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Lot 75
Vladimir Yankilevsky (Russian, 1938-2018)'Head I' from the album Anatomy of Feelings signed in Cyrillic, titled, dated '72' and inscribed 'EA' (lower edge)etching on paperplate: 29 x 25cm (11 7/16 x 9 13/16in); sheet: 49 x 60.2cm (19 5/16 x 23 5/8in).Footnotes:The present lot is offered with catalogue W. Schlott et al., Vladimir Jankilevskij. Radierungen: Anatomie der Gefühle. Stadt - Masken. Mutanten., Bremen, 1999.(2)ProvenanceAcquired by the present owner directly from the artist's studioIn 1970s, Vladimir Yankilevsky developed a strong interest in etchings. As a result, he produced the series Anatomy of Feelings, Mutants and City – Masks, with sensory experience as one of the main subjects. Previously taken by pure abstraction, in these works the artist develops an interest in anthropology. Many images of these sensual series possess expressive sexual connotations and confusing gender identities. This theme of absurd and surrealism was symptomatic of a breakdown of confidence of that period. Questioning of reality led to another exploration of figurative art. Dissident writer Andrei Sinavsky in his essay stated: 'a phantasmagorical art ... in which the grotesque will replace realistic description of ordinary life. May the fantastic imagery of Hoffmann and Dostoevsky, of Goya, Chagall and Mayakovski, ...and of many other realists and nonreality teach us how to be truthful with the aid of absurd and fantastic' (Abram Tertz (Andrei Siniavsky), On Social realism, New York, 1992, pp. 218-219).For further information on the album Anatomy of Feelings, including another impression of Head I, see W. Schlott et al., Vladimir Jankilevskij. Radierungen: Anatomie der Gefühle. Stadt - Masken. Mutanten, Bremen, 1999, p. 63.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 77
Mikhail Roginsky (Russian, 1931-2004)Two etchings: 'Tramway' and 'Mechanical flying horse' first: signed in Cyrillic and dated '76' in pencil (lower right), and also signed on plate (lower left); second inscribed and dated '76' (lower right)first: etching in back ink with bisque pigment on wove paper; second: etching and aquatint on wove paperfirst: plate size: 36.8 x 50.8cm (14 1/2 x 20 in); sheet size: 45 x 57cm (17 3/4 x 22 1/2in); second: plate size: 32 x 48.5cm (12 7/7 x 19 1/8in); sheet size: 46 x 57cm (18 1/8 x 22 1/2in).unframed(2)Footnotes:ProvenanceAcquired by an American collector in Russia, mid-1970s.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 241
London.- Havell & Son (Robert) London, taken near the New Custom House, River Thames panoramic view after T.S. Roberts, etching and aquatint with hand-colouring, sheet 440 x 690 mm (17 1/4 x 27 1/8 in), trimmed within the image, large repaired tear in upper section, further marginal repaired tears, some handling creases and surface dirt, most condition issues obscured under mount, unframed, T.S. Roberts, 1816.
Lot 73
Gibraltar.- Pye (John), after Adam Pynacker. Europa Point, Gibraltar, dedicated to the Right Honourable Francis Greville, Earl Brooke of Warwick Castle, etching and engraving, slight marginal creasing, trimmed along platemark otherwise a good example, 435 x 580 mm (17 1/4 x 22 3/4 in), John Boydell, 1773.
Lot 86
Middle East.- Menpes (Mortimer Luddington) Market scene, etching with drypoint, signed in pencil by the artist, on laid paper without watermark, platemark 175 x 140 mm (6 3/4 x 5 1/4 in), wide margins, some toning and surface dirt, minor handling creases, unframed, 1914; together with Charles W. Cain's etching 'Market Place in Baghdad', and an anonymous etching and drypoint of the pyramids, both unframed, 20th century (3)
Lot 1361
C G Murray, 19th / 20th c - The Minster Towers, Lichfield, etching, mounted to image, hand coloured, 44 x 30cm, English School, 19th c - Continental Street Scene, signed with initials M.E.M and inscribed, watercolour, 22 x 17cm and a 19th c print after a drawing by John Frederick Herring the Elder, in maple frame, a Victorian watercolour of a lake scene and a lithograph after James Watt - Steam Ship (5) Watercolour - exposure stained with hinge impressions. Maple frame and print in good condition.
