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André Masson, French 1896-1987- "Portrait of René Crevel", 1974/5; etching with aquatint printed in blue and purple, signed and numbered 32/100 in pencil, 25.5x19.8cm, (may be subject to Droit de Suite) Provenance and Note: with William Weston Gallery, 7 Royal Arcade, Albemarle, W1X 4JN; this from the edition printed at the Crommelynck Studio, Paris 1974/5, issued in the series `Rene Crevel, La Mysticite Charnelle` editions Georges Visat, Paris 1976
Mortimer Luddington Menpes NEA RBA RE RI ROI, Australian/British 1855/50-1938- Westminster Abbey; etching with drypoint, signed in pencil, 22.5x31cm: together with one other drypoint etching of the Duke of York Steps by the same hand, signed in pencil, 11x17cm: Charles John Watson, British 1846-1927- "Hotel de Ville, Arras"; etching with drypoint, signed and dated 1907 within the plate, signed in pencil, 25x17.5cm: together with one other drypoint etching by the same hand titled "St Pierre Lisieux", signed and titled within the plate, signed in pencil, 29.5x21cm: Hieronymus Cock, Flemish 1518-1570- View of a Classical courtyard with a fountain, after Hans Vredeman de Vries; engraving, signed within the plate, 20.5x25.5cm: together with three hand-coloured prints/bookplates by different hands, (8)
Attributed to Paul Sandby RA, British 1731-1809- "Cowes Castle, Isle of Wight, 1779"; brown pen and ink, titled and dated in pencil, 14x22.8cm Note: This sketch appears to be closely related to John Scott`s etching after Sandby, publ. George Kearsley, 1780, plate 81 from The Virtuosi`s Museum series, titled `Cowes Castle, Isle of Wight`
Tom Phillips RA, British b.1937- "Schism Skin Game"; serigraph in colours, signed and numbered 50/75 in pencil, bears publisher`s blind stamp, 55.5x39cm: Roger Selden, American b.1945- "Space One"; etching carborandum and aquatint printed in colours signed, titled, numbered 47/75 and dated 1983, 103x79.5cm, (2) (may be subject to Droit de Suite) Provenance: with LS Graphics, according to label attached to the reverse of the frame
* Salvador Dali, Spanish 1904-1984- "The Unicorn Laser Disintegrates the Horns of Rhinoceroses", from The Conquest of the Cosmos, 1974; drypoint etching on chromolithograph in colours, embossed, signed, inscribed `EA` in pencil, from an edition of 195 epreuves d`artiste, 74x55cm (may be subject to Droit de Suite)
Heidi Konig, German b.1964- "Homage to Mary Schaifer"; etching with aquatint printed in colours, signed, titled, dated `97 and inscribed `AP` in pencil beneath the plate, 49.5x49cm: together with two other etchings with aquatint by the same artist entitled "Sunwapta", signed, titled, dated `97 and inscribed `AP` in pencil beneath the plate, 49.5x49cm, and "Wabaso", signed, titled, dated `97 and numbered 29/50 in pencil beneath the plate, 49.5x49cm, (3), (may be subject to Droit de Suite)
Etching, Louis Icart, ZestFramed hand colored etching and aquatint, ``Zest,`` 1928, by Louis Icart (American/French, 1888-1950), pencil signed ``Louis Icart`` lower right, with the blindstamp of the artist lower left and publication line upper left, sight: 20``h x 15``w, overall: 26.75``h x 21.25``w. Catalogue Reference: (H., C. & I. 346)Start Price: $500
Etching, Edward Borein, BuckarooUnframed (matted) etching and drypoint, ``Buckaroo,`` circa 1920, by Edward Borein (American, 1872-1945), pencil signed ``Edward Borein`` lower right, pencil titled ``Buckeroo`` on mat, plate: 5``h x 4``w, paper: 7``h x 6.5``w, overall: 20``h x 13.25``w. Catalogue Reference: 60, GalvinStart Price: $500
PABLO PICASSO [SPANISH 1881-1973], ETCHING, 4 9/16" X 3 1/2" PLATE, PLATE 265 FROM "SERIES 347": no.21/50; pencil signed; print executed by the workshop of the Crommelynck Brothers, Mougins, France; 1968; 8 3/8" x 6 1/2" paper sight; framed. Ref. Bloch 1745. Provenance: purchased from Bowles/Hopkins, San Francisco, CA, 9-18-1984, certificate of authenticity in customer file.
L KIKAODEX (20th CENTURY) "Still life study of flowers in a blue vase", oil on panel, signed and dated 1985 lower right, AFTER A JAIQUEMIN "Fille a Bali", black and white etching, limited edition No`d. 7/30, signed and inscribed in the margin and a 19th Century chromolithograph depicting a young boy beside a bird`s nest (3)
IN THE MANNER OF MILES BIRKETT FOSTER "Children picking primroses in a wooded seascape", coloured lithograph, unsigned, AFTER MOERI "Rio de S Vio", black and white artist`s proof print, 20TH CENTURY SCHOOL "Two figures wearing masks with cats overlooking St. Mark`s Square, Venice", limited edition print No`d. 15/44, indistinctly signed in pencil in the margin, EARLY 20th CENTURY SCHOOL "John Cunes House, Edinburgh", black and white dry point etching, inscribed and indistinctly signed in the margin
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