descriptionCondition: Age related wear.
Lot 2238
Collection of 11 interesting jazz vinyl LPs viz:- Eddie Henderson Inside Out Capricorn Records K57504 A1/B1 Curried Jazz, Indo-British Ensemble MFP1307 A1-G/B1, original inner sleeve Atlantic Bridge, Atlantic Bridge, gatefold sleeve, DNLS3014 A2*T/B1*T Joe Harriott Quintet and Sextet, JLP9375, black Jazzland label (JLP12 937B/937A) Laurie Holloway, Cumulus, Hobo Records HO503 (HO+503+A, HO+503+B) Milt Jackson and John Coltrane, Bags and Trane SD1368, Atlantic Records, Stereo, Japanese release with inner sheet (P6098 A2/?) Zoot Sims, Cookin! FJL123 (683 273 JCL) run out etching 683723 1420 Michael Garrick Quintet featuring Joe Harriott and Shake Keane, October Woman DA 33 Mono, yellow labels with silver printing (ARG 2688-1K, 2687-1K), cellophane wrapper still present, round green sticker covering another label on front cover Duke Pearson, Angel Eyes, 583 723, run out etching 583 723 A//1, B//1, a Jazz Art recording Nancy Wilson/Cannonball Adderley, a program of vocals and instruments by ......, SM1657, Capitol Records with special import sticker on cellophane wrapper (SM-1-1657-H12, SM-2-1657-H10) Graham Bond, Jack Bruce, Ginger Baker, Dick Heckstall-Smith, John Hiseman and John McLaughlin, "Solid Bond", Warner Records WS3001 stereo, double album in gatefold sleeve, run-out etching WS3001 A1/B2/A2/B1 *T Stereo Condition ReportLaurie Holloway LP - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges. No splits to spine, wear to the plastic coating on back of sleeve. The vinyl with minimal and very light surface scratches, too light to be felt with a finger. LP sits flat with no warping. The label on one side has two brown spots. General wear and tear. Atlantic Bridge - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, Vinyl in good condition, no deep scratches, LP sits flat with no warping. Solid Bond - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. Inside Out - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. Angel Eyes - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. General wear and tear on all, see photos.
Lot 2245
Molly Bullick (Irish, 20th century) Etching aquatint "The Blue Hare", limited edition, signed, dated '81, titled and numbered 5/35 within margin, framed and glazed, mount aperture 55.5cm x 33.5cm, together with a colour lithograph by the same hand "Seascape I", signed, titled, numbered 7/20, dated '79, framed and glazed, mount aperture 35cm x 46cm, a lithograph by Sheila Croacher, rural scene with dwellings, signed lower right, and an etching by Maggie Rowe of sheep in a field, signed and numbered 16/25 within margin, framed and glazed, mount aperture 16.5cm x 17.5cm (4)
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78388 item(s)/page