Lot 1000
Frank Brangwyn, signed etching, figures loading a cart, signed in pencil, numbered 12, 12ins x 8ins, framedWe are not sure when exactly this was produced as there is no date written on it but it looks to be older than 1907 in our opinion.Overall in good condition, possibly trimmed down but still good margins.Some light foxing to the edges, signed in pencil
Lot 1133
Rowland Langmaid, signed etching, shipping on the Thames at Westminster, 4.75ins x 9.5ins together with a pair of oak framed coloured prints, Dutch canal scenes, two oval mounted coloured prints, girls in a landscape and portrait of a lady, 19th Century Continental (probably German) oil on metal, study of two boys eating fruit (after the antique), 9ins x 7ins approximately, gilt framed
Lot 116
Archer, John Wykeham "Vestiges of Old London, a series of etchings from original drawings ...", David Bogue 1851, plates with tissue guards of which there are 37, text accompanying each tissue guarded etching, marbled ep, half leather with marbled boards, rebacked, half leather with raised bands and re-cornered, repair to final page of text, folio, a.e.g. BOOKS NOT COLLATED UNLESS OTHERWISE STATED, PLEASE ENSURE YOU ARE SATISFIED BEFORE YOU BID
Lot 292
Hentie van der Merwe (South African 1972 - ) UNTITLED I MESSENGERsigned, dated 2008 and numbered 2/20 in penciletching and lithographsheet size: 37 by 28cmPROVENANCEWarren Editions, Cape Town, 2012Hentie van der Merwe explores themes of power and vulnerability, clearly represented by the masked hare in 'Untitled I Messenger' (Lot 292). Zhané Warren approached Van der Merwe with the intention of creating a series of prints, comprised of ideas from his musical theatre project. The 'Messenger' characters in his prints are inspired from the 'World of Nama' in Khoi folklore, which details the stories of personified African animals. 'Untitled I Messenger' is one edition of 20 prints and consists of a combination of etching techniques: aquatint, open bite, dry point and soft ground on paper. The artist's use of various printmaking techniques is to enhance the striking qualities of the 'Messengers' mask. Revealing and concealment are prominently seen in Van der Merwe's print 'Insatiable' (Lot 286). 'Insatiable' is defined as having spiritual or physical desires to the extent of never being completely satisfied. The letters of 'Insatiable' are camouflaged in variations of green, disguising and hiding the words in the silkscreen. The positioning and layering of the colours on the silkscreen act as clues for the viewer to identify and recognise the formation of the lettering. - E.K.Hentie van der Merwe, Hentie van der Merwe Biography, Accessed May 11 2021, http://www.hentievandermerwe.co.za/biography/Warren Editions, Hentie van der Merwe, Accessed May 11 2021, http://www.warreneditions.com/hentie-van-der-merwe/
Lot 576
After Archibald J. Stuart Wortley (1849-1905) DR W G GRACE AT THE WICKET,photogravure, published by Messrs. Manson, Swann and Morgan, Newcastle-upon-Tyne, 1st May 1891, printed in Berlin, 77 by 65cm. overall, minor wear to frame and some foxing to etching. A pupil of Sir John Everett Millais, Archibald J. Stuart Wortley was a portrait and sporting painter of considerable renown. This limited edition photogravure, signed both by Wortley and the Doctor, is based on an oil painting commissioned by the M.C.C. in 1888-90 by means of subscriptions which now hangs in the Long Room at Lord's.
Lot 580
F.P. Barraud and F.G.Stevenson, A CRICKET MATCH AT REPTON SCHOOL, published by Dickinson & Foster,1st October 1890, large etching depicting a cricket match being played in front of Repton School, signed by FP Barraud and FG Stevenson in lower margin, framed, & glazed, 62 by 76cm. overall, minor wear to frame, some foxing to etching
Lot 221
Edgar Chahine (1874-1947) A SEATED FEMALE TENNIS PLAYER HOLDING A LAWN TENNIS RACQUET, circa 1910,the subject wearing a bowler hat and tie, etching, signed lower right, mounted, framed & glazed, 58 by 33cm. overall, reverse bears typed details relating to the artist, good condition with little wear to frame and image Edgar Chahine was born in Vienna but later moved to France where in 1925 he became a naturalised citizen. He was the recipient of several medals and prizes for his works throughout his career including a Medaille d’Or at the 1900 l’Exposition Universalle.
Lot 558
Max Parsons A.R.C.A. (1915-1998), a watercolour of 'Princes Pier', Hull and three other Hull-related items,unframed, comprising two watercolours, 'Victoria Pier, Hull' and 'Hull Pier 1933' and a similar black and white etching, 'Hull Pier 1933', all signed front or verso, 23 x 30cm (Princes Pier) (4),
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71174 item(s)/